Right now I dual boot windows 10 and fedora, windows for gaming, fedora for everything else. I'm considering running linux as my only native operating system, and running windows in a virtual machine for gaming. This will be more convenient than restarting my pc every time I want to play a game, and I'll feel better about having windows sandboxed in a VM than running natively on my computer.

To get gaming performance out of a virtual machine, I'm planning to have two gpus. One for linux to use, and one reserved exclusively for the virtual machine.

Have any of you set up a computer like this before? What was your experience like? How was the performance?

Expertise researcher Anders Ericsson on why the popular "ten thousand hours of practice to become an expert" rule mischaracterizes his research:

No, the ten-thousand-hour rule isn't really a rule

Ralf Krampe, Clemens Tesch-Römer, and I published the results from our study of the Berlin violin students in 1993. These findings would go on to become a major part of the scientific literature on expert performers, and over the years a great many other researchers have referred to them. But it was actually not until 2008, with the publication of Malcolm Gladwell’s Outliers, that our results attracted much attention from outside the scientific community. In his discussion of what it takes to become a top performer in a given field, Gladwell offered a catchy phrase: “the ten-thousand-hour rule.” According to this rule, it takes ten thousand hours of practice to become a master in most fields. We had indeed mentioned this figure in our report as the average number of hours that the best violinists had spent on solitary practice by the time they were twenty. Gladwell himself estimated that the Beatles had put in about ten thousand hours of practice while playing in Hamburg in the early 1960s and that Bill Gates put in roughly ten thousand hours of programming to develop his skills to a degree that allowed him to found and develop Microsoft. In general, Gladwell suggested, the same thing is true in essentially every field of human endeavor— people don’t become expert at something until they’ve put in about ten thousand hours of practice.

The rule is irresistibly appealing. It’s easy to remember, for one thing. It would’ve been far less effective if those violinists had put in, say, eleven thousand hours of practice by the time they were twenty. And it satisfies the human desire to discover a simple cause-and-effect relationship: just put in ten thousand hours of practice at anything, and you will become a master.

Unfortunately, this rule— which is the only thing that many people today know about the effects of practice— is wrong in several ways. (It is also correct in one important way, which I will get to shortly.) First, there is nothing special or magical about ten thousand hours. Gladwell could just as easily have mentioned the average amount of time the best violin students had practiced by the time they were eighteen— approximately seventy-four hundred hours— but he chose to refer to the total practice time they had accumulated by the time they were twenty, because it was a nice round number. And, either way, at eighteen or twenty, these students were nowhere near masters of the violin. They were very good, promising students who were likely headed to the top of their field, but they still had a long way to go when I studied them. Pianists who win international piano competitions tend to do so when they’re around thirty years old, and thus they’ve probably put in about twenty thousand to twenty-five thousand hours of practice by then; ten thousand hours is only halfway down that path.

And the number varies from field to field. Steve Faloon became the very best person in the world at memorizing strings of digits after only about two hundred hours of practice. I don’t know exactly how many hours of practice the best digit memorizers put in today before they get to the top, but it is likely well under ten thousand.

Second, the number of ten thousand hours at age twenty for the best violinists was only an average. Half of the ten violinists in that group hadn’t actually accumulated ten thousand hours at that age. Gladwell misunderstood this fact and incorrectly claimed that all the violinists in that group had accumulated over ten thousand hours.

Third, Gladwell didn’t distinguish between the deliberate practice that the musicians in our study did and any sort of activity that might be labeled “practice.” For example, one of his key examples of the ten-thousand-hour rule was the Beatles’ exhausting schedule of performances in Hamburg between 1960 and 1964. According to Gladwell, they played some twelve hundred times, each performance lasting as much as eight hours, which would have summed up to nearly ten thousand hours. Tune In, an exhaustive 2013 biography of the Beatles by Mark Lewisohn, calls this estimate into question and, after an extensive analysis, suggests that a more accurate total number is about eleven hundred hours of playing. So the Beatles became worldwide successes with far less than ten thousand hours of practice. More importantly, however, performing isn’t the same thing as practice. Yes, the Beatles almost certainly improved as a band after their many hours of playing in Hamburg, particularly because they tended to play the same songs night after night, which gave them the opportunity to get feedback— both from the crowd and themselves— on their performance and find ways to improve it. But an hour of playing in front of a crowd, where the focus is on delivering the best possible performance at the time, is not the same as an hour of focused, goal-driven practice that is designed to address certain weaknesses and make certain improvements— the sort of practice that was the key factor in explaining the abilities of the Berlin student violinists.

A closely related issue is that, as Lewisohn argues, the success of the Beatles was not due to how well they performed other people’s music but rather to their songwriting and creation of their own new music. Thus, if we are to explain the Beatles’ success in terms of practice, we need to identify the activities that allowed John Lennon and Paul McCartney— the group’s two primary songwriters— to develop and improve their skill at writing songs. All of the hours that the Beatles spent playing concerts in Hamburg would have done little, if anything, to help Lennon and McCartney become better songwriters, so we need to look elsewhere to explain the Beatles’ success.

This distinction between deliberate practice aimed at a particular goal and generic practice is crucial because not every type of practice leads to the improved ability that we saw in the music students or the ballet dancers. Generally speaking, deliberate practice and related types of practice that are designed to achieve a certain goal consist of individualized training activities— usually done alone— that are devised specifically to improve particular aspects of performance.

The final problem with the ten-thousand-hour rule is that, although Gladwell himself didn’t say this, many people have interpreted it as a promise that almost anyone can become an expert in a given field by putting in ten thousand hours of practice. But nothing in my study implied this. To show a result like this, I would have needed to put a collection of randomly chosen people through ten thousand hours of deliberate practice on the violin and then see how they turned out. All that our study had shown was that among the students who had become good enough to be admitted to the Berlin music academy, the best students had put in, on average, significantly more hours of solitary practice than the better students, and the better and best students had put in more solitary practice than the music-education students.

The question of whether anyone can become an expert performer in a given field by taking part in enough designed practice is still open, and I will offer some thoughts on this issue in the next chapter. But there was nothing in the original study to suggest that it was so.

Gladwell did get one thing right, and it is worth repeating because it’s crucial: becoming accomplished in any field in which there is a well-established history of people working to become experts requires a tremendous amount of effort exerted over many years. It may not require exactly ten thousand hours, but it will take a lot.

We have seen this in chess and the violin, but research has shown something similar in field after field. Authors and poets have usually been writing for more than a decade before they produce their best work, and it is generally a decade or more between a scientist’s first publication and his or her most important publication— and this is in addition to the years of study before that first published research. A study of musical composers by the psychologist John R. Hayes found that it takes an average of twenty years from the time a person starts studying music until he or she composes a truly excellent piece of music, and it is generally never less than ten years. Gladwell’s ten-thousand-hour rule captures this fundamental truth— that in many areas of human endeavor it takes many, many years of practice to become one of the best in the world— in a forceful, memorable way, and that’s a good thing.

On the other hand, emphasizing what it takes to become one of the best in the world in such competitive fields as music, chess, or academic research leads us to overlook what I believe to be the more important lesson from our study of the violin students. When we say that it takes ten thousand— or however many— hours to become really good at something, we put the focus on the daunting nature of the task. While some may take this as a challenge— as if to say, “All I have to do is spend ten thousand hours working on this, and I’ll be one of the best in the world!”— many will see it as a stop sign: “Why should I even try if it’s going to take me ten thousand hours to get really good?” As Dogbert observed in one Dilbert comic strip, “I would think a willingness to practice the same thing for ten thousand hours is a mental disorder.”

But I see the core message as something else altogether: In pretty much any area of human endeavor, people have a tremendous capacity to improve their performance, as long as they train in the right way. If you practice something for a few hundred hours, you will almost certainly see great improvement— think of what two hundred hours of practice brought Steve Faloon— but you have only scratched the surface. You can keep going and going and going, getting better and better and better. How much you improve is up to you.

This puts the ten-thousand-hour rule in a completely different light: The reason that you must put in ten thousand or more hours of practice to become one of the world’s best violinists or chess players or golfers is that the people you are being compared to or competing with have themselves put in ten thousand or more hours of practice. There is no point at which performance maxes out and additional practice does not lead to further improvement. So, yes, if you wish to become one of the best in the world in one of these highly competitive fields, you will need to put in thousands and thousands of hours of hard, focused work just to have a chance of equaling all of those others who have chosen to put in the same sort of work.

One way to think about this is simply as a reflection of the fact that, to date, we have found no limitations to the improvements that can be made with particular types of practice. As training techniques are improved and new heights of achievement are discovered, people in every area of human endeavor are constantly finding ways to get better, to raise the bar on what was thought to be possible, and there is no sign that this will stop. The horizons of human potential are expanding with each new generation.

-- Ericsson, Anders; Pool, Robert. Peak: Secrets from the New Science of Expertise (p. 109-114). Houghton Mifflin Harcourt. Kindle Edition.

Would there be a way to show the number of new posts on a topic since the last time you read it? I find a lot of threads tend to linger for a couple days, and I forget how many comments there were the last time I checked. It would be awesome if it could display something like '10 Comments (2 new)' on a topic I'd visited before.

It would also be awesome if there was a way to highlight the new comments on the page when you click through as well to make it easier to find them.

P.S.: Sorry if this has been covered somewhere else. Still not sure what the best way to find old topics without manually reading every post is.

Hi everyone, glad to see you here in week number 5! It's time for another classic record discussion: John Coltrane's A Love Supreme!

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with A Love Supreme. Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.

Don't forget to nominate and vote for next week's obscure record in response to this comment!

Primarily I use spotify premium since I am a student and get the sweet sweet $5 discount. I also tend to by vinyl records of albums that I have been listening to a lot so that I can help the musician/band. It's pretty nice because most vinyl comes with a digital download, so I can have a pretty high quality version on my computer. What clients do you use to stream music? Do you buy music? What do you think is the best way of obtaining music that is not pirating?

The price tag matters at first. It costs too much for a hobby. But day after day, as you imagine what you could do with that one little piece of gear, the weight of the number wanes and is replaced with the undeniable truth that you will eventually find a way to justify the expenditure.

What's your guiltiest gear? What was your justification at the time? How often do you use it now, and was the guilt worth it in the end?

fuck anybody who says my shit isn't cultured.

sorry if my language isn't okay on the site.

v drunk at the moment

here it goes anyway

enjoy.

or don't i guess,

either way.

j'en veux plus
exister
içi.

c'est impossible
à dormir
depuis

février quand
t'étais
parti

la bouteille
à remplacé
therapie

Tu m'as
donné pas de
sympathie

c'est parce'que
toi que je
ecris

tous les chansons
qui parle'd
mourir

ouais c'est
vrai q'je rêve
d'suicide

Je plonge
dans l'alcool
comme piscine

Daily still
wonder if
you miss me

Daddy still
gonna miss
his baby

I really miss
the way you'd
reassure me

comme

"Oauis, papa
c'est que tout va-t-
allez bien

Non, monsieur,
tu ne mourras pas
cette semaine.

Je vais, faire
sûr que je prends
soin de toi

I will love you,
cross my heart and
swear to God. "

"Oauis, papa
c'est que tout va-t-
allez bien

Non, monsieur,
tu ne mourras pas
cette semaine.

Je vais, faire
sûr que je prends
soin de toi

I will love you,
cross my heart and
swear to God. "

J'en veux plus
exister
sans toi

Je m'ai demandé
chaque nuit
pourquoi?

Tu m'as laiseé
completement
pantois

Je'm sens
maintenant
trop inadéquat

Would you like me
better if I had
some photoshop

Would you come to
visit if my breathing
ever stopped

Better yet, I
wonder if I'd rather
have you not

I just wish I had
some truth before
I fade to black

ouais, monsieur.

tu ne mourras pas
cette semaine

I know that users can manually set this option as default, but it can be confusing for newcomers to only see, say, 4 threads in the whole group when there are many more than that. This makes it easier to navigate content (especially with a smaller community with less being submitted), is two less clicks for someone who wants to see older submissions, and is easier for new users who may have not found the ‘time sorting’ setting.

I noticed that Tildes docs make a point out of using words instead of labels. The stated reason is that icons may be difficult to understand, and I honestly don't get how is this the case.

Icons, when used right, are much more usable and intuitive than any text labels. They are small, distinct, they draw attention and you can tell what they do just by looking at them instead of reading them.

Take the classic upvote/downvote scrollers used on Reddit, Imgur, etc. It uses icons for upvotes and downvotes, but there isn't a single person I know who doesn't know what those mean. It's intuitive and usable. It doesn't require localization. It just works.

In contrast, the "Vote (10)" button on Tildes. It uses text, on a page full of text. It's an important UI element, one of the most used UI elements really, but it's not visually highlighted in any way. The amount of votes, which is an important metric, isn't distinct, making it hard to read. The "text button" style it uses is usually reserved for buttons that are used rarely, such as "Edit" or "Delete", or buttons that open more menus, such as "Edit" or "Reply". It's not intuitive.

Yes, this is a minor thing, but it's minor things that make the overall experience pleasant or unpleasant. And it shows how icons (and highlights), when used right, make user experience better.

EDIT: Since a few people now have not realized how old this topic is before making a comment, see above date ↑. :)

My old PC's CPU (i7 930) started to critically fail after 8+ years of being overclocked from 2.8 to 4.0 GHz, so I decided to build a new one based on the Ultra-Compact Mini-ITX Gaming PC Build from TechBuyersGuru.

I went with Mini-ITX this time since my old PC was in a huge Antec P193 tower which weighs 16.4kg (36.2lbs) before components and so was a giant PITA to move around. The new Sugo SG13 case is roughly 1/7th the volume and initial weight so is much more convenient to move (but not build!).

p.s. I was unsure whether to post this 'buildapc' style content in ~tech or ~comp.... thoughts?

PCPartPicker Part List
^{Parts labeled incompatible are not... see "Notes" below in Build Process section.}
Salvaged from old PC:
GPU   -     $0 - EVGA - GeForce GTX 980 Ti 6GB Superclocked ACX 2.0+ Video Card
SSD   -     $0 - Samsung - 850 Pro Series 1TB 2.5" Solid State Drive
SSD   -     $0 - Samsung - 840 Pro Series 256GB 2.5" Solid State Drive
HDD   -     $0 - Hitachi - Deskstar NAS 4TB 3.5" 7200RPM Internal Hard Drive

New Components:
Case -   $72 - Silverstone - Sugo SG13B-Q Mini ITX Tower Case
Mobo - $190 - Gigabyte - Z370N WIFI Mini ITX LGA1151 Motherboard
CPU   - $325 - Intel - Core i5-8600K 3.6GHz 6-Core Processor
Cool - $114 - Silverstone - NT06-PRO 74.0 CFM Sleeve Bearing CPU Cooler
RAM   - $220 - Corsair - Vengeance LPX 16GB (2 x 8GB) DDR4-3000 Memory
PSU   - $175 - Silverstone - 600W 80+ Gold Certified Fully-Modular SFX Power Supply
M.2   - $143 - Crucial - MX500 500GB M.2-2280 Solid State Drive
M.2   - $143 - Crucial - MX500 500GB M.2-2280 Solid State Drive

Total:  $1382 (CAD)

Build Process w/ Pictures:

TL;DR - Behold my new Battlestation, IN ALL HER GLORY!!!

After saying goodbye to my old, heavy, oversized, Antec P193 case...
Unboxing the new one, which is almost the same volume as my UPS!...
And prepping all the new PC components for a photo op...
I began the arduous process assembling my new computer.

Everything went fairly smoothly to start. I installed the RAM, M.2 Drives, CPU and CPU Cooler before mounting the motherboard to the case, as instructed in the build guide. The CPU Cooler was a PITA to attach but that's no surprise as they always are.

Note: These "incompatible" parts listed on PCPartsPicker actually do fit together as the build guide said they would. However the RAM and CPU cooler fan are actually touching and I barely managed to squeeze them in together, so the build guide probably isn't lying when it said that particular low-profile RAM might be the only one that actually works with the cooler.

I then mounted the motherboard to the case and began slowly plugging everything else in. This was a particularly slow and frustrating process as I have pretty large hands and everything was incredibly tiny, in incredibly cramped positions, and required more finesse to get in place than I could muster with my fingers alone. As a result I wound up using long needle-nose pliers, including some bent-angle ones, to get most everything plugged in.

This is when I ran into my first major problem though... and one that was not mentioned in the build guide at all. The Case's front panel USB cable wouldn't fit in the motherboard with the CPU cooler fan in place. After trying fruitlessly to get the cable plugged in for 30min I finally gave up and decided to solve the issue the old fashioned way and it plugged in just fine afterwards. (Thanks for saving my ass yet again, Mr. Dremel!)

The other potential issue was due to the CPU cooler and case mounted PSU, which aren't supposed to work together, but once again as the build guide suggested they actually do... with a whopping 3mm clearance between them! At this point I also decided to swap out some of the ribbon power cables that came with the new PSU for some spare braided ones I had from another build since they are much nicer looking and allow for better airflow.

Note: The other supposed incompatibility listed on PCPartPicker is due to the fact that the case only officially supports 3x 2.5" drives or 1x 3.5" with 1x 2.5" but that's easy enough to get around, as explained below.

I also decided to cram an extra SSD under the front case fan, secured with double sided tape to the properly mounted SSD on the case floor panel. It worked just fine and allowed me to get my 3.5" 4TB HDD properly mounted on the underside of the top plate. Linus Tech Tips, in his similar Sugo SG13 build, even managed to squeeze 2 more SSDs above the PSU using double sided tape as well, so I guess that even leaves me with some room to expand my storage later. ;)

The rest of the build assembly process went relatively smoothly and once everything was hooked up, in position and plugged in, it booted straight into windows 10 (which was still on my old 1TB SSD). The moment when a new PC build gets past the POST is always a huge relief, however that momentary relief soon turned to dread as I quickly noticed a pretty big problem; The machine couldn't detect one of my new M.2 SATA drives.

After several hours of frustrated tinkering and much googling I finally found out the reason why, cursing PCPartPicker for not warning me and face-palming pretty hard for not having read the motherboard specs more carefully. It turns out that the Z370N motherboard actually only supports 1x M.2 SATA drive and the second M.2 slot is NVMe only. I had apparently just wasted $140+ on an M.2 SATA drive I couldn't use and my plans to configure them both in RAID 0 was shattered. But that's honestly not the worst part... in order to get the useless M.2 drive back out I had to basically FULLY DISASSEMBLE my entire build again since the NVMe M.2 slot is located on the bottom of the motherboard!

Despite the serious temptation to just leave it in there even though I couldn't use it, I wound up going through with the disassembly purely because I had a pretty good idea for how to actually make use of that second M.2 SATA drive based on something I saw on Linus Tech Tips a few months ago. So rather than leaving it in there or even returning it, after ordering myself the necessary enclosure I now have myself a pretty nice DIY 500GB Thumb drive. ;)

So several hours later after completely taking apart my new build, removing the bottom mounted M.2 SATA drive, and fully reassembling my build once again, I booted it up, it got past the POST and into Windows 10 again. I then reactivated Win 10 on the new hardware configuration (which was surprisingly painless compared to how it used to be where you needed to actually phone Microsoft) and then began the process of installing Linux Mint on the M.2 SATA drive I still had remaining.

Conclusion:
After several days of going at it now, I am finally done and my new computer is fully assembled, functional and ready to use. As always with building computers it was a bit scary, a bit painful, and more than a bit frustrating but ultimately well worth it. I couldn't be happier with the results and can't wait to overclock this bad boy when I get the chance!