I saw it on 70mm last night and loved it. The cinematography, effects, acting and sound design were excellent. I particularly liked Leguizamo's performance. Nolan's decision to have Odysseus feel...
I saw it on 70mm last night and loved it.
The cinematography, effects, acting and sound design were excellent.
I particularly liked Leguizamo's performance.
Nolan's decision to have Odysseus feel guilty over the Trojan Horse and to frame that break of the social contract lead to the fall of civilization gave a surprisingly fresh and timely take on the story.
My only complaint is that the movie is mean to dogs, from throwing puppies off a cliff to kicking an old dog, they deserve better.
Just saw it at an IMAX GT, so digital with laser projection, but same 1.43:1 screen. Definitely worth the trip for the experience. Some typical Nolan audio balance problems, and I had to put ear...
Just saw it at an IMAX GT, so digital with laser projection, but same 1.43:1 screen. Definitely worth the trip for the experience.
Some typical Nolan audio balance problems, and I had to put ear protection in because my watch was screaming at me. I'm rarely the first to want less bass...but the soundtrack is full of drones and 808s that are mixed higher than they need to be. (I, for one, am kind of tired of soundtracks that are full of ambient bwaaaa brrrrrrrr sounds.)
Other than that, it's cinematically stunning and the story is great. I also liked the focus on Odysseus's guilt over Troy and the concept of them being cursed by the gods.
That's awesome! I don't have a 70mm near me. I would need to take a day trip just to get to the closest one. So I watched it in AMC dolby cinema and really liked it as well. I loved the reveal...
That's awesome! I don't have a 70mm near me. I would need to take a day trip just to get to the closest one. So I watched it in AMC dolby cinema and really liked it as well.
I loved the reveal about Athena at the end. That reminded of the reveal at the end of the Dark Knight trilogy.
Honestly, not my famous Nolan work. The cinematography is good, and I understand that this is not intended to be an adaption of the Odyssey, as much as reintreptation of the story. Historical...
Honestly, not my famous Nolan work. The cinematography is good, and I understand that this is not intended to be an adaption of the Odyssey, as much as reintreptation of the story.
Historical accuracy aside, my biggest complaint is that there is a lack of setup in the first half of the movie. They spend a lot of time on Telemachus, but it's really important to the original story of the Odyssey that you get that the Greeks are like, seriously cursed by the gods for what they did in Troy. Without that backdrop, the first like 5-6 scenes of the movie just seem like random events occurring. It's like random set pieces from the odyssey occurring in sequence.
Now, I think Nolan went more for cycle of violence, rather than explicit gods, but in that case you need to put the scenes of Troy's destruction in front.
On history, I think they really missed the vibe of the movie. Maybe that's intentional, but it does make some parts of the story look pretty silly. Odysseus talking about how Agamemnon just wants access to trade routes, Penelope talking about her "years of experience on the throne" (does she have a linkedin too?), and oh god all the sea peoples references. I'm pretty sure descendants of Mycenaen greeks were part of the sea peoples based on evidence from Ramses. Mycenae fell much earlier than the sea peoples, most likely due to famine, extended drought, and earthquakes. Also, sea peoples is really how, like, Egyptians would talk about them.
I don't think Matt Damon did a great job as Odysseus either. He just, as the kids would say, doesn't have the aura. Honestly, if you didn't know the myths, you'd probably think Odysseus is kind of a dumbass from this movie. He just seems kinda wooden. Oddyseus either needs to have the majesty of a homeric hero or the wilyness of a trickster (preferably both!), and Matt Damon is just kinda Matt Damon.
Not a problem of the movie, but I found Tom Holland really distracting. Just looked like Spiderman in every scene. Robert Pattinson also felt like he was a character from Gladiator that got portaled to the wrong era.
Because of how generally grounded and sort of modern the movie was, some of the scenes definitely felt a bit silly. The Trojan Horse story in general is kind of silly if you're not in Homeric magic realism mode. That they made the cyclops just a monster and not someone that yaps with the greeks both eliminated one of Odysseus great tricks, and really just made him look like an idiot that whole set piece.
Also, were the random medieval European knights supposed to be Laestrygonians? Why do they have such advance metallurgy lmao?
Regarding Matt Damon: today my wife and I watched a trailer for this movie for the first time to see if we wanted to watch it, and I was surprised to see Damon. I LIKE Matt Damon, but he’s not...
Regarding Matt Damon: today my wife and I watched a trailer for this movie for the first time to see if we wanted to watch it, and I was surprised to see Damon. I LIKE Matt Damon, but he’s not Odysseus. Just makes me think of Team America
“MATT DAMON!”
I thought Matt Damon was ok for most of the movie but in my opinion was perfect casting for what happens near the end. Spoiler Alert When he was defeating an entire room of suitors I actually...
I thought Matt Damon was ok for most of the movie but in my opinion was perfect casting for what happens near the end.
Spoiler Alert
When he was defeating an entire room of suitors I actually exclaimed JESUS CHRIST IT'S JASON BORNE
I briefly considered not entering this thread because spoilers, but then I remembered it's the fucking Odyssey and I know the story beats since childhood. Not just having seen older Odyssey...
I briefly considered not entering this thread because spoilers, but then I remembered it's the fucking Odyssey and I know the story beats since childhood. Not just having seen older Odyssey interpretations (I want to say the 1997 film but maybe older too?), also having seen films like O Brother Where Art Thou more than a few times and I think I have a decent grip on the plot.
Point is: I think I'm here to see what others thought. The story will be the story, but the interpretation, cinematography, and acting is what makes it worthwhile or not.
I saw it last night and left the cinema feeling a little keyed up. What a movie, holy hell. Some parts of it were objectively terrifying. I love how the Cyclops was so much more abominable than in...
I saw it last night and left the cinema feeling a little keyed up. What a movie, holy hell. Some parts of it were objectively terrifying. I love how the Cyclops was so much more abominable than in other media; its proportions were reminiscent of the titans from Attack on Titan. It was a genuinely creepy monster. And then the body horror with Circe's transformations. That'll stay with me for a while. And the scene where they're on the boat in a storm, and it's basically impossible to see, except for almost painful flashes of lightning. It really gave me the sense of what it might be like to be on a boat during a night-time storm in that era. Like, it's obviously not a horror film, but parts of it really play to the horror genre's strengths. Even the bit where they're in the horse, and the soundtrack just turns into the overwhelming boom of a thumping heart.
Thematically, it was really interesting as well. There was all this glorification of Odysseus from everyone that knows or knew him, and the scenes from the sacking of Troy get replayed over and over as it's retold. But when it's recounted from Odysseus' perspective right at the end, it takes on a whole different tone and recontextualises the movie. He's traumatised, and experiencing complex PTSD. He still sees the face of and talks to a girl that was murdered in front of his eyes. He still sees the head of the statue falling to the ground. It's a masterstroke. Different from the source work, to be sure. But I think it was a brilliant twist.
Finally, I think it's interesting that Nolan's previous movie centres around a man who feels enormous guilt about his central role in fundamentally altering the world, and so does The Odyssey. I wonder if Nolan is moving on from time as his central motif?
Not sure if you noticed or not, but that was Zendaya playing Athena herself, and her being killed was the statue of Athena being destroyed at the temple of Athena after the greeks snuck the horse...
He still sees the face of and talks to a girl that was murdered in front of his eyes. He still sees the head of the statue falling to the ground.
Not sure if you noticed or not, but that was Zendaya playing Athena herself, and her being killed was the statue of Athena being destroyed at the temple of Athena after the greeks snuck the horse in as a peace offering to Athena, thus firmly bringing down the wrath of the gods upon them.
Oh no, I noticed that. I think my read on it is less that Zendaya is playing Athena, and more that Odysseus is having PTSD episodes about the priestess that was beheaded in front of him.
Oh no, I noticed that. I think my read on it is less that Zendaya is playing Athena, and more that Odysseus is having PTSD episodes about the priestess that was beheaded in front of him.
They show Zendaya being murdered, with an immediate cut to the statue of Athena's head being broken, Odysseus sees Athena multiple times throughout the movie and she speaks to him sometimes, so I...
They show Zendaya being murdered, with an immediate cut to the statue of Athena's head being broken, Odysseus sees Athena multiple times throughout the movie and she speaks to him sometimes, so I feel like it was just showing Odysseus just how badly the Greeks had screwed up in Troy
I didn’t like this as much as Oppenheimer. But it is really good. The scale of everything is insane. There’s so many moments where I have no idea how those things were shot. An interesting angle...
I didn’t like this as much as Oppenheimer. But it is really good. The scale of everything is insane. There’s so many moments where I have no idea how those things were shot.
An interesting angle this took is how kind of artsy and introspective everything feels. Where there’s an indie sensibility to large scale filmmaking.
This is the closest we’re gonna get to someone materializing what you see in your mind as you read The Odyssey. It is basically that story come to life without any big twist of, it’s The Odyssey but actually it’s high school kids going on a road trip, or whatever.
I think somewhere around the two hour mark I thought to myself, "I'm definitely going to watch the director's commentary." That's not something I ever really do, let alone think in the middle of a...
The scale of everything is insane. There’s so many moments where I have no idea how those things were shot.
I think somewhere around the two hour mark I thought to myself, "I'm definitely going to watch the director's commentary." That's not something I ever really do, let alone think in the middle of a movie.
I rewatched a bunch of Nolan movies to get myself excited for it, and while I don't think it cracks my top-3, it's definitely one of the best movie theater experiences I've ever had. Just the sound that the cyclops made was worth the cost of admission. I just love when a director hits that sweet spot between a thoughtful film and a big, fun popcorn blockbuster.
Also, having his other movies fresh on my mind, there were a few similarities that immediately stood out. One minor example was a shot of the side of the ship going over a wave, which was almost identical to a similar moment on the water planet in Interstellar. Another was Anne Hathaway's delivery of 'we're the sea people' which, again, was so similar to how she reacted to the revelation that there was no plan A in Interstellar. Then there's all the storytelling parallels, like Leo waking up on the beach in Inception, unsure of what's going on and trying to find his way back, the homecoming theme throughout Interstellar, or Oppenheimer wrestling with the devastating thing he did to end a war. I'm sure there's plenty of others for smarter people to point out.
I enjoyed it, but I find myself not being able to understand everything all the time: there was too much overlapping audio with low frequencies boosted so much the audio was muffled. Maybe it was...
I enjoyed it, but I find myself not being able to understand everything all the time: there was too much overlapping audio with low frequencies boosted so much the audio was muffled. Maybe it was just my cinema, but man I had to piece some bits together.
I had the same issue with some of the dialogue. One of Penelope's lines at the beginning was particularly hard to understand. Given Tenet's reputation (though I haven't seen that yet), that made...
I had the same issue with some of the dialogue. One of Penelope's lines at the beginning was particularly hard to understand. Given Tenet's reputation (though I haven't seen that yet), that made me brace for the worst early on. Most of it wasn't so bad, but there were a few more trouble lines throughout the movie. It made me glad that I already knew the basic story beats.
Saw it two days ago and enjoyed it. Unlike some of the other comments, my theater's audio was fine. I don't know why this is always an issue with Nolan films. I agree with some of stu2b50's...
Saw it two days ago and enjoyed it. Unlike some of the other comments, my theater's audio was fine. I don't know why this is always an issue with Nolan films.
I agree with some of stu2b50's criticism, especially about the pacing in the first act and how disconnected it felt. I learned to look the other way on historical inaccuracies a long time ago, so that didn't bother me as much as it will bother the classics lovers out there. The dialogue (which has always been Nolan's weakness) seemed really weird at first. It reminded me of an old play or poem, but with modern vocabulary. Very strange.
Things clicked around the 30-40 minute mark and I enjoyed everything after that. John Leguizamo, Himesh Patel, and Elliot Page were all great. Spider Man was fine, and Zendaya is always a welcome addition. There's an argument that this is a superhero movie, but I'll take it over any other superhero/comic book movie 8 days a week.
Now I just need to avoid the impulse to talk shit to a bunch of YouTube losers that deluded themselves into believing this would be a flop because of the casting decisions.
I just got out of it again. It moves faster the second time, like Oppenheimer did. But I think Oppenheimer feels faster than this despite being longer. Anyways, I have three casting issues and...
I just got out of it again. It moves faster the second time, like Oppenheimer did. But I think Oppenheimer feels faster than this despite being longer.
Anyways, I have three casting issues and only one of them is a big deal. And I’ll say who I think should have been cast instead.
First: Tom Holland. He really drags the movie down. He’s kind of just being Peter Parker in this, and he just looks so old lol. Like he looks older than Robert Pattinson. This wasn’t a “weird” casting choice, but even when Nolan’s casting is orthodox they sometimes don’t work. Like John David Washington in Tenet.
I would have recast him with Louis Partridge from the Enola Holmes movies. More youthful, fits the visual aesthetic better, would have given a more interesting performance.
Second: Elliot Page. Never cared for Page as an actor. Worst part of Inception. Trade em out for Fionn Whitehead from Dunkirk instead.
Third: Charlize Theron. Nothing specifically wrong with her performance, her face has a lot of plastic surgery that I think doesn’t mesh with the rest of the cast who look extremely natural. It’s kind of like Emily Blunt in Oppenheimer, to the point where it’s a bit distracting.
Replace her with Scarlett Johnasson who worked with Nolan on The Prestige and never did another film with him. She also could have replaced Blunt in Oppenheimer. Johansson just looks way more natural.
I wouldn't be unhappy in Zendaya stopped showing up in everything as well. This movie is possibly the most egregious use of star power and advertising I have ever seen, and in my opinion the...
I wouldn't be unhappy in Zendaya stopped showing up in everything as well. This movie is possibly the most egregious use of star power and advertising I have ever seen, and in my opinion the casting director should be exiled.
That being said, a few people definitely did well - I'd said Pattinson did the best job overall, there was some applause in the theatre when he died.
It would also be nice if for once they would make all the actors pretend to Greek, rather than have the British actors pretend to be American.
Yeah I’m more neutral on Zendaya in this role specifically. The only thing I’ve liked her in is The Drama, but it’s not like the role here was required to show emotion. If I’m knocking Holland...
Yeah I’m more neutral on Zendaya in this role specifically. The only thing I’ve liked her in is The Drama, but it’s not like the role here was required to show emotion.
If I’m knocking Holland off, then the stunt casting of having the most high profile celebrity couple in the world in the film becomes irrelevant. So then I’d put Jenna Ortega in the role.
I find that Chris’ work without Jonathan is all spectacle and benefits from another edit to trim the fat — much like that Interatellar fan edit. He’s a talented filmmaker, but he always tries to...
I find that Chris’ work without Jonathan is all spectacle and benefits from another edit to trim the fat — much like that Interatellar fan edit.
He’s a talented filmmaker, but he always tries to cram too much into the space instead of letting the scenes breathe.
That’s my view, at least. Many disagree. I also thought Fury Road was terrible, though, so who knows. :)
I did feel the pacing was too quick in parts of the film. There's not really anything I would cut from it though, so maybe it should have instead been 20 minutes longer. It's already nearly 3...
I did feel the pacing was too quick in parts of the film. There's not really anything I would cut from it though, so maybe it should have instead been 20 minutes longer.
It's already nearly 3 hours long, but if any film deserves to be 3 hours and 20 minutes, it would be The Odyssey.
Overall I really liked it. I wasn't very familiar with the source material going in, but many of the bits and pieces I've picked up through cultural osmosis fell into place while watching the film, and that was a good feeling. The non-linear story-telling annoyed me a bit at the start, but it grew on me. The battle scene at the end was bananas, but I have no idea how accurate it is to the source material.
It’s actually kind of surprising how little he changed structure wise, other than cutting out some chapters.
The battle scene at the end was bananas, but I have no idea how accurate it is to the source material.
Homeric poems have very little “battle scenes”. It’s more or less a list of X fought Y, Z defeated X. Odysseus also struggled much more in the film. In the poem, he’s a god amongst men and just slaughters everyone.
I loved seeing The Odyssey. A bit of context for my comment: I’m not a big Greek mythology buff. This means that I knew about all of the ideas, characters & events presented in the movie, but not...
I loved seeing The Odyssey. A bit of context for my comment: I’m not a big Greek mythology buff. This means that I knew about all of the ideas, characters & events presented in the movie, but not from primary sources. And I never spent time thinking & analysing them.
That being said, there is a great idea that I’m not sure if Nolan recontextualised or it was present in the source material: how big of an offence & destruction of customs and norms the Trojan horse was. This resonates very hard with the destruction of customs & norms we observe in Western society nowadays.
In the context of the world Nolan depicted, where Gods are the ultimate thing to worship & respect, abusing these norms for material gains is possibly the highest offence someone can bring to society at large, and obviously factors into the destruction of the social fabric & eventually downfall of their civilisation.
Since we find out Odysseus’ perspective about this at the very end of the movie, it does help explain the instances of mild “atheism” that he displays during the obstacles he & his men face post-Troy.
It's not really present at all. The Trojan horse is never presented as some kind of underhanded or unacceptable tactic. Trickery is as part of the hero's toolkit as strength. The Gods even help...
That being said, there is a great idea that I’m not sure if Nolan recontextualised or it was present in the source material: how big of an offence & destruction of customs and norms the Trojan horse was
It's not really present at all. The Trojan horse is never presented as some kind of underhanded or unacceptable tactic. Trickery is as part of the hero's toolkit as strength. The Gods even help Odysseus pull off the maneuver. Not only is it implied that Athena aids in the construction of the horse, but Poseidon kills two Trojans who realized what it was
While questioning Sinon, the Trojan priest Laocoön guesses the plot and warns the Trojans, in Virgil's famous line Timeo Danaos et dona ferentes ("I fear Greeks, even those bearing gifts")—Danai (acc Danaos) or Danaans (Homer's name for the Greeks) being the ones who had built the Trojan Horse.[11] However, the god Poseidon sends two sea serpents to strangle him and his sons Antiphantes and Thymbraeus before any Trojan heeds his warning.
abusing these norms for material gains is possibly the highest offence someone can bring to society at large
This is kind of absurd in the context of the period. Not only is this very common, and accepted (hell, the Gods do their fair amount of a-raping and pillaging), but like the Greeks do a whole bunch of rape and pillage on the entire way to Troy.
The entire conflict of the Illiad occurred because Agamemnon was throwing a fit and decided to take one of the slave-women Achilles collected - and the narrative is very clear that the moral issue is that Agamemnon, a king, unjustly took something from Achilles.
Also, Mycenae did not fall to the "destruction of social fabric", from archeological evidence it's believed that a long drought combined with an earthquake was the cause.
Nolan can reinterpret the movie as he wishes, I'm just noting that it's very much a set of anachronistic themes to the period.
Interesting, thanks for clarifying. Of course I wasn’t referring to the actual historical reasons for the Bronze Age collapse, but to the society as depicted in Nolan’s movie.
Interesting, thanks for clarifying.
Also, Mycenae did not fall to the "destruction of social fabric", from archeological evidence it's believed that a long drought combined with an earthquake was the cause.
Of course I wasn’t referring to the actual historical reasons for the Bronze Age collapse, but to the society as depicted in Nolan’s movie.
Someone described this as a very Christian movie for one about Greek myth and the way you're describing it makes me think that's an accurate perspective. The description of the gods and him...
Someone described this as a very Christian movie for one about Greek myth and the way you're describing it makes me think that's an accurate perspective.
The description of the gods and him "losing faith" despite literally being spoken to by an Olympian sounds it, at least.
I am meh about watching this, especially compared to seeing Hadestown, but I just keep hearing it lack the spirit I expect to see. (There is probably a Greek term for this that I can't think of) But I'll probably have to catch it just to put my finger on this thing I've seen described.
I’m not really the most critical movie analyst but I thoroughly enjoyed that, I watched it in 70mm IMAX. I definitely agree the audio mixing was typical Nolan but it was far better than...
I’m not really the most critical movie analyst but I thoroughly enjoyed that, I watched it in 70mm IMAX. I definitely agree the audio mixing was typical Nolan but it was far better than Oppenheimer. Cinematography did not disappoint and the 70mm aspect ratio just added to the sense of scale of various scenes in the movie. The whole cast worked well in my opinion too, I remember seeing a lot of angry comments around that when it was first revealed. Soundtrack was good but a little simple, could’ve been more orchestral or something else to also add to the grand sense of scale of certain scenes.
Apparently the RLM boys liked it, which is high praise for me. They are usually pretty great at looking at the actual quality and laughing at the culture wars from the outside.
Apparently the RLM boys liked it, which is high praise for me. They are usually pretty great at looking at the actual quality and laughing at the culture wars from the outside.
I saw it on 70mm last night and loved it.
The cinematography, effects, acting and sound design were excellent.
I particularly liked Leguizamo's performance.
Nolan's decision to have Odysseus feel guilty over the Trojan Horse and to frame that break of the social contract lead to the fall of civilization gave a surprisingly fresh and timely take on the story.
My only complaint is that the movie is mean to dogs, from throwing puppies off a cliff to kicking an old dog, they deserve better.
To be fair, the original story was not great for the dog either.
I do wish the film had lingered a little more on that beat than it did, though.
Just saw it at an IMAX GT, so digital with laser projection, but same 1.43:1 screen. Definitely worth the trip for the experience.
Some typical Nolan audio balance problems, and I had to put ear protection in because my watch was screaming at me. I'm rarely the first to want less bass...but the soundtrack is full of drones and 808s that are mixed higher than they need to be. (I, for one, am kind of tired of soundtracks that are full of ambient bwaaaa brrrrrrrr sounds.)
Other than that, it's cinematically stunning and the story is great. I also liked the focus on Odysseus's guilt over Troy and the concept of them being cursed by the gods.
That's awesome! I don't have a 70mm near me. I would need to take a day trip just to get to the closest one. So I watched it in AMC dolby cinema and really liked it as well.
I loved the reveal about Athena at the end. That reminded of the reveal at the end of the Dark Knight trilogy.
No one needs a spoiler for the Odyssey.
Edit: ...warning...
That's right, the back end is already perfect without a spoiler.
¯\_(ツ)_/¯
Honestly, not my famous Nolan work. The cinematography is good, and I understand that this is not intended to be an adaption of the Odyssey, as much as reintreptation of the story.
Historical accuracy aside, my biggest complaint is that there is a lack of setup in the first half of the movie. They spend a lot of time on Telemachus, but it's really important to the original story of the Odyssey that you get that the Greeks are like, seriously cursed by the gods for what they did in Troy. Without that backdrop, the first like 5-6 scenes of the movie just seem like random events occurring. It's like random set pieces from the odyssey occurring in sequence.
Now, I think Nolan went more for cycle of violence, rather than explicit gods, but in that case you need to put the scenes of Troy's destruction in front.
On history, I think they really missed the vibe of the movie. Maybe that's intentional, but it does make some parts of the story look pretty silly. Odysseus talking about how Agamemnon just wants access to trade routes, Penelope talking about her "years of experience on the throne" (does she have a linkedin too?), and oh god all the sea peoples references. I'm pretty sure descendants of Mycenaen greeks were part of the sea peoples based on evidence from Ramses. Mycenae fell much earlier than the sea peoples, most likely due to famine, extended drought, and earthquakes. Also, sea peoples is really how, like, Egyptians would talk about them.
I don't think Matt Damon did a great job as Odysseus either. He just, as the kids would say, doesn't have the aura. Honestly, if you didn't know the myths, you'd probably think Odysseus is kind of a dumbass from this movie. He just seems kinda wooden. Oddyseus either needs to have the majesty of a homeric hero or the wilyness of a trickster (preferably both!), and Matt Damon is just kinda Matt Damon.
Not a problem of the movie, but I found Tom Holland really distracting. Just looked like Spiderman in every scene. Robert Pattinson also felt like he was a character from Gladiator that got portaled to the wrong era.
Because of how generally grounded and sort of modern the movie was, some of the scenes definitely felt a bit silly. The Trojan Horse story in general is kind of silly if you're not in Homeric magic realism mode. That they made the cyclops just a monster and not someone that yaps with the greeks both eliminated one of Odysseus great tricks, and really just made him look like an idiot that whole set piece.
Also, were the random medieval European knights supposed to be Laestrygonians? Why do they have such advance metallurgy lmao?
Regarding Matt Damon: today my wife and I watched a trailer for this movie for the first time to see if we wanted to watch it, and I was surprised to see Damon. I LIKE Matt Damon, but he’s not Odysseus. Just makes me think of Team America
“MATT DAMON!”
Penelope doesn't know,
that Calypso and me,
did it on the beach every Sunday.
I thought Matt Damon was ok for most of the movie but in my opinion was perfect casting for what happens near the end.
Spoiler Alert
When he was defeating an entire room of suitors I actually exclaimed JESUS CHRIST IT'S JASON BORNEMatt Damon should have trickster experience since he played Loki in two different movie universes.
No I'm pretty sure it's his.
(Joke aside, thanks for the writeup)
I briefly considered not entering this thread because spoilers, but then I remembered it's the fucking Odyssey and I know the story beats since childhood. Not just having seen older Odyssey interpretations (I want to say the 1997 film but maybe older too?), also having seen films like O Brother Where Art Thou more than a few times and I think I have a decent grip on the plot.
Point is: I think I'm here to see what others thought. The story will be the story, but the interpretation, cinematography, and acting is what makes it worthwhile or not.
I saw it last night and left the cinema feeling a little keyed up. What a movie, holy hell. Some parts of it were objectively terrifying. I love how the Cyclops was so much more abominable than in other media; its proportions were reminiscent of the titans from Attack on Titan. It was a genuinely creepy monster. And then the body horror with Circe's transformations. That'll stay with me for a while. And the scene where they're on the boat in a storm, and it's basically impossible to see, except for almost painful flashes of lightning. It really gave me the sense of what it might be like to be on a boat during a night-time storm in that era. Like, it's obviously not a horror film, but parts of it really play to the horror genre's strengths. Even the bit where they're in the horse, and the soundtrack just turns into the overwhelming boom of a thumping heart.
Thematically, it was really interesting as well. There was all this glorification of Odysseus from everyone that knows or knew him, and the scenes from the sacking of Troy get replayed over and over as it's retold. But when it's recounted from Odysseus' perspective right at the end, it takes on a whole different tone and recontextualises the movie. He's traumatised, and experiencing complex PTSD. He still sees the face of and talks to a girl that was murdered in front of his eyes. He still sees the head of the statue falling to the ground. It's a masterstroke. Different from the source work, to be sure. But I think it was a brilliant twist.
Finally, I think it's interesting that Nolan's previous movie centres around a man who feels enormous guilt about his central role in fundamentally altering the world, and so does The Odyssey. I wonder if Nolan is moving on from time as his central motif?
Not sure if you noticed or not, but that was Zendaya playing Athena herself, and her being killed was the statue of Athena being destroyed at the temple of Athena after the greeks snuck the horse in as a peace offering to Athena, thus firmly bringing down the wrath of the gods upon them.
Oh no, I noticed that. I think my read on it is less that Zendaya is playing Athena, and more that Odysseus is having PTSD episodes about the priestess that was beheaded in front of him.
Wait, they murder Athena the actual goddess? Is that a visual metaphor or is Athena canonically dead in this universe?
They show Zendaya being murdered, with an immediate cut to the statue of Athena's head being broken, Odysseus sees Athena multiple times throughout the movie and she speaks to him sometimes, so I feel like it was just showing Odysseus just how badly the Greeks had screwed up in Troy
I didn’t like this as much as Oppenheimer. But it is really good. The scale of everything is insane. There’s so many moments where I have no idea how those things were shot.
An interesting angle this took is how kind of artsy and introspective everything feels. Where there’s an indie sensibility to large scale filmmaking.
This is the closest we’re gonna get to someone materializing what you see in your mind as you read The Odyssey. It is basically that story come to life without any big twist of, it’s The Odyssey but actually it’s high school kids going on a road trip, or whatever.
I think somewhere around the two hour mark I thought to myself, "I'm definitely going to watch the director's commentary." That's not something I ever really do, let alone think in the middle of a movie.
I rewatched a bunch of Nolan movies to get myself excited for it, and while I don't think it cracks my top-3, it's definitely one of the best movie theater experiences I've ever had. Just the sound that the cyclops made was worth the cost of admission. I just love when a director hits that sweet spot between a thoughtful film and a big, fun popcorn blockbuster.
Also, having his other movies fresh on my mind, there were a few similarities that immediately stood out. One minor example was a shot of the side of the ship going over a wave, which was almost identical to a similar moment on the water planet in Interstellar. Another was Anne Hathaway's delivery of 'we're the sea people' which, again, was so similar to how she reacted to the revelation that there was no plan A in Interstellar. Then there's all the storytelling parallels, like Leo waking up on the beach in Inception, unsure of what's going on and trying to find his way back, the homecoming theme throughout Interstellar, or Oppenheimer wrestling with the devastating thing he did to end a war. I'm sure there's plenty of others for smarter people to point out.
I enjoyed it, but I find myself not being able to understand everything all the time: there was too much overlapping audio with low frequencies boosted so much the audio was muffled. Maybe it was just my cinema, but man I had to piece some bits together.
I had the same issue with some of the dialogue. One of Penelope's lines at the beginning was particularly hard to understand. Given Tenet's reputation (though I haven't seen that yet), that made me brace for the worst early on. Most of it wasn't so bad, but there were a few more trouble lines throughout the movie. It made me glad that I already knew the basic story beats.
As a Belgian, luckily, all movies here are original audio + subtitled, otherwise I'd probably miss half of the movie lol.
Saw it two days ago and enjoyed it. Unlike some of the other comments, my theater's audio was fine. I don't know why this is always an issue with Nolan films.
I agree with some of stu2b50's criticism, especially about the pacing in the first act and how disconnected it felt. I learned to look the other way on historical inaccuracies a long time ago, so that didn't bother me as much as it will bother the classics lovers out there. The dialogue (which has always been Nolan's weakness) seemed really weird at first. It reminded me of an old play or poem, but with modern vocabulary. Very strange.
Things clicked around the 30-40 minute mark and I enjoyed everything after that. John Leguizamo, Himesh Patel, and Elliot Page were all great. Spider Man was fine, and Zendaya is always a welcome addition. There's an argument that this is a superhero movie, but I'll take it over any other superhero/comic book movie 8 days a week.
Now I just need to avoid the impulse to talk shit to a bunch of YouTube losers that deluded themselves into believing this would be a flop because of the casting decisions.
I just got out of it again. It moves faster the second time, like Oppenheimer did. But I think Oppenheimer feels faster than this despite being longer.
Anyways, I have three casting issues and only one of them is a big deal. And I’ll say who I think should have been cast instead.
First: Tom Holland. He really drags the movie down. He’s kind of just being Peter Parker in this, and he just looks so old lol. Like he looks older than Robert Pattinson. This wasn’t a “weird” casting choice, but even when Nolan’s casting is orthodox they sometimes don’t work. Like John David Washington in Tenet.
I would have recast him with Louis Partridge from the Enola Holmes movies. More youthful, fits the visual aesthetic better, would have given a more interesting performance.
Second: Elliot Page. Never cared for Page as an actor. Worst part of Inception. Trade em out for Fionn Whitehead from Dunkirk instead.
Third: Charlize Theron. Nothing specifically wrong with her performance, her face has a lot of plastic surgery that I think doesn’t mesh with the rest of the cast who look extremely natural. It’s kind of like Emily Blunt in Oppenheimer, to the point where it’s a bit distracting.
Replace her with Scarlett Johnasson who worked with Nolan on The Prestige and never did another film with him. She also could have replaced Blunt in Oppenheimer. Johansson just looks way more natural.
I wouldn't be unhappy in Zendaya stopped showing up in everything as well. This movie is possibly the most egregious use of star power and advertising I have ever seen, and in my opinion the casting director should be exiled.
That being said, a few people definitely did well - I'd said Pattinson did the best job overall, there was some applause in the theatre when he died.
It would also be nice if for once they would make all the actors pretend to Greek, rather than have the British actors pretend to be American.
Yeah I’m more neutral on Zendaya in this role specifically. The only thing I’ve liked her in is The Drama, but it’s not like the role here was required to show emotion.
If I’m knocking Holland off, then the stunt casting of having the most high profile celebrity couple in the world in the film becomes irrelevant. So then I’d put Jenna Ortega in the role.
I find that Chris’ work without Jonathan is all spectacle and benefits from another edit to trim the fat — much like that Interatellar fan edit.
He’s a talented filmmaker, but he always tries to cram too much into the space instead of letting the scenes breathe.
That’s my view, at least. Many disagree. I also thought Fury Road was terrible, though, so who knows. :)
I did feel the pacing was too quick in parts of the film. There's not really anything I would cut from it though, so maybe it should have instead been 20 minutes longer.
It's already nearly 3 hours long, but if any film deserves to be 3 hours and 20 minutes, it would be The Odyssey.
Overall I really liked it. I wasn't very familiar with the source material going in, but many of the bits and pieces I've picked up through cultural osmosis fell into place while watching the film, and that was a good feeling. The non-linear story-telling annoyed me a bit at the start, but it grew on me. The battle scene at the end was bananas, but I have no idea how accurate it is to the source material.
I know it’s a nolanism to do out of order stories but actual poem is pretty much 1-1, with Nolan adapting it directly rather than changing things.
https://standardebooks.org/ebooks/homer/the-odyssey/william-cullen-bryant/text
It’s actually kind of surprising how little he changed structure wise, other than cutting out some chapters.
Homeric poems have very little “battle scenes”. It’s more or less a list of X fought Y, Z defeated X. Odysseus also struggled much more in the film. In the poem, he’s a god amongst men and just slaughters everyone.
Arrow shoots through the axes.
"Why do I hear boss music?"
Large health bar appears.
I loved seeing The Odyssey. A bit of context for my comment: I’m not a big Greek mythology buff. This means that I knew about all of the ideas, characters & events presented in the movie, but not from primary sources. And I never spent time thinking & analysing them.
That being said, there is a great idea that I’m not sure if Nolan recontextualised or it was present in the source material: how big of an offence & destruction of customs and norms the Trojan horse was. This resonates very hard with the destruction of customs & norms we observe in Western society nowadays.
In the context of the world Nolan depicted, where Gods are the ultimate thing to worship & respect, abusing these norms for material gains is possibly the highest offence someone can bring to society at large, and obviously factors into the destruction of the social fabric & eventually downfall of their civilisation.
Since we find out Odysseus’ perspective about this at the very end of the movie, it does help explain the instances of mild “atheism” that he displays during the obstacles he & his men face post-Troy.
It's not really present at all. The Trojan horse is never presented as some kind of underhanded or unacceptable tactic. Trickery is as part of the hero's toolkit as strength. The Gods even help Odysseus pull off the maneuver. Not only is it implied that Athena aids in the construction of the horse, but Poseidon kills two Trojans who realized what it was
This is kind of absurd in the context of the period. Not only is this very common, and accepted (hell, the Gods do their fair amount of a-raping and pillaging), but like the Greeks do a whole bunch of rape and pillage on the entire way to Troy.
The entire conflict of the Illiad occurred because Agamemnon was throwing a fit and decided to take one of the slave-women Achilles collected - and the narrative is very clear that the moral issue is that Agamemnon, a king, unjustly took something from Achilles.
Also, Mycenae did not fall to the "destruction of social fabric", from archeological evidence it's believed that a long drought combined with an earthquake was the cause.
Nolan can reinterpret the movie as he wishes, I'm just noting that it's very much a set of anachronistic themes to the period.
Interesting, thanks for clarifying.
Of course I wasn’t referring to the actual historical reasons for the Bronze Age collapse, but to the society as depicted in Nolan’s movie.
Someone described this as a very Christian movie for one about Greek myth and the way you're describing it makes me think that's an accurate perspective.
The description of the gods and him "losing faith" despite literally being spoken to by an Olympian sounds it, at least.
I am meh about watching this, especially compared to seeing Hadestown, but I just keep hearing it lack the spirit I expect to see. (There is probably a Greek term for this that I can't think of) But I'll probably have to catch it just to put my finger on this thing I've seen described.
I’m not really the most critical movie analyst but I thoroughly enjoyed that, I watched it in 70mm IMAX. I definitely agree the audio mixing was typical Nolan but it was far better than Oppenheimer. Cinematography did not disappoint and the 70mm aspect ratio just added to the sense of scale of various scenes in the movie. The whole cast worked well in my opinion too, I remember seeing a lot of angry comments around that when it was first revealed. Soundtrack was good but a little simple, could’ve been more orchestral or something else to also add to the grand sense of scale of certain scenes.
Apparently the RLM boys liked it, which is high praise for me. They are usually pretty great at looking at the actual quality and laughing at the culture wars from the outside.