Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

I just finished watching it (pirated, because I wasn’t going to give Disney money after all the controversy regarding Taiwan).

Uhh, it.. was bad? I mean I’m usually pretty positive especially about all the Disney remakes, and I liked the general darker mood of this Mulan version. But what’s with the 90s era cgi physics?

Also, and I get the Mulan plot line is entirely about how ridiculous gender-gating is in general, but whew there is a serious case of The Stupids around a lot of the tradition, much more so than in the original. This felt very tropey to me, convenient idiocy. I mean yes okay this takes place 1200 years ago but …

I appreciated not seeing mushu, but the Phoenix could have just been a lot lot lot more subtle.

And I’ve never seen snow look so much like party foam. This is the same studio that produced Frozen?!

Man, this movie felt like it was written, produced and directed in 1998. I would say I watched the wrong one by mistake but the original was actually good for its time.

What happened, did I miss something? This could have been an amazing movie full of great music, awesome choreography, and a super dark take on the original. Instead, I watched the equivalent of a machine learning exercise in turning anime to live action.

Youtube Trailer : https://www.youtube.com/watch?v=aK-X2d0lJ_s
Netflix Link : https://www.netflix.com/title/81038963
Wikipedia page with plot summary : https://en.wikipedia.org/wiki/The_Old_Guard_(2020_film)

We haven't had one of these in a while, and given the amount of time people are spending indoors, I figured it might be good to share some movie recommendations.

I will post my own comment regarding some movies I've seen recently, but I wanted to also share some quarantine / pandemic movies that might be interesting given the strange times we find ourselves in. Warning: they are probably not a great way to take your mind off things, if that's what you are searching for, hence why I'm separating them from my other comment.

• Contagion (2011) - Probably one of the more relevant movies, and certainly on people's minds. It's an interesting worst case what-if scenario, and actually tackles some of the political struggle with organizing around a pandemic.
• Perfect Sense (2011) - Overshadowed by Contagion, which is arguably the better movie, but I liked the premise of this one: a disease that slowly takes away your 5 senses, one at a time. I didn't like the ending, but for a thought experiment it captured my attention. It threw in a love plot line which may or may not have been necessary when the reaction was more interesting, but it does help provide a ground floor experience of a more terrifying epidemic.
• It's a Disaster (2012) - I have somehow managed to miss watching this movie, despite it being on my watch list for some time. A comedy, which may come in use in this trying time, it centers around a group of friends who invariably become part of a self-quarantine at their house.
• Rear Window (1954) - A Hitchcock classic. Jimmy Stewart is confined to his NYC apartment due to a leg injury, and has all the time in the world to spy on his neighbors, where he becomes obsessive over a potential domestic dispute between a couple across the way.
• The Lighthouse (2019) - Superb acting by Willem Dafoe. Two men, a seaman fresh to the trade and a seasoned veteran, are servicing the sole lighthouse on a tiny island as part of a contract. They are forced to stay longer than either imagined due to a storm passing through them. They get at their wits end with each other and their sanity slowly falls apart. Beautifully shot in black and white and with authentic vernacular, it really transports you to a different time period.

Just finished Annihilation. Decided to share some random thoughts:

The film looks absolutely stunning. Perfect blend of beautiful and horrifying. But the characters… ugh. They are your classical horror film bunch of idiots. And, as per tradition with the modern sci-fi horror, they're supposed to be “scientists”. Bah.

It seems like both the screenplay and the visuals were heavily inspired by Roadside Picnic by the Strugatsky brothers, and possibly Andrei Tarkovsky's film adaptation, Stalker (1979), as well as a bit of his other sci-fi work, Solaris (1972), here and there. Honestly, if you like the idea of “alien shit twisting stuff around it”, and you like reading, you're way better off just reading Roadside Picnic.

Why didn't most trees change? The flowers, the moss, and the animals get all kinds of wild twisted colours and mutations, but the trees remain just green? That really bothered me. They also don't mention all this mutated flora and fauna going outside “the zone”, which, I assume, would be a giant issue.

That lighthouse would be so destroyed if it was really hit by an object of that diameter.

I found it ironic that the psychologist of the team was the one who was severely depressed. Here in Russia we call that a “barefoot cobbler” situation. But the way the film shows severe depression is pretty accurate.

Overall, I reluctantly enjoyed the film, but I couldn't stop thinking that all those visual effects and designs would be much more amazing in a Strugatsky bros. adaptation film.

• Trailer topic
• Wikipedia

I watched it last week. Fantastic movie. I don't watch many war movies (in fact this is one of my first ones), but I really, really liked it. I didn't even notice the two hours go by.

The one-shot effect is really well done, and I enjoyed trying to spot the transitions.

It's not an exceptional movie or anything like that, but it's one of the rare times I just went into the theater and came out exceedingly satisfied.

From Community to House of Cosbys to Rick and Morty, Dan Harmon made a name for himself as a comedy genius. IDK much about Justin Rowland, but I assume he's at least partly responsible for some of the most brilliant moments of Rick and Morty, and I'm not just talking about the jokes. Among other episodes, The Wedding Squanchers, The Rickshank Redemption, Pickle Rick, Rickmancing the Stone and Look Who's Purging Now show great mastering of how action scenes are supposed to work. They ally irreverence, great rhythm and creative use of violence to make delicious gory spectacles. Unlike the increasingly incomprehensible movie brawls of today (I'm looking at you, Marvel...), their battles can be just as fast, but their choreographs are dramatic and easy to follow while retaining a great degree of complexity.

Dan Harmon and his team have a lot to teach to Hollywood.

This is what you get when you search VUDU for free science fiction movies. The plot is banal enough. A spacecraft is discovered in Colorado that is 14,000 years old. A linguist and her lover are hired to read an inscription and then summarily paid and told to go home by the mysterious and unlikeable head of the project, Richard Kontral.

This description in no way does justice to how bad the script is. My first theory was that a rich father gave his fourteen year old son a chance to create a movie for his birthday present. But it's really just a low budget sequel to an obscure cult film called Moontrap.

The lead character, Scout, is played by Sarah Butler who evidently rose to wordly fame in I Spit on Your Grave. Every line that Scout says to the villain includes adolescent sexual insults. The villain is I believe a washed up actor from an old sitcom called The Nanny. This guy is really hard to watch, the acting is as bad as the script.

There's a scene of robots fighting that looks like it was choreographed with Rockem Sockem Robots, a toy from my childhood. If you're a collector of bad movies, this is a true gem.

It was tough to watch, but our free streaming was slim pickings that night. I wanted to watch Day of the Triffids a classic bad movie from the '60's , but got outvoted. At least that movie was based on an interesting SF novel by John Wyndham. Maybe tomorrow night.

Have you watched any movies recently you want to discuss? Any movies that you'd like to recommend or are hyped about? Feel free to discuss anything here!

Spoilers are okay, just give fair warning so people who care about them can participate too.

Have you watched any movies recently you want to discuss? Any movies that you'd like to recommend or are hyped about? Feel free to discuss anything here!

Spoilers are okay, just give fair warning so people who care about them can participate too.

Since we're fast approaching the second half of the year, I think it's a good time to look back on the first half, to the movies that came out this year and to share our favorites. I'm giving my favorite 10 (though in no particular order) but if more or fewer stood out to you and you want to share all of them, feel free! Blockbusters, indies, comedies, dramas, whatever stands out to you from 2019 so far. Don't feel pressured to write anything but the title or a basic synopsis if you don't want to.

• Apollo 11: Okay, I know I said this list isn't in order, but this one is definitely #1. It's history in motion, and its images and editing will surely be seared into my mind as the way I think of the Apollo launch.
• An Elephant Sitting Still: Technically came out in 2018 in some regions, but has a 2019 release in my country, which is the order I'm organizing this list in. A beautiful and heartbreaking journey into universal pain and suffering and catharsis in the tiniest things. At nearly 4 hours and with an oppressively melancholy tone, I struggle to recommend it to everyone and anyone, but if the description interests you, definitely give it a look.
• The Farewell: Hilarious and sad, often in the same moment. My love of this may well have been colored by my experiences as an immigrant under very similar circumstances as its main character, but it's an interesting look at differing cultural philosophies of the worth of the individual on their own versus their relation to society.
• The Last Black Man in San Francisco: A layered critique of gentrification and the personal individual obsessions that keep us from truly seeing it and other issues in our world as they happen. It's filled to the brim with things to say, sometimes to a detriment, and some of the screentime spent just showing the sad beauty of San Francisco could've been used to further flesh out some of its ideas, but I still found it extremely compelling all the way through.
• John Wick: Chapter 3- Parabellum: I think the John Wick movies get a little more bloat on them every entry(much like their titles, actually), but the action only seems to get slicker. I still like the balance of the world, character work, and action in Chapter 2 the best, but while I think 3 drags itself down into its lore a bit too much, its setpieces are still top of the line. I find Keanu endlessly killing people left and right to be incredibly cathartic. Should probably talk to someone about that.
• Burial of Kojo: This doesn't say "Netflix original" on it, but it does seem to be distributed by them in all the countries I checked, so I don't know what's happening there. Regardless, there's a good chance you'll find this on Netflix in your country. I'm willing to admit this movie is heavily, deeply flawed. It overtelegraphs many of its plot points repeatedly, for one. But I also think it is filled with a gorgeous charm. It's light fantasy and grounded fairy tale feels half Tarsem and half Guillermo del Toro, and I was captivated from beginning to end.
• Booksmart: I find the new crop of female led high school movies (Booksmart, Edge of Seventeen, Eighth Grade) to be far more relatable and interesting than the dozens of high school movies of decades prior. It feels like the hands of the filmmakers is more on the pulse of the struggles of modern kids. Booksmart is very much a heightened comedy compared to the other examples I mentioned, but it is great at it. It's hilarious, even if there's one scene in particular that goes on forever. The comparisons to Superbad are mostly warranted, and I still lie awake at night, sad at the fact that I saw this opening night and the theater was mostly empty.
• Dear Ex: The Netflix revolution of every indie movie ending up on streaming services and leaving the theaters to the blockbusters isn't quite happening at the speed originally anticipated, but it definitely seems like more and more of my favorites of the year end up being a streaming original. Dear Ex is a Netflix film about different people grappling with the loss of one man, and it shows the power of the individual to connect the lives of the people they love, and of the many tools we employ to try to get over losses in our lives.
• High Flying Bird: Yet another Netflix movie. Steven Soderbergh is one of the people who can make a bearable heist movie in this day and age imo, and he lends that gift to this to make a movie where the heist isn't money or jewels, but the basic rights of human beings being trampled on by a system that creates middle men to suck up money, leaving the real workers with pennies. It's shot on an iPhone, and there are moments where that seems like a limitation, but honestly, a lot of it looks really impressive.
• Ash is Purest White: This is Jia Zhangke well within his comfort zone, looking at the strain put on human relationships by the passage of time and the everchanging effects of globalization and shifting national landscapes. The World(2004) (aka Shijie) is still my favorite of his, and it is definitely an idea he's explored before, but his ideas and commentary on it have never failed me to keep me enthralled all the same.

I have a list of all the 2019 movies I see that I consider "good" here (29 films at the time of writing this) if anyone wants to take a look at all of them.

Thanks to @dubteedub for doing this up until now, let's bring em back :)

Have you watched any movies recently you want to discuss? Any movies that you'd like to recommend or are hyped about? Feel free to discuss anything here!

Spoilers are okay, just give fair warning so people who care about them can participate too.

I Am Mother is a sci fi movie centered in a dystopian future with a novel twist.

If you prefer neat, predictable endings, then this movie is probably not for you.

What is particularly interesting, is the movie is almost deliberately ambiguous, and it constantly challenges the usual assumptions you might make.

The final reveal subtly explains away some of the elements that at first seemed a little jarring or confusing. Other aspects are not fully explained. This creates enough space to construct some very interesting back story theories, while ultimately leaving you guessing.

I wasn't too sure whether that movie warranted a Discussion Thread, given only Endgame got one here so far but… hey, I really liked the movie.

The pokemon CGI was amazing. Storyline was not half-bad (not great tho); somewhat predictable although with a nice twist I personally didn't see coming.

I'm not even a huge pokemon fan or anything, but this took me back to my childhood quite a bit. I really like how they mostly featured pokemon from the original 151, which made the movie very approachable to old-timers.

It also didn't feel awkward or childish or cringey or anything you might expect from, well, a pokemon movie. Loved hearing the theme music in the TV background early on. Loved pikachu's singing, that was pretty hilarious, felt like a nice place for the movie to poke some fun towards itself.

Coming out, I was reminded of how I felt after seeing the Warcraft movie: Seeing characters that have played such a special part in my life, being brought to a full-feature live-action. It's really a unique feeling. I guess that's why I'm looking forward to both Aladdin and The Lion King coming out this year; even though neither were as special as Warcraft/Pokemon, I still get chills thinking about the unbelievable CGI quality we get for what a few years ago we'd never have thought would go beyond plain animation.

I tried to keep the post body mostly spoilerfree but this is tagged spoiler so I guess go nuts in the comments.

Spoilers for Solo follow - you have been warned.

So a year after it's release and months after it went up on netflix, I finally got around to watching Solo.

For context: for most of my childhood, I was a huge Star Wars buff. I played Star Wars: Galaxies growing up, I was in the massive crowd that saw The Force Awakens opening night, I spent the better part of 2 years as part of a prerelease community for Star Wars: The Old Republic. There was a time where I could name nearly every planet of consequence in the canon and knew most of the expanded universe's timeline.

But the new trilogy has been... well, nothing. I found it to be a mediocre, hole-filled mess most of the time, too busy being Disney's Star Wars^tm politically correct safe-kid to actually be good movies on their own. Rogue One was an enjoyable exception, but still not particularly amazing... but the point I'm driving at is, the last couple of years, I've pretty thoroughly come down from the Star Wars high.

When Solo came out, I assumed it would be more of the same - panned by critics, it was presumably going to be another politically correct, lackluster, rehashed or nonsense story, this time using Han Solo's name as a marketing tactic. No desire to see a childhood hero Anakin Skywalker'd, I skipped it, and didn't even care to watch it when it popped up on Netflix.

Tonight, out of pure boredom, I decided to give it a watch and was surprised to learn that I couldn't have been more wrong. Which is to say, I enjoyed the crap out of it!

It had romance! Snappy writing! Memorable, enjoyable, non-trope characters (mostly!) Although it had some of the same flaws as Rogue One (namely that it started to drag on), it also had something that Star Wars hasn't truly seen since the original trilogy: heart and soul.

More importantly, it did something that no movie in the franchise has done since the original trilogy, and actually engaged me with the story. And this is where the spoilers come in.

First, credit where it's due: although the story tended to go on and on, at no point did I feel like any of it was unnecessary - it just felt like it was too constrained by being a single movie.

I was invested in seeing an actual romance in the story (since apparently ONLY Han Solo can do that), which saw a satisfying, and rather complex resolution. The dirty, street-level setting and story was an awesome break from the epic, world-shaking conflicts that the movies have clung to until this point (or whatever the hell The Last Jedi was). It was powered by characters, and I appreciated that.

To top it off, the reveal of Maul at the end of the movie was totally intriguing, and (IMO) beats any other reveal in the series hands-down. I was a fan of his appearances in the cartoons, and seeing him on the villain's throne in a movie, I think, would've made for a much spicier and more intriguing story than whatever/wherever/whoever Snoke was. From getting his ass kicked by the Emperor for the plot, to getting beat down by ol' Ben (for the plot), the guy's a damn competent villain that still hasn't had a real shot.

Don't get me wrong, it had its flaws: as mentioned, it was REALLY long, and I don't mean to imply that every character was perfect, or that the plot wasn't totally ridiculous in places. But the story was good enough, and the movie enjoyable enough, that I could overlook it, and that's more than I could say about the movies that caused me to not see it in the first place...

Which, to my final point, is the greatest disappointment: with the cancellation of all the non-trilogy entries in the series, it's safe to assume that Disney's learned all the wrong lessons from Solo.

Rather than attributing it's A- performance to the point that people just haven't much enjoyed their epics, remembered what happened the last time someone tried to do an origin story in the series, or were feeling Star Wars fatigue, and didn't go to see it as a result, they'll blame the format, the story, the stakes, the setting, the characters - all the things that made the movie worth watching at all.

So, with Episode 9 coming out sometime this year and us presumably going to see a mediocre conclusion to what has at this point been a completely mediocre and forgettable trilogy (with lightsabers!), all I can say is, Solo sadly will stand out in my mind as the only movie in this era that carries on the legacy of the originals. I'm disappointed, more by circumstance than anything. I think, had Solo come out 5 years ago, it would've been hailed as the proper return to the franchise that it deserved to be, far more than any of the other franchise entries have succeeded in doing since.

What'd you think of Solo, Tildes? Am I stark raving mad?

Prometheus (2012), Alien: Covenant (2017), Life (2017), The Cloverfield Paradox (2018), you name it. Why is everyone in the team is a complete incompetent buffoon? Why is the science behind the films so bad? Why do the protagonists do stupid crap? The crew from Alien IV looks like geniuses compared to these people.

Am I the only one who is seriously disturbed by this trend?

For anyone who doesn't recognize Patience Phillips, she was Halle Berry's Catwoman in the most terrible superhero film - Catwoman (2004)...that I really enjoyed it. Probably because it wasn't well-received, it's often overlooked when talking about things like "the first female hero on screen" or "the first black hero..." sort of things. And technically, Catwoman's not a superhero.

Spoilers ahead. I'm also going to keep my points to the story and characters themselves. I honestly had no issues with any of the actors.

The good

• The theme and social commentary on make-up, beauty products, self-harm/addiction and image issues woman do face. The added layer of cooperate greed. The idea of what you see in the mirror vs. what others see (and if they're right), alongside what you want to present to the world or to specific people - honestly this movie has probably one of the best takes on "the cost of beauty" that I've seen in a while, and since.
• The scene where Tom thinks he's saving a jumper, but Patience is actually trying to save a cat. This random scene turns out to be a great storytelling scene when brought up again after Tom arrests Patience for murder and she asks him what he first saw the first time they met.
• Laurel is probably the most interesting character in this movie. There's a really well-framed shot of her photos being removed from her company lobby in favour of a younger model. I think it's one of the best scenes in the movie. Laurel is capable, powerful, rich and very accomplished, but somehow her relevance still fades as her beauty does. (I can honestly say I generally can't stand the evil step-mother wrestling with her fading beauty and taking out her bitterness on some young snow white-y girl, but this one worked for me.)
• I loved that Batman wasn't in it (but didn't really like that a love interest still had to be introduced).

The bad

• That she's call Patience Phillips...but honestly this is the warning to divorce this from any Catwoman or female superheros (or anti-heros) you know.
• Patience doesn't earn her "powers" - Selina Kyle (Catwoman in basically all other versions) works obsessively to perfect all her abilities. She's an insanely good cat burglar, not a magic cat.
• Patience doesn't earn or drive her own growth. There is basically no growth as a character. A magic cat ghost could have simply possessed Patience's body and the story would be the same.
• Oversexualization of Catwoman...which I didn't even know could be a thing until this movie. Black leather for a sexy Catwoman - awesome. Whatever the belt thing was - grossly missed the point while trying to copy Pfeiffer's patched up catsuit.
• I'm also not the biggest fan of make-over tropes in general.

The ugly

• The basketball scene - just everything about it.
• The hate that surrounded the movie because Catwoman wasn't blonde (or Michelle Pfeiffer), and that Batman's not in it.
• The physical punch-them-out fight scene between Laurel and Catwoman in the end - just why? This isn't a movie at all about physical strength, and having a "face like marble" isn't a real power. (To be fair, I don't like this showdown in really any superhero movie, with the exception of The Death of Superman.)

The cheesy

• The crazy cat-lady Patience goes too, and her tossing a cat toy at her
• The sushi eating scene
• The in case of date emergency kit her friends gave her.
• Laurel seeing her cracked beauty in the moment of a showdown fight
• The cat scratches on Tom
• Her best friend hooking up with her doctor
• The comparing signatures on the coffee cups
• Her Marvel-like comic book name

Final thoughts

So yeah...I would recommend this movie, and really hope that when they do make another Catwoman film that it might share some themes. Have you seen this movie? Did you hate it? Who's your favourite Catwoman? What would you like to see in a Catwoman movie?

Old stories are always being updated for lots of reasons, ranging from trying to appeal to new audiences to correcting toxic depictions to fitting better to the current social or political climate and more. There's nothing new there. However, one thing I find a bit odd lately, as in the last five years or so, is that a lot of this modernization is actually done pretty poorly in main stream media. We see more forced diversity, queerbaiting, and generally bad storytelling. Not totally sure how I'll do this yet, but I'm thinking of posting stories that stand out to me for better or for worst, starting with a classic.

There will be spoilers for both movies.

Cinderella (2015)

This is one I honestly didn't think worked at all. To be fair, I believe Disney's goal was just to sell a beautiful movie, and not a good story. This whole movie was gorgeous. It was also really boring, which I honestly believe is the greatest sin in storytelling.

Cinderella herself is "smarter" in this movie than the old classic cartoon. She's well read and has some agency, which honestly makes her more a damsel than the original cartoon for me. In the cartoon, she was an abused child that had no where to go. Her being trapped made sense. In the new one, she's sort of a fighter...who doesn't fight. I didn't get it.

Another issue is that Cinderella was really the only character they modified, which is why the story is still shallow.

Ever After (1998)

This is honestly one of the best modernization of the fairy tale I've ever seen. What worked for me, is that they fleshed out all their characters. Danielle, Henry, the stepmother, stepsisters, everyone! This makes for a much richer story, where characters themselves can be modernized, but still fit the time of the period piece. It's not about dropping a fourth wave feminist into an aged story, but about adding the dimensions that would have still existed then. Danielle is strong, well read, and obedient. Her servitude is not without reason. She's seeking a "mother", and her relationship with her stepmother is more than simply being a slave. The audience is shown the moments of kindness Danielle seeks from her stepmother.

My quick two-cents. I also find it interesting that Ever After came out over 15 years before Cinderella.

So what are you thoughts? Any good fairy tale adaptations you can mention?

It's Monday again, and that means it's time for Movie Monday, a thread where anyone and everyone is welcome to post a movie review about films that they've seen recently, or just liked or disliked in the past.

If you're wanting to post a review, I'd suggest reading trough Movie Monday: week 1 to read through the rules and what to write, but for the most part I'm trying to keep this as simple as possible.

The two rules that I do have are: So far, the only rules are:

All top level comments should be reviews. (if you have any questions or suggestions on how to do things differently, either send me a private message or post in the discussion thread I linked up above)

No spoilers in top level comments. Ideally any spoilers should be in children comments (with sufficient warning) if you wish to write a review with spoilers, make another comment below your top level comment and write the spoilers there. Anyone who doesn't want to know any spoilers should un-expand the comments at the top before they start reading comments. Hopefully this should allow discussion of both the film and the review without forcing people to see spoilers.

But other than that, happy Movie watching and have a great Monday :)

So since I'm a terrible person and all that I totally forgot to make this post last week so I've decided to wait a week and actually post on a Monday. For those of you that don't know what Movie Monday is, here is the post I made about it.

Basically I'd like to make a weekly post where myself and other users post comments on what movies they've watched recently and whether or not they recommend it etc. There's no specific format set out for the reviews, so feel free to write one any way you like, whether it's just a few sentences or a whole essay, we'll figure out what works best as we go along.

So far, the only rules are:

1. All top level comments should be reviews. (if you have any questions or suggestions on how to do things differently, either send me a private message or post in the discussion thread I linked up above)

2. No spoilers in top level comments. Ideally any spoilers should be in children comments (with sufficient warning) if you wish to write a review with spoilers, make another comment below your top level comment and write the spoilers there. Anyone who doesn't want to know any spoilers should un-expand the comments at the top before they start reading comments. Hopefully this should allow discussion of both the film and the review without forcing people to see spoilers.

I know the second rule is a tiny bit confusing, but like I said this is a learning process and we'll see what happens. Anyway have fun and happy film watching!

Anyone seen this? I heard about this movie on NPR and decided to check it out. Wow! It's a great, well told story that pulls a lot of discreet threads together. As an aside from the main story of a black cop infiltrating the Ku Klux Klan it also references racist media of yesteryear like Gone With the Wind and Birth of a Nation. There are several moments that wink at Donald Trump's talking points and policies. There was a lot of reaction from the predominantly black crowd I was in, the connection was certainly noticed.

And the end! Wow. Almost had me in tears, really brought me back to a year ago when I saw the Vice News on Charlottesville. I was in a theater in Richmond, VA about an hour from Charlottesville. You could have heard a pin drop right when the movie ended. I've never seen so many people get gut punched like that all at once. The timing of this movie was absolutely well thought out.

while its not the best star wars movie, it isn't the abomination that people make it out to be. its legitimately fun to watch and comfy with all its bad CGI.

Favorite star wars movies in order: IV, V, Solo, VII, I, VIII, VI, Rogue One, III, II

So this is something I've been thinking about doing for the last couple weeks, but I've been super busy working on a project and haven't had too much time, and I didn't want to start something if I couldn't commit to it. Now that my project is almost finished I've got more time to both watch movies and talk about them with random internet strangers, which is why I'm here now asking about a weekly movie review thread.

I watch maybe two or three films a week, but often struggle to find anything worth watching. And so for all of you out there with the same problem, I'd like to start a discussion thread where users post a movie review on one film they've watched recently and children comments are free to discuss the review, the movie, or just ask questions in general about the movie.

Here are some questions I have about how this would function, and I'd like your opinion on them.

Is this something that users here actually want?
Like I said earlier, I feel like this could be a helpful tool for people wanting to watch a few things but not knowing what to watch, but there are plenty of reviews and things like that out there, and this might not be something that users here want.

What should be included in the review?
To me what immediately comes to mind is a very imdb style review (with no spoilers) that comments on directing, acting, set, camera angles, etc. Maybe giving it a rating out of 10? How long should it be? I don't read a whole out of reviews though so I'm not 100% sure the best way to go about this.

How often should we have a discussion thread?
I'm thinking a weekly thread would be nice, probably on Monday for two reasons. First, it allows anybody who's busy over the week day but has some time off on the weekend for films and writing reviews to write one, and secondly, it means we can call it Movie Monday, which sounds better then Movie Tuesday :p

Any other questions or things that need to be discussed for this to work well?

For me personally I'm excited because I really like what they've done with the MCU. It's not perfect but I think they've done a fine job so far and would prefer them to have a go at the X-Men (and FF) franchise. As a long time fan the movies have been hit and miss with the Fox X-Men for me so far. For example:

Love:

First Class
X2
Logan

Like:

DOFP
X1
The Wolverine

Don't care for whatsoever:

Wolverine Origins
X3
Apocalypse

So really Fox did okay with the rights but not as good as they could have. The Fantastic Four specifically movies are laughable. Hell the Roger Corman flick was better than it's successors. I didn't even bother with the most recent as you could tell it was slap dashed together.

So what do you guys think?

I always had a little problem with Laura Charles in this 1985 cult classic.

At the beginning of the movie, Laura's manager is begging her to play a tape. He tells her a man named Eddie Arcadian will hurt him if he doesn't get it played. He is literally terrified and begging. You can see he is terrified.

Laura actually says to him, "My life isn't filled with all that...... Drama." That's how she says it, she pauses before the word drama. Think about how dismissive that is. He is scared for his life and tells her as much, and she just says something that dismissive. Then she berates him like it is his fault he is in the situation. And the kicker is, she says her life isn't filled with all "of that drama" for two reasons. She liked the idea of it. The idea of thinking she was this person with no drama. And because she didn't care because it didn't affect her.

So the movie goes on. Now Laura is in danger of Eddie. It was all because Eddie wanted the tape played. There wasn't any "drama" in her life that caused it. But does she stop and realize that? Nope. Does she for one second think, "Gee maybe it wasn't my manager's fault he was in this situation. I wonder if he is okay?" Nope. She suddenly cares because it affects her.

And then everything in the end works out for her of course. And we never know if Eddie killed the manager or what happened to him. Laura never even looked for him to even just apologize, let alone make sure he wasn't dead.

What are your thoughts?

This movie absolutely destroyed me.

To be fair, I am very affected by the sadness and trauma of others, so it's not surprising that this movie almost killed me. To borrow from a comment I made on another user's post "This movie was a 2 hour long gut punch, and the end was a fever dream." It was so very traumatic, exhausting, uncomfortable, and TERRIFYING. And traditional horror movies do not ever scare me.

My overwhelming feeling for most of the movie was profound sadness. This family torn apart, the horrible things they say and think... the panic attack that Peter has and when he asks his friend to hold his hand? That was one of the times I actually cried. His numb stupor after his sisters head gets knocked off by a telephone pole(!!!!!). His mother's screams when she finds her headless daughter in the back of the car. The desperation when Steve splashes Annie in the face with water. The two times (one reality, one dream) Annie says just awful things to Peter. Peter smashing his face into the desk. Peter screaming/pleading "Mommy!" as Annie tries to get into the attic after him. These are all times I felt overwhelming sadness. Tons of other feelings: anger, disgust, terror, etc. But huge amounts of sadness that I've never felt during other horror movies.

Let me preface this by saying I know what the director has said about his vision and "what the movie really means." But I've never cared about a movie enough to actually fundamentally disagree with the person who created it before. self-deprecating eyeroll

This movie as a straightforward demon-possession/ occult movie does nothing for me. The whole time I had no doubt that it was a family torn apart by mental illness and that devastated and terrified me.

I'm going to post my inexpert interpretation as a comment. It won't be a synopsis, but there will be oodles of spoilers.

*Edit: I thought the movie was great. I don't know if I'll ever see it again.

Boy howdy. This movie.

I like dinosaurs. A lot. Jurassic Park is probably my favorite movie of all time. So whenever a movie that focuses on dinosaurs comes around, I'll give it a look. I was stocked that the Jurassic franchise was coming back in 2015, and I went on my first date with my girlfriend to see it. So while it wasn't the best movie of all time, it holds a special place in my heart.

That being said, this movie kinda sucks. I managed to find a copy online to check it out, because I was worried about the quality and I don't have money to spend willy nilly, so I figured if I liked what I saw I'd just pay money to see it in a theater later. However, after watching it I can say that unless my girlfriend really wants to see this movie, I don't think I'll fork over the cash to watch it in a theater.

There are good bits to this movie, so I'll start there.

• The dinosaurs look fucking fantastic. Even though I was watching a shitty cam of the movie, I could see the quality, time, and love that went into each creature in this movie and the CGI meshed nearly perfectly with the animatronics that at times it was difficult to tell when one ended and the other began. They are the best they've ever looked.

• The Indoraptor, despite it's stupid name, is fucking cool. It was intimidating and scary, with a solid visual design. It stalked through the third act of the movie with malice and menace.

• Christ Pratt Christ Pratt's his way through this movie. Tons of charm as usual, though even he can't save this train wreck.

• There were a few beautiful shots and fun set pieces, with one shot in particular actually making me a little emotional. You'll know it when you see it.

• Several fun homages to the first film. Nothing special, but the way some parts were shot and framed had me going, "Oh, it was just like that in the first one!"

Now on to the bad:

• This movie has no sense of what it wants to be. Each of the three acts seem to come from entirely different movie ideas. It goes from serious to lighthearted to shockingly dark at the drop of a hat, and there's no real sense of coherence to the plot.

• The villains are cartoon characters and weak and pointless at best, and literally the stupidest mother fuckers on the planet at the worst. You'll know who I'm talking about when you see it.

• The side characters are all pointless and serve more as diversity ticks on some corporate stooges "Focus Group" checklist than as actual characters. Are you ready to see the same "Not Richard Ayoade from the IT crowd" black nerd "hack the mainframe" bit you've seen a hundred times before? How about "tough opinionated alt-chick"? who doesn't take shit and is totally capable? The actors are fine for their parts and I mean no disrespect to them, but their characters feel like such cookie-cutter "side characters" that I just finished the movie and have already forgotten their names.

• Speaking of side characters, the little girl in this movie is actually fine. She's a good actress and much less annoying than the kids in the last movie (and most of the kids in Jurassic Park movies for that matter), but they do something with her that is so baffling and out of nowhere that it just screams, "WE WANTED A TWIST BECAUSE THE KIDS LOVE TWISTS". It has no bearing on the plot at all aside from "justifying" a characters horrible and frankly nearly psychotic decision towards the end of the movie. Again, the young actress does a great job with what little she was given and I feel given a better script she can definitely shine.

Honestly, there's a ton of other little things I could nitpick at this movie for, but those above are definitely the biggest flaws I feel this movie has. You can tell that there as a solid idea behind this movie, but that idea got buried under a mountain of other ideas that were all meshed together into a weird goulash of a movie. This things reeks of "directed by comity".

Overall, there are so many eye-rolling moments in this film, coupled with a weak plot, dialogue, and side characters that even the always charming Chris Pratt and some killer dinosaur effects can't save it.

5/10. If you like dinosaurs and wanna see the best ones you're likely to get for a while, feel free to check your brain out at the door and enjoy at a matinee. Otherwise, don't expect to enjoy this movie if you're hoping for something more than Transformers without the sexism, racism, and dinosaurs instead of robots.

If ya'll have any questions, ask away. I'll try to avoid overt spoilers though, so I'll do my best to answer as vaguely as possible.

Solo is not doing so hot in the theaters right now, despite the good reviews. Here's hoping that positive word-of-mouth can save it. But what I've noticed online is a huge amount of people placing most of the blame on the divisiveness of The Last Jedi. While I never claimed that the Last Jedi was a perfect movie and it definitely has some serious flaws, I feel like the hate train for that movie is hugely overblown online compared to what actual people out in the real world think. So I figured I'd check in here and see what the general opinions are on The Last Jedi.

EDIT: shit, anyway I can fix that title?

Have any of you seen Solo? Possible spoilers if not.

Personally, I loved it. After having been dissapointed by The Last Jedi, Solo was refreshing, in my opinion it felt like a classic Star Wars film. I loved all the characters, including Ehrenreich's potrayal of Han which I fully bought.

Also the humour, compared to The Last Jedi, was far better. Whilst there weren't many laugh out loud moments, I was grinning throughout. And I far preferred it to the eye rolling cheesy jokes of TLJ.

And as someone who has watched the Clone Wars and Rebels series, I loved the reveal of that certain character.

Of course there were some cons, but they were relatively minor, in my opinion. The opening was a bit rough, and I got a bit confused at the end with the constant changing sides. And to be honest, I didn't really care for Marauders.

What did you guys think?