I am in the UK and would like a decent gig guide. I just Google artists I want to watch to see if they are on tour at the moment. I am not fused on the ticket master guide. Can anyone give me good recommendations?
Hi everyone, I haven't seen a post like this before, but figured I would give it a shot (since it doesn't look like the rules/Code of Contact prohibit it)
My fiancée is a huge fan of Taylor Swift, and although I'm mostly indifferent, seeing this concert is a big deal to her, but with the way US ticket sales are through Ticketmaster scalpers are off the charts, charging like $2000/ticket which is ridiculous
I was wondering if any other users here in the US (or North America) might have suggestions on where I could go, or what I could do to find tickets for us that might be more affordable. Most of the shows I go to now use DICE, which prevents scalping but clearly that's not the case with this show
I understand that her music may not be everyone here's forte (it's really not mine) but this would mean the world to her (fiancée) so I'm eager to find a way to make it happen
Thank you!
A few photos from last night's Cure concert in Montreal.
Growing up, live concerts wasn't really an option for me. Even if I hadn't lived in the middle of nowhere, I couldn't have afforded it.
This show was everything my teen goth heart could have wanted - a set list that combined their most popular songs with some newer tracks, and some deep cuts that don't usually make it to their live shows. The stage set up was basic but effective, with multiple screens divided by lights that were very effectively used to convey mood and tone. The merch was great too, each city has its own poster design. Montreal's was this adorable cat design.
The audience ranged from small kids with their parents, all the way up to the grey haired set, with everything in between. And for the most part, people weren't stuck to their phones filming - there were moments of snapping pics and taking short clips, but no one spent the entire show filming with their phones. I took maybe a dozen photos and 3 short clips of video, which is about standard from what I could tell.
The band also made the choice to price tickets fairly, disabled the bullshit "dynamic" and "platinum" ticketmaster mechanics, didn't allow reselling for more than face value, and restricted the tickets to mobile only so there was no resellers' market. I wish every band did this looking at you, Depeche Mode. Tickets in Montreal started at $31 Canadian, which meant it was accessible to just about anyone. My floor show seats were $175, well worth it to see one of my "bucket list" bands up close and in person.
Robert Smith made this show for me. He kept up some light-hearted banter in between songs, did some silly dancing while playing, and just seemed to be enjoying himself. At 64 years old, he's put on a little weight and has grey hair, but who hasn't by that age? He (and his bandmates, including Simon Gallup on bass!) performed an entire 2.5 hour set with only a few brief moments between encores, and his voice sounds as good as it ever has.
If you have a chance to get tickets and are wondering if you should, do it!
As somebody who loves live music and audience recordings thereof more than almost anything, I've always been quite a fan of listening to ROIOs—recordings of independent origin. I spend time every day finding new recordings, as well as making, mastering, and distributing my own.
Of course, the community of people that do this is very large indeed! And yet, I rarely see people discussing how they listen thereto in this digital era. It's hard to avoid being advertised one of the uncountable software solutions for listening to one's favourite albums, but no software seems to specifically cater to fans of live music to my knowledge, with the only options being either to bodge some metadata for every single live recording one has and treat each like an album, which drowns out actual albums (do I really want hundreds of live recordings of Godspeed You! Black Emperor or black midi amid their respective small number of released work?), takes a lot of work, and feels a bit silly, or one can navigate through a file manager and open a directory of a live performance in, say, VLC Media Player, which is functional if awkward and unglamorous.
I've always wondered how others approach this issue: how do you?