So, my background is in software, mostly but not exclusively web development. I used to do both front and back end stuff, as well as sysadmin things. I worked with graphic designers a lot, some amazingly skilled people from whom I learned the importance of getting things exactly right, visually. Exactly right. Every pixel has to be perfect, every aspect of a design thought through carefully and then polished to perfection. I'm eternally grateful for the things I learned from those people. Programming and systems admin adds a different dimension to the art of "Doing Stuff Right", that of every case being accounted for and every exception or problem caught before it happens. Beauty takes many forms, both in terms of visual design and in software too.

This focus on detail, on perfection, has carried over into my current work in the physical realm. Making stuff that is machine-perfect isn't so hard. Especially when using machines (although I don't have as many machines as I'd like). Near-perfect radiused curves or dead-square edges are do-able by hand, and ultra-high mirror finishes leave exactly nowhere to hide on the finishing front. A single tiny scratch will show up on a mirrored ring like a beacon, a slightly mis-soldered joint will be visible from metres away. That's fine, and I'm getting much better at it. I like that I don't consider something finished until it's as perfect as I can make it.

What I find hard, perhaps ironically, is wonkiness. Imperfection. It's partly due to my background via commercial design, partly due to my experience in programming - and I'm sure it's partly due to me just being rather uptight about getting things "right" (I don't see this as being too terrible a character flaw, if I'm honest..) I'm not saying everything I make is perfect, not at all - but it's what I aim for a lot of the time - everything smooth and square and tidy and "right."

Japan has the idea of wabi-sabi, the concept of beauty in imperfection. It's a very hard concept to translate into words, yet strangely it's very obvious when you see it. "wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect."

So I'm trying to be more wonky. This is the kind of thing I mean. (more, another example)

These were formed by hand from modelling clay, then cast in pure silver. At first glance I'm not 100% happy with some of the textures and tool marks on the surface, nor with the not-mirror-smooth interior, but making myself uncomfortable is part of the point of this. Without stepping outside where I'm comfortable, how will I ever progress?

But then, it turns out that the more I see it, the more I touch it's soft organic curves and see how the light reflects and scatters off it's slightly orange-peel-like surface, the more I like it. It's human, relaxing: it has a gentle, quiet serenity. Being made of pure silver rather than the harder sterling silver, it will pick up it's own textures and marks with wear, making each piece as unique as the person wearing it. Sometimes that isn't desirable in a piece of jewellery, sometimes it is. There's enough metal in these rings to not risk their structural integrity in wear (a standard wire-style ring in pure silver will bend and break very easily), so why not let it do it's own thing?

"if an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could be said to be wabi-sabi."]

It looks a bit lumpy and perhaps a bit sharp and pointy in bits but it's polished to feel soft and gentle. It's comfortable to wear, it's everything that machine-perfect is not - not that machine-perfect is bad, but there's more ways to beauty than perfect accuracy.

Another aspect to wonkiness that I'm trying to explore is that of lack of control. Making things the outcome of which is determined by factors other than me. With the clay-to-silver ring it's my fingers forming the clay, me (consciously or otherwise) guiding the shape. So I tried to find a way to take some of that control away.

Obviously just throwing a load of precious metal into a vice or a crucible or whatever isn't going to work, so I tried to set up a system where I could allow randomness to be present, but still having someone attractive come out the other side. With some heavy copper wire wrapped at intervals in fine silver wire, I let the blowtorch do the work, let the silver flow where it would. Obviously I still have some control over the output - I can choose where to apply heat or where not to, but it's a start at least.

With this technique, I made some bangles, seeing as I have a new bangle-mandrel (hey, I still need some machined help, right?). Here's how they came out

Again, like the rings before - the result is soft, unique, unpredictable. No two bangles are identical and never can be even if I wanted them to be, yet they all share common features. Just like nature, like trees or waves, clouds or even people.

I've noticed that I keep using the word soft. Metal isn't soft. Even polished metal isn't soft. It's solid, hard stuff. Why, then, do I keep going back to that word? It's because of the feeling these pieces evoke - machines are hard, people are soft. Emotionally, hard things are bad things, but soft things are nice. Nobody ever said "I can't wait to curl up in my lovely hard bed", and that's the kind of softness I think of when I look at these things. It's embracable, it's comfortable, it's like people or nature, not machines.

Have I found wabi-sabi? Do I even understand it to be able to know if I have? I don't know. I do know I've made some beautiful things using techniques and styles I haven't used before, and I've learned some things along the way, and for now at least, I think that's enough to be going on with.

Yeah, I guess this was a bit of a pretentious post. But I make jewellery. Some people even call it art (not me, but I am flattered and mildly confused when people say that about my work). I can be pretentious occasionally, surely?

Have you watched any TV shows recently you want to discuss? Any shows you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Fears grow over Nevada caucus malfunction (Probably as bad as Iowa. Not paywalled)

Another caucus is coming. But Nevada will look completely different (It will be far more representative than Iowa. Also they will use a Google Form so technical issues will be limited. Paywalled)

What we know (and don't) about the Nevada caucus 'tool' (Covers on the 'tool' that will be used to count the votes, potential backups in case of failure and a few other caucus related technicalities. Not paywalled)

As part of a weekly series, these topics are a place for users to casually discuss the things they did — or didn't do — during their weekend. Did you make any plans? Take a trip? Do nothing at all? Tell us about it!

This question has come up a few times now in the "Unofficial Tildes Chat" Discord server meta/curation channels, but I wanted to open up the discussion to ~tildes at large so we can perhaps finally get a more definitive judgement on it. So here goes:

What are people's thoughts on using the above topic tags in cases where a Tildes user posts something that they themselves have created, have hosted on their own site (or another), and/or could potentially profit from (monetarily or otherwise)?

Should only one of the tags be standardized on, or is there enough of a distinction between some of them for their use to be situational?

Should such tags be required?

Can anyone think of any better tags for such situations than the ones listed?

I don’t like my name, and I never really have. It has nothing to do with ‘tomf’.

My main questions are:

1. How did you go about choosing the new name?
2. How did you manage/roll out the new name?
3. What unforeseen challenges came up?

My main concern is that I’ll settle on a ‘cool’ sounding name and that people will think it’s weird. While I want something normal, I do have some parameters:

1. The name should be free for the .com and major social media
2. I don’t want a main ‘S’ sound, since I don’t like how I say it.
3. I am hoping to have something simple to use over the phone. I use ‘Tom’ for Starbucks and reservations because it’s clear, short, and not me.

Anyway, has anybody done this? Any feedback is great, but I am more focused on changing my first name.

Pardon the crappy tags.

Angry Scott Morrison accuses GM of letting Holden 'wither away' after taking $2bn in subsidies

For context: Holden is an Australian home-grown brand. It became a subsidiary of General Motors in 1931, but it started manufacturing cars in Australia from 1948. The 1950s FJ Holden is an Australian icon. The Holden Commodore was the family sedan for Aussies all through the 1980s & 1990s. Aussie car lovers fell into two tribes: Holden or Ford. If you ask any Aussie to name a few famous Australian brands, Holden will get a mention.

General Motors stopped manufacturing Holdens in Australia a few years ago, but they assured us that Holdens would continue to be made (albeit overseas) and sold here.

Now the brand itself is being axed, at the end of next year.

I was reading this twitter post and it made me wonder if you have any ideas to stop speeding by car drivers? Have any of these ideas been tried anywhere? I'm also interested in unintended consequences.

https://twitter.com/agnessjonsson/status/1229103764843438086?s=20

Agnes @agnessjonsson

fact of the day: Sweden once experimented with a “speed camera lottery”. Those who drove within the speed limit were automatically entered into a drawing where the prize fund came from fines that speeders paid.

They tested it in a few different cities and I haven’t read the results of each one, but in Stockholm the average speed on the selected road decreased by 22 percent.

Special thanks to Max Woolf and Project Gutenburg for resources, and the Brothers Grimm for such inspiring material.

The Fae in a Bottle

By Reverend William Howland

"Dear brother, thou seest the water
crystallizing, go and show it to the merchant. I will make him a
little bottle of water of the same kind; put it in a corner, and
not open it too quickly, until the reflection shall let him see it."

The merchant, who was standing behind the glass, said, "If that is
the case, I do not see why the name of the fountain should be
changed." "Why not?" asked the merchant. "Because my name is
Dummling." "Dummling, what is that?" "Is a rare and wonderful
name; I do not know how it is to have it." "If you do not see why
the name of the fountain should be changed," said the merchant, "I
will pay you three thalers." "There! now I see what is in my head;
I will pay you thaler, but you must wait until I come back."

Then he disappeared behind the glass. The poor man was forced to go back
on his begging; he had no more money but the three thalers which the
merchant had given him. He had long ago left the village, and wandered far
off, and when he came back, his brother had forgotten him, and thought,
"Why should I travel farther? I have not seen my brother." Then he came to
the town where his brother was again living. "Dear brother," said the
brother, "how are you? How are you getting on?" "Oh," said the brother,
"not well."

"Then just come and eat thy bread."

"That would be very good," said the brother, and went away.

He walked a long time, and came to a great forest. Then he said to his brother,
"Go and bring me with you to-morrow morning." "Nay," said the brother, "I
can't go. I have heard so many lies and stolen things from my brother,
and they have not served me very well, I see very well that they will
do me no harm." Then he went to the gallows, and told them that there
was a poor shivering, peering there from the window. "If you let me in,"
said the brother, "I will do you a favour. In grey hairs you can see
a piece of a horse's heart." So he went into the forest, and saw there
how a greyhound which was his neighbour, was dead. Then he was sad,
and made himself known to the brother. "Dear brother," said he,
"how are you getting on? What hast thou been saying there about
a piece of horse's heart?" "Ah," said the brother, "how can I say that
on the gallows, when I have not a drop of blood on me!" Then he gave him
the greyhound's heart, and had it put in his own. The brother felt for a
while in his pocket, and then he said, "I have a small bottle of wine,
and if thou art inclined to drink, thou shalt find the courage
to hold thy tongue." "To what use is the bottle put," said the
brother, "but to some end I should like to have a sip?" "To win the
Rosen Cup," said the brother with great joy. "To me that is enough,"
said the hare. "To thee alone, it is the most valuable thing that
the world possesses," said the brother. "To me, it is my most valuable
thing." "To me, it is my most valuable possession," said the hare. Then
he turned himself around and went to the gallows. "To-day it was
announced that the very gallows were to be, and to-morrow they were
to be," said the brother. "I do not know to which I should place myself,"
he replied, "but, to-morrow it will be to-morrow, and to-morrow
I will go." Then he was led to the gallows, and was once more there
in the place where he had formerly been. He again said to the greyhound,
"I wish you were still standing there." "To-day it was announced that the
very gallows were to be, and to-morrow they were to be." "I do not know to which I
should place myself," said the hare. "To-morrow it will be to-morrow, and
to-morrow I will go." Then he turned himself round and went to the gallows,
and was once more there in the place where he had formerly been.

"To-day it was announced that the very gall

(E/N: The story stops here abruptly, as the author ran out available memory. I wouldn't like to enforce my interpretation of the story upon it, so I'm leaving it as written.)

I read a lot (my wife gets mad at me because I read so much faster than her), and these days I do most of my reading on Kindle. Fortunately there are ways to do this for little or no money. If you're interested here are some ways to get more ebooks without spending a lot of money:

1. Project Gutenberg is the grandparent of free book sites, with 60K+ public domain works.
2. MobileRead has an entire forum for fresh uploads of public domain works in Kindle format (they have other formats too).
3. The Libby app (iOS/Android) makes it trivially easy to borrow ebooks from your local library.
4. The Hoopla app (iOS/Android) is another way to borrow from your local library.
5. The Library Extension browser add-on (Chrome/Firefox) will alert you when a book that you're looking at online (say, on an Amazon product page) is available at your local library. (This covers print as well as ebooks)
6. BookBub will send you a daily email with books that are currently on sale at the major ebook stores.
7. I'm not sure how I got into this one; I think it was when I registered a new Kindle for Christmas. But in any case, Amazon is currently in the mode of offering me a $1 ebook credit on every order I have shipped, as long as I'm willing to take non-prime shipping and wait a few days. As far as I can tell this option is available on every Prime order, so I shamelessly take advantage. Need a $4 USB-C cable to replace one that's fraying? Hey, I can get it a few days later and add $1 to my credits. Until they stop this, I'll keep breaking every order up into individual single-item orders. It's not even worse for the planet, because their warehouse software recombines everything into as few boxes as it can anyhow.