Lately I've been interested in different types of narrative structures, namely upon discovering Kishōtenketsu, the Japanese four-act structure and how it contrasts to the traditional western three-act structure.

Obviously narrative is not an exact science, and these structures are best thought of as guide rails to get you started, and a story can be told in so many unique ways. Which brings me to this post's title: The Bear.

The Bear has strong themes revolving around family and personal growth, that's for certain, but when it comes to narrative, it is very unique. Episode length can vary quite a bit, and so too can episode content. Episode 1 of the most recent season was a time-bending, heartstring-tugging montage. Episode 2 was essentially just a single conversation.

And while there are some episodes with a traditional narrative structure with a clear beginning, climax, and ending, I would say most episodes steer away from this concept. In fact, I'd go so far as to say that any sort of resolution is very rare in this show. Episodes, or even entire seasons can pass without many of the major conflicts or problems being resolved, which certainly adds to the high-pressure, anxiety-inducing mantra of the show as a whole.

I'd say The Bear leans heavily into the Slice of Life trope. Where we're being invited into brief glimpses of the lives of the characters, where relationships are complicated, problems aren't always solved, and life is simply messy and unorganized. The Bear doesn't follow any sort of formula that audiences would find satisfying (but that certainly doesn't mean it isn't enjoyable).

So, back to the question in the title. Does anyone know where I might read or learn more about the type of narrative structure that The Bear employs? Is there even a name for it? As innovative as the show is, is still has this certain air of nostalgia that reminds me a lot of Sopranos, which is another show that I believe breaks the mold of traditional story structure, especially in an episodic format.

Any insight would be greatly appreciated! Enjoy your day, and godspeed.

This is quite possibly one of the greatest struggles to writers: choosing a title. You'd think that writing a chapter or story would be the hard part, and to an extent it is, but somehow I almost always draw a blank at the title. Sometimes, I get lucky and a title just comes to me instantly. Usually though, I'm left staring at the top of the page after finishing trying to figure out what to call it. This doesn't just include the overall story, but even the title of individual chapters. Last year when submitting a short story for a contest, I had no clue what the heck to title it and ended up going with something like "Hawksbills and Ospreys" because the deadline was right there.

I know this is a common problem for writers. As someone who's active in the fan fiction sphere, the most common trick I see (and that I've used myself) is to pull a title from song lyrics or poems.

What about you? What are your tricks for trying to get inspiration for titles, and what sorts of "guidelines" do you follow to try to make them stand out?

Today is day three of my "war against writer's block"!
As I keep fighting with my proverbial pen, I hope that some day I'll be able to get out of my block and be able to write some real stuff like research paper or novel or story book.

What I realized today is that Word Power is a very important skill. A writer is essentially a Wordsmith or someone who carves and arranges the words and phrases into sentences, just as a sculptor or carpenter would do with wood or other raw materials. To be a better writer, you must learn to fall in love with words which is probably easier said than done - especially for us non-native speakers!

Having a regular habit or routine helps with this. Each time you come across a difficult word, you open the dictionary software or app and learn its meaning. It hardly takes a few minutes but it's a very useful skill as each new word you know of acts like a raw material or building block for your writing. Better still, develop linguistics as a hobby as mastery of grammar is equally important and so is learning about how languages, cultures and people basically work and interact at the core.

Apart from that, noting down right ideas as they come is also very important. For example, the idea about the Wordsmith thing occurred to me yesterday when I was having a cup of tea. I noted it on time (before it could vanish into the depths of that dark matter called subconscious mind and become irretrievable again!), and made a note of that on my computer so that I can write it in today's proverbial pen.

Even after having these basic tools and ingredients, you may not be able to write anything at all if you lack that focused energy or passion to write about a particular topic - be it a research paper, novel, story book or something else. You need to have that energy to write which I feel I'm lacking right now. I might be able to feel that energy some day as I continue with my battles, at least I hope so! Thanks for reading this and staying with me in these challenging times.

All writers are invited to take part in the newborn Tildes Writing Club! Let’s let the club organize as it grows, but as a starting point, I present loose, inclusive guidelines formed from the meeting of ideas in the last thread. (I was going to list aspects as separate replies for easier picking apart, but I guess I can’t make separate replies to the same post.) Feel free call out an aspect to compare it with a different approach.

Schedule

A thread will surface every three weeks inviting you to post your work. You may post your piece to the thread at any time before the next appears, but you risk missing out on readers. Finish and submit your critiques before the next recurring thread. (I declare this quite confidently for someone with no idea how recurring threads work.) Should the inaugural submission thread open on March 1?

Sharing

Reply to the recurring submission thread with a link to your work, which may be housed anywhere you like, including on Tildes. Prioritize venues that are not known to be aggressively anti-privacy (e.g., Google Docs). You may share a selection from a larger work, but your submission should not exceed 7,000 words. Shorter by half that is likelier to be read. There will be no minimum length. You may provide questions for readers in hidden expandable text, if you like.

Feedback

Critique participation will operate on the honor system. When submitting, you are encouraged to provide meaningful feedback to three pieces each cycle. These will be self-assigned. To assign yourself a piece, post a reply to it as placeholder. Assign yourself to pieces that haven’t yet been taken before signing on as a 2nd, 3rd, or 4th reader. That is, while there are still pieces without assigned readers (which will be apparent due to the lack of replies), take one of those first to ensure everyone is getting read. Naturally, you may leave critiques or comments in a free and unregulated fashion if you aren’t submitting work for critique this round. I suggest leaving feedback in the reply you created as placeholder. Others may have better ideas.

Themes / Forms

Hopefully, taking part in the club will motivate you to produce new writing. The community will suggest themes as inspiration after the posting of a submission thread. These could be chosen democratically, or by a rotating theme-warden, but should be mooted outside the submissions thread. I prefer themes to be extremely flexible, rather than a prompt: “Orange; Breathless; Common Parlance;” instead of “On Tuesday you discover the ability to control trains with your mind.” Submissions do not need to follow the theme. We might decide to have a round dedicated to poetry, but then again, why not gather an assortment of forms and genres?

Showcase and ‘Zine

As motivation for writers, and to benefit the wider Tildes community, I would like to see a periodic showcase thread highlighting the best of our work. It makes sense to post this separately, rather than just by tagging exemplary pieces, because most of us will want to improve our submissions with feedback in mind. @acdw has the idea of organizing a ‘zine to further showcase our best work. This, it seems to me, suggests wonderful opportunities for collaboration with visual artists. The schedule for both of these will have to depend on activity in the club.

Spirit

I hope for the club to be egalitarian, advanced by participants with good ideas and a flair for organization. Despite my failings, I hope to be such. To the degree that I can direct the energy of the group, I would like to give the following precept: Be generous. Writers, be a gracious guest in the minds of your readers. Be generous in your criticism. Don't abstain from lauding your favorites--that is important. At the same time, recognize that you compliment writing when you take it seriously enough to voice serious problems you may wish to see it avoid. Interpret criticism in the same spirit of generosity.

I've been re-watching Avatar: Legend of Korra, and I've always thought Bumi's crazy stories would be super interesting to go into more depth on how they actually happened (if his descriptions were indeed true to life).

Then I thought it would be fun to have a sort of creative thinking exercise where the set up is provided and you have to come up with the details of how the characters got to it. Can you make it work?

Top level submissions will be the end state. You should reply to those top level submissions with how the subjects / characters got to that point while using the information provided in the set up.

Example:

"Yo Johnny, you remember that time we talked our way out of getting arrested using my pet rabbit and a dead cell phone?"

Reply:

"Yea dude, that was wild. I was shitting bricks when he walked up to my window with all that weed we had in the trunk. If Fluffy Jorge hadn't been in the back and your allergy pills hadn't wore off that you wouldn't have been all glassy eyed and looking like you were crying. I don't think he would have bought my fake ass story about your family being in a tragic car accident earlier that day."

I'll provide a couple to get y'all started with, but if you have any good one's feel free to submit those as top level entries!

Special thanks to Max Woolf and Project Gutenburg for resources, and the Brothers Grimm for such inspiring material.

The Fae in a Bottle

By Reverend William Howland

"Dear brother, thou seest the water
crystallizing, go and show it to the merchant. I will make him a
little bottle of water of the same kind; put it in a corner, and
not open it too quickly, until the reflection shall let him see it."

The merchant, who was standing behind the glass, said, "If that is
the case, I do not see why the name of the fountain should be
changed." "Why not?" asked the merchant. "Because my name is
Dummling." "Dummling, what is that?" "Is a rare and wonderful
name; I do not know how it is to have it." "If you do not see why
the name of the fountain should be changed," said the merchant, "I
will pay you three thalers." "There! now I see what is in my head;
I will pay you thaler, but you must wait until I come back."

Then he disappeared behind the glass. The poor man was forced to go back
on his begging; he had no more money but the three thalers which the
merchant had given him. He had long ago left the village, and wandered far
off, and when he came back, his brother had forgotten him, and thought,
"Why should I travel farther? I have not seen my brother." Then he came to
the town where his brother was again living. "Dear brother," said the
brother, "how are you? How are you getting on?" "Oh," said the brother,
"not well."

"Then just come and eat thy bread."

"That would be very good," said the brother, and went away.

He walked a long time, and came to a great forest. Then he said to his brother,
"Go and bring me with you to-morrow morning." "Nay," said the brother, "I
can't go. I have heard so many lies and stolen things from my brother,
and they have not served me very well, I see very well that they will
do me no harm." Then he went to the gallows, and told them that there
was a poor shivering, peering there from the window. "If you let me in,"
said the brother, "I will do you a favour. In grey hairs you can see
a piece of a horse's heart." So he went into the forest, and saw there
how a greyhound which was his neighbour, was dead. Then he was sad,
and made himself known to the brother. "Dear brother," said he,
"how are you getting on? What hast thou been saying there about
a piece of horse's heart?" "Ah," said the brother, "how can I say that
on the gallows, when I have not a drop of blood on me!" Then he gave him
the greyhound's heart, and had it put in his own. The brother felt for a
while in his pocket, and then he said, "I have a small bottle of wine,
and if thou art inclined to drink, thou shalt find the courage
to hold thy tongue." "To what use is the bottle put," said the
brother, "but to some end I should like to have a sip?" "To win the
Rosen Cup," said the brother with great joy. "To me that is enough,"
said the hare. "To thee alone, it is the most valuable thing that
the world possesses," said the brother. "To me, it is my most valuable
thing." "To me, it is my most valuable possession," said the hare. Then
he turned himself around and went to the gallows. "To-day it was
announced that the very gallows were to be, and to-morrow they were
to be," said the brother. "I do not know to which I should place myself,"
he replied, "but, to-morrow it will be to-morrow, and to-morrow
I will go." Then he was led to the gallows, and was once more there
in the place where he had formerly been. He again said to the greyhound,
"I wish you were still standing there." "To-day it was announced that the
very gallows were to be, and to-morrow they were to be." "I do not know to which I
should place myself," said the hare. "To-morrow it will be to-morrow, and
to-morrow I will go." Then he turned himself round and went to the gallows,
and was once more there in the place where he had formerly been.

"To-day it was announced that the very gall

(E/N: The story stops here abruptly, as the author ran out available memory. I wouldn't like to enforce my interpretation of the story upon it, so I'm leaving it as written.)

Per @mrbig:

What is a logline?: a brief summary (25 to 40 words) of a story for film, television or book that states the central conflict and an emotional "hook", with the purpose of stimulating interest (Wikipedia).

A logline is evaluated not exactly for what a story is (since it does not contain a complete story), but for what it can be. Suggestions usually seek to maximize the dramatic potential of the idea.

Create a Logline, and you can chose to reply to others with your interpretation of how their stories would go.

Voting has closed for this week's topic.

The prompt is...

The Road Trip

Some questions to help you get started:

Who is the traveler?
Why are they traveling?
Where are they going? Are they going anywhere?

The questions are only meant to help you get started. Make it happy or sad, adventure or horror, romance or tragedy. Go where your imagination takes you. Don't feel constrained by what may seem to be the obvious response to the prompt.

Please keep your submissions between 1000-2000 words (for reference, this topic section is about 200 words), make sure to properly format to Tildes when submitting to the submission thread.

Submission thread will be created on Wednesday, Aug 29, EST.

Please feel free to use this thread to brainstorm or share ideas or post any other comments you have about the writing prompt group.

Have fun everyone! I can't want to see what you create!

Things I may change:

I may do away with topic voting if/until the group gets big enough, and I'll just post a weekly prompt.

Depending on the number of submissions, I may increase the max length.

This is week 0 of the Weekly Writing Prompt Group (WWPG). After asking about interest, I've decided to try running this. This is week 0, so I'm trying to see what works and what doesn't. Feel free to make suggestions!

Vote for the prompt you like most by adding a 'vote' to the prompt in the comments. Writers and non-writers, are encouraged to vote:

The Necronaut:
Who is the traveler in the after life? What do they see? Why are they there? Are they alone or part of a team? Was this an accident? or an organized, international endeavor?

An Audience of None:
Who is the performer? What are they performing? Are they truly alone? Is there a watcher after all?

The Road Trip:
Are they going towards or away from something? How are they getting there? What happens if they arrive? What happens if they return?

Vote closes tomorrow, Tuesday, Aug 21, 10AM EST.
Submissions will be accepted on Wednesday, Aug 29, EST (~9 days).

The questions are only meant to help you get started. Make it happy or sad, adventure or horror, romance or tragedy. Go where you want. Don't feel constrained by what may seem to be the obvious response to the prompt.

This will be different from other writing prompts in three ways:

1. You are encouraged to take your time with the prompt. After a prompt has been chosen, I will post another thread after a week for submissions to that week's prompt.

2. I will personally read and provide feedback to every submission in the submission thread. It will be more than just a "good job" or acknowledgement. I will highlight things I liked, didn't like, how I think things could be improved etc.

3. Selection of the prompt is open to everyone, even non-participants. I hope this will encourage the greater tildes community to follow the WWPG and to participate by reading and commenting on the creative works of the writers.

What I feel separates this style of prompt from others is that it encourages writers to let their ideas breathe and it provides a creative outlet for writers who may be intimidated by the faster nature of other writing prompts.

Another aspect that I feel makes this unique is the promise of feedback. I believe that if you take the time to really work on something, you should get something back. To make this possible, there are some things that I need from you:

1. The submission must be completely original. In the future I may post more fan-fictiony prompts, but I want to encourage brand new ideas from the writers.

2. Keep the length of your submissions between 1000 and 2000 words. This is to make it easier for me to read (as we continue I may extend the length). This should also keep you well within the 50,000 character limit.

3. Avoid shopping large tracts of your writing as the goal is provide new works on the submission date. However, feel free to brainstorm ideas.

4. Make sure to properly format to tildes. Feel free to also post your stories to your personal blogs etc., but I will only provide feedback for work posted in tildes.

One aspect of the Writing Prompts subreddit that frustrated me the most was that the submission that got the most responses was often the one that was submitted first. I found that in order to ensure that I got feedback and criticism, I often found myself rushing or submitting sloppy work so that I could submit first. Often times I would ignore prompts I liked because other posts had already taken off.

I’d like to try something here that addresses some of those issues. I imagine it working like this:

1. The first post would be a number of prompts that participants would choose from to be that week’s prompt.

2. After a prompt is chosen, I wouldn’t accept submissions for one/two weeks to give people time to develop their ideas and submissions.

3. A new post would be created for submissions for the past week’s prompt and providing a new list of potential prompts for the following week.

4. Go to 2...

So long as it is practical, I will read and provide feedback and constructive criticisms for every submission.

I hope this encourages people to develop fledgling ideas as they have the time to let their ideas breathe and they have the promise of feedback at the end of it.

Of course this isn’t meant to replace other casual writing prompts.

Edit:

For those interested a few questions:

1. Is one week enough time to write?

2. Would it be better for the writing time to include the weekend?

3. Would you be okay with certain restrictions like 1,500 words? Is that too many words? Too few?

Edit2:

Okay, I'll try to set this up!

Over the weekend I'll think up some prompts. Here's how I see it rolling out right now. Feel free to suggest other things as it's all fluid right now. I'm open to any and all suggestions.

1. Monday, Aug 20, I'll post three or four prompts. I'll leave voting up to participants? Or maybe allow the whole Tildes community to vote on the kind of story or theme they would like to read (hopefully to bring writers more feedback)?

2. Tuesday, Aug 21, I'll announce the weekly prompt. Remaining prompts with good support will be carried over to the following week? Remaining prompts with little support will be removed from the pool?

3. The following Wednesday, Aug 29, I'll open a thread for the past week's submissions and post a pool of three or four prompts to choose from.

Not sure how voting for prompts will work, I'm thinking of posting the possible prompts in the comments and using Tilde's voting system.

You're home alone and watching TV. Yawning, you tilt your head to loosen up the knots in your neck and out of the corner of your eye see a dark, fast, blur. When you focus on that spot, you can't see anything, so you turn back and continue watching. It happens again during a blink, but as you turn your head you almost catch it. Another round of this and you are positive you aren't going crazy, so you blink but turn your head as you open your eyes.

Shout-out to Mozzribo for the idea. I hope this is inspiring enough to the writers out there! If anyone is interested in doing a prompt next week just say so in the comments. Thanks everyone!

You are a legendary warrior, with a several decades-long reputation of tirelessly prevailing over hordes of monstrosities. In a sudden moment of clarity, you come to your senses in a psychiatric ward – a miraculous medication has been tested on you to counter your schizophrenia. As time passes, you begin to recognize the people and other things from your former psychosis.

[This is the first attempt at having a writing prompt at Tildes. It is too long to wholly fit in the title (only 200 characters permitted – nailed it exactly), so it had to be expanded in the text field.]

Edit: as per a suggestion in another thread, please feel free to be inspired only by the title text and use the additional info here only if You feel like it helps. I believe that if a prompt sparkles something that ultimately doesn't have much to do with the prompt itself, the goal of the prompt is still accomplished.