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3 votes
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The Bear narrative structure?
Lately I've been interested in different types of narrative structures, namely upon discovering Kishōtenketsu, the Japanese four-act structure and how it contrasts to the traditional western...
Lately I've been interested in different types of narrative structures, namely upon discovering Kishōtenketsu, the Japanese four-act structure and how it contrasts to the traditional western three-act structure.
Obviously narrative is not an exact science, and these structures are best thought of as guide rails to get you started, and a story can be told in so many unique ways. Which brings me to this post's title: The Bear.
The Bear has strong themes revolving around family and personal growth, that's for certain, but when it comes to narrative, it is very unique. Episode length can vary quite a bit, and so too can episode content. Episode 1 of the most recent season was a time-bending, heartstring-tugging montage. Episode 2 was essentially just a single conversation.
And while there are some episodes with a traditional narrative structure with a clear beginning, climax, and ending, I would say most episodes steer away from this concept. In fact, I'd go so far as to say that any sort of resolution is very rare in this show. Episodes, or even entire seasons can pass without many of the major conflicts or problems being resolved, which certainly adds to the high-pressure, anxiety-inducing mantra of the show as a whole.
I'd say The Bear leans heavily into the Slice of Life trope. Where we're being invited into brief glimpses of the lives of the characters, where relationships are complicated, problems aren't always solved, and life is simply messy and unorganized. The Bear doesn't follow any sort of formula that audiences would find satisfying (but that certainly doesn't mean it isn't enjoyable).
So, back to the question in the title. Does anyone know where I might read or learn more about the type of narrative structure that The Bear employs? Is there even a name for it? As innovative as the show is, is still has this certain air of nostalgia that reminds me a lot of Sopranos, which is another show that I believe breaks the mold of traditional story structure, especially in an episodic format.
Any insight would be greatly appreciated! Enjoy your day, and godspeed.
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How would you rewrite the ending of a show that had an unsatisfying finale, or imagine an ending to a show that was canceled prematurely?
Recently I've been rewatching GIRLS for the umpteenth time. When the series finale originally aired, it was a mini “Game of Thrones finale” situation. Fans were largely disappointed by the final...
Recently I've been rewatching GIRLS for the umpteenth time. When the series finale originally aired, it was a mini “Game of Thrones finale” situation. Fans were largely disappointed by the final episode, many disliking season 6 in general. It's one of my favorite shows, but usually when I rewatch it I either skip the very last episode, or I skip the entire final season, instead pretending that the season 5 finale was the ending of the show.
The finale of GIRLS hit a lot of marks for controversial finales. A few beloved characters were largely missing from the final episode/season or didn't get closure that people expected. The ending for the main character seemed to come out of nowhere (magically landing a dream job after struggling with employment the whole show,) and her overall arch didn't seem to align with her personality or anything that had happened up to that point. No one really got a happy ending, and the overall message or theme of the show seemed unclear, since many of the characters experienced very little growth over the course of the show, or they did actually experience some growth that was ignored when their conclusions were written.
I thought it might be fun to see if any of you have similar thoughts about any TV shows that didn't end the way you expected, or what you imagine would happen in fantastic shows that never even got an ending due to being canceled early. A few examples that come to mind:
- The obvious - How would you salvage the disaster conclusion of GoT? (I've seen so many takes online that manage to make it more satisfying.)
- I haven't seen Dexter, but I've heard that the ending was unsatisfying and clashed with what people expected from the main character.
- How could HIMYM have ended if the whole show wasn't instantly tranformed into a bait and switch with the finale?
- What would've happened with the characters on Freaks and Geeks, had that amazing show been allowed to continue for another season or two?
I intended to write about how I would want my example show to have ended, but honestly I'm stumped. Writing is hard! Especially if you don't have the luxury of planning the ending ahead of time, which I imagine was the issue for the writers of many of the classic "controversial finales." I'll probably add a comment about it after I come up with something.
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Endless Night (feature-film, logline)
What is a logline?: a brief summary (25 to 40 words) of a story for film, television or book that states the central conflict and an emotional "hook", with the purpose of stimulating interest...
What is a logline?: a brief summary (25 to 40 words) of a story for film, television or book that states the central conflict and an emotional "hook", with the purpose of stimulating interest (Wikipedia).
A logline is evaluated not exactly for what a story is (since it does not contain a complete story), but for what it can be. Suggestions usually seek to maximize the dramatic potential of the idea.
Title: Endless Night (feature-film, drama).
Logline (27 words): Death has until dawn to ensure his very survival by splitting a couple whose determination in preserving their toxic relationship threatens to shred the fabric of time.
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