Holy shit. Now that is what I call cinema. Somebody give Jonah Hill an Oscar already. The amount of times I felt a deep connection to his character is reaching uncomfortable. The only thing that felt like “too much” was Snorri, but luckily that didn't last long. Emma Stone was so human in this. Rome Kanda and Justin Theroux have amazing comedic moments.

Fucking 10/10. Absolute recommendation.

Attaching politics to a topic they wish to squelch. That effectively “controversializes” the issue and divides public opinion so that no more than half of people will typically believe or pay attention to the offending information.

https://thehill.com/opinion/campaign/405807-a-news-consumers-guide-to-astroturf-sources

Like millions of people, I have a router at home, with WiFi and admin passwords set up.

If an attacker request comes in, there are no port forwarding rules set, and the router should say "hey request from the internet, I don't know to which device you want to go, sorry I'll drop you then", and I'm secure. But I don't think it's that simple. If a packet from the outer network can attack my LAN without using port forwarding, how?

Which router settings should I be really looking for to make home LAN more secure? Or what are the keywords of network security to start with?

Identification of key films and personalities in the history of cinema from a Western perspective

Top 20 movies by influence centrality

1. The Wizard of Oz (1939)

2. Star Wars (1977)

3. Psycho (1960)

4. King Kong (1933)

5. 2001: A Space Odyssey (1968)

6. Metropolis (1927)

7. Citizen Kane (1941)

8. The Birth of a Nation (1915)

9. Frankenstein (1931)

10. Snow White and the Seven Dwarfs (1937)

11. Casablanca (1942)

12. Dracula (1931)

13. The Godfather (1972)

14. Jaws (1975)

15. Nosferatu, eine Symphonie des Grauens (1922)

16. The Searchers (1956)

17. Cabiria (1914)

18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

19. Gone with the Wind (1939)

20. Bronenosets Potemkin (1925)

inb4 John McAfee makes Anime real again

How do?

Since we're currently lacking native spoiler tags, I'd ask all of you to follow this scheme:
Post a top level comment with the title and episode number of the anime you want to talk about like this
**JoJo's Bizarre Adventure: Vento Aureo - Episode 1**
Then reply to those top level comments with your thoughts. This way people who haven't seen something yet or plan on binge watching once all the episodes are out can simply collapase the top level comment to not get spoiled ^.^

What do?

Simply post, discuss or joke about any currently airing anime you want. For Anime you've been watching that aren't currently airing refer to Cleb's weekly thread.

When do?

But what if the anime I want to talk about hasn't aired yet?

No problem, just post a comment here once the episode has aired, these threads aren't meant to last one single day.

Archive

Archives of these threads can be found at the unofficial wiki

What are some of the must-dos, must-installs, must-uninstalls, and must-alters of setting up a new PC? I'm getting my first new PC in 5 years on Sunday and the old one is really showing its age. I would like to avoid that as much as possible in order to keep the PC running smoothly as long as possible. I'd also like to optimize its performance and have useful software tools.

Thank you for any advice,
gbbb

Between the recent discussions on the Useful Shell Scripts thread, and some of the tangents on the Desktop Usability thread, I thought it might be an interesting idea to have a desktop screenshot sharing / unixporn thread where we talk about our setups, preferred applications, and share some pointers. This doesn't specifically have to be a Unix circlejerk though. If you have a Windows/Android/ChromeOS/TempleOS setup with some novel innovations, you're more than welcome to share too.

Oops, just noticed I didn't post this week! My mistake.

What have you been listening to this week? You don't need to do a 6000 word review if you don't want to, but please write something!

Feel free to give recs or discuss anything about each others' listening habits.

You can make a chart if you use last.fm:

http://www.tapmusic.net/lastfm/

Remember that linking directly to your image will update with your future listening, make sure to reupload to somewhere like imgur if you'd like it to remain what you have at the time of posting.

Since Tildes participants generally come from nations with legal systems based on English common law or otherwise requiring jury trial for criminal cases, I'm curious what, if any, experience others have had of serving on juries, trying cases before a jury, or facing a jury as a defendant.

I was unable to participate as fully in this discussion as I would have liked, as I was called to jury service on a child molestation case this week. I'm deeply saddened to say that it was the second time I've served as a juror for judgment on an accused child sex abuser.

That case is now concluded, we returned a guilty verdict today, and I'm at liberty to discuss it if questions arise.

One of the startling things about this case was the huge jury pool called - sixty people, of whom only 8 were seated (6 jurors and two alternates, and we weren't informed as to who the alternates were). The dismaying detail was that of those sixty people, representing a very diverse county, the selected jury pool consisted of 7 white, middle-aged, college-educated, relatively affluent women, and one older white man.

In the U.S., the right to a trial by jury is foundational - it's specified in the Sixth Amendment to the U.S. Constitution as follows:

In all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the state and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the assistance of counsel for his defense.

Though it's not commonly considered as such, the U.S. civic duty to provide service as a juror is on par with military service, as illustrated here: https://www.hqmc.marines.mil/News/News-Article-Display/Article/551818/jury-duty-is-civil-duty/

So, it's time to switch things up a little as discussed in the last thread. We're going to have multiple records a week from now on and follow themes rather than the alternating weeks we've had until now.

The first week of our new format is the beginning of a genre introduction series that I'm running: Intro to Shoegaze! We will likely have several different themes switching off each week, and I'll kick off a few over the next couple weeks. These aren't intended to be tailored for genreheads (at least not right now), but rather a way to have a conversation about the all-time greats of specific genres, scenes, labels, etc. while also having something fresh that those already into that kind of music might not already be familiar with.

Shoegaze

Shoegazing (or shoegaze, initially known as "dream pop") is a subgenre of indie and alternative rock that emerged in the United Kingdom in the late 1980s. It is characterised by its ethereal-sounding mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. The term "shoegazing" was coined by the British music press to ridicule the stage presence of a wave of neo-psychedelic groups who stood still during live performances in a detached, introspective, non-confrontational state with their heads down. This was because the heavy use of effects pedals meant the performers were often looking down at the readouts on their effects pedals during concerts.

Most shoegazing bands drew from the glide guitar template set by My Bloody Valentine on their early EPs and 1988 debut Isn't Anything. A loose label given to the shoegazing scene and other affiliated bands in London in the early 1990s was The Scene That Celebrates Itself. In the early 1990s, shoegazing groups were pushed aside by the American grunge movement and early Britpop acts such as Suede, forcing the relatively unknown bands to break up or reinvent their style altogether. In the 2000s, there was renewed interest in the genre among "nu gaze" bands.

Essential Album: My Bloody Valentine - Loveless - Listen to it!

The shoegaze genre has a pretty much univerally agreed-upon "Big 3" records, the most prominent and influential of which being My Bloody Valentine's Loveless, which is undoubtedly the #1 starting place if you're looking to check out shoegaze for yourself. It's the darling of the genre and of internet music nerdom in general for a reason.

Loveless is the second studio album by English-Irish rock band My Bloody Valentine. It was released on 4 November 1991 in the United Kingdom by Creation Records and in the United States by Sire Records. The album was recorded over a two-year period between 1989 and 1991, with vocalist and guitarist Kevin Shields leading the recording sessions and experimenting with guitar tremolo techniques and tuning systems, samplers, and meticulous production methods. The band cycled through nineteen different studios and many engineers during the album's prolonged recording, with its production cost rumoured to have reached £250,000.

Preceded by the EPs Glider (1990) and Tremolo (1991), Loveless peaked at number 24 on the UK Albums Chart and was widely praised by critics for its sonic innovations and Shields's "virtual reinvention of the guitar". However, after its release, Creation Records owner Alan McGee removed the band from the label, as he found Shields too difficult to work with, a factor alleged to have contributed to the label's eventual bankruptcy. My Bloody Valentine struggled to record a follow-up to the album and broke up in 1997, and Loveless was their last full-length release until MBV in 2013.

Since its release, Loveless has been widely cited by critics as one the greatest albums of the 1990s, a landmark work of the shoegazing subgenre, and as a significant influence on various subsequent artists. In 2012, it was reissued as a two-CD set, including remastered tracks and a previously unreleased half-inch analogue tape version, and peaked on several international charts. In 2013, Loveless was certified silver by the British Phonographic Industry.

Minor Album: Vyva Melinkolya - Vyva Melinkolya - Listen to it!

This one is a shoegaze record which lies a little more on the dream pop / ethereal side of the genre than Loveless, and is my personal album of the year for 2018 so far by a longshot. I would suggest this for anyone who wants to to live in that wonderful dreamy yet noisy middle ground. The artist is also nonbinary, and while I can't speak for everyone, I find that this speaks to gender dysphoria in a way that only the best shoegaze can.

Here's the place to discuss your thoughts on the records, your history with them or the artists, and basically talk about whatever you want to that goes along with Loveless and Vyva Melinkolya! Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

Again, if you'd like to stream or buy the albums, they can be found on most platforms here (Loveless) and here (Vyva Melinkolya).

I myself am a very, very competitive person. Because of this, I play almost exclusively competitive titles that feature a ranked ladder and esports. I find that even on a game that takes care to be competitive, there are still plenty (read: the vast majority) of people that don't seem to care for playing to win, or that don't make any sincere effort to ever improve. There's a guy called Labor on a game I play who plays hundreds and hundreds of ranked matches per season, but plays exactly the same today as he did a year or two ago. He's totally average, stagnant in rank, but keeps playing. Are any of you like Labor? If you are, what do you look for in a game? Even if you aren't, I'm curious. What kinds of games do you play? What types of experiences are you looking for? Why do you look for those experiences?