This book uses cartoon mascots assigned to three areas of music training on the keyboard: dexterity skills, reading/writing/listening, and repertoire performance.

Each mascot starts off as a cute lil’ dude and evolves into huge powerful creatures as the child “levels up.” My ultimate vision is a book or book series that utilizes the mascots in figurine form for prize-incentives and mascot videos to offer help and guidance for individual activities.

The first prototype will only feature the books, and I expect to finish it in the next 1-2 months.

I was hoping to get a list of potentially interested parties that would beta-test the book without cost in exchange for feedback/testimonial.

If you’re interested, please send a message through my website— https://alexgoodhart.com/lessons (you won’t see any mention of the book there, but can send your contact info through the inquiry form).

If you’ve any thoughts to share here I’m all ears! Thank you — Alex

I've recently started teaching myself piano again after a long hiatus. I started by picking back up a piece I half-remembered from years ago -- Chopin's Nocturne in E Minor, Op. 72 No. 1 -- and about the first half of it feels right for my current skill level (basically everything up until all the RH 16th note runs start). While that's going great so far, I no longer have a piano teacher to recommend me new pieces beyond just this one, and I'm not entirely sure where to look myself to find things that are interesting without being too technically challenging. Would love a few recommendations from any pianists on here, either for specific pieces to look into and/or for good ways to find suitable pieces more broadly!

Video Link

I decided to post this as a text topic since IMO the video description is really important to understanding this performance:

Aug. 29, 2019 | Colin Marshall -- Dan Tepfer has transformed the acoustic piano entirely with his new project, Natural Machines. Watch the keys and you'll see this Disklavier — a player piano — plucking notes on its own. But it's not a prerecorded script.

Here's how it works: Tepfer plays a note, and a computer program he authored reads those notes and tells the piano what to play in response. Tepfer can load different algorithms into the program that determine the pattern of playback, like one that returns the same note, only an octave higher. Another will play the inverted note based on the center of the piano keys. These rules create interesting restrictions that Tepfer says make room for thoughtful improvisation. In his words, he's not writing these songs, so much as writing the way they work. To better communicate what's happening between him and the piano, Tepfer converted these audio-impulse data into visualizations on the screen behind him, displaying in real time the notes he plays followed by the piano's feedback. We dive even deeper into this project in a recent Jazz Night in America video piece.

Perhaps the trickiest part here, unlike a human-to-human duo, is that the computer plays along with 100 percent accuracy based solely on Tepfer's moves. He compares it to dancing with a robot that never misses a beat. Tepfer has to play in kind to keep the train on the tracks, but if he falls out of step, so does the computer. On the other hand, Tepfer has unlocked a new frontier of music available to acoustic piano players: He's essentially given himself more limbs to play the piano at once, and at times we see more than 10 keys pressed at a time or a sequence of notes played at seemingly superhuman speeds. It's a central idea to what innovative technology enables for us — that which is impossible for us to achieve on our own.

edit: Nice related video from Jazz Night in America with Dan explaining some of how it works:
https://www.youtube.com/watch?v=0L6tzG3FkcU