Apple Music
Google Play
Spotify

Progressive metalcore outfit Silent Planet has finally released their third studio outing after teasing with almost half a dozen singles released. Like their previous efforts, the album is drenched pathos.

Garrett Russell's lyrics continue to impress and be the thing that truly sets Silent Planet apart from other heavy rock outfits on the scene right now. His employment of footnotes in his lyrics to help the listener know his purpose in word choice has become a hallmark of the band's output. But while Russell's lyrics have always been good, When the End Began marks a new level in his delivery. His guttural lows are booming and intense in songs like Northern Fires, while his understanding of timing and beat helps punctuate his words much better than he's ever done before, really shown off on Share the Body. Not to be content with that, he even attempts some clean vocals on the albums with a fair amount of success.

This is all complimented by guitarist Mitch Stark's djenty riffs on the guitar. While Silent Planet has been known for their emotional aesthetic, Stark sneaks in a bit of catchy riffs in tracks like Firstborn. Planet has always straddled the line between ambient and heavy, and they continue to in When the End Began, as guitars will effortlessly switch from chunky riffs to fleeting noises.

If there is a better heavy rock album coming out this year, I'd like to hear it, because I honestly want the feeling of being blown away that When the End Began gave me a second time.

New release today, Erra's Neon.

Apple Music
Spotify
YouTube

Currently the number one metal album on iTunes' chart, Erra's Neon is the latest release from the underground metalcore act. While they've attracted a cult following, Erra rarely gets headlining tours. Neon is their newest attempt at reaching the next step.

My personal opinion is that this is the perfection of the sound the band switched to with their last release, Drift. Just as atmospheric, with little less of the chug-chug-chug of most metalcore outfits, Erra may have finally found out how to make what some call "progressive metalcore" a bit more accessible. I personally enjoy how present the bass is in the mix. Metal and hardcore both seem to forget about the instrument and put it low in the mix as an after thought. The clean vocals have always been reminiscent of post-hardcore's darling Anthony Green, and Neon is no different.

It's a little bit of a shame that we have to wait until track three to really hear some of the noodling guitar solos they are known for. In a genre more punctuated by breakdowns, Erra is a breath of fresh air when it comes to lead guitar work. But when it does happen, it is up to the standard they've put out for themselves. They seemed to have moved even further away from the djent sound of their earlier work here. I don't mind that, even if I do like djenty sounds, as I think this crisper sound is better overall for Erra. While the uncleans do hit like a truck on first listen, they stay in a mid-range throughout most of the album and it would have been nice to see them go low, as JT has been known to do live.

Overall, I gotta say this is one my favorite albums of the year so far. Every song slaps a bit, gets the head bopping along at the very least.