Prompted by the comment just left by @Adams on the first post, I thought I'd make a topic for the next episode!

So what did people think? For those of you who weren't particularly into the first episode, did this one work better for you? (If not, no hard feelings, I'm just curious why/why not~)

I'll stick my thoughts in a comment again.

So I've spent nearly the entire weekend watching Humans and I wanted to share what I think of it and maybe get some discussion going.

For those who are not familiar with it, the basic premise is an alternate reality present day where "synths" - robots that replaced humans in most menial tasks - are part of everyday life to the point of being a common household item. Within the first episode we learn that there are a handful of synths that are sentient - thinking, feeling individuals. The show explores the implications of that - how previously-servile machines becoming sentient would impact society. There are many parallels to contemporary issues around racism, xenophobia, fear, and I think the show does good job of handling the topic. It is a smart, well-written sci-fi drama.

So, did anyone else here watch it? What do you think of it?

PS: While the post itself doesn't have any spoilers, the comments do.

Needing a down weekend, the spouse and I settled in to watch TV, and discovered that Starz' series, Counterpart - spoiler warning, is one of the better series we've seen in quite a while, let alone among science fiction stories. Though The Expanse wins for sheer SFX pyrotechnics and breadth of technical scope, it's wonderful to sit in for a deep, thoughtful drama like Counterpart. The series focuses on character, story, world-building, plausible plotting, and avoidance of the usual alternate universe cliches. Counterpart is a genuine Cold War Noir spy thriller which happens to occur in a science-fictional setting, and the writers have managed to avoid or refresh the tropes of both genres in ways that ask interesting philosophical questions. It's quiet, slow, and meticulous in a way that most current television writing seems to have abandoned. There's tense action, but no primary colored-supersuits, no scary aliens, no gaudy laser beams, just... a split of history that leaves two distorted mirrors, reflecting each other.

J.K. Simmons' performances in the roles of Howard (Prime) and Howard (Alpha) are mesmerizing in a way that outmatches Tatiana Mazlany's Orphan Black characters. There's a slow unveiling of the respective parallel worlds' history, with continuing evolution and interplay of characters and relationships, which brings to mind the best of series like The Wire or The Americans.

To the extent that Counterpart borrows from literary canon, the most significant underlying influences are John LeCarre's find-the-mole games in the Smiley series, China Mieville's The City and the City, and Philip K. Dick (particularly, The Adjustment Team).

The really guilty pleasure, and the lightweight pressure relief from the grimdark of Peaky Blinders or Counterpart, was a spit-and-giggles Canadian production called Letterkenny. I didn't have high hopes, but the 22-minute episodes are exactly what my brain needed to get over the daily doses of blah.

The opening credits of each episode refer to the fictional rural Ontario town of Letterkenny as follows:

There are 5,000 people in Letterkenny. These are their problems.

The plots are barely coat-hangers, with most of the comic tension spent on interactions among the Hicks (farm people), Skids (creative-but-disaffected Internet subculture wannabes), hockey players and Christians - a/k/a small-town tribes recognizable anywhere in North America. The portrayals are caricaturized enough to be both humorously offensive and humorously sympathetic simultaneously. [Could be some toxic racial/gender meta, but mostly, the treatment of women and minorities is in keeping with the setting.]

The banter, and the utter Spock-like deadpan of Wayne (the toughest guy in Letterkenny)'s Hick character are the stars of the show. Some people have complained that the rapid-fire use of heavy dialect in the dialogue is impenetrable; that actually helps with comic timing. When your brain catches up to what was actually said, it's like receiving a two-by-four between the eyes of funny. I've got a bit of home-team advantage in the midwestern North American dialects area, and usually get it on the first run, but it's good enough to re-watch happily if the spouse needs a do-over. Transcripts are available, but watch the show before looking.

We now have a new battery of in-jokes and gag lines to add to our secret spousal language - "Hard no.", "That's what I appreciates about ya", "...and he was never the same after that."

There's really nothing quite like Letterkenny, and it's exactly smart/dumb enough to make fantastic comedy. Two seven-episode seasons are currently available on Hulu.

• The BBC announcement: It's about time...

• Some discussion at Radio Times about the change of day: Doctor Who to move from Saturdays to Sundays for new era

• Programming difficulties at the ABC in Australia: Doctor Who finally gets UK air date, throws ABC programming into spin

Link to Google doc: https://docs.google.com/spreadsheets/d/1Hc-Ti6Pff_qUZLAfzzL7WjhFNh2m_XPvMkdYBL6mLzI/edit?usp=sharing

I created this document a while back and update it every couple months. There's an Introduction tab with guidance on how to browse the spreadsheets, which I've copied below for reference:

(1) This document outlines various TV shows and is broken up into 3 tabs: Watched, Watching, and Want to Watch.

Watched: Shows I've completed through series finale or given up on. Some of these were canceled early.

Watching: Shows I'm actively watching day-to-day or shows in between seasons that will air new episodes in the future.

Want to Watch: Shows I haven't started and want to watch. Many of them are recommendations I jotted down to avoid forgetting, so this list will sometimes be unalphabetized.

(2) Certain columns of information were exported directly from IMDB, and the page for each show is linked in the rating from the IMDB column.

(3) On the Watched and Watching tabs, there are columns for Recommend? and Notes to provide background that will help decide what to watch. Don't let any of my negative comments stop you from watching a show you're interested in.

(4) The Recommended? column is divided into the following categories: Must Watch, Yes, Maybe, No. These are all based on personal opinion with extra discussion/information in the Notes column.

(5) I've shared this with most people using View Only permissions, so download the Excel file (or copy to your Drive account) to filter columns by genre, rating, and personal recommendation.

Disclaimer: not everyone will have the same tastes as me - that's okay. I welcome any disagreement about how I've rated shows and hope to get some discussion going.

• What shows have I missed that I need to watch?

• What shows did I strongly recommend that you didn't like?

• What shows did I give up on too early?

I expect to take some heat for quitting Brooklyn 99 around season 3.

• What shows haven't come out that I should keep an eye out for?

Like Jack Ryan which debuts this month.

• How can I improve the document?

I considered including a column with the show's network or where it can be legally streamed, but this is pretty tedious given the nature of broadcast rights.

From CBS: New details, trailer from "Star Trek: Discovery" Season 2

From Gizmodo: In The First Trailer For Star Trek: Discovery Season 2, The USS Enterprise Boldly Arrives

As someone outside the USA, the videos in those articles didn't work for me, but this one from Netflix UK & Ireland does work for me: Star Trek: Discovery | Season 2 Trailer [HD]

I've read the books up until Cibola Burn, so my impression comes from comparing my experience watching the story to reading it as told in print.

Season 3 was incredibly rushed through and little of any character's motivations or thought are clarified as they still make more or less the same decisions. Two noteworthy characters (Pa, Bull) combined into one character (Drummer) whose actress only does one vocal and facial expression, which I happen to mirror every time she gets air time.

Show Ashford, an arguably much more sensible and intelligent man than Book Ashford, is unreasonably suddenly deemed necessary to reflect Book Ashford without any clear change in motivation.

So many things are done weirdly on the show that didn't need be done. Those are a few examples off the top of my head. What do you think?

Just finished watching Westworld S02 Finale, and while it creates more questions than it answers I found the whole experience exhilarating. It's been an amazing ride all the way from S01E01 and to the post-credits scene in the finale. I'm glad they left room for another season (or 2, or more who knows) because an AI story shouldn't end when all the fun is just beginning.

There are a ton of things and references to explore and I'd love to hear what all of you have to say while waiting for that Alt+Shift+X video to drop to clear everything up.

Westworld Season 2 is in full swing and I love it so far, but would you live in Westworld if you could? A world with no consequences other than its own societal pressures seems pretty enticing...

And holy crap this is well made. I hear it gets better in the later seasons, too! It makes me upset that we don't have more science fiction television of this quality, but also glad that I finally found this show. Hopefully I can get caught up quickly and join in with the rest of the world for the season finale. How do you all feel about The Expanse and other contemporary science fiction television?

No spoilers here (since I'm not sure there is a mechanic for hiding them yet), but that was a fun episode last night.

Between this and Legion, there are some legit-strange visuals on tv nowadays. And it's not like they're strange in a horror or shocking way. They're just weird. I'm into it.