As an author who normally writes a lot of thrillers with dark subjects, I found at the outset of last year that I just couldn't add any more darkness to the world. Lisica is a story I've been incubating for over 20 years, about a fictional island 1600 km off the coast of Oregon in the middle of the Pacific. I've just finished the series and it needs a new set of eyes to take it to the next level.

It is pure escapism, a love story about eleven researchers who are sent to Lisica for eight weeks to categorize the island's life before a new global satellite agreement comes into force and the USAF has to reveal the island to the wider world. The novels are equal parts scientific discovery, (with special emphases on data science, field biology, geology, meteorology, marine science, archaeology, and linguistics) and equal parts torrid romance between all these beautiful people. In many ways it is a utopian story, about people in paradise doing valuable work who can also love without hurting others. There is no toxic masculinity or bullying on this island, no sophomoric communication problems, no jealousy nor regret. It is my belief that natural challenges such as storms and cliffs and the mystery of the unknown is enough. This isn't Lost. There is magical realism here but it is more realism than magic.

I'm hoping to find a few qualified beta readers who have a background in these sciences, to help me make sure I present them correctly. But it's a lot to ask, for sure. Each of the four volumes is 15 chapters of exactly 26 pages each. 1560 pages in all. 425,000 words. If anyone knows a retired biology teacher with plenty of time on their hands, that's basically who I need at this stage.

My next step is to turn each chapter into audio episodes. As well as an author, I'm an Audible narrator and professional character actor. It is why each chapter is exactly 26 pages long. They make for sixty 42 minute audio episodes. I will eventually release the series week by week for free on my literary podcast over the next year.

Hopefully, this scratches someone's itch. Thanks for reading!

I have two goals this year. The second is to submit at least one short story to a literary magazine. The first is to write one good short story (just kidding, the first is to write one story a week in the hope that one will be good enough to submit).

Of course the goal in my secret heart is to have my submission accepted but let’s not get ahead of ourselves here. Walk before you can run, and so on.

So, writers (particularly of fiction), have you ever submitted a short story to a literary magazine? How did it go? Did you learn anything in the process that you wish you’d known before? Any tips for a rookie?

From what I have seen discussions here seem mostly about published books but I had figured I will try posting here and see if anyone is interested. They have both positives and negatives compared to published/or even just completed fiction but mostly I am interested in them for the higher variance which also means that it is harder to find something good.

Just listing some I liked over the years, both more and less known:

• The Gods are bastards by DD Webb (on hiatus, extremely long) - set in a world in a magical industrial revolution where adventuring as career is all but over it follows a class of students in the University. Contains several other viewpoint characters and ever expanding cast.

• Fall of Doc Future trilogy(and extras) by WD Rieder (on hiatus, very long) - a story about superhumans where the abilities and their effects are treated seriously. Contains some social commentary and several polyamorous relationships in later parts.

• Time to Orbit: Unknown by Derin Edala (ongoing, long) - a psychological mystery/horror set on a colony ship. A colonist wakes five years early to find that the crew is missing and things are wrong. The mysteries so far constantly escalate but in way that mostly makes sense. The culture of this future is detailed and interesting.

• Mother of Learning by nobody103 (complete, extremely long) - a time loop progression fantasy following Zorian - a student mage from a minor merchant family.

• This Used to be About Dungeons by Alexander Wales (complete except epilogues, very/extremely long) - a slice of slice comfy story(at the beginning it slightly escalates later) containing extremely light litrpg elements. Focuses on the group dynamics of a party going to dungeons(sometimes).

What are some good ones that you would recommend?

When talking with my therapist, the subject of writing is a constant. My obsessive approach to writing is a source of frustration.

I write well in my first language, and aspire to create short fiction . But I'm an over planner and way too critical of my own writing.

Anything longer than a single page is impossible for me because I'll obsess with editing and some misguided sense of "perfection", cutting paragraph after paragraph until I'm left with a decent micro story that you can read in two and a half minutes. Most of the time I don't even get this far.

So my question is, how can I force myself to be less self critical and obsessive, let things flow, and write longer stories? Are there any advices, books, courses, practices and exercises I can use?

Here are a few of my favorite examples:

1. "Long had he believed that a gentleman should turn to a mirror with a sense of distrust. For rather than being tools of self-discovery, mirrors tended to be tools of self-deceit." p. 36

2. "For if a room that exists under the governance, authority, and intent of others seems smaller than it is, then a room that exists in secret can, regardless of its dimensions, seem as vast as one cares to imagine." p. 64

3. "After all, what can a first impression tell us about someone we've just met for a minute in the lobby of a hotel? For that matter, what can a first impression tell us about anyone? Why, no more than a chord can tell us about Beethoven, or a brushstroke about Botticelli. By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration - and our unwavering determination to withhold opinion until we have engaged with them in every possible setting at every possible hour." pg. 120-121