The final results would look something like this.

Ours here wouldn't be tailored to obscure music like that though, just the best albums of the year with no other qualifications. There hasn't been one on reddit since 2017, you can find the 2011-2017 sets in the archive. The first one was just me putting up 15 albums. I believe the highest number we ever hit was 287 albums. It's heartening when the artists show up to thank you for shining a light on their little corner of the music world, too. A good list is good press for Tildes, it'll make the rounds.

Frankly, the people who were instrumental in those roundups are here on Tildes now, so hitting past 300 isn't outside the realm of possibility, not that we need to get that extreme (it's just fun). There are several new type two listeners here too, so potentially we've already got more music lovers and more help here than we've had doing the previous set. General input from tens of thousands of people like you see on reddit isn't as important to this process as the hardcore music lovers, we'd get like 3 solid recs out of 1000 comments, and small/forgotten /r/letstalkmusic always kicked everyone else's ass when it came to album picks.

These things can be rather a lot of work, which is why they are hard to do. It's not the playlists that eat up the time, though - it's collecting all of the albums and getting enough ears on them to give them the stamp of approval for the final list. The way to make that easier is to get started on it early and spread the work out over several months. That way come November you're looking for late releases and overlooked gems rather than panicking and trying to do it all in a single week. Been there, that's the worst.

The way we'd do it before, we'd run roundup threads on reddit periodically (in several different subs) then sift the comments for album recommendations, listen to them to see if they passed muster. That's hardly necessary on Tildes, especially with the long-lived threads here that bump with activity and never truly lock. We also used a google docs spreadsheet so we could tally everyone's votes up, but that was a major pain in the ass I'd like to skip. Tildes' own votes should be more than enough, and exemplary tags can highlight the must-listen set that goes at the top.

I think the best way to do it is put up a collection thread that everyone who is interested can then bookmark or ignore, and then drop albums in the comments between now and mid-November. No, not in this thread, I'll post a thread for it during the first week of October. We just let that roll and keep dumping new albums into it, listening, and leaving comments there. Come late November I can whip that into a set of playlists in a weekend, that's the easy part.

I enjoy doing this because it's been my experience that most music publications would rather argue about what numerical order the same 50 albums should be in than round up all of the best and let the listeners decide for themselves. They also have an incentive to pimp bands that are industry darlings or that they are being paid to boost in the recommendations. We don't.

So, are you folks interested in getting the ball rolling on this in October? Leave a comment if you are interested in contributing (even if it's just a single album) so we can get a sense of how many people are down for this before we get started. If there isn't enough interest we can try again next year. I'd also like to invite the folks who have done this before to share their experiences, you know who you are. ;)

• What are your favorite books that you read this year?
• What made them so noteworthy?
• Who would you recommend them to?

Note: the books do NOT have to be from this year (i.e. published in 2019). Any book you read this year regardless of publication date counts.

As we come to the close of another year, I thought it would be a neat idea for people to give their picks for the Best/Worst/Most/Least [something] of 2019. Think of these like awards, although some of them are not necessarily in categories people would want to win.

There are no limits and no criteria. Examples:
Best Meme
Worst Tweet
Most Pretentious Startup
Least Surprising Box Office Bomb

Anything is fair game -- do whatever you want! Get creative and have fun! Winners can be people, places, or things -- all 2019 nouns are eligible!

While I'm intending this to be mostly for fun, it's okay to give serious ones too, so if you want to tell me about, say, the legit Best Movie or the Most Transformative Hashtag of 2019, be my guest.

Make sure you don't just drop your award winners' names in the thread. Be sure to explain why they're deserving of their title.

Also, it's okay for one category to be awarded with more than one winner, so if someone else has already given their pick for, say, Best Season Finale, and you feel strongly that another deserves the win, add your pick and explain your thinking!

Since we're fast approaching the second half of the year, I think it's a good time to look back on the first half, to the movies that came out this year and to share our favorites. I'm giving my favorite 10 (though in no particular order) but if more or fewer stood out to you and you want to share all of them, feel free! Blockbusters, indies, comedies, dramas, whatever stands out to you from 2019 so far. Don't feel pressured to write anything but the title or a basic synopsis if you don't want to.

• Apollo 11: Okay, I know I said this list isn't in order, but this one is definitely #1. It's history in motion, and its images and editing will surely be seared into my mind as the way I think of the Apollo launch.
• An Elephant Sitting Still: Technically came out in 2018 in some regions, but has a 2019 release in my country, which is the order I'm organizing this list in. A beautiful and heartbreaking journey into universal pain and suffering and catharsis in the tiniest things. At nearly 4 hours and with an oppressively melancholy tone, I struggle to recommend it to everyone and anyone, but if the description interests you, definitely give it a look.
• The Farewell: Hilarious and sad, often in the same moment. My love of this may well have been colored by my experiences as an immigrant under very similar circumstances as its main character, but it's an interesting look at differing cultural philosophies of the worth of the individual on their own versus their relation to society.
• The Last Black Man in San Francisco: A layered critique of gentrification and the personal individual obsessions that keep us from truly seeing it and other issues in our world as they happen. It's filled to the brim with things to say, sometimes to a detriment, and some of the screentime spent just showing the sad beauty of San Francisco could've been used to further flesh out some of its ideas, but I still found it extremely compelling all the way through.
• John Wick: Chapter 3- Parabellum: I think the John Wick movies get a little more bloat on them every entry(much like their titles, actually), but the action only seems to get slicker. I still like the balance of the world, character work, and action in Chapter 2 the best, but while I think 3 drags itself down into its lore a bit too much, its setpieces are still top of the line. I find Keanu endlessly killing people left and right to be incredibly cathartic. Should probably talk to someone about that.
• Burial of Kojo: This doesn't say "Netflix original" on it, but it does seem to be distributed by them in all the countries I checked, so I don't know what's happening there. Regardless, there's a good chance you'll find this on Netflix in your country. I'm willing to admit this movie is heavily, deeply flawed. It overtelegraphs many of its plot points repeatedly, for one. But I also think it is filled with a gorgeous charm. It's light fantasy and grounded fairy tale feels half Tarsem and half Guillermo del Toro, and I was captivated from beginning to end.
• Booksmart: I find the new crop of female led high school movies (Booksmart, Edge of Seventeen, Eighth Grade) to be far more relatable and interesting than the dozens of high school movies of decades prior. It feels like the hands of the filmmakers is more on the pulse of the struggles of modern kids. Booksmart is very much a heightened comedy compared to the other examples I mentioned, but it is great at it. It's hilarious, even if there's one scene in particular that goes on forever. The comparisons to Superbad are mostly warranted, and I still lie awake at night, sad at the fact that I saw this opening night and the theater was mostly empty.
• Dear Ex: The Netflix revolution of every indie movie ending up on streaming services and leaving the theaters to the blockbusters isn't quite happening at the speed originally anticipated, but it definitely seems like more and more of my favorites of the year end up being a streaming original. Dear Ex is a Netflix film about different people grappling with the loss of one man, and it shows the power of the individual to connect the lives of the people they love, and of the many tools we employ to try to get over losses in our lives.
• High Flying Bird: Yet another Netflix movie. Steven Soderbergh is one of the people who can make a bearable heist movie in this day and age imo, and he lends that gift to this to make a movie where the heist isn't money or jewels, but the basic rights of human beings being trampled on by a system that creates middle men to suck up money, leaving the real workers with pennies. It's shot on an iPhone, and there are moments where that seems like a limitation, but honestly, a lot of it looks really impressive.
• Ash is Purest White: This is Jia Zhangke well within his comfort zone, looking at the strain put on human relationships by the passage of time and the everchanging effects of globalization and shifting national landscapes. The World(2004) (aka Shijie) is still my favorite of his, and it is definitely an idea he's explored before, but his ideas and commentary on it have never failed me to keep me enthralled all the same.

I have a list of all the 2019 movies I see that I consider "good" here (29 films at the time of writing this) if anyone wants to take a look at all of them.