TLDR; I made an electroacoustic album based on artwork, poetry, and soundscapes in Portland, OR, USA. Inspired by ambient electronica and impressionist piano, CYLCE is a dark journey through nature and urban environments.

Bandcamp Link: https://nickalus.bandcamp.com/album/cycle

CYCLE is a project of mine that had an unusual life span (at least for myself). Originally, CYCLE was a sound installment commissioned for a gallery hosted by Open Haus in Portland, OR in collaboration with visual artist Jon Hwong and poet TKTK in a very strange turn of events. Over the past two years it has morphed into an audiovisual experience (I guess that would be the word for it???) using motivic development, creative coding (NO AI WHATSOEVER), and digital degradation.

In celebration of the physical release (and my first physical release as an artist), I plan to spend the next couple of weeks (as long as the mods are okay with these posts) discussing different aspects of the project in hopes of starting a conversation about other musicians’ practices, thoughts, or critiques. I have included a list of topics I plan on covering in future posts at the bottom of this one.

Context
The project started in 2024 (feels like yesterday) while working on my own gallery DEAD WORLD THEORY. A few months out from the premiere, I was introduced to Keith, a local poet, through my co-producer Jon. The three of us talked about their upcoming gallery hosted in the neighborhood. Jon was creating a collection of artwork exploring natural form within technology and Keith was premiering a new chapbook and giving a reading of selected works.

This was a collision of multiple niche interests of mine. Technology and nature have always been something of interest in my work since joining an electroacoustic ensemble during college. And before then, I was writing weird concert music that was interested in the idea of non-musical sounds (think: hypnotist/New York school of contemporary music), and specifically setting poetry and common speech to music (similar to work such as Jóhann Jóhannsson’s “IBM 1401 - A User's Manual”).

As you can see, the synchronicity of this project was insane. I needed to be in it.

I immediately pitched the idea to the other artists: I’ll make a soundtrack for the gallery that combines nature and technology, and the poet and I could perform an impromptu lieder of his work. Both artists loved the idea and took it to the producer of the event. With a little negotiation, it was decided. I was on the bill and even invited to speak on a panel discussion they were holding that evening to discuss my own upcoming project.
The event was a great success. We had a nice turnout and I had a chance to talk with some phenomenal artists that attended the event.

Inspiration
As mentioned above, this project was a perfect storm of my influences and niche interests. I’ll break the project into two parts. Sorry you can't hear the last part (should’ve been there).

Nature and Technology: The Soundtrack
I have always been the person to challenge a rule, not because I want to break it, but because I want to understand it. Naturally, as a pianist studying composition and performance with a wicked resistance to authority, I became interested in the avant-garde of music. This new fascination started with the usual suspects: Ives, Cage, Monk, and Schoenberg. But it quickly led to the modern approach of this idea such as noise, harsh ambient, industrial, etc.

This turn of events led to joining an electroacoustic ensemble where we utilized traditional instruments with technology to create shows, galleries, and sound installations. I immediately felt the shift in my peers:

Was I a pianist or was I a DJ? Was I a composer or a producer? Was this music or was this art (or neither)?

I began to obsess over this question. Where is this line between electronic and acoustic? Where is the end of nature and the start of technology? What is the line between music and art? If you are familiar with music history I am sure you know this is a pointless question that has been argued for centuries in either direction under the conversation of programmatic and absolute music. CYCLE is a culmination of my interested in ecoacoustics, technology, urban development, rural preservation, and the psychoacoustic effects of noise.

The Impromptu Lieder
The second half of the performance was an impromptu lied with Keith’s poetry set as the libretto. This was my second cycle of lieder as a composer. The first being a song cycle for Piano and Mezzo Soprano which used T. S. Eliot's “Cycle of Preludes” as the libretto. The preludes were traditionally set using Western notation and assigning pitches to the libretto. I wanted to do something different for this one.

In my journey of the opium dens of contemporary music and the avant-garde (circa 2018), I had discovered the Icelandic composer Jóhann Jóhannsson. The piece was titled IBM 1401 - A User’s Manual, an opera that used a printer’s user manual as the libretto. Jóhannsson correlated the user’s manual with childhood memories of his father who was a salesman for IBM. I would not consider myself a printer enthusiast, but this work was striking. This took the programmatic style of impressionist lieder but worked from something that would be considered wholly technical and categorically “Not Art”. But, now the silly manual printed on cheap paper n’est pas une pipe.

I wanted to emulate the “Treachery of Image” in a sonic medium. However, the poetry I was working with is ART. So, rather than subverting the source material I decided to subvert the performance aspect. Rather than prescribing singing to the text, it would use common speech. I worked with Keith to transcribe the natural rhythm of his collection of poems. This allowed the rhythm of the poetry to be the pulse of the music.

Doubling down on programmatic vs absolute, I worked closely with Keith to understand the meaning of his work. I kept seeing the recurrence of phases (or cycles) of life, nature, grief, love, and healing. The work had hope, but hope that was sustained through a hostile world, fighting against the downward pull of pessimism. I also asked my poor poet to destroy their own work by telling me one word. This singular word would become the “narrative motif” of each piece.

I decided to work with impressionist aesthetics for two reasons: extended harmony and programmatic composition. Firstly, the growing class of piano-composers during this era such as Rachmaninoff and Debussy were a huge influence on me as a Pianist. Secondly, the “narrative motif” from Keith would be used to decide the sonic motifs. One specific example of this is using planing fourths upward rather than using a Picardy third for moments that reflect sadness changing to happiness.

Below is a list of the topics I plan on covering in the next couple of weeks:

Location specific

Portland: Selected Soundscapes

Associated Memories: Places and the Past

Song Cycle

Modulation without Keys

Timbral Motifs

Song Cycle/Story Structure

Ecoacoustics

Nature/Transition/Urban

Audio to Video

Audio to Video: Motifs

If there is something you are particularly interested in or something you don’t see on the list please leave a comment and I’ll add it in! Additionally, this entire post is meant to be a discussion for musicians and fans of music to talk, so, please leave your thoughts below for myself or other people to jump in.

I could still turn it on for now but there's a warning that it's no longer supported. I have ADHD and I can't live without cosmetic filtering. (I'm not tech-oriented enough to know if that's the right term for it. I mean the ability to point at elements on a page and say "take this off for me".)

I use the function to remove YouTube shorts, recommendations, the block that nudges me to get Premium and probably a gazillion other bells and whistles that I've already forgotten about. I wouldn't use YT at all if I couldn't do this. Same deal for Reddit.

I also use it to remove moving graphics and other things on some web stores that break my focus. I wouldn't be able to get through my workday without that option. I have to source countless small items for my business from sites that are already complex enough to navigate without any additional distractions. The site designers likely have no clue how much worse their animated banners etc. make my day. That's okay. They can't take everything and everyone into account at all times. But I must be able to adapt environments to be kinder to my brain if I am to retain my executive function so I can do my job.

Are there other similar options out there that you guys can recommend? Another extension I absolutely have to have is called "You're fired". It removes everything I don't like from my YT feed based on search terms. It's perfect because interacting with the unwanted stuff doesn't seem like a good idea (at least it doesn't remove it from my feed even if it's supposed to). I don't have to interact, just add a search term one single time and it'll be gone for good. That extension wasn't widely available for other browsers last I checked so I'd like to keep using Brave if possible.

I’ve bought enough digital comic bundles now that they’re starting to take up a decent chunk of storage space.

What I’d love to do, if possible, is losslessly compress them all down to their minimum sizes, in the same way that FLAC does with music. Is this a thing? And if so, what’s the best way to do it?

If lossless compression isn’t possible, is there a lossy compression that’s effectively lossless in that I won’t be able to tell the difference anyway? Lossless compression gives me good piece of mind, but the storage savings from an invisible lossy one are honestly quite appealing too.

This is the "animation" (video, image). It is the circle on the upper left.

The watch is a very cheap one, a Chinese concoction called "Skmei El Luminous Dual Time". It looks great for my taste, but the insanely flashy, continuous animation is unpleasant. I bought it online, and the animation didn't look as annoying in the videos as it is in real life.

Yes, I know most people wouldn't care about that, but I'm neurodiverse etc.

The official manual makes no mention of the "animation", and asking AI was useless. There is a real possibility that the animation is hardcoded, in which case I will probably keep the watch as jewelry for special occasions.

Perhaps someone has the same watch and can help me out?

Thanks!

I forgot my driver's license today but had my phone with me. I remembered seeing stories that google and apple both allow these (for some states) in the digital wallet.

Before doing this, I thought I would ask people here to weigh in on whether it is a good idea. Is it considered secure? Is it going to cause me more privacy issues than a physical card in my wallet?

This is also related to recent discussions about online age verification.

This is a related Tildes post from last year: Google Wallet adds age verification and more government ID support

TL;DR: NASA's public Planetary Data System is at risk of being shut down. Anyone have any ideas for backing it up?

Hi everyone,

Bit of a long-shot here, but I wanted to try on high-quality tildes before jumping back into the cesspool of reddit. I'm posting it in ~science rather than ~space as I figure interest in backing up public data is broader than just the space community.

I work regularly with NASA's Planetary Data System, or PDS. It's a massive (~3.5petabytes!!) archive of off-world scientific data (largely but not all imaging data). PDS is integral for scientific research - public and private - around the world, and is maintained, for free, by NASA (with support of a number of Academic institutions).

The current state of affairs for NASA is grim:

• NASA Lays Off ISS Workers at Marshall Space Flight Center
• More layoffs at JPL
• NASA is sinking its flagship science center during the government shutdown — and may be breaking the law in the process, critics say

And as a result, I (and many of my industry friends) have become increasingly concerned that PDS will be taken down as NASA is increasingly torn down for spare parts and irreparably damaged. This administration seems bent on destroying all forms of recording-keeping and public science, so who knows how long PDS will be kept up. Once it's down, it'll be a nightmare to try and collect it all again from various sources. I suspect we'll permanently lose decades worth of data - PDS includes information going all the way back to the Apollo missions!

As such, we've been pushing to back-up as much of PDS as we can, but have absolutely no hope of downloading it all within the next year or two, nevermind in a few months if the current cuts impact us soon.

If you or someone you know would be interested in helping figure out how we can back-up PDS before it's too late, please let me know here or in a DM. I've already tried reaching out to the Internet Archive, but did not hear anything back from them.

Edit: to clarify, the larger problem is download speeds - we've topped out at 20mb/s with 8 connections.

Preemtively this is not about Linux but it does serve as a basic example of a low effort, low cost switch that I personally consider ultimately beneficial long term. Not even necessarily for itself but how it captures the pre Windows 10 mindset of sw being the tool for the user.

The old joke of in Russia the television watches you is relevant here. On multiple levels.

Other and an even easier thing to do would be to switch from Chrome to Firefox as an unideal alternative still but with less default problems and better options to possibly switch to later.

These are only examples and are not important by themselves. What is important, is how these attitudes enable ever less effort and attention to be placed on the end user in mainstream sw.

A lot of the time whenever there is any mention of switching to Linux there is a lot of talk about how you cannot expect normal people to want to follow even the basic steps and possible but unlikely troubleshooting needed to get it to work. Where society is concerned opinion is reality. The sw and hw are magic black boxes that cannot be understood so the consensus is to avoid trying to understand even the superficial basics that would be considered trivial even a decade before.

Neither it is likely to change closer to the ideal of just working than it already is without further adoption. It is not a problem of Linux but of insufficient support by third parties creating edge cases.

I admit that it is unlikely this changes. There is no societal acceptance for it and arguably more important for the individual topics of financial literacy, basic involvement in governance or medical awareness have abysmally low knowledge levels generally.

Voting is the most basic, least effort way to have some effect and yet two thirds turn out is usually considered large.

I'm looking for a digital watch with a step counter that ideally resets every day. I've had a few smartwatches and my latest Garmin is nearing the end of its life. I've decided that time and step counting is really all I need out of a watch. Can anyone reccomend a watch like this?