Sydney Sweeney has been the subject of a lot of controversies as of late. But what I want to focus on is how media outlets have been covering the release of her two new films, Americana and Eden.

Some background:

Americana is a genre film. It was shot and screened in 2023 to relatively positive reviews. The company that financed it, Bron, went bankrupt shortly after the film's screening. Due to this bankruptcy Lionsgate was able to acquire the rights to the film for cheap. While the film was made on a nine million dollar budget, Lionsgate purchased it for three million, with two million of that coming from international rights sales. Meaning that Lionsgate only spent one million acquiring the domestic distribution rights. In order to get more VOD sales and streaming deals, Lionsgate gave the film a small theatrical release with next to nothing in marketing.

Eden premiered at TIFF in 2024. Directed by Ron Howard the film also stars Jude Law, Vanessa Kirby, Ana De Armas, and Daniel Bruhl along with Sweeney. The film was financed at a net cost of 35 million dollars. It received mixed to negative reviews and only Netflix was willing to purchase it. Ron Howard opted to go with a smaller distributor, Vertical (who are mostly known for straight-to-video trash but have been slowly building themselves as a more legitimate art-house distributor), due to wanting a theatrical release which no one wanted to give the film. Vertical made a deal for less than 20 million dollars for the film.

Now, each distributor had their reasons for acquiring each film. Lionsgate saw a cheap film with a rising star which was well-received. It was an easy profit for them and helps build up their library as they are looking to be sold off. Vertical, having released last year's acclaimed The Order, is trying to build a filmmaker friendly reputation. Buying a non-commercial film with a high profile cast and a high profile director gives them more exposure and allows them to be more in the conversation for prestige filmmaking.

The film's financiers, however, are the money losers in both situations. Whether or not the distributors lost money doesn't really matter. Money losers are money losers and these films should be described as such.

And this is where it gets weird.

In the wake of Americana's opening we got two different articles about the film's box office. One from Deadline and one from IndieWire. Covering for the film, arguing that they weren't money losers for the reasons I myself just gave earlier. This weekend, as Eden just released, Deadline releases yet another article defending the film's performance.

This is too much coverage for these films that no one saw. Comparable films never get articles like this. So what's going on?

Here's my conspiracy theory. Sydney Sweeney is friends with Jeff Bezos. She attended his wedding and a few months ago there were heavily circulated rumors about her being the new Bond girl a franchise that Bezos unfortunately owns.

The media outlets that cover the entertainment industry: Variety, Deadline, Hollywood Reporter, and IndieWire are all owned by the same person: Jay Penske. Penske and Bezos run in the same circles, rich guy circles, and have attended philanthropic events at the same time. What I believe is happening is that Bezos is using his influence and connections for these outlets to write out positive headlines for Sweeney, due to her controversies, to create a more flattering image of her and her career.

It's odd, to say the least.

Listened to Craig Ferguson on his podcast "Joy" talking with Diedrich Bader, last known for playing Jethro in the Beverly Hillbillies movie (which flopped).

The most interesting part was their discussion about gaining and losing that "Hollywood aura" - they agreed it was like someone handing you a magic hat, and while you're wearing it, you're the most special person in the room and everyone wants your attention. And then the hat goes away and you're back to being very ordinary and in at lot of cases, become an actor somewhat desperately looking for more work. Which is why they attend so many parties and awards. It's not so much about the glamor, its about getting a chance to network and try to find a new gig with the producers and directors and financiers in attendance.

Bader asked Ferguson if there was anyone he interviewed that gave him that sense of awe, someone who still wore that magic hat? Nope. Ferguson said after years of doing his Late Night show they were all just people. New "star", old "star", none of them really made a big impression.

Although he DID say when Sean Connery shook his wife's hand her chest visibly blushed and Craig asked her later what that was all about. She said, "Well it doesnt do it for YOU but THAT was Sean Connery!" Pretty funny.

But it was interesting to hear some insiders talking about other insiders the way they did. They're all just actors looking to stay employed. Which makes sense when you see an A list actor in a B movie and wonder why they took that role. Probably had bills to pay, that's why.