I feel like showing the number of votes a comment has gotten will lead to people voting something simply because it's gotten many votes and that must mean it's right. You see it happen all the time on Reddit. Someone will say something that sounds correct, and before someone else can come correct them they'll get a bunch of upvotes. Partly because they sounded correct, and partly because "all these upvotes must mean this is true".

I don't really see any benefit to showing votes on comments.

admittedly i got really high a few days ago and watched Scott Pilgrim vs The World for the first time and i haven't been able to get the whole ramona flowers archetype out of my mind so here we are.

comme d'hab - l'enjoi

Oh Ramona
Black tie, pink hair
converse
geeked on the soda
high heels
tight dress
choker
got my focus
Don't have
insta, if
you did
you'd blow up
that's all hype shit
you don't
vibe with
though, yeah?

Oh Ramona,
spinnin for some days
life on the skates
out of control, yeah.
(beat)
caught in the waves
getting thrown every way
drowned and washed up
(beat)
tryin to see
better life on the beach
getting tired
(beat)
praying that you'll
come and save me,
drop me a line, girl.

Seven evil exes lurking
in and out of Texas
searching for the
next to come and
make me
high.
Two fits of depression,
dragon-chasing some regression
and you come and tell
me it'll be all-
right.
Love you with a passion,
till you burn me down to ashes
drive away and leave my
house alight with
fire.
they want you to join em,
'Mona begging you be stoic,
i can give you love and
you'll keep me a-
live.

Oh Ramona,
Blue eyes, white lies
sharks lie
deep in the waters.
High hopes,
good dope,
cutthroat,
raise my dosage.
So far, this
de-
pression,
magnum opus.
You're my 1-Up
new lifeline
my hope,
love.

Oh Ramona,

Bishop

Previous episode | Index thread | Next episode

Black Mirror Season 3 Episode 4 - San Junipero

In a seaside town in 1987, a shy young woman and an outgoing party girl strike up a powerful bond that seems to defy the laws of space and time.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

Please rate the episode here!

Rhetorically speaking, "I don't want to sound rude" can have the opposite effect as the one intended by the writer (when I'm on the receiving end that's almost 100% of the time). It basically states, from the get-go, that the opposing argument is so deeply flawed, requiring such a strong, ruthless counter-argument, that there's a good possibility that you might offend your interlocutor's sensibilities. Even if you're so fucking right that your answer erupts from the depths of your logical mind with the power of a thousand volcanoes, that's not a good way to create rapport. At this point, no one knows your reasoning yet. You may sound like a douche bag. You may be right, but not as right as you think. You may also be very wrong, and in that case you not only promised something you couldn't deliver, but you also made it hard to take the conversation forward. Because, by belittling your interlocutor, you created an environment where getting it wrong is not admissible, and he/she will apply the same rule to yourself. Even in the case that you're right, your behavior discouraged further questions. All because you wanted to be nice! Communication is hard.

I really like the "idea" of fighting games, as I like playing against others and outplaying them, guessing their moves and the mind games etc. But the only fighting game ive legitimately enjoyed was Ultimate Marvel vs Capcom 3, and id like to play something more recent.

It had alot of personality, each character felt different enough despite the size of the roster, and it was easy enough for a casual like me to get into while still not feeling too easy. Out of the new fighting games ive tried Fighterz, but it doesnt have enough character variety (not a dbz fan), the new MvC has a bad roster, Street fighter was too technical and idk boring? MK is very clunky, ive tried tekken but it didnt really grab me, and skullgirls hasn't either.
I want a game I can stick with and get good at, but the mainstream titles don't really appeal to me, does anyone have a suggestion?

it's unfinished because i cant finish ayytjomgm but i have to post something

i would rather do coke
than go to bed
have these visions of you
dancing in my head
i don't really want to die
go numb instead
reminiscing on our home
in DTX
now i'm all alone, vibing
on some emo shit
now i'm lost and i'm drowning
in these emoceans
everybody looking at me, saying
i'm full of shit
maybe that's why i phase out
and stay quiet
people always asking me
how'm i doing?
they're just lucky i got plans
i haven't gone through with
i don't really wanna be on
suicidal shit
but fantasizing about dying
helps me get through it.

.....

“There are no girls on the internet” is one of the “rules of the internet” of the olden times. It was a tongue-in-cheek saying that meant two things. The first interpretation is that women don’t hang out on online forums because only loser guys do that. This obviously wasn’t totally true, but it felt true because of the second interpretation: gender doesn’t really exist on the internet, or at least it didn’t back then. Someone posting on IRC or 4Chan could be male, female, black, white, or any combination or race or gender, but you wouldn’t know that. Your post just existed in a void, completely separate from your social identity. While sexism and racism existed, someone wouldn’t be discriminated against on those grounds, because on the internet there are no girls. Only people.

People who brought up their gender were accused of being attention seekers who couldn’t get by on their own merits. This was probably just a shitty excuse to justify harassment (ie tits or gtfo), but there might have been some truth to the idea that your gender and race have no effect on the legitimacy of your opinion.

Today on the internet, a the “rule” “there are no girls on the internet” is completely done away with. Not only is the social makeup of the internet much more diverse today, all of the major networking sites have profiles on which you can proudly display your gender, race, sexuality, etc.

I only just now came to realize this difference as I was reading some threads that posted statements like “as a gay man” or “as a girl who...”. These kinds of statements used to attract ridicule, but are now accepted as the norm.

I’m not sure if this is an improvement or not. I do think it’s an improvement that harassment is no longer tolerated, but I struggle with the concept that it’s okay to that someone’s race/gender/etc can legitimize a claim, but it is not okay to think that it could deligitimize someone’s claim.

Again, I want to add a disclaimer that I do not think it is or ever was good to harass people, or to discriminate based on identity. I just want to start a conversation about how the internet has changed in this respect, and whether or not online discourse has been hurt by this change.

Video pitch: The world’s first open source AI | Mycroft AI | HT Summit 2017

Fast Company article: Can Mycroft’s Privacy-Centric Voice Assistant Take On Alexa And Google?

Kingscrowd review: Top Deal: The Secure Open Source Voice Assistant Of The Future

I'm not a techie by any means, but I stumbled across Mycroft AI some time last year, and I'm keeping half an eye on its progress. If ever I get myself a digital assistant, I think it's likely to be Mycroft. (I also love the name!)

I wondered if anyone else had any thoughts about this.

I am always looking for quality RSS feeds to add to my reader but they seem to be getting harder and harder to find. I've been looking for a good one for movie trailers for a long time. Apple has one but the trailers are published sporadically. I'm especially interested in any full-article feeds.

I've been following GRRM's Not A Blog and XKCD's webcomics via RSS. My favorite though is a very niche webcomic about older gamers sitting around playing a RPG:

http://www.kodtweb.com/feed/

Heyo guys,

Long story short, I'm a college student in his final semester right now. I've gone through many different phases of my college life between not being sure of my future, wanting to take advantage of my last point in life of youth, trying to grow up and learn to be a competent adult at home, trying to grow up and learn to be a competent adult in the workforce, and everything else in between. Right now, I'm coming off of a summer where I took 9 credits and managed to get As in all three classes while also feeling very accomplished that I felt I've taken many valuable skills and lessons away from those classes.

At the moment, I am taking 18 credits for this Fall semester, sitting at six classes and I'm finally happy that I'm able to be taking a lot of productive and worthwhile classes in my major. I love all of my classes and professors so far and I'm very eager to learn and continue developing myself to be the person I want to be. However, my concern is the heavy burnout that I feel is imminent within a few weeks to a month, as I'm already beginning to feel it come on within the last two weeks.

How do I deal with this or prevent it? How do you personally handle situations where you uphold a lot of responsibility to yourself and you want to keep in top form? Personal stories, experiences, advice, and all of the above are welcome.

Cross-posted with /r/composting

I'm pretty proud of the results of my first year of serious composting (before this year, my method was, "dump kitchen scraps in a pile and turn it occasionally"), so I figured I'd share. Here's a picture of the pile, opened up yesterday for turning/dumping fresh kitchen scraps. Closer view, and even closer. As you can see, it still has a ways to go. It consists of mostly kitchen scraps, grass clippings, and oak leaves, and I guess the latter of those takes quite a while to break down. Here's a picture of it covered with a tarp after I was done, yesterday.

This is actually a combination of eight different smaller piles I worked on throughout the year while I was teaching myself to make compost. The first piles I made were basically just the result of mowing some tall grass/wild plants in the spring--I had thought that since I was mowing up both leaves and grass that the ratio would be just right for composting. I was wrong. Those three piles didn't really go anywhere. I should've added far more leaf matter, kept them wetter, and combined them into one rather than three.

The fourth pile was a combination of kitchen scraps and leaf matter. I had about a 1/2:1 ratio of leaf matter to kitchen scraps. It turned out okay, but of course, I should've added more browns. The fifth pile (featuring a guest who liked the "fresh greens" that I often went outside to spray onto the pile, if you catch my drift...) started out with probably a 1:1 ratio of browns to greens and ended up with a 2:1 ratio, since I started actually figuring things out. I used both mowed-up leaves and mowed-up household paper waste for my browns, and kitchen scraps and grass clippings for my greens. The pile did end up getting fairly warm. I turned it every 2-4 days.

The sixth and seventh piles were nothing but oak leaves mixed with grass clippings. I wasn't great about getting the ratios exactly right, but they were both probably close to 1 1/2:1 browns to greens. Both heated up after I turned them, every few days, and turned out great. I think I do have some pictures, but can't find them.

I started using a tarp with my eighth pile, and that tarp, as well as the increased amount of browns--always at least 2:1--made a huge difference, as previously I had a hard time keeping piles at the right moisture level. Either they'd dry out in the sun or they'd get soaked in the rain. The tarp protected from both and helped insulate the pile, enabling it to get to the right temperature despite being fairly small.

I tried to follow the Berkeley method closely (other than that I added to it every time I turned it). If I added new scraps, I let it sit for four days; otherwise, I turned it every other day. I started adding pretty much anything to it. One time while I was turning it, I found a dessicated dead robin nearby and tossed that in. There was no trace of it the next time I turned the pile.

Fairly recently, I combined all of my piles into one, as you saw above. This makes it a lot harder to turn, but it seems to be going well. Instead of making a new pile and letting this one sit, I've continued adding to this one every week, when I turn it (now that it's this big, it's hard to find time to turn it more often than that). I'm not sure if I'll be able to do this through winter. I've been stocking up on coffee grounds from Starbucks (I have maybe 8 bags of them sitting in the garage?) to help me keep it going, but it gets pretty cold here in Michigan. Maybe I should start a new pile in the winter rather than keeping this one going; I haven't decided, yet. I'm happy to hear your suggestions.

Thanks for reading! Tremendous thanks to /r/composting; everyone there is incredibly helpful, and there are many very knowledgeable folks there. I couldn't have learned this much about composting without them. I've offered them my five invitations, so hopefully we can eventually get the same kind of composting/gardening discussion over here!

I'm hardly an expert after just one year of composting, but I'm happy to answer any questions you have about my methods, about composting in general, or about how you might get started.

Now for some bonus pics, just for fun:

A bear admiring my pile
That same bear about to destroy a bird feeder... D'oh.
Compost/Hugelkultur-in-progress (I'm not sure how people find the time to gather enough woody materials/grass clippings to make a hugelkultur all at once!)

Since activity is the default view when looking at tildes, it seems like bumping a topic all the way to the top after each new comment can get a little abusive after the topic has existed for quite a while.

I'm thinking there should be some sort of restriction that after a topic has been inactive for a certain amount of time, it does one of four things:

1. It closes. New comments cannot be added, but votes can still be added.
2. A warning appears upon clicking the reply or add new comment button, warning the user that this will bump the topic, maybe giving the option of a silent reply. (no bumping)
3. As topics progress in age (think more than a week), new comments bump less and less on the list as the topic becomes less relevant.
4. As a plugin to the trust system, only users with high enough trust can bump topics after a certain date.

on some goth shit
meditating in the graveyard
tarring up my lungs while
i'm walking down the boulevard
sad little white boy
crying, thinks his life's hard
you don't know pain,
there's a genocide in Myanmar
people get their throats slit
believing in the "wrong" god
you had a girl make you high
and you fell hard
families are dying
and you want to be a rockstar
so why you taking drugs?
what you trying to get numb for?

i just want a life that
might be worth waking up for
share my music with my
friends and maybe do an encore
invite some people over, get
some liquor that forever pours
their lessons or their lesions,
ask them all about their open sores
sixtysevenhundred people
either shot or burned alive
you're dreaming of a good girl
that you could probably call a wife
this is how real loss looks
this is real strife
you drew a bath of henny
and you want to take a deep dive

on some goth shit
looking out through your red eyes
shades always on like
a blanket to hide behind
bleeding out, wounded
at the first try at real life
how does this shit balance,
do you think you deserve to cry?
praying for a goddess, "i
pray you'll come and cleanse me"
a nation full of people
down the barrel of a cleansing
Jekyll and I'm hiding in
and out of all my draining
should i even feel like this?
there's no way it's the same thing.

Those two words and their relationship with "consent" and "freedom" fascinate me. I've sort of ruminated about it in the back of my mind for a while, but haven't sorted a lot out.

It would be nice for two people to be able to make any agreement they like between each other without restrictions. "I'll do this for me and you give me that in return". If there aren't restrictions on what sort of agreement two private people make, in some sense, that can be maximum freedom.

But then exploitation and coercion come into the mix. "If you don't sign this contract, I will kill you" is a clear example of an agreement not being free. "If you don't sign this employment contract, you won't be able to afford to buy food" is still fairly clear, but a little further removed. "If you don't sign this employment contract, you'll be able to get food, but the food you can afford will be heavily processed and laden with oils and processed sugars, and you could suffer poor health in the future" is getting into a lot of grey area.

We talk a lot about minimum wage workers being exploited. It's true that most of them (almost all of them?) hate their jobs. It's also true that life necessarily requires sacrifices. I don't have a good framework for thinking about what point something becomes exploitative or unethical.

It comes up in personal relationships as well. "If you don't have sex with me, I will kill myself" is clearly abusive and manipulative. "If you don't have sex with me, I will break up with you" is slightly more removed. "If you don't quit using heroin, I will break up with you" is a little grey.

At what point is someone being coerced in a relationship vs two people acknowledging sacrifices they have to make to stay together? I don't have a good framework for thinking about this.

Further things to think about: at what point of mental illness can a person no longer ethically enter into an agreement? What about a normal person who suffers from the usual human psychological biases? At what point is it exploitative to use psychological biases when negotiating with someone? This can go all the way from the benign (ending a price in ".99") to the damaging (designing casino games with flashing lights and buzzers, etc.)

I don't expect someone to be able to give me a pat answer to this. If you think you can give me a 1-line "Exploitation is ...", I think you're probably missing something. But I am curious how other people think about these things, and what examples or what books you've found that have been helpful to you sorting things out.

you head to the gas station to catch a 6-pack and maybe a bag of chips or some rillos. you pass the cashier a twenty, and they mention your change will get you a couple lottery tickets. you're in a good mood and we all hate coins, so you just tell 'em you're down and to choose random numbers.

a week later, you wake up and see the winning lottery numbers on the news.

hopeful curiosity turns into a flooring disbelief as you pause the tv and check the numbers four times over.

you scramble to find and unlock your phone, heading straight to google.

"winning lottery numbers"

"how to tell if you won the lottery"

"lottery number checker"

everything checks out.

"how to claim lottery winnings"

you go to claim your prize, and you can choose between $130,000,000 in post-tax cash now, or $210,000,000 spread equally over the next 30 years.

which do you choose? what do you do with it?

Hello Tildes, one common thread that I've noticed in a lot of the threads I've been browsing under ~hobbies and ~creative is that it seems like a lot of folks are looking for new hobbies and things to get into.

To that end one great hobby I've picked up somewhat recently is playing and collecting board games. To some of you, the term 'board game' likely inspires thoughts of old school board games like you may have played in your youth (Clue, Connect 4, Shoots N Ladders, Monopoly, Stratego) "Modern" board games can certainly still be as simple as some of those, but we are actually in a sort of second golden age for board games right now.

What I mean by the above statement is that quite recently (the last 5 years or so) Tabletop and board games have really become popular again, to the point where if you live in a major city there are most likely several places to buy games, and likely even a couple of places you can go to just hang out and play games that belong to the store. Between that, and the popularity of things like Wil Wheaton's TableTop on Youtube, both major game companies as well as small independent folks are creating more and arguably better games than ever in the past.

Now - to the actual subject of the post title. The games I'll list below vary from things most people have heard of or played (Cards Against Humanity) to somewhat obscure, but they should all be pretty easy to find, and very easy to pick up and get into. I'll try to include as much relevant information for each of them (Price, Number of players, Game type etc) and a brief description of what the game is like to play.

If anyone has any other suggestions to contribute please do - One of the best parts of the hobby is the community aspect and finding new games to play.

Let's start with something popular, but not quite ubiquitous yet -
Cards Against Humanity: (3-Unlimited(?) players, $25 Base game + Expansions, Play time Varies based on player count and house rules, ~1hr is a safe bet, but can be made shorter or longer by adjusting rules)
Cards against humanity is a NSFW card game described as 'a party game for horrible people' on the box, which is pretty accurate. Gameplay consists of one player (The judge) playing a black card from the top of a deck with a sentence on it such as "I drink to forget ______" after which the rest of the players will play a white card with things like "My ex-wife" or "Random Erections" or "A bigger, blacker dick" written on them. Once all of the players have played their white cards, they are shuffled, read aloud, and the "Judge" decides which of the white cards is their favorite, awarding a point to the player that played that white card. This is a great icebreaker game because it pretty much forces everyone to get outside of their comfort zone and get weird with it. There are many expansion packs, which are generally themed, but some are just general. These include more cards to keep things fresh after you've played through the originals too many times. - Note: Not recommended for Family Game Night.

Cthulu Dice (3-Unlimited(?) players, $11, Play time ~5-10 minutes):
Cthulu dice is what is called a "micro-game" it consists of just a single plastic (or metal, if you want to dent your table) die with some symbols on it. It's a variant of the old "put and take" game with a bit of a cthulu twist to it, this kind of game is great because it's simple, portable, can be taught to new players in minutes, and also makes a great drinking game. You can also add house rules or look up other variants to keep things fresh

Next up - Dixit (3-6 Players, $30 base game plus standalone expansions, Play time ~30-45 Minutes):
The gameplay of Dixit is somewhat similar to Cards Against Humanity with one player acting as a judge, but from there things get different and rather interesting. Whereas Cards Against Humanity has cards with absurd, obscure, or obscene sentences or words, Dixit has cards with pictures on them. The pictures are generally bizarre, surreal, and kind of whimsical art (Like these examples: https://i.imgur.com/VHtISAZ.png). The way the game is played is the "Judge" player will select a card from their hand and say a single word or phrase that describes something about the picture on the card (It could be a color, an object in the picture, the way the picture makes you feel, what the picture makes you think of, anything that makes sense really) and then plays the card face down. The other players then try to select a card from their hand that matches the judges phrase as best they can in order to fool the other players into picking their card instead of the judges. Once all players have played their face down cards, they are laid out and all players vote on which card they think is the original one played by the Judge, Points are handed out accordingly. Similar to Cards Against humanity, the expansions for this game are additional packs of cards, often following some loose theme to freshen up the game. Most of the expansions contain enough cards that they could be used to play the game standalone. This is a great game to play with people of any age or maturity, it can be as clean or as dirty as the people playing the game but is just generally always a good time.

For the next few games, the actual mechanics of gameplay can get pretty complex, and so rather than explain what the gameplay is like, I'll just link a relevant episode of TableTop for anyone who is interested enough to check them out.

Red Dragon Inn (2-4 Players, $35 Plus Expansions, Play time ~30-60 Minutes) Unfortunately, no TableTop of this one, I can expand if there's interest:
Red Dragon Inn is a game about what the adventurers from DnD do during their 'long rests' at the inn. It's intended to be a drinking game, with players assuming the roles of characters at the inn ( The base game comes with a Wizard, a Rogue, a Priestess, and Warrior ) and are given decks of cards containing context-sensitive actions and abilities. The goal of the game is to be the last person at the inn that isn't broke or passed out from injury or alcohol. The three main resources tracked are a characters health, sobriety, and coins and various cards can affect each of these in various ways. There's also a gambling mini-game that is a lot of fun. The expansions come in 2 types, main releases which consist of 4 new characters (later ones, 4+ seem not to work as well with the earlier ones, and may do better as standalones) as well as single character decks that aren't included in any of the main releases.

Tokaido(2-5 Players 3+ preferable, $30 + Expansion, Play time ~45-60 Minutes):
Tabletop: https://www.youtube.com/watch?v=pipFRzGYgdk

Tokaido is a bit different than the rest of the games on this list so far in that it isn't explicitly competitive. At its' core, Tokaido is a game about seeing who can have the best vacation. Each player assumes the role of a different traveler (each with their own benefits and abilities) and proceeds on their way, trying to stop at the different available locations in such a way that they end the game with the most points (how points are scored is kinda complex, Watch the TableTop for this) but it tends to be a nice, low stress game as there's few ways to really 'attack' other players. There is currently one expansion out for it which introduces some new mechanics and does a good job of freshening up the game for players who have had it a while.

The Resistance/Avalon/Werewolf/Mafia and similar games (Many players, ~$15, Price varies, Play time ~30 minutes, depending on the variant):
Tabletop: https://www.youtube.com/watch?v=g_QRczGzXqw

The Resistance and similar are games about lying to your friends and trying to convince them that you are somebody that you're not. Or maybe they're games about telling the truth and trying to get people to believe you, that all really depends on the cards you draw. These are some of my favorite party games to play in a big group because it can really show you who among your friends has the best poker face. Games tend to go pretty quick so when a player is eliminated it's generally not a big deal (this can sometimes not be the case if the group is way large). Of the different variants I've played, Avalon is my personal favorite of the different variants due to the interesting mechanics that the additional roles bring to the table in this one.

Finally - Betrayal at the house on the hill (3-6 Players, more is better, $35 plus expansions, Play time ~60+ minutes )
Tabletop (Part 1 of 2): https://www.youtube.com/watch?v=MINNKyE4fjs

Betrayal is my go-to example of how great a modern board game can be. It's a moderately complex game, but don't let that scare you off - after you play it once you'll get it just fine, and setup is relatively quick and easy compared to a lot of the other sort of "DnD Lite" games that exist (Lookin at you here, Arkham Horror!). The game consists of players exploring rooms in a spooky house, building out the map as they go from a stack of game tiles with rooms on them. The rooms will have different effects and trigger different types of events as the players explore through the house collecting items and discovering 'omens'. These 'omens' tie into the whole point of the game implied in the title, the "Betrayal". What this translates to in real terms is that for the first half of the game, all of the player characters are cooperating, trying to help each other get as many useful items and to position themselves in the house in such a way that when one of the other players inevitably fails the 'omen' check and triggers the 'haunt' and begins the second half of the game that the non-betrayers can survive and/or escape. Survive and/or escape what you might ask? That is one of my favorite parts about this game, in the base version there are over 50 different scenarios depending on a bunch of different factors. These scenarios can be everything from demonic possession, ghosts, werewolves, 'the blob' and many other creatures, monsters, and horrific situations and do an absolutely fantastic job of giving the base game a TON of replayability. On top of that, they released an expansion for the first game (Widow's Walk) which introduced even MORE scenarios, as well as new rooms and an entirely new floor to the house, as well as Betrayal at Baldur's Gate, which has similar gameplay but takes place in that universe.

I could really keep going all day, but I think this post has gotten well long enough. Let me know in the comments what games you guys play and love, or if you want to hear about some other kinds of games (There are too many to think about even coming close to touching on all of them: Deck building games, Dice building games, Pandemic-like games, Classics like Catan, Ticket to Ride, Dominion, Milles Borne etc etc etc)

Host: Shinya Takahashi

3DS Announcements:

• Kirby's Extra Epic Yarn - Available 2019
  The 2010 Wii game comes to Nintendo 3DS. Includes all stages from the Wii version plus additional abilities, new Devilish Mode (a time attack mode), and new minigames

• Mario and Luigi: Bowser's Inside Story + Bowser Jr.'s Journey - Available January 11, 2019
  Added Bowser Jr. story

• Luigi's Mansion - Available October 12
  The original Luigi's Mansion is coming to the Nintendo 3DS with a new 2 player co-op mode. If both players ows the game one will play as a green blob version of Luigi. If only one own the game the second player will be able to use Download Play and challenge bosses.
  4 Amiibo are compatible with the game.

• Yo-Kai Watch Blasters - Available now
  Free content coming later on Spetember 27. Adds Moon Rabbit Crew to the title screen, with bonuses for linking save datas, new missions, new areas, new Yo-Kai to befriend, and new boss.

Switch Announcements

• Luigi's Mansion 3 (working title) - 2019
  A new game in the Luigi's Mansion series

• Splatoon 2 update, Ver.4

• Mega Man 11 - Available October 2
  8 bosses.
  New double gear system, you can slow down time or powerup your attacks.
  The two Mega Men Amiibos are compatible.

• Mario Tennis Aces update - Available September 19
  New characters: Birdo (all around), Shy Guy (Technical), Koopa Paratroopa (Technical) and Petey Piranha(Powerful). Can be acquired by playing online
  New updates coming until next June
  New mode: online only Co-op Challenge, available for limited periods of time. Will unlock in-game rewards such as new outfits, different color schemes and more.

• Capcom Beat'em Up Bundle - Available September 18
  Includes Final Fight, The King of Dragons, Captain Commando, Knight of the Round, Warriors of Fate and two first-time console releases: Armored Warriors and Battle Circuit.
  4 player local and online co-op
  Pre-order available now

• New Super Mario Bros. U Deluxe - Available January 11, 2019
  New characters: other than Mario, Luigi and Toad now you can play as Nabbit and Toadette.
  Nabbit doesn't take damage from enemies
  If Toadette powers up with a super crown she transforms into Peachette who can double jump, float slowly during free falls and get a boost back up when she falls into a pit.
  Includes New Super Luigi U. 164 courses between both games
  Single player Joy-Con, up to 4 player co-op.

• Katamai Damacy Reroll - Available Winter 2018
  Gyro controls, Hd Rubles, Joy-Con controller sharing

• Pokèmon Go Let's Go Pikachu and Let's Go Eevee - Available November 16
  Secret tecniques replace HM moves. Only your Pikachu and your Eevee can use them. They can also learn certain powerful moves. Only them.
  In handheld mode you can use touch screen to pet your Pokèmon and change its hairstyle depending on how you've petted it.
  2 new bundle that will include a Nintendo Switch system with specially designed dock, Pikachu and Eevee style Joy-Cons, one digital copy of the game and the Pokèball Plus accessory.

• Diablo 3: Eternal Collection - Available November 2
  All Dlcs are included. Up to 3 players local and online co-op.
  Nintendo Switch exclusive: Ganondorf's armor.
  All Amiibos figures are compatible

• Super Mario Party - Available October 5
  New 4 player co-op mode River Survival
  You can connect two Nintendo Switch in the Toads Rec Room mode.
  Characters' specific dice block with alternate numbering.
  80 minigames.
  Single player modes: Challenge Road (play thtough a series of minigames and complete specific tasks)
  Online Mariothon minigame mode (challenge other players around the world with 80 minigames to choose from)

• Town (Working Title) - Availabe 2019
  Game Freak presents a brand new RPG set in one single village. Looks like story will be a major part in this incoming game

• Citis Skylines Nintendo Switch Edition - Available today
  Includes two DLCs: After Dark and Snowfall

• Daemon Ex Machina - Available 2019*
  Mech Game.
  You can change weapons on the fly and you'll keep them for the whole game if you manage to return them to your base. Long range and melee weapons.
  You can exit your mech to explore the field on foot. You can make enhancements to you human character and your mecha abilities will be augmented as well
  Up to 4 player online co-op

• Yoshi's Crafter World - Available Spring 2019
  New Yoshi game.
  Local Joy-Con Co-op

• Asmodee Digital tabletop games
  NOT A BUNDLE
  Full adaptation of best-selling tabletop games made by Asmodee Digital. They are the following:

• Carcassonne - Available December 2018
  3D maps, solo mode, 4 player local multiplayer mode. Game's famous expansions available as paid DLC

• The Lord of the Rings: Living Card Game - Available April 2019
  Play alone or alongside a second player.
  Story driven quests

• Pandemic - Available March 2019*
  solo mode, 4 player local multiplayer mode
  Individually priced DLCs based on popular expansions.
  More is on the way: Catan and Munchkin

• Sid Meier's Civilization VI - Available November 16
  4 player local multiplayer

• Starlink: Battle for Atlas - Available October 16
  Exclusive missions for the Nintendo Switch with Star Fox, Peppy, Falco and Slippy from the Star Fox universe.

• The World Ends with You Final Remix - Available October 12
  Square Enix RPG

• Xenoblade Chronicles 2: Torna - The Golden Country - Available September 21
  Go back in time with this Xenoblade Chronicles 2 DLC
  Owner of the Season Pass can already download this new content

• Warframe - Available November 20*
  Free to play co-op space ninja shooter game. Needs connections all time to play.

• Just Dance 2019 - Available October 23*

• Fifa 19 - Available September 28
  Available for pre-purchase tomorrow (9.14.2018)

• Team Sonic Racing - Available this winter

• NBA 2K19 - Available now

• NBA 2K Playground 2 - Available this fall
  NBA arcade game

• LEGO DC Super-Villains - Available october 16*

• Final Fantasy Crystal Chronicle Remaster Edition - Available 2019
  GCo-op action RPG, with new online multiplayer mode.
  New areas added in dungeons.

• Final Fantasy XV Poket Edition HD - Available today

• Worlds of Final Fantsy Maxima - Available November 6
  New feature added: Avatar Change. It allows yo to transform into legendary characters from across the series storied history.

• Chocobo's Mystery Dungeon Every Buddy! - Available this winter
  2007's Final Fantasy Fable Chocoboc Dungeon returns
  You can now befriend all the monsters
  Joy-Con local co-op multiplayer

• Final Fantasy XII The Zodiac Age - Available 2019
  Comes to a Nintendo system for the first time
  New Speed Mode

• Final Fantasy VII, Final Fantasy IX and Final Fantasy X and X-2 HD Remaster - Coming to Nintendo Switch in 2019 separately

• Super Smash Bros Ultimate - Available November 2
  Isabelle (Animal Crossing) joins the fight!
  Hardware Bundle that includes a Nintendo Switch system with specially designed dock, a pair of Joy-Cons with the Smash Bros Symbol on them and a digital copy of the game.

• Animal Crossing - Nintendo Switch - 2019
  A new game in the Animal Crossing series

• GameCube controller adapter and GameCube controller Super Smash Bros. Ultimate Edition - Available November 2 while supplies last

Nintendo Switch Online membership

Begins on September 18 with the following prices:
1 month 3.99 USD;
3 months 7.99USD;
12 months 19.99 USD;
12 month Family Membership up to 7 people 34.99USD.
Includes 5 features:

• Online play, a variety of games is supported
• 20 Nintendo Entertainment System (NES) games. You can find the complete list here. New title coming up. Includes local and online co-op.
• Save Data Cloud
• Smartphone App. Incluses: voice chat in certain games, additional infos in certain games (e.g. Splatoon 2)
• Special Offers. No details, more to announce in the future.

NES controllers for Switch - Available for pre-purchase starting September 18 on Nintendo.com
59.99USD
Nintendo Switch Online membership and Nintendo Account are required for the purchase.
Left and right wireless controllers that you can use to play NES games with on the Switch. Recharge the same way as normal Joy-Cons.
Contrllers do not include Joy-Con functionality.
Orders are expeced to ship starting this December.

Those that have pursued a career that deals with any type of computer science, what advice would you give to students before they get a job in it? What do you do on a daily basis? What would you have wanted to know before you started?

I am a pretty big fan of the PCMR Battle station posts where everyone shares their computers and desk setups. I have never seen one here so I figured I would start one!

Here is my desk, three 32" monitors (two facing the desk, one facing my living room on the back ). I primarily use my lower monitor and have background stuff on the upper (spotify, torrent client, youtube, podcasts, winamp, twitch, discord, etc etc). I have a bunch of old Xbox360 controllers and enjoy playing PC games on the couch on my rear monitor (as well as streaming obviously). The rear monitor also has a firestick and my only source of sound (other than my headset) is an Amazon Echo (which also controls my living room lights). The PC is a prebuilt from iBUYPOWER, it was my first time buying a prebuilt (I was hesitant to do so) and the only reason I did was because I was wanting to build a new rig right as crypto mining was driving up the cost of everything and I was able to get a great deal on this one. So far it has performed great. I still have two RAM slots open so I think that is the next thing I am gonna do.

I built my last computer in 2008 so I was way overdue for a new one and my S.O. has informed me I went a little overboard =)

9200 i7-8700K 6-Core 3.7 GHz | Liquid Cooled | Z370 Motherboard| GeForce GTX 1070 | 16GB DDR4| 1TB HDD | 240GB SSD |

Lets see what you guys have!

EDIT: sorry for the low picture quality, my cell phone is garbage.

EDIT2: forgot to include a screenshot

It's the same background on all three, but the taskbar is basic on the two secondary (and icons are only on the main). And if anyone was confused about the random monitor hanging off of the back of my desk this kinda shows it better.

Preface

Over the last couple of years, I've had the opportunity to learn from the mistakes of my predecessors and put those lessons into practice. Among those lessons, three have stood out to me in particular:

1. Consistency is king.
2. Try not to be too clever for your own good.
3. Good code takes time.

I know that there are a lot of new and aspiring programmers here (and I'm admittedly far from being a guru myself), so I thought it would be good to touch on these three lessons, what they mean, and why they're so important.

Consistency is King

This is something that I had drilled into my head over nearly two years working on the code base at my previous job. Not by my fellow programmers (who did not exist), nor by my boss, but by the code itself.

Consistency can mean a number of things, but there are two primary points that matter:

1. Syntactic consistency.
2. Architectural consistency.

Syntactic consistency concerns standards in what your code looks like. For example, the choice between snake_case or camelCase or PascalCase for naming; function parameter order; or even something as benign as what kind of indentation and how much of it you use.

Architectural consistency concerns standards in how you structure your code. Making sure that you either use public class properties or getter and setter methods; using multiple booleans or using bitmasks; using or not using objects for encapsulating data to be passed around; validating data within the primary object or relegating that responsibility to a validator class; and other seemingly minor decisions about how you handle certain behavior make a big difference.

The code base I maintained had no such consistency. You could never remember whether the method you needed to call was named using snake_case or camelCase and had to perform several searches just to find it. Worse still, some methods defined to handle Ajax calls were prefixed with ajax while many weren't. Argument ordering seemed to be determined by a coin flip, and indentation seemed to vary between 2-space, 3-space, 4-space, and even 5-space indentation depending on what mood my predecessor was in at the time. You often could not tell where a function's body began and where it ended. Writing code was an exercise both in problem solving and in deciphering ancient religious texts.

Architecturally it was no better. There was no standardization in how data was validated or sanitized, how class members were accessed or modified, how functionality was inherited, whether the functionality was encapsulated in an object method or in a function, or which objects were responsible for which behavior.

That lack of consistency makes introducing or modifying a small feature, a task which should ordinarily be a breeze, an engineering feat of its own. Often you end up implementing that feature, after dancing around the tangled mess of spaghetti, only to find that the functionality that you implemented already existed somewhere else in the code base but was hiding out in a deep, dark corner that you never even knew was there until you had to fix some other broken feature months later and happened to stumble across it.

Consistency means predictability, and predictability means discoverability and, more importantly, easier changes and higher confidence in those changes.

Cleverness is a Fallacy

In any given project, it can be tempting to do something that saves you extra lines of code, or saves on CPU cycles, or just looks awesome and does something nobody would have thought of before. As human beings and especially as craftsmen, we like to leave our mark and take pride in breaking the status quo by taking a novel and interesting approach to a problem. It can make us feel fulfilled in our work, that we've done something unique, a trademark of sorts.

The problem with that is that it directly conflicts with the aforementioned consistency and predictability. What ends up being an engineering wonder to you ends up being an engineering nightmare to someone else. While you're enjoying the houses you build with wall studs arranged in the shape of a spider's web, the home remodelers who come along later aren't even sure if they can change part of the structure without causing the entire wall to collapse, and they're not even sure which walls are load-bearing and which aren't, so they're basically playing Jenga while blindfolded.

The code base I maintained had a few such gems, with what looked like load-bearing walls but were actually made of papier-mâché and were only decorative in nature, and the occasional spider's web wall studs. One spider's web comes to mind in particular. It's been a while since I've worked on that piece of code, so I can't recall what exactly it did, but two query-constructing pieces of logic had overlapping query structure with the difference being the operators and data. Rather than being smart and allowing those two constructs to be different, however, my predecessor decided to be clever and the query construction was abstracted into a separate method so that the same general query structure could be used in other places (note: it never was, and was only ever used in those two instances). It was abstracted so that all original context was lost and no comments existed to explain any of it. On top of that, the method was being called from the most critical piece of the system which, unfortunately, was already a convoluted mess and desperately required a rewrite and thus required me to understand what the hell that method was even doing (incidentally, I fell in love with whiteboards as a result).

When you feel like you're being clever, you should always stop what you're doing and make sure that what you're doing isn't actually a really terrible idea. Cleverness doesn't exist. Knowledge and intelligence do. Write intelligent code, not clever code.

Good Code Takes Time

Bad code more often than not is the result of impatience. We don't like to plan out the solution before we get to writing code. We like to use variables like x and temp in order to quickly achieve functional correctness of our code because stopping to think about how to name them is just additional overhead getting in the way. We don't like to scrap our bad work if we can salvage it in some way instead, because then we have to start from scratch and that's daunting. We continually work against ourselves and gradually increase our mental overhead because we try to decrease our mental overhead. As a result we find ourselves too exhausted by the end of our initial implementations to concern ourselves with fixing obvious problems. Obviously bad but functional code is preferable because we just want the task to be done and over with.

The more you get exposed to bad code and the more you try to avoid pushing that hell onto yourself and your successors, the more you realize that you need to spend less time coding and more time researching and planning. Whereas you may have been spending upwards of 50% of your time coding previously, suddenly you find yourself spending as little as 10% of your time writing any code at all.

Professionals from just about any field can tell you that you can either do something right or you can do it twice. You might recognize this most easily in the age-old piece of woodworking wisdom, "measure twice, cut once". The same is true of code, and doing something right means planning how to do it right in the first place before you've even started on the job.

Putting into Practice

I've been fortunate over the last couple of months to be able to start on a brand new project and architect it in a way that I see fit. Changes which would ordinarily take days or weeks in the old code base now take me half a day at most, and a matter of minutes at best. I remember where to find a piece of code that I need because I'm consistent and predictable about where I place things; I don't struggle to tell where something begins and where it ends because I'm consistent about structure; I don't continually hate myself when I need to make changes to my code because I don't do anything wildly out of the ordinary; and most importantly, I take my time to figure out what it is that I need to do and how I want to do it before I've written a single line of code.

When I needed to add a web portal interface for uploading a media asset to associate with a database object, the initial implementation took me a week, due to the need for planning, adding the interface, and supporting and debugging the asset management. When I needed to extended that interface to allow for uploading the same kinds of assets for a completely different object type, it took me only half an hour, with most of that time being dedicated toward updating a Vue.js component to accept configuration via props rather than working for only the single hard-coded object type. If I need to add a case for any additional object type, it will take me only five minutes.

That initial week of work for the web interface provided me with cost savings that would not have been feasible otherwise, and that initial week of work would have taken as many as three weeks had I not structured the API to be as consistent as it is now. Every initial lag in implementation is offset heavily by the long-term cost savings of writing good code.

Technical Debt

Technical debt is the cost of your code over time. The messier and worse your code gets, the more it costs you to try to change, and those costs only build up. Even good code can accumulate technical debt if the needs for your software have changed and its current architecture isn't compatible with those changes.

No project is without technical debt. Even my own code, that I've been painstakingly working on for the last couple of months, has technical debt. Odds are a programmer far more experienced than I am will come along and want to scrap everything I've done, and will do a far better job rewriting it.

That's okay, though. In fact, a certain amount of technical debt is good. If we try to never write any bad code whatsoever, then we could never possibly get to writing any code at all, because there are far too many unknowns for a new project.

What's important is knowing when to pay down on that technical debt, which could mean anything from paying it up front (i.e. through planning ahead of time) to paying it down when it starts to get too expensive (e.g. refactoring a complicated section of code when changes become sufficiently difficult). That's not something you can learn through a StackOverflow post or a college lecture, and certainly not from some unknown stranger on some relatively unknown website in a long, informal blog-like post.

Final Thoughts

I'm far from being a great programmer. There's a lot that I don't know and I still have quite a bit to learn. I love programming, though, and more than that I enjoy sharing the lessons I've learned with others. Especially the ones that I wish I'd learned back in college.

Please feel free to share your own experiences, learned lessons, and (if you have it) feedback here. I'd love to read up on some other thoughts on this subject!

Previous episode | Index thread | Next episode

Black Mirror Season 3 Episode 3 - Shut Up and Dance

After a virus infects his laptop, a teen faces a daunting choice: carry out orders delivered by text message, or risk having intimate secrets exposed.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

Please rate the episode here!

howdy pardner!

welcome back to my emo rap deep-dive series! for those just joining us, i'd encourage you to go back and check out chapter one: sprite. and chapter two: dirt. first.

so why am i even writing this to begin with? if i'm being honest, it's not all entirely educationally-motivated. i've been really wanting a way to share my favorite genre of music with people (maybe it's a subconscious testing of the waters before i begin to record my own music?) and collect their thoughts. but every time i went to share a link in ~music, i'd deliberate over and over, "what should i share?" it's been so hard for me to pick one single song that's all-encompassing and anthemic (is that even a word? i keep using that word) of the genre as a whole.

so instead of spamming ~music, or having to cherry pick a small number of tracks, i thought i'd use this as an opportunity to provide a little historical background and, hopefully, maybe, inspire a new appreciation in a subgenre that very often gets overlooked, or thought of as basic / whiney / overproduced.

that said - hopefully you've all been following along, and i'll stop stalling! let's dive right into chapter three of our emo-rap deep dive - dirty sprite. or, how did we go from OutKast to Lil Pump?

let me open with a question. what do the following have in common?

polish composer and piano virtuoso frederic chopin
controversial american rapper lil pump
american actor and i guess also musician? corey feldman

you guessed it!

opiates.

all of the present characters used opiates in their lifes, typically throughout the better parts of their creative years. chopin was using medicinal opiates in order to aide with his tuberculosis. feldman fell into and has since (i believe) fought his way out of a heroin addiction. lil pump sips promethazine by the bottle just to party (hyperbole. don't drink prometh by the bottle) which is a prescription medication often used as a sedative or used to prevent coughs or nausea. often sold as a mixture of promethazine and codeine, itself being an opiate. if you've seen a rap music video in the past two to three years, you may have seen this bottle somewhere throughout.

where do all of these drugs come from?

the answer to that question actually holds a lot of relevance to the history of emo rap itself, but to answer it, we first have to go all the way back to the 90s.

off we go!

believe it or not, drugs as a matter of discussion weren't always ever-present in the rap game. from the late 70s to the early 80s, only about 10% of all rap songs mentioned drug use, whereas in the early 90s, we see that number jump waaaay the fuck up to 45%, to eventually hit 69% by 1997 [source]. this is all taking place around the same time that we saw the decline of major urban neighborhoods due to the effects of white flight, decreasing the amount of tax dollars flowing throughout these areas, and leading to a decrease in public services that would include decreased effectiveness of, say, fire brigades or police squads.

with poorer households now making up a majority of these neighborhoods, the illegal drug trade quickly grew in popularity as a way to make money on the business end, and a way to escape the day-to-day on the client end. a plethora of burned, broken into, or otherwise abandoned houses became a seemingly limitless amount of places to go about the production of drugs - most notably, crack cocaine. these houses came to be known colloquially as trap houses, and the music inspired by this phenomenon, trap music.

this sound grew it's roots in the early 90s thanks to the early projects out of the south like UGK (title: Cocaine in the Back of the Ride), Three 6 Mafia (title: We Got Da Dope), and The Showboys (title: Drag Rap). coincidentally, the showboys are actually a group out of new york, though gained the height of their popularity touring around southern states.

as we head into the mid-nineties/early-naughts, we see the emergence of a few acts that really take this sound and run with it. setting the roots for the coming commercial explosion of the trap sound, we see examples like OutKast's "Southernplayalisticadillacmuzik", Lil Jon's "Who You Wit". we're gonna see lil jon's name pop up a few times as we go through this.

taking the reigns from these majorly influential projects, we next see T.I. come to the stage for his second album "Trap Muzik" in 2003. much to the surprise of the industry (his debut album did not go over all too well), Trap Muzik debuted at number 4 on the Billboard 200, sold over 100k copies in it's first week, and was later in 2012 called one of the classic albums of the last decade by Complex. the album features many early hits from T.I. like "Be Easy", "24's", and even some tracks with producer credits from Kanye West like "Doin' My Job". still sticking to their guns, pioneering the trap sound, we continue to see records from Lil Jon and Three 6 Mafia taking to the radio such as, respectively, "Get Low" and "Stay Fly"

paving the way towards the 2010s, we begin to see the rise of artists like Gucci Mane and his debut album "Trap House" (aptly titled eh?) hitting the Billboard 200 with tracks like "Icy", Young Jeezy with internationally-charting tracks like "Soul Survivor", and most notably in modern trap, producer-powerhouse Zaytoven with work on tracks like "Papers" x Usher.

so we skip forward 5-7 years and things look...different.

instead of having chart-toppers like "Smack That" x Akon, "Hey There Delilah" x Plain White T's, or "Umbrella" x Rihanna

we see a lot of love for things like "First of the Year (Equinox) x Skrillex, "Sail" x AWOLNATION, and most importantly by far, "Versace" x Migos which was quickly popularized by Drake's remix. the rest of 2013 serves as the absolute corner stone of modern trap music seeing the success of songs like "Swimming Pools (Drank)" x Kendrick Lamar, "Started From The Bottom" x Drake, and of course, the absolute trap anthem, "Love Sosa" x Chief Keef.

in that avalanche of tracks, we get the recipe that will come to make up the bulk of today's trap music:

1. edm-inspired instrumentals
2. triplet meter rhyme
3. heavy 808s and crystal clear hi-hats.

over the next few years, we steadily start to see these three ingredients come together to produce some absolute bangers leading up to the trap zeitgeist.

in 2014:
"Fight Night" x Migos
"Black Widow" x Iggy Azalea
the ever-memed "Lifestyle" x Young Thug

in 2015:
the year of Fetty Wap with tracks like "Trap Queen", "679" on the Billboard 100
"No Type" x Rae Sremmurd
"Flex" x Rich Homie Quan

in 2016:
"Panda" x Desiigner
"Broccoli" x DRAM
Drake jumping back in with "Jumpman"
"Down in the DM" x Yo Gotti

and then, finally, we arrive at 2017 - the year that caused the internet's busiest music nerd anthony "melon" fantano to pose the question "have we reached peak trap?". up until recently, the term "trap music" was actually not all too commonly associated with rap music - instead referring most commonly to a subset of edm with (still) heavy 808s, thicc bass drops, and dirty breakdowns. however, with the musical zeitgeist quickly moving to seat rap at the throne over rock music, and with the internet popularizing songs like "Ultimate" x Denzel Curry, "Flicka Da Wrist" x Chedda Da Connect, and "U Guessed it" x OG Maco, the term has now been absolutely overtaken as many rap fans find themselves infatuated with the sound. this causes the scene to absolutely explode throughout 2017 with songs like:

"Humble" x Kendrick Lamar
"Bad and Boujee" x Migos
"Bodak Yellow" x Cardi B
"Look At Me!" x XXXTentacion
and of course
"Gucci Gang" x Lil Pump

this year sees the debuts of several artists that are still dropping bangers today, like the previously listed Cardi B, Lil Pump, XXXTentacion (rest in peace), A Boogie wit Da Hoodie, and (again) of course, 6ix9ine.

analogous to the rise of screamed lyrics, heavy instrumentals, and prettyboy-frontmen of mid-late 2000s rock bands, we see the rise of trap music today.

now, the final question to be answered.

how do we get from rap songs with hedonistic lyrics, heavy 808s, and loud-personality frontmen, to a subsect of the genre that nearly predominantly speaks of subjects like death, addiction, loss, and suicide?

i'll see ya soon for the fourth and final installment of the emo-rap deep dive - chapter four: xanax sprinkles.

Everyday I am more surprised how impatient people are, and how ridiculous the behavior that stems from it is.

The street in front of my house is a four-lane street. There is a stop sign 30 ft at the end of the block. Just about every morning I will back out and there will be a car that will get into the next lane and then overtake me just so they can slam on their brakes because there's a line of cars at the four-way stop 30 feet ahead. I just don't understand that behavior. Drivers in general seem so impatient and I don't know why they are always in a hurry. We have major accidents here daily.

I've been trying to get a package delivered since last Friday. The post office has been making it real hard to get due to issues on their end. This morning I got a voicemail to go pick it up at the station around the corner.

I'm in line and this woman asked if anyone is there just to pick up. So I say yes I am and I walk up and I give the guy my information. This woman behind me reaches around right next to my face and says can you get this for me? Like it isn't my turn.

They can't find my package because I was told wrong and they didn't actually have it it was out for delivery. This woman has been waiting about 60 seconds and you can hear her sighing and then she leaps to the register next to me as soon as a woman walks up asking for her package.

This woman was making a big deal about having to wait not even 2 minutes for her package.

I just don't understand why people are so impatient. I mean I was frustrated as could be about my package because they kept flip-flopping on me but I wasn't acting put out like it was the worst thing in the world.

Is it entitlement? What is it? People get mad when they have to wait in line behind one person at the grocery store who has already been rung up and is just paying at that point. I mean why are they actually getting upset over this stuff.

And they never learn. I'll be checked out and leaving by the time they are being rung up because they spent 5 minutes looking for a short line. I don't get it.

ten months, three kings.

fuck.

things you should know if you're gonna fuck with drugs. [reddit link]

relevant shit:

"Legends" x Juice WRLD
"THE BLACKEST BALLOON" x Denzel Curry

let's get to the piece

death always seemed imminent
every track he wrote it in
real goth shit he'd represent
drugs never put him on the fence
geeked off coke, asleep off xans
ate a couple shrooms he was diving in
two hydros and two oxys blend
had a full pill bottle in his hands
nobody knew he would get so bent
nobody knew it was laced with fent
a message from postmortem breath
everybody stop, get off your shit
message rang, got left on sent
looks like nobody's listening
the saddest case that you could present
never heard a peep about this shit again

just pop another pill
while the house is on fire
just a warm blanket baby boy,
you're gonna be fine.
tryna look around,
but you can't focus your eyes
end up staring down the bottle
tryna see what's inside
looks like you found the
perks of being alive.

next gunned down midsummer
cut across by two gunners
reached their hands in
to grab his things
then bolted off and
let shots ring
they caught his neck
boy couldn't breathe
blood poured onto the
beamer seats
right as this boy began to preach
a brand new message bent on peace
a brand new face for the world to see
his eyes saw love in the future
tryna inspire life out of the dead sea
20 years old, brought to his knees

just pop another pill
while the house is on fire
just a warm blanket baby boy,
you're gonna be fine.
tryna look around,
but you can't focus your eyes
end up staring down the bottle
tryna see what's inside
looks like you found the
perks of being alive.

blue slides on both feet,
just a college kid who loved weed
found himself in a new scene
little more fame, little more green
then he started touring
got hooked off the purp drink
off the cocaine and promethazine
found a swimming pool
poured in the lean
tried to swim out
wouldn't let him leave
pulled him to the deep
wouldn't let him breathe
cinderella, he had a queen
ended, toxic, but they were teamed
now four months later - it's the final scene.

just pop another pill
while the house is on fire
just a warm blanket baby boy,
you're gonna be fine.
tryna look around,
but you can't focus your eyes
end up staring down the bottle
tryna see what's inside
looks like you found the
perks of being alive.

"Star Shopping" x Lil Peep

"Snow" x XXXTentacion

"Self Care" x Mac Miller

rest in power my guys.

I've been sick the last couple of days; cooped up in my dark basement apartment. I've been dying to get outside, but it's misting and cloudy, so I went to Starbucks drive thru and drove to a nearby park to sit and read. I opened all the windows and reclined my seat in the park's deserted parking lot. After a few minutes, a police car came up the driveway, pulled into the parking lot kinda fast and drove up to my car. I got ready to talk to him, but he averted course, drove around my car in a circle, glanced at my face (pleasant smile) and drove off again.

The whole situation left me feeling a little pensive. I'm a young-ish white woman in a ten-ish year old car, drinking tea and reading a book (though i doubt he got close enough to see that part) in a parking lot of a deserted park on a rainy day. How could the story have changed if I was a darker color and/or/and a different gender? Would that cop have still driven off? Possibly. Hopefully. Or would he have inconvenienced me? Questioned me, demeaned me, dehumanized me? Would he have given me the benefit of the doubt? If i got scared because of a lifetime of tense police encounters, would he have hurt me, tazed me, shot me?

I get the basics of managing risk. But having dark skin does not predispose us to be risky. Systemic oppression, un/official smear campaigns, mistrust, xenophobia, unequal opportunity, gerrymandering, propaganda have taught us that white girls in cars drinking coffee in a parking lot on a rainy evening are less risky than a black man in his home or his neighborhood or in his car drinking coffee in a parking lot on a rainy evening. And it hurts us all.

I haven't posted in a while, and I want to do my part; also, I wanted to tell this story, but not on Facebook. Thanks.

welcome back, class!

i'm actually kinda having fun with this project lmao. dive into the comments and let me know what you lot are thinking! this is the second installation in, what i believe will be, a four part series. enjoy!

in the last chapter, we learned a little about how rap in the 90's began to get a bit more introspective, self-reflective, and focus on some generally harsher, more grating topics. while all eras definitely have their hype music (see: "Nuthin' But a G Thang" x Dr. Dre and Snoop Dogg or "Slob on my Knob" x Three 6 Mafia, we slowly began to see songs like "Slippin'" x DMX or "Rock Bottom" x Eminem which slowly began the trend of rappers using their music to really peel back the curtains of their lives, using their music as an escape into catharsis from their daily struggles.

however, emo rap does seem to have something else happening inside of it. it's not just simply sad or emotionally-charged rap music, that's been around for quite a long time! what's that extra layer that gives us the gritty, rough, and often-whiney nature to modern emo rap? for that, we turn to the name of the genre itself.

not only did the 90's prove as a time of great growth and evolution in rap, but it saw the expolsion of a new genre of rock music as well. with roots set in the 80's, emo rock first gained major commercial popularity with bands like Green Day and The Offspring quickly moving albums to the tops of the charts with songs like, respectively, "She" and "Self Esteem". as the genre fell face-first into the zeitgeist, we quickly saw a rise of early emo rock groups like Lifetime, Jimmy Eat World, and one of the most influential early emo groups - Texas is the Reason. throughout the decade, the prophecy foretold by the Rolling Stones in their track "Paint it Black" quickly began to unfold. teenagers were wearing black, goth kids slowly started to emerge from the depths of the underworld, and hot topic was finally starting to make money. the foundations and roots of emo have been set, ready and waiting to lead us into the 21st century.

the year is 2000, and pretty much everything is fucking awesome. we see the launch of the indestructible classic Nokia 3310. we get video games like Tony Hawk's Pro Skater 2, The Legend of Zelda: Majora's Mask, and of course, Pokemon Gold and Silver. the billboard charts are full names that make us go "oh yeah!" like Destiny's Child, Aaliyah, Erykah Badu, Montell Jordan, 3 Doors Down, Backstreet Boys, Creed, Madonna, and the list goes on and on and on.

the 2000s saw an absolute unit of a revival of the newly restructured emo genre, quickly launching off massively influential tracks like "All the Small Things" x Blink 182, and we even see the creation of the first emo-centric record labels across the late-nineties and early naughts. this means that a lot of the emo bands of the time had not only better representation and access to the innerworkings of the industry, but better access to resources which would help them promote and distribute themselves as well - this is what allowed a lot of bands to leap and bound right into the hot topic t-shirt wall.

one of the bigger labels we came to see was Vagrant records, moving to quickly sign groups like The Get Up Kids, Hot Rod Circuit, Dashboard Confessional, and Saves the Day. with the internet in their toolbox, some major corporate sponsorships funding the whole gig, and a huge amount of confidence in the future of emo, Vagrant set out on what's considered to be one of the most influential projects in the (still) early days of emo when they launched a nationwide tour with every band in their label in tow.

shortly thereafter, Jimmy Eat World launches the biggest single of their career "The Middle", Dashboard Confessional break heavy into the mainstream, and Madison Square Garden goes absolutely wild for Saves The Day, Blink-182, Green Day, and Weezer.

emo is starting to get big, and people are starting to realize that there's money to be made here.

this brings us now to the mid-ish 2000s. everyone's on myspace, everyone's got a motorola razr, everyone's getting into skating or bmx, and every chick with jetblack black hair or fishnets is going absolutely fucking crazy over Brendon Urie from Panic! At The Disco. this is the part where the big money steps in and major record labels start signing a lot of emo bands left and right. this massive cash injection into the industry saw the rise of a lot of bands which would go on to not only define the industry, but to define the middle school and high school lives of a great number of their listeners. as the emo singularity entered the phase of it's big bang, we saw the rise of a number of stars like Taking Back Sunday, Simple Plan, My Chemical Romance, Fall Out Boy, and many many many deep breath many others.

fueled by industry investments, teen angst, and a desire to be different, this led to an explosive rise in popularity for the genre, with many songs quickly moving to RIAA gold/platinum status and Billboard chart success like "Misery Business" x Paramore, "Miss Murder" x AFI, or "Check Yes Juliet" x We The Kings. this massive influx of success inspired some of the best parties, most genuine moments, and most cringiest photographs of our many young lives. very frequently this music was used as an escape for those who felt that their problems were going otherwise unrecognized or misunderstood, who felt that they were sad or alone, who hated the seeming lack of control that they had in their own lives - constantly living under the legislature of parents, school systems, or cops that always seemed to hate us edgy confrontational teenagers.

however, like Sam Smith would come to say, "too much of a good thing won't be good for long." what happens when a star shines too bright? what happens after a supernova?

things go dark.

it's now that we begin to enter the part of this whole movement that we've all repressed - and it starts with bracelets.

sigh.

it's 2010-ish.

vuvuzelas are hilarious, "TiK ToK" x Ke$ha is topping charts, and highschools everywhere are full of Silly Bandz and sex bracelets. we've reached a point of absolute pop culture saturation with the emo vogue. while songs of the previous era like "Welcome to the Black Parade" (linked earlier) or "Dirty Little Secret" x The All-American Rejects still hold an anthemic position in the musical zeitgeist, by and large, emo simply was no longer enough. the all-black motif was drab and dark. the music didn't cut deep enough, the lyrics didn't hit hard enough, the vocals weren't powerful enough. we needed something stronger, something more powerful.

this desire for harder hitting music led to an underground rise of hardcore bands like La Dispute and Pianos Become the Teeth. these bands were very much hitting in the right direction, blending the angst and yearning of modern emo music with the strength of metal instrumentals and vocals hit home with a good number of people still looking to hold onto the last bastions of the emo movement.

and, as we've seen before, as this demographic loves to live fast and hard, the remodeled emo genre quickly skyrocketed into popularity with bands like Asking Alexandria, Bring Me The Horizon, and A Day to Remember rushing to the forefront of the movement. the rough, gritty nature of the instrumentals paired with the phenomenally screamed vocals seemed to add several more layers of separation between what we were listening to, and the "traditional" music we had been brought up listening to. this was new, this was edgy, but more importantly, this was ours. this was music that we knew the lyrics to, music that we could sing along with because we'd teach ourselves how to scream-sing when we had the house to ourselves, and music that, most importantly, we were pretty damn sure our parents weren't going to get into. they started using myspace, we left for facebook - abandoning the customized purple, black, and sparkly profile pages of yore.

however, there was something missing here. this was music we could connect to, sure. we were glad to have the songs we did to relate with! even still, we got greedy. connecting to it wasn't enough. we needed music we could fuck to. we needed eyecandy. we needed music that was brutal, strong, and beyond comprehension. we got gluttonous.

now we begin to enter the scene age. flashy colors and attitudes replace the black nature of the previous era. ostentatiously hardocre and brutal instrumentals (or alternatively, very pop-y, electronically inspired instrumentals) back vocals sang by artists who's image was crafted under nature and umbrella of being unconventionally attractive to this new audience. this led to projects such as "You Aint No Family" x iwrestledabearonce, "Sex Ed Rocks!" x SMOSH & ISETMYFRIENDSONFIRE, and (oh god,) "Bree Bree" x Brokencyde.

i know my language here is pretty overtly negative, not to make it seem like i hate every band from this era. i actaully like iwrestledabearonce, and a lot of these bands hold a great amount of nostalgia in my life. tracks like "Knives and Pens" x Black Veil Brides were anthemic of this late-stage emo-rock era, checking a good number of the boxes above, and drawing attention to the struggles of people of this era. for example, it can be said that the way emo-rap heavily goes about drawing attention to drug use/abuse is very analogous to the way that a lot of this late-stage emo rock draws attention to self-expression and self-harm.

this era was loud while it was here, and saw the popularity of a lot of projects like the following before it quickly died out around 2014/2015:

We Butter The Bread With Butter

"Wake Up" x Suicide Silence

Pierce The Veil

Sleeping With Sirens

and, often, scene music held no semblance of it's metal roots at all! you may remember hits of the era like "DON'T TRUST ME" x 3OH3!, "Shake It!" x Metro Station, "Good Girls Go Bad" x Cobra Starship, or "Sexting" x Blood on the Dance Floor.

palette cleanser: "Dirty Diana" x Michael Jackson (The Weeknd Cover)

so here we've arrived. the year is 2014, and the billboard is topped with pharrell, meghan trainor's debut single, "Shake It Off" x Taylor Swift, and the debut tracks from the likes of Lorde and Sam Smith.

...and some guy named Young Thug?

Wait, who's this Bobby Shmurda guy?

2 Chainz?

YG?

something's a-changing... where's the industry headed?

find out next time on the emo rap deep dive - chapter three: dirty sprite.

It looks like it's been over a week and a half since our last coding challenge, so let's get one going. This challenge is a relatively simple one, but it's complex enough that you can take a variety of different approaches to it.

As the title suggests, write a program that accepts an arbitrary number of arrays, in whatever form or manner you see fit (if you want to e.g. parse a potentially massive CSV file, then go nuts!), and returns a single array containing all of the elements of the other arrays in sorted order. That's it!

Bonus points for creative, efficient, or generalized solutions!

I just got my /dev/tty blanks in from Massdrop and I an thinking of dying them to match my current ABS colorway.

I have looked at the guide and I think I am able to do all that, but I am wondering what kind of look I am going to/can get by dying the gray and red caps?

I assume the gray caps would just yield a slightly darker color, but I am curious if I can get an interesting shade of brown by dying the red keycaps with some other color (or just more brown?)

Any hints on dying the colored caps or dying PBT in general are appreciated.

Alright, so I'd like to get some opinions going here and see what others think.

Full disclosure, I have not finished the Death Note series... I have tried and failed on 3 separate occasions because I can't stand the writing. I love the premise, but L's character is just too frustrating for me. He knows way more than he should at any given point with no explanation except he's a genius (at least, up until the point that I stopped watching. Episode 7 I think). It feels lazy to me. And everybody I talk to in person has felt the same.

BUT! I know that there are a lot of avid Death Note fans out there and there seem to be a few here on tildes, so I'd like you guys to weigh in. As a fan of the show, did you also feel this way about the writing? If so, what other redeeming qualities were there for you in this show? What about it do you love? What about it do you not like so much? It's a long series, should I push through until a certain episode? Have I just not gotten there yet?

Hi,

I used to browse reddit with the J/K scroll up down the feed or comments keyboard shortcut. Coupled with X for opening media or link and C to get to comments, it was a much more efficient way of navigating the website. As do all vim-like controls like Vimium etc..

There are a lots of more useful keyboard navigation possibilities but i think these are the more needed ones for now.

Week 12! Here we've got this week's user-voted record: Heart of My Own by Basia Bulat!

Taken from @cfabbro's pitch:

I would like to nominate Heart Of My Own by Basia Bulat, a Polish-Canadian folk singer-songwriter. I absolutely adore her and think she is criminally underrated even here in Canada. Oddly enough, she did get a chance to do an NPR Tiny Desk Concert a number of years ago though, which was amazing.

The Youtube playlist for the album is a bit broken but both Spotify and Soundcloud have the whole thing:
https://open.spotify.com/album/6KCtZck76UV1ym4mthQOWH
https://soundcloud.com/basia_bulat/sets/heart-of-my-own

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with Heart of My Own. Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.

howdy there folks!

there's been a new breed of rap/hip-hop coursing through the industry in recent years. some songs riding the wave up to the crest in the industry, and gaining some popularity, some artists intermingled in major controversy, and most relevantly, a lot of really sad late-millenial-early-gen-z kids getting together to cry in the dark, hug each other, dance until their bodies hurt, and get absolutely fucked up.

this wave, as you can tell by the title of the post and my ceaseless, shitty, un-asked-for poetry, is that of

#emo rap.

(edit: as i was writing this i realized that i started to write for a really long time, so i'm just going to leave this at chapter one for now. if you want me to keep going, or if you saw any big ol' lies in here, feel free to let me know in the comments downstairs!)

chapter one - sprite. the crisp history of emo rap.

the modern evolution of emo rap is a lovechild of two unexpected homes - the montagues and the capulets. (sorry.)

the first origin source is from exactly what the name of the genre suggests - emotional rap. in the 90s, the world of rap was vastly different than it is today. rock music was very much still the cultural zeitgeist, most kids daydreamed of being rockstars, and rap lyrics could be seen bouncing between the usual subjects: struggles of racism/classism, or bragging rights over the monetary, the loud, and the beautiful. the quality of life in the inner cities or housing projects, who had the best shooters, gang representation (east side / west side), or just how damn good weed is.

it goes without saying that, since the birth of the genre, rap has had the capacity to be very introspective and reflective on the lifestyle and living conditions of the artist who'd penned the track. however - it, to my knowledge, was not all that common to see artists focusing on internal struggles, the pressures they faced to succeed financially for the sake of themselves and their families, the pressures they faced to perform well under their labels.

very early examples of these more self-reflective types of songs come from the big dogs themselves.

"Trapped" x Tupac Shakur speaks very much on the idea of being "trapped" inside of his neighborhood. this very politically charged song gets right into the perspective of Pac himself, and more importantly, the raw emotion flowing through his head as he looks around his day to day.

"Suicidal Thoughts" x Notorious B.I.G Biggie himself coming out with one of his most vulnerable tracks he'd ever produced. this relatively short song proves to be very dense and curt, with the man himself talking about how he doesn't believe he's fit to get into heaven, how he believes his mom would have rather aborted him, and contemplating the effects that his death would have on those around him.

tracks like these set the stage for the next wave of introspective rappers to take the stand, and interestingly enough, our three biggest culprits all seemed to be involved in some form or fashion in the music of the others.

jumping from the nineties to the naughts, we see our next field of rappers entering stage right - kanye west, kid cudi, and drake.

one of the first major albums to set the stage for the emo rap that we very well could see carrying the rap torch into the next decade, was none other than kanye west's "808s and Heartbreak". with features from kid cudi, we see kanye exploring a lot of heartbreak, loss, and loneliness on this record. for example, we've got tracks like "Bad News" where it seems like ye recants moments of his finding infidelity in the girl of his dreams, with lyrics like

Didn't you know
I was waiting on you
Waiting on a dream
That'll never come true

...

Oh you just gonna
Keep another love for you
Oh you just gonna
Keep it like you never knew

over the next two years after 808s' release, we see cudi come out with a series of small records under his "man on the moon" project, featuring absolute earworms like "Day N' Night" and some of his deepest work like "Soundtrack 2 My Life". over the course of the project we hear cudi very often speaking on topics like depression, the death of his dad, and lots of drugs that were used as a means of escape from his own head.

and in the next year, drake drops what (i would) consider to be his big-break record "Take Care". after his debut album saw a good deal of commercial success, and got drake a good amount of fame for himself, "Take Care" as an album serves as a bit of cathartic introspection for a young drizzy - often touching on topics like failed relationships, materialism, and loneliness. (mostly though, a lot of heartbreak. i think this is the album that gained drake a lot of negative attention in the rap community for being "soft", and "a bitch". i disagree, but hey, toxic masculinity, what ya gonna do.)

the most notable songs off of take care came to be "Marvin's Room" with lines like

Guess she don't have the time to kick it no more
Flights in the morning
What you doing that's so important?
I've been drinking so much
That I'ma call you anyway and say
Fuck that nigga that you love so bad

and of course, the title song of the album "Take Care" featuring topics of trust, heartbreak, and this yearning for someone's heart, at the expense of your own emotional wellbeing.

'Cause that truth hurts, and those lies heal
And you can't sleep thinking that he lies still
So you cry still, tears all in the pillow case
Big girls all get a little taste
Pushing me away so I give her space
Dealing with a heart that I didn't break

and with these tracks leading us well into 2012, it's officially been made socially acceptable for rap to reach this level of introspection. yes, you will still catch shit for being "soft" (though less-so nowadays i find), but with absolute industry influencers like ye, cudi, and drizzy, it would be hard to argue that there's no place for this kind of music or these kinds of lyrics in the modern rap scene.

the tone has been set, and we look onward to the next six years of rap music. what's to come of it? will there be more heavy r&b influence like we saw in Take Care? will electronic beats like we saw in 808s, or futuristic production styles like we had in Man in the Moon take charge? will these trendsetters who have now allowed rap to get interpersonal, raw, and introspective in a new field be paired with some new, unexpected style and add a brand new face to the game?

join us next time for chapter two: dirt.

bishop.

• The BBC announcement: It's about time...

• Some discussion at Radio Times about the change of day: Doctor Who to move from Saturdays to Sundays for new era

• Programming difficulties at the ABC in Australia: Doctor Who finally gets UK air date, throws ABC programming into spin