PSA: If you don’t know what the Eurovision Song Contest is, then I recommend you to watch this funny but highly informative video, ironically made by an American.

What is your favorite entry this year and why?

Mine is Latvia’s song, Bur man laimi by Tautumeitas. You can watch their live performance at Latvia’s national contest (which took place in February) here.

Full disclosure: My wife is Latvian, and I have lived in Latvia with her since 2018, so I’m 100% biased in this opinion. In my defense though, Latvia’s entries throughout the last few years have been underwhelming in my opinion. I did enjoy Eat Your Salad by Citi Zēni in 2022, because it was catchy, but that’s about it.

But this year, Latvia shot it out of the park for me. I will go as far as to say that Bur man laimi is the best song in terms of “artistic value” at the contest. I hope that it makes it at least to the finals. I would be very happy if it placed in the top ten.

I was over the moon when they won the Latvian Supernova 2025 contest. Apparently, the jury tied them with two other participants out of the ten finalists, but ultimately took the title because they had been given the most votes by the public:

They took to the Supernova stage, where Latvia decide upon their Eurovision entry, against 9 other finalists. Tautumeitas performed their song Bur Man Laimi, which means “A chant for happiness,” in amongst a floaty fringe curtain and a series of rainstorms. They delivered catchy folk pop with a dreamy vibe, tight dance moves, and some impressively high notes. Both the public and jury were rightly impressed. But when all the votes were counted, the points were tied three ways.

I have known the Tautumeitas for many years and love a lot of their songs. They are commonly thought of as an “ethno-pop” group, but they have created all kinds of music. It is true though that a lot of their pieces are centered about folklore, and are inspired by the famous dainas:

A daina or tautas dziesma [“folk song”] is a traditional form of music or poetry from Latvia. (...) Latvian dainas often feature drone vocal styles and pre-Christian themes and legends, and can be accompanied by musical instruments such as Baltic psalteries (e.g. kokles). Dainas tend to be very short (usually four-liners) and are usually in a trochaic or a dactylic metre. Dainas are being translated into English by Latvian American Ieva Auziņa-Szentivanyi.

Lyrically, dainas concern themselves with native mythology and traditional festivals but, in contrast to most similar forms, do not have any legendary heroes. Stories often revolve around pre-Christian deities like the sun goddess Saule and the moon god Mēness. There are dainas that do not have a mythical theme as well – many simply describe the daily life of agrarian society and nature. However, these still often include personifications of natural phenomena. Another major theme is the human life cycle, especially the three major events: birth, wedding, and death (including burial). The dainas concerning birth are deeply emotional, and usually feature a mother figure not only as the person who gives birth but also as the one who determines the fate of the child. These also often feature the fate deity Laima and were historically sung immediately after birth, which traditionally took place in a bathhouse. (...) The dainas devoted to death describe an individual preparing for death and often relate to funeral customs. These often feature a female god related to the world of the dead, variously known as kapu māte, veļu māte, zemes māte or smilšu māte (mother of graves, mother of dead, mother Earth, mother of sand). The first collection of dainas was published between 1894 and 1915 as Latvju Dainas by Krišjānis Barons. There are well over two hundred thousand collected dainas in written form.

Notice the “fate” (or “fortune”) deity “Laima” mentioned there. I’ll come back to her.

I showed the song to an American friend who told me that she liked it, but didn’t appreciate the repetition of the stanzas. Well, that’s intentional. Dainas are usually short poems with just two or three stanzas. Hundreds of thousands of them were written by ancient Latvians, who survived the horrors that their people endured under the Russians and Germans since the 12th century, preserving their way of life and wisdom through song and poetry in written format (and previously through oral transmission) once Europe acquired the printing press.

I’m not Latvian nor an expect on the subject matter, but the way that I see it, the vast majority of these dainas are themed around nature and perseverance. These are two traits that really define Latvian culture and the Latvian people as a whole.

First, they are very connected to nature. Even young Latvians today still know a lot about the natural world and enjoy spending their time outdoors, participating in traditional rituals and seasonal activities throughout the year, all around the many beautiful forests, plains, and lakes of this green country. Latvians gift each other flowers for absolutely no reason, all the time. When my wife manages to get me out of the house, she loves pointing at random plants and telling me what they are called and how they can be used. Foraging berries and mushrooms is a popular family activity. Whenever there is a weekend that’s extended by holidays, the capital city turns into a ghost town, because they all retreat to their countryside homes. They’ve even managed to grow their forests.

Second, perseverance is one of their defining traits of character because they have an attitude of “better things are yet to come”. That’s why, I think, you also often find words like ozols (“oak tree”, which I see as a symbol of strength and endurance) as well as laime (“good fortune”, I would translate it as, rather than the usual “luck” or “happiness”). And yes, the word “laime” and the name of the fate deity “Laima” are related. Even a famous brand of delicious chocolate is named after her. The depth of the word “laime” can’t be summarized by a single English word, I think. Latvians use it in so many different contexts, but there’s almost always an undertone of “gratitude for the blessings that fortune brought about” to it. It’s really hard to convey the word’s breadth of meaning, but I think that the ladies conveyed it really well through their performance.

I don’t know about the translation of the title of the song. I would have gone for “conjure me good fortune” instead, but my own Latvian is still only at an intermediary level. Probably best to ask a Latvian about all of this if you want an informed opinion. Maybe the Tautumeitas (“tautumeita”, or “folk girl” itself being an ancient, archaic word with a much deeper meaning) chose to go with “a chant for happiness” to keep it simple for international audiences. I feel confident telling you that the title means a lot more than that though.

Yesterday I collected some 10 or more reaction videos to the song and watched four of them. In one, the lady actually started crying. All of the others loved it. Nothing but praise for the song can be found in all the comment sections. People say (and I agree) that they feel connected to nature listening to it.

This song is the winner of the contest for me. These six stunningly beautiful ladies put a lot of thought behind it’s composition. It masterfully integrates ancient Latvian lyrical and music culture with modern instruments. The vocal harmony is as professional as only Latvia’s best-trained vocalists can be (and let me tell you, music education is a big deal in Latvia). The performance spectacularly illustrates the deeper meaning of the lyrics. The song and visuals are an explosion of Latvian culture.

They all released videos at almost the exact same time, so even though I don’t care, I was made to care. Therefore, I’m inflicting that same pain on you. You’re welcome.

Mrwhosetheboss made a good point saying that the target audience for this thing are rich people who want phones that look flashy and can pay for them, but don’t care that they have worse specs than the less flashy ones at a similar price.

MKBHD called it the “S25 Ultra Lite”, which I thought was funny. He also brought up the issue of cooling. He additionally said that no one is asking for thin phones, although it seems that Apple has also bought into the idea that people want this, since it’s rumored that they want to release a thin iPhone this year.

Dave2D said that he tested the heat dissipation capacity of the phone and that it can handle itself well. Apparently it still somehow has a vapor chamber inside of it, as well as a wireless charger. Apparently it also has the smallest battery in the lineup, even though it doesn’t have the silicon carbon tech that is all the rage now. He made a good point though, namely that this could just be Samsung starting the trend so that the technology matures in a few years’ time.

All three of them mentioned that everyone uses cases these days, which immediately kills the whole purpose of buying a thin phone and losing out on better specs.

If you somehow have not gotten enough of tech YouTubers acting confused over Samsung launching a product that no one asked for, there’s also Techaltar and Tech Spurt. I recommend the latter for dirty British humor.

I’m wondering what software I should use to stream games from my desktop to my laptop. I’ve migrated from mostly using my desktop to mostly using my laptop in the last year. But my desktop has a substantially better GPU and I would love a convenient solution for streaming both Minecraft and Steam games to my Macbook. I’m personally not a fan of Steam’s client on MacOS as it is severely buggy for me. So any alternatives would be nice. I’d probably be happy with a low latency low compression full screen desktop mirroring app. But anything more targeted at games could be nice.

Edit: I'm using the free version of Parsec and it seems pretty good.

I just got back from the 'Nintendo Switch 2 Experience', so I though I'd share my thoughts on the console for those who didn't/won't get a chance to check it out.

The Console Itself - 8/10

The S2 is a decent amount larger than the original, which really helps with the ergonomics. Pretty much all the controls are bigger, and the rounder shape might alleviate fatigue when holding it (I never got to hold it for long, the demos were mostly on TVs). I think it looks a lot worse than the original, but that's neither here nor there. The pro controller was a huge upgrade from the (already great) original, super comfortable materials and nice buttons. The screen is not OLED, which I think is ridiculous for the price tag. It theoretically has HDR, but I could not tell. Overall, it's bigger and better, but nothing super special.

Nintendo Switch 2 Welcome Tour - 0/10

For the price of $10, Welcome Tour is a complete joke. There's absolutely nothing to say about it, it's basically an ad for hardware you'll already own. Should be free, don't buy it.

Donkey Kong Bananza - 5/10

This is the Mario Odyssey formula applied to Donkey Kong, you run around, collect bananas in some semi-open worlds. All the environments are destructible, which is super fun but adds one huge caveat: the game runs like shit. A nice 60fps when running around, but as soon as you try smashing stuff (the main gimmick of the game) the framerate jumps all over the place, and going to the world map tanks the fps to 20-30. I enjoyed surfing on chunks of the ground I pulled up, but I was constantly pulled out of the fun by performance hiccups. It looked about as good as Mario Odyssey (but at native 4k ~60pfs, of course).

Mario Kart World - 9/10

Okay, now I can start saying nice things! Mario Kart World is–as you might expect–awesome. It's a really fun twist on the formula that was perfected in 8 Deluxe. There's no more kart customisation, which I don't mind, but each kart looks really nice and detailed. I got a slight taste of free-roam mode before each knockout tour I played, and it was... fine? The open world looks great and plays well, but I'm curious to see how it's "gamified". The knockout tour was the main booth on the floor, with 24 people playing at once with the last placing racers getting eliminated at different checkpoints. It was chaos, but that classic Mario Kart chaos that works really well. I managed to come 2nd on my first race. It looks quite a lot better than 8 Deluxe, but that's mostly in the art style and animations.

Drag X Drive - 9/10

This is the gimmicky competitive game for this system (like Arms or Splatoon), showing off the mouse controls in the form of Wheelchair Basketball. I was super surprised by this game, the gimmick clicked with me instantly. I got dunked on like twice, but I also only had 5 minutes to prepare, so cut me some slack!

Metroid Prime 4: Beyond - 7/10

Again, the mouse controls work super well. It all felt pretty simple and intuitive, but that might be because I'm a PC player most of the time anyway. I don't know anything about the Metroid series, so I can't comment on the story or gameplay beyond that. It looked pretty good and ran at (I think) the full 120FPS the whole time.

Cyberpunk 2077 - 4/10

Cyberpunk was... rough. It had that classic "really really upscaled" look, and dipped down to 10fps a lot in combat. I tried both "performance" and "quality" mode, but both looked and played about the same (which might be a bug).

Breath of the Wild: Nintendo Switch 2 Edition - 2/10

I can't believe they're charging for this. It's literally just the original game running at 60fps with slightly better draw distances. You can get this look with CEMU. This is how I felt about all the "Nintendo Switch 2 Edition" games that I tried.

Conclusion

While the games were pretty good and the experience was nice, I don't think the console has justified itself costing as much as it does, and so I'm not going to buy it on launch. I'll probably pick it up used when there's a reliable jailbreak, but the preview event really dissolved any feelings of FOMO that I might have had about it, which I'm glad about because now I can save that $800! I hope there's still people playing Drag x Drive when I get to it in a few years.

Feel free to ask me any questions, and hopefully I can answer them.

There's white smoke on St. Peter's Square (at 18:08 local time). Given the time it's probably been the fourth round of voting that yielded a positive result. You can watch the vatican media livestream here with english commentary and here without any commentary.

Thought I'd post this as a text post to keep it updated with relevant information (e.g. who it is) over the next hour or so.

The swiss guard has arrived on the square shortly after 18:30. If the previous two conclaves are anything to go by it'll be another 30 minutes or so until Cardinal Mamberti will step onto the balcony to announce the new pope's name.

Update 19:13: Mamberti has entered the balcony and is making his announcement (rewatch here):

Annuntio vobis gaudium magnum; habemus Papam:

Eminentissimum ac reverendissimum dominum, dominum Robertum Franciscum, Sanctæ Romanæ Ecclesiæ Cardinalem Prevost, qui sibi nomen imposui Leonem XIV.

Pope Leo XIV, formerly Cardinal Robert Francis Prevost, is a US American by birth, but moved to Peru later on and became bishop there, making him the second pope from America and first ever US American to hold the title. He's generally viewed as a compromise candidate between progressives and conservatives within the catholic church as far as I know. He was created (as a cardinal) by pope francis and was responsible for personell management under him.

Update 19:23: Pope Leo XIV has entered the balcony and is making his first public statement (rewatch original here or with english subtitles here).

Update 19:40: After speaking for more than 10 minutes (a lot longer than his predrcessors during their first appearance) he's now issued the traditional blessing 'urbi et orbi' and has left the balcony.