Strange New Worlds Season 3 is out. So far 2 episodes have been released. I have seen the first episode.

I have some thoughts about the underlying themes of Strange New Worlds. This will not have spoilers because most of what I'm talking about appeared in previous seasons and in the trailer for season 3.

The main theme that I see in the show is that the people in the crew are actualized adults. They have empathy and compassion. If they do something heroic, it is in the spirit of self sacrifice for their friends and colleagues and the human race in general. They have some flaws, but when they find out about the flaws they try to work on self-improvement.

This is most completely embodied in Captain Pike. He expends much of his energy getting feedback from his crew. He gets opinions from experts in various fields, and then makes a decision without doubt. He is open to criticism and fights for what he believes in. He is the opposite of an authoritarian leader.

I would contrast this somewhat to the behavior of Captain Kirk from the original series. Kirk would go to his advisors (mostly Spock and McCoy), but usually as a secondary source. Pike makes a much larger effort to check with the crew first, and relies on more different opinions.

It can also be contrasted with the behavior of Captain Picard. Picard is much more authoritarian and has a very rigid moral code which seems largely based on tradition and values like honor and service.

I enjoy Strange New Worlds very much. I am aware that it is extremely "woke", and that I am being given an example how how we should treat each other and solve problems. I don't mind this at all, and it seems completely in line with the morality which has always driven the best Star Trek.

There is one other thing I noticed in S3e1: Captain Pike takes a moment to pray. I don't remember seeing this in Star Trek before (but it probably has happened). I haven't decided yet why the writers included this. It could be to show a little background about Pike's upbringing (he mentions his dad before doing it). It could be a concession to conservatives who watch the show. It could be that Pike will try all possible avenues in case they may help.

I've been recently thinking about the impact of fictional characters from tv shows/movies can have on our lives. Have you ever felt influenced by a particular character or show?

For me, the show Mr. Robot coincided with my decision to pivot to cybersecurity. There were a lot of other factors that made me switch, but it was undeniable that the show (and the main character, Elliot) played a sizable role. It's been a decade since it first aired, and I’m still grateful for that change I made.

Curious to know if anyone else have a similar experience?

It could be a novelization of a movie, game, television show, etc. Or any of the other combinations (e.g. a movie based on a game, television show, novel, etc.).

It doesn't solely have to be an adaptation either. Tie-ins are often universe extensions, such as when books are written in a pre-existing movie/show/game universe.

Often, media tie-ins are seen as soulless marketing cash-ins (which is sometimes accurate), but others are legitimately great in their own right.

What are the ones that you like and would recommend? What makes them noteworthy?

Meta note: Feel free to interpret this criteria as broadly as possible. This isn't about splitting hairs about what "counts" as a tie-in, but more about exploring things that have done a good job at jumping between media types. If you've got a Teenage Mutant Ninja Turtles watch that you love, that counts! Same for that Death Stranding fanfic you can't get enough of.

I wasn’t sure whether I should file this under ~movies, ~music, or ~society, so I put it here. Feel free to move it elsewhere.

I had a thought this morning: I’m confused about the attention-seeking behavior of famous and wealthy celebrities in the music or film industries, past their peak.

From my point of view, as someone who is neither famous nor wealthy, I think that if I ever reached that level, then I would be more than happy when people stop paying attention to me, and instead start swooning for newer, younger artists on their way to stardom.

It would signal to me that my time to be in the spotlight is over, that it’s my turn to pass on the torch, and that I can now ride into the sunset, content to potentially have several decades of time left for me to just enjoy a quiet, cozy life, making use of my money to amuse myself as well as to invest it in worthy causes, so that I not only leave behind a legacy of fame and wealth, but also improve the lives of other people.

Every famous and wealthy musician or actor could do this.

But so many of them don’t. They choose to, instead, do everything they can to stay in the limelight. They pull extreme stunts with which they harm themselves, which ironically, in many cases only end up embarrassing in the eyes of the world anyway. And they do all of this to retain the attention of people who have long forgotten about them.

What for? I don’t get it.

Is it really so that fame and wealth just corrupts a person to such an extent that they become addicted to being the center of attention?

This thought, by the way, came about because I’ve become aware of many such “extreme and dangerous attention-seeking stunts” from many celebrities in the last few weeks. It’s not about one celebrity in particular. It’s been a thought that has been brewing in my head for a while.

I’m going to bring up examples from a variety of mediums, so I couldn’t really fit this just under ~books or ~tv. Sorry about that.

Lately I’ve been thinking about just how much I love fiction with a good plot device, and I’ve been wondering what it is that makes these devices such great vehicles for telling an interesting story.

Death Note is the first example that comes to mind for me. The “plot device” (and I may not be using this term correctly) if the titular item, which is a notebook where, if one writes a name of a person, while imagining their face, along with a time and date, and then a set of realistic circumstances that lead to that person’s death, then it will occur as written. If nothing other than the name, time, and date are written, then the person dies of a heart attack (after 40 seconds, if I remember correctly). The main character was the right kind to have acquired the book, because it enabled the story to be told in the manner that it was. I think the author illustrated this well when, at the very end, another character, not nearly as intelligent as the previous owner of the Death Note, quickly got done away with.

Code Geass is probably one of my favorite animes of all time. It combines a lot of genres into one. The titular “geass”, however, particularly the one that the main character acquired—which allows him to give a one-time order to any person who looks in his eyes, which the person will see through no matter what—is also an excellent plot device.

*The Lake House, a 2006 fantasy romance film, staring Keanu Reeves and Sandra Bullock. It’s not a masterpiece or anything, but I can’t forget the whole plot device about the mailbox that allowed the male main character to send letters to the female main character two years into the past.

Dreamless is one of my favorite webcomics of all time. It’s crazy for me to think that this beautiful, entirely-colored webcomic was made available for free all the way back in 2009. I wish more people knew about it. The plot device, which is brilliant, revolves around a man and a woman who were born on the same day at the same time, but he in Japan, and she in the USA—a few years before the outbreak of WWII. From the very day of their birth, they were “connected”. Whenever they fall asleep, they begin to “see through eyes and hear through the ears of the other” until they wake up. If they both happen to be sleeping at the same time, than they see darkness but still hear surroundings. They became aware of this at very young age, learning each other’s languages and falling in love with each other since they were children. The time zone difference makes it relatively easy for them to observe each other’s lives as one sleeps and the other goes about his or her days. They embark on a quest to figure out how to meet each other, in the midst of a brutal war waged between their respective countries.

Severance is a show that everyone is talking about right now, so I don’t need to explain much to you, right? The plot device here is a chip that is implanted into people’s brains, and makes it so that their memories are split in two, based on location. At their work place, the character’s memories from the outside world are “shut off”, and they only remember what they experienced on the inside. I’m almost done with season two and this show is what prompted me to write this thread. I’ve been loving it.

Black Mirror is a show that I need to give a shoutout to, because many of its most famous episodes are centered around a very specific plot device. For me, the most impressive of these, was the one where they had these chips that basically recorded everything that they saw, and it was a normalized thing in society. I think that it was episode three. Episode eight was also interesting. It was about a society in which people’s social status was determined by their online social media rank.

I had an example in the back of my mind of a piece of fiction with a great plot device that I felt was not properly made use of. I’m sure that there are others like that, and it’s a bit sad when that happens, because there is a great idea right there, but it was wasted. I totally forgot about it though. Maybe you can think of some bad examples yourselves?

Edit: I remembered a different one, In Time, a 2011 movie about a society where people don’t age, but rather have their life spans written on a digital countdown clock on their arms. The way that people used their lifespans as currency that they could exchange was a neat idea. I didn’t watch the movie, but I read from other people about it, and it seemed to me like the concept wasn’t properly explored. Maybe I should give it a chance.

And maybe you can also think of some other good examples, plot devices in books, shows, movies, manga, anime that really blew you away. I’d be curious to hear about them because I’d like to look into them if it’s something that catches my interest.

As for what makes a plot device interesting for me, here are some points:

• It is a concept that is easy to grasp or an object the functions of which are easy to understand.
• It has strict limitations that the plot revolves around and the characters repeatedly run up against. These limitations are explained very early on in the story.
• The plot device and its origins gets gradually explained over the course of the piece.
• The story is largely centered around a small group of individuals.

Ever since my diagnosis two years ago, I have had this as an ongoing conversation with my family. I always felt like there was very little accurate representation of ADHD in media. The few examples I could always think of were either very loosely coded as ADHD, or extreme stereotypes. I want to crowdsource some examples of ADHD representation in media, both good and bad.

Doug from Up: This is a common one that comes up a lot. I think it’s a really poor example. The only ADHD symptom is the squirrel joke they use a handful of times. It’s also (for my presentation at least) extremely inaccurate. Random things I see will indeed distract me, but Doug can come back from the conversation without a missed step. I think this one is extra harmful because it gives a false sense of how the ADHD brain works.

Dory from Finding Nemo: This is another common one people bring up. Dory’s intrusive and impulsive thoughts are much more accurate to my presentation, so it’s an improvement from Doug. I don’t like that she is often portrayed as stupid or careless. I’m not against a character with those traits, but with so few examples of ADHD in media, I think people may think it comes from the ADHD.

Evelyn Wang from Everything Everywhere All At Once: This example showed up recently on my Internet searches. I want to rewatch it again with the context of ADHD. I feel like it is probably a decent representation, but I can’t say for sure without a rewatch.

Percy Jackson: This is the only one on my list that is explicitly diagnosed with ADHD (and dyslexia and other issues). I will give them kudos for the explicit diagnosis, but I don’t think it’s a good representation. ADHD seems to just mean that he is bad at school. It seems that it has no impact on Percy outside of that. For my particular case, I was quite good in school, so it is inaccurate for me. I would be interested to hear if other people resonate more with it. Dyslexia seems to come up more in the books, so it may be a better representation for that.

Todd from Bojack Horsemen: I saved my personal favorite for last. I first watched Bojack Horsemen before my diagnosis, and ADHD wasn’t really on my mind. After my diagnosis, I realized how good of a portrayal Todd is. As a bonus, it is the only portrayal I have heard of that includes hyper focus (When Todd hyper focuses on writing the rock opera, and then the hyper focus switches to a video game). With the exception of the rock opera, I think I have had the same exact scenario play out in my own life. I had something I wanted to do, was able to focus on it, but was stolen away into a video game hyper focus.

Are there any other examples you have found?