so i've just recently learned about this guy, and his work is quickly becoming a favorite of mine.

i'm admittedly crazy poorly-read (is that the antonym to well-read?) when it comes to...

well, anything besides self-help books released up to "The Subtle Art of Not Giving a Fuck" by Mark Manson.

and his work has been concise and just fucking accurate enough for me to enjoy.

so i present you all,

a journey through love, with Richard Brautigan.

-2

Everybody wants to go to bed

with everybody else, they're

lined up for blocks, so I'll

go to bed with you. They won't

miss us.

in this first stage, we see that little Richie's met himself someone special, and off they go arm in arm to live happily ever after.

Romeo and Juliet

If you will die for me,

I will die for you

and our graves will be like two lovers washing

their clothes together

in a laundromat

If you will bring the soap

I will bring the bleach.

and here we see something that, personally, i found surprising from a poet who got his start in the 50s.

this piece emulates the incendiary, passionate, limitless love that some of us have been lucky enough to experience in the early years of our lives. the love where it's the both of you against the world. the love where the most mundane tasks seem incredulous solely because they're done together. the love that i have only seemed to find in life, through trauma bonding.

their love is powerful. their love is radiant.

I Feel Horrible, She Doesn't

I feel horrible. She doesn't

love me and I wander around

like a sewing machine

that's just finished sewing

a turd to a garbage can lid.

their love is over.

the crass yet poignant imagery somehow simultaneously flashing feelings of uselessness, self-loathing, and loss.

you are here.

Haiku Ambulance

A piece of green pepper

fell

off the wooden salad bowl:

so what?

the sheer stoicism here is inspiring to me.

this is the mindset that i want - and don't have the emotional energy to cultivate.

were Brautigan still around and kickin' today, i'd buy the man a shot of the best whiskey i could get with $7 and thank him for emulating the exact mindset i want, need, and desire

in four lines.

it's simple - the green paper is a fraud, illusory. from afar or even from near with a quick glance - the green paper is another leafy green of the salad. a leaf of lettuce, a bit of cabbage. even if you press your face into the bowl and smell, the paper will smell of salad and nothing but.

it falls onto the floor, you pick it up to throw it away. you notice the texture inapropos with more roughness, and frailty than a leaf of a vegetable. you test it - you tear it.

it was paper.

it was not the spinach you'd desired.

it was not real.

it was not what you wanted.

regardless of the time you've spent preparing the salad, chopping your veg, blending your dressing, tossing it all, and fixing it for presentation,

if you throw this paper out - it will be no loss, and your salad will only be better for it.

a green piece of paper fell off the wooden salad bowl.

so what?

Love Poem

the piece that brought Brautigan in to my attention in the first place.

It's so nice

to wake up in the morning

all alone

and not have to tell somebody

you love them

when you don't love them

any more.

resolve.

clarity.

peace.

the earlier bleach has gone unsipped. she has come, she has gone. he has suffered, he has grown.

and now, he is at peace.

his world back to...

normal.

this has been a journey through love with Richard Brautigan.

Every now and then we get a change in a traditional medium that has the potential to completely change the medium itself. In TV, we went from black and white to colour to 3D, and now to VR. In theatre, we've been seeing more use of screens, and other technologies.

In the last few years, Broadway saw two amazing game-changers - Hamilton, and Deaf West's revival of Spring Awakening. Hamilton, honestly needs its own post.

Deaf West, as their name suggests, casts deaf actors with other actors supplying their voices. American Sign Language is incorporated into the dialogue, songs and choreography. It adds a whole new dimension to existing works and allows the theatre medium to be enjoyed by a more inclusive audience.

I really hope to see productions like this more.

Thoughts? Anything new or old brought to theatre that you love? Any changes you'll like to see?