What's happening in the hardcore scene in 2023?

I typically pose these sorts of questions to Reddit, but Tildes hasn't failed me on anything music related. We had an incredibly successful prog metal thread a couple of weeks before, and I'd love to have one on hardcore punk.

I have general questions about hardcore like:

• Who are the biggest names in hardcore of all time that still tour and write music today?
• Who are the biggest hardcore bands that have started in the last decade or less?
• In 2023, is it even useful to talk about hardcore as a distinct genre separate from metalcore anymore?
• Does any metalcore meaningfully exist in the hardcore scene? Is there any metalcore scene that embraces the punk ethic of hardcore?
• If a through-and-through hardcore band uses elements of metal in their music, are they now metalcore? Are you no longer punk if you use breakdowns?
• What should people know about the hardcore punk scene?

I don't know enough to know which of these questions are stupid or cringe, or what the best questions to ask are. Feel free to answer questions, ask questions, or share your knowledge of the scene with curious minds.

As always, I greatly appreciate your feedback!

Apple Music: https://music.apple.com/us/album/wrong-generation/1535816008
Spotify: https://open.spotify.com/album/0ENzm2HTf7mfFjWZ7CaB5u
YouTube: https://www.youtube.com/watch?v=X8Nm3JIPr3w&list=OLAK5uy_knEEYCSEk8ai9vRtXwRnbrJ_bSVR_5JA8

The hardcore meets hip-hop trio FEVER 333 are back to their roots with a new EP called WRONG GENERATION. While their last release, STRENGTH IN NUMB333RS, tended to lose their punk influence in exchange for more nu-metal influences, WRONG GENERATION ditches that side-step and continues from where they first started when the broke on to the scene in 2018 with Made an America. In my opinion, this is a welcome return to form. These guys seem most comfortable when they are making rebellious music that may not appeal to everyone, rather than their attempt at mainstream acceptance by employing more accessible song structure and instruments.

Drummer Aric Improta has never sounded better so far. While he's always been able to dial into a groove a bit, he feels more like the mover you'd like the drummer to be in a hip-hop band, rather than just playing keep up with the melody section. This does mean guitarist Stephen Harrison isn't quite as prominent in the tracks, but that doesn't mean he's not doing great work. Harrison takes more of a cue from Tom Morello in this album, following the rhythm section and getting in the groove. Vocalist Jason Aalon Butler sounds best when he's doing his high pitched screams and spoken word-type rap rather than his cleans (which sound a bit too much like a bad Chester Bennington impression), and he mostly stays away from cleans on this album.

Butler's lyrics still feel a lot more than STRENGTH IN NUMB333RS and are probably the one thing where you can see a through line from the beginning of FEVER 333 to now. His focus on LA culture, black liberation, police violence and more gets shaper with every release.

For fans of Rage Against the Machine, Public Enemy and Stray From the Path.

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Melbourne metalcore outfit Alpha Wolf dropped their second LP today, their first with vocalist Lochie Keogh. A thorough evolution of their sound, A Quiet Place to Die picks up where their previous release, the EP Fault, left off and goes bigger, harder and more bone shattering. With this release, Alpha Wolf arguably moves to the forefront of the nu-metalcore movement, combining elements of hardcore with nu-metal. The result is very down-tuned guitars chugging like crazy that occasionally make way for crushing breakdowns and on the fly harmonics. Keogh's vocals are raw and unflinching, as he barks out some dark themes and has come great pit calls. While there is mostly just non-stop chunky riffs, the band shows they can write ballads, in their own way, with tracks Bleed 4 You and Don't Ask.

For fans of Architects, Fit For a King, Stray From the Path and anyone that thought even the heaviest nu-metal bands weren't heavy enough.

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Canadian hardcore punk outfit Fucked Up is back with their first new full length since 2014. The group has been known for their art rock output as of late, concept EPs they put out years following the Chinese Zodiac. The band is known for disliking each other, sometimes to the point of physical altercations. It is likely a side effect from both the front man and one of the guitarists being songwriters and lyricists, resulting in butting heads. But the result is hard to argue with, Fucked Up has been adored by critics since they came on the scene.

This album sees one of those two songwriters, lead vocalist Damian Abraham, take a back seat. His vocals don't even appear in ever song on this album. Instead, the whole group does leads at various points throughout the record. It's much more experimental and broad in its genre, employing a lot of pop influences. This results in an album that some how continues the art rock sound they had been cultivating and challenging the listener, while at the same time being very poppy. With a mammoth 18 tracks, the album gives the band plenty of room to explore this new space they find themselves in.

Like the past couple Fucked Up albums, it's also concept. It has a story and follows a main character in rock opera-like fashion. Their anti-capitalist message comes through in the magical reality of the story of a factory worker that is shown the drudgery of modern life by a sorceress.

It's ambitious, fun and at the end of day, still very much punk. Super enjoyable, in my opinion. A good introduction to the band if you've never heard them, though you may find their past work a little more one dimensional.

New release today, Erra's Neon.

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Currently the number one metal album on iTunes' chart, Erra's Neon is the latest release from the underground metalcore act. While they've attracted a cult following, Erra rarely gets headlining tours. Neon is their newest attempt at reaching the next step.

My personal opinion is that this is the perfection of the sound the band switched to with their last release, Drift. Just as atmospheric, with little less of the chug-chug-chug of most metalcore outfits, Erra may have finally found out how to make what some call "progressive metalcore" a bit more accessible. I personally enjoy how present the bass is in the mix. Metal and hardcore both seem to forget about the instrument and put it low in the mix as an after thought. The clean vocals have always been reminiscent of post-hardcore's darling Anthony Green, and Neon is no different.

It's a little bit of a shame that we have to wait until track three to really hear some of the noodling guitar solos they are known for. In a genre more punctuated by breakdowns, Erra is a breath of fresh air when it comes to lead guitar work. But when it does happen, it is up to the standard they've put out for themselves. They seemed to have moved even further away from the djent sound of their earlier work here. I don't mind that, even if I do like djenty sounds, as I think this crisper sound is better overall for Erra. While the uncleans do hit like a truck on first listen, they stay in a mid-range throughout most of the album and it would have been nice to see them go low, as JT has been known to do live.

Overall, I gotta say this is one my favorite albums of the year so far. Every song slaps a bit, gets the head bopping along at the very least.