It's difficult to talk about the UK at the moment because, and it's hard to give this enough emphasis, IT'S AN ENORMOUS CLUSTER-FUCK AND EVERYTHING IS AWFUL.

To give you some idea, Truss is currently less popular than Putin and is the least popular PM the UK has ever had (in the years that we measured).

There's a bill going through tonight about fracking. But it's been turned into a confidence motion on Liz Truss, and it has full hard /// three line whip, slips withdrawn. (basically, members of the Conservative Party have been instructed to vote in accordance with their party's wishes, and not doing so is serious, and can lead to the MP effectively being expelled from their party.) And the three line whip is against their 2019 manifesto pledge.

Normally, we'd expect to see MPs rebelling against this. Certainly, at the moment, a bunch of them are in the mood to do so.

There's an additional complication here though - a bunch of MPs have sent in letters of no confidence, and that could trigger Yet Another Leadership Race (they've already met the threshold, but they've raised the bar to be half the party needs to send the letters because lol who cares about rules). But, if an MP is expelled their letter no longer counts. So a bunch of MPs are openly saying they're only voting for this fracking bill because they think Truss is hopeless and needs to go.

https://twitter.com/BethRigby/status/1582672374369226753

https://twitter.com/IanDunt/status/1582762437954375680

Also, Suella Braverman (who managed to be a crueller home secretary than any who've been before her which is remarkable considering the list of utterly hateful cunts who've had the job) was sacked / resigned today.

So, if there's not much talk here from people in the UK it's because nothing makes any sense and everything's changing every day.

As far as I can make out, every country has public information films. They rarely pull punches, which is pretty important as their messages are usually important. I remember being terrified by Monolith as a child. I still think about It's Thirty For a Reason whenever I drive in suburban areas, and I've seen similar things from New Zealand, Canada and so on. Creative agencies love PIF gigs because you can do so much more than a normal advert/TV spot would allow. People can, and do, go all out on them. They're also ripe for parody

However, back in the seventies, that's when the UK government went a little... well.. overboard. Imagine showing Lonely Water to actual children. Or Stand Steady, or even Frisbee? I remember being shown films like these at school, from scratchy old VHS tapes on clunky old school TVs. I remember them being broadcast during children's programming time. I remember being irrationally terrified of old fridges even though I've never see a fridge with a lock in my entire life.

But sure, they're scary topics and sometimes you do need to scare people into not doing stupid stuff that might kill them. There are plenty of examples of scary short PIFs aimed at all ages from their invention right up to the present day. But then there are the longer form movies about safety for children. That's what this post is really about. Let's call these the "unholy trinity" of PIF terror:

There's the weird time-loop slaughter fest of Building Sites Bite (unfortunately the only copy I could find was a 'reacts' video but it's worth watching)

Ignoring the of-it's-time but now recognised as problematic "Cowboys and Indians" conceit, Apaches is utterly horrifying.

Then there's the dystopian awfulness of The Finishing Line

These films were rated PG (aka safe for kids). They were shown in schools. Not just high schools, but primary (elementary) schools. Although to be fair, someone did get a clue fairly quickly and The Finishing Line was banned and withdrawn in under a year because holy shit.

I'd be interested to see some of your favourite public information films, please do link them if you have any.

Archive: https://archive.ph/t0oH2

From the article:

UK inflation is on course to hit 18.6 per cent in January — the highest peak in almost half a century — because of soaring wholesale gas prices, according to a new forecast from Citigroup based on the latest market prices.

The investment bank predicted that the retail energy price cap would be raised to £4,567 in January and then £5,816 in April, compared with the current level of £1,971 a year — shifts it said would lead to inflation “entering the stratosphere”.

[...]

UK and European wholesale natural gas prices are already trading at close to 10 times normal levels and other forecasters have also raised their inflation predictions.

Goldman Sachs and EY said they expected an inflation rate of at least 15 per cent around the start of next year and the Bank of England said this month that inflation would exceed 13 per cent towards the end of the year.

The energy regulator Ofgem will on Friday announce the energy price cap for the period between October and January, which most analysts expect to rise to more than £3,500 for a household with average usage of energy — an increase of 75 per cent on current levels.

I go to the Cambridge Folk Festival every year with my dad, uncles, and various other family and friends. It's been cancelled for two years on the bounce due to the pandemic, and it was an absolute joy to return this year! I got back yesterday, and wanted to share a few musical finds with my fellow Tilderen :)

Afro Celt Sound System

These guys put on an absolutely fantastic live show. It's a great fusion of African, Celtic, and electronic music, although leaning more into the Celtic and electronic sides of things if truth be told. There were a lot of very cool percussion elements, and each performer took a brilliant solo. Fully enjoyable, although potentially better live than in recording. Have a listen to When You're Falling.

Show of Hands

Much more what you might think of when someone says "folk music," Show of Hands did two stunning sets. They're normally a three-piece, but their third member wasn't present for the festival. Even as a duo, they sang a load of incredibly heartfelt music, with wonderful harmonies and great stories. Have a listen to Roots and Cousin Jack.

Julie Fowlis

Julie did the soundtrack for the Pixar movie Brave, and while she didn't perform any of the tracks from the film in her set at the festival, she was still a really engaging performer, singing in Gaelic and playing some incredibly cool whistle and bagpipe tunes. Hùg Air A' Bhonaid Mhòir is worth listening to to get a feel for what she does.

Spiers and Boden

My daughter described these two as "giants of folk," a description which she may have stolen from the festival programme, but is very accurate all the same. The two founding members of the iconic modern folk band Bellowhead, their two-piece performance is as high energy and exciting as a Bellowhead live show. Old Maui is a great ear-worm, and Rochdale Coconut Dance is one of my favourite traditional tunes. I attended a tunes workshop with John Spiers (the melodion player) and picked up a couple of fun new tunes as well.

Chico Trujillo

My best friend and I danced for an hour straight to this set. Absolute 10/10 party music. They're a Chilean cumbia band drawing on all sorts of South American influences, as well as sprinklings reggae, ska, and punk. They're incredibly high energy, and definitely one to see live if you can. I didn't catch the names of any of their songs (they just played for an hour straight, and didn't waste any time chatting to the audience!), but have a skim through this live video to get an idea of just how excellent they are. My highlight of the weekend for sure.

The Young'Uns

I've seen these guys perform a couple of times before, and am always blown away by them. They were doing sea shanties before TikTok discovered their joys, and have absolutely top notch stage banter. One of their number is blind, but no less talented a pianist for it. Their vocal harmonies are crisp and clear, and all of the songs have a rich story to go with them. When I'm Cleaning Windows is a top tier parody, but also check out Tom Payne's Bones and Be The Man for some of their more serious stuff.

Elephant Sessions

All the way from the Scottish highlands, I only caught a couple of the songs from their set (my daughter wanted to see Passenger who was on at the same time), but they're astonishingly good. Real foot-stomping stuff. They play their tunes almost aggressively, and have an incredible light show to match. Sadly another band that aren't quite as exciting in recording as they are live. But check out Search Party all the same.

The Spooky Men's Chorale

They are men. They are a group. But They Are Not a Men's Group. Hailing from Australia and wearing an array of hats, they sing a mixture of silly songs and beautiful Georgian chants. More excellent harmonies, and a wonderful stage presence, they wowed particularly with Crossing the Bar and a pair of Ukranian traditional songs which I sadly cannot find links to.

The Trials of Cato

I'm still undecided on these guys. I was very excited to see them, but felt their set lacked a bit of energy (penultimate slot on the last day of the festival is always tricky, I suppose!). They have a new singer, and I'm not a huge fan of her singing voice either. With all that said, they had a whacking great sound, and added some fabulous electronic elements to their set. Fortunately, I think their recordings do do them justice, so give Difrrwch, Tom Paine's Bones, and Gloria your attention!