lost time like grains leaking out an hourglass
lost feelings like love leaving a full heart
lost purpose like a crusader without a cause
all these years, feelings, purpose stolen, violated
an evil I never invited, never wanted
it's not my fault, not my goal
innocent yet guilty
convicted
more like cursed
their hatred is my destiny
never get back what was lost
never recover who I could, maybe should, have been
robbed of a life, of a happy, normal life
I can't even hate them for it
can't even have that comfort
I'd be just as bad, repeat the cycle
almost sympathetic
only path, only cure, is love
creamy center of a cyanide pill

This is a reflection of what building friendships and close relationships is like for me. Mental health makes everything much harder, but I keep trying.

it shines and blazes
such light and warmth
stories told round the hearth
cold nights kept a safe distance away
beauty in chaotic dancing patterns
it promises everything all at once
no regard for consequences or the future
just passion in the moment
no foresight, only enthralling abandon
its wake is ash
empty, cold, dead
no energy
never burn again
it destroys what it loves
what it needs
not because it wants to
because it is
destruction guised as passion

I wanted to write about self-forgiveness because it's such a hard thing for me to do. Past mistakes and trespasses stick in my mind for decades, and it's so hard for me to shake them. This work is an attempt at expressing that difficulty.

Down in the foothills the peak is so perfect
Covered in pure white snow
Nary a tree in sight
The peak carves a visage in the sky
In the clouds
It just is, it exists peacefully in its austere authority
Calm, serene
Impossible
Yet I yearn to climb
To ascend
Down in the foothills among the trees
The greenof the hills
I make my preparations
Breath
Training
Gear
I practiceand I meditate
I meditate upona life
A life of mistakes and triumphs
Each breath preparing and steeling

It's time to begin my climb
Each step and the air, the precious vital air, thins
Lungs emptying and muscles weakening
And yet I continue
Not quite undaunted, but I continue
The views are stunning
Yet I don't see them, eyes ever on the peak
Visualizing success, not the process
It's so cold
Bitterly, viscerally cold
There's no air
Even a yogi must stop for air
But there's no air
The ground slick with snow and ice
Snow and ice with the oxygen I need
Sealed away in the mystery of the bonds
Just as beautiful as it is inaccessible

But I continue my climb
Slipping and falling, the rocks cut and score
Gashes and bruises amass
I take a moment and reflect
Is it worth it?
Shall I ever ascend?
And as I slip into meditation, I slip down the mountain
All progress lost
The world turns around, up and down
I lose my breath
And land, dizzy and hurt, down the bottom
Even further from the peak than when I started.

First, the piece.

I built a fire from the branches

which were missed by the snow.

Drank the water of the cacti

that in deserts still grow.

Found the shade in the south

where the sun forever glows.

Clawed and scraped my way to freedom

of likes I have never known.

.

A starved, abandoned cub

lost in Greenlandic champaign -

I pawed about the lifeless floors

of snow-imprisoned plains.

With wind ill-matted fur I marched

and shivered through the rain

in search of hearts and hearths to

make me home again.

.

A ward of warmth appeared, assumed

to aid my ailing mews.

A securing shawl of summer softened

me from winters shrewd.

A multitude of miracles revealed

rejuvenating news.

I concluded countless colder winds

are warmer without you.

This site has given me so much: peace of mind, freedom of expression, cathartic release, and a sense of care and community of which I, over the last number of months, have deeply been in need.

Things are looking ever forward as I continue on about adult life. However, included in those plans of forward-action are a number of artistic pursuits.

In search of some semblance of belonging and community, I revealed a lot about myself in various posts and comments I’ve left about Tildes; and made the mistake of not publishing my works separately or under a pseudonym.

I would like to publish a book of poetry, release paintings, and create music. However, I don’t feel comfortable continuing to do so under my real name.

I will be well; I’m in a better place now. (Personally, of course. Not like that.) It’s simply time for me to separate the art from the artist, as it were.

Thank you all, so much, Tildes. I love you.

It’s been fun.

Bishop.

Something I wrote after watching a scene in the Apple TV+ "The Morning Show" showing an NYC skyline. I've always had a love for NYC, even though I don't live there, and a love for cities more generally. I've never not lived in a city after moving out of my parents' place, and can't imagine going back to the suburbs. Cities are my home, cities are where I belong. I don't think this one is finished, yet; there are a few rough spots, and I'm not sure about the ending. But, like people have said in a few of the timasomo threads, the important thing is to get the words out, to make the work exist outside of one's head.

the city is awake, alive
lights dance in the dark of night
little lifesigns, each a past and present
each a history and a story not yet told
subways and busses and ubers
the occasional oblivious cabbie
(cancer on the streets)
each moving people to their goals
their dreams
veins and arteries in the city's body
lights for seeing
superstructure in steel and glass
inspiration
aspiration and ambition
passion and drive
these power the pulse and the breath
each person, each cell
shapes and grows the city, the body
each experience shapes epigenetics
no place the same after
the city takes us all in
gives us homes
maybe not shelter, but homes
we are alive and so is our home
an energy ineffable yet indelible

edit: A friend has said that this reminds her of the opening of Murakami's After Dark, and I can absolutely see it. Perhaps a bit of subconscious inspiration?

This is something I wrote a couple of weeks ago--not part of Timasomo, but something I'd like to share with folks here. It's becoming more important to me given events in real life and also as I explore yoga more deeply as part of my teacher training program. There's clear inspiration from Whitman's O Me! O Life!, but the message is very modern.

That the powerful play goes on and you will contribute a verse
Why not let the verse be love?
It used to be so easy, so easy, just a simple choice
Choose love
All the conflicts of today and every other time
Not enough love
For one another
For ourselves
Not enough love
All the religions and faiths of the world
All our enlightened leaders
All taught love
The play used to be about love
So many acts ago
Only a few moments ago
Seems like forever
Seems we’ve forgotten the lines
But no one to remind us what they are
And we don’t get a rehearsal
We get one grand opening day
One somber closing night
No matinee
No encore
Why choose any other verse but love?
Love makes everything else possible
Makes everything else worthwhile
Everything else builds on love
That the powerful play goes on and you may choose a verse
Choose love.

note: Posted this with the wrong title first, so deleted and reposted.

Logline

During the 2017 Solar Eclipse, a thick-skinned female police officer must prevent millennial Shadows from returning from the depths of the Earth to dominate humanity.

Notes

Post 1

You can also read it in my blog (no advertising, no annoyances, no bullshit).

- As before, this is not my first language. All criticism is extra welcomed
- I included the previous content - the prelude - just because it's so small

@cfabbro, here's the ping you requested! Love to know what you think of it!

Prelude

Before time was time, nights were dreamless. No one narrated the hunts, and death was just a cessation of the body. Births were joyful but meaningless. Statements were nothing more than intentions among roaring, shouts, and racket. Sometimes two sounds came together in funny ways, but meaning was still far away from our primitive cogitations.

In these times of monotony, the Shadows entertained the primitive men. With no timbre or elocution, they came from the deepest layers of Earth’s mantle to tell stories under the moonlight. They lived in harmony, feeding on each other. The Shadows came to life with the laughter and the souls of the Men, and the Men lost the fear of the night with the histories told by the Shadows in a primitive symbiosis.

One day, a man died after eating a tasty looking fruit. Hunting was a gamble, and eventually, men needed to eat potentially dangerous elements. Another, more intelligent man, noted that the juice from his mouth indelibly marked the rock with a pattern that was pleasant to the eyes. He collected more of that fruit, avoiding to put it in contact with sensible areas. This man did not have a proper name. None of them did. They just knew that there was “The Boss”, “The Hunter”, “The Large” and “The Delicate”.

Some men had soft lumps in their chests and above the thighs. Eventually, their bellies got big and other men came out from them. “The Delicate”, who discovered painting, was of this kind. In secret, he drew their hunts in the cave. He made everything bigger and more menacing than it was: the spears, the beast, the joy, the moon, and the flames, that reached the sky.

It took some gestures and vocalizations for The Delicate to make The Hunter understand that that set of traces was him and that the thick line with a pointing end penetrating The Beast was his spear. But soon they understood and had great silence. Followed by a great laugh.

The Hunter imitated the muffled sound of the Beast’s steps and learned to use this sound to talk about the Beast even when it wasn't there. War shouts, death songs, the cutting of the meat, the crackle of the fire, the crickets, the frogs and all animals soon had their sounds, their own “words”.

Men stories gained life by their own making.

The Shadows never came back.

Weakened, they returned to the depths. And, in the emptiness of their soulless existence, felt profound pain.

Chapter 1

Worn books on the balcony: The Physics of the Light, Introduction to Modern Physics and Modern Optics, paid with greasy notes. Stumbles on a rock, knock the books on the sidewalk. On a dark tunnel, fluorescent light flicker irregularly. Hands in his knees, catch his breath and run with the rest of his lungs.

The front is completely black of smut. Turns the key with difficulty. The stairway creaks under his feet. A stack of old newspapers behind the door. Turns on a weak desk lamp. A crack of light comes from the sheets. Closes it with tremble hands and throws himself in the armchair. A thick cloud of smoke leaves Ernesto's relieved self.

The curtain drops with a thud. Behind him, a dark silhouette smiles.

The badge for the "Civilian Police of the State of São Paulo" swing above the toilet. In the ground, two pregnancy tests. Two lines in each. In the holster, a Taurus 38. Impeccable blue jeans. Mariana pees in the third test and waits. Two lines. She's fucking pregnant.

Ernesto's suit seems expensive twenty-year ago. He looks like a bum that made an effort. He holds a thick notebook with paper falling from the edges and a paper folder that seems to be about to explode. Dries his eyes constantly, and there are black spots bellow his armpits. In the edge of the table, it reads: "Mariana Diniz – Commissioner of Police" Ernesto gives her his card: "Eye of Horus - Paranormal Investigations". Below, a stylized eye with Egyptian inspirations. And a landline.

— I don't trust cellphones.

Smiles uncomfortably, trying to hide the nervous tic that makes his head swing like a salamander.

– It may not look, but I'm a busy woman.

Gives her two 15x20 pictures. The first is completely out of focus. The second shows an oddly slim, dark silhouette on a sewer canal. Ernesto sweats like an amphibian having a panic attack.

— For millennia, these creatures have been confined in the interior of the earth. Suffering the monotony of an incomplete existence. Waiting for a chance to come back.

— Yes.

– You don't believe.

Puts the card in her wallet.

– You got my number.

The long hills do not affect Mariana. Sumptuous homes, beautiful landscaping, mutilation, and infanticide. They're all part of the same world.

In a deserted square, eight hood teenagers assemble in a circle. Metal-heads and RPG players never caused her any trouble, but, as commissioner of that town, she has the duty of investigating anything out of the normal. She takes care to not flaunt the weapon.

They ignore her. The kids emit no sound, make no gesture. They're not injured, and their dark eyes are probably contact lenses. They have an ironic smile in their faces. No drug would generate such severe catatonia on a group that size, and there was no law against looking spooky on public premises. Sent two patrol cars to watch the group and went home.

The basic Chevrolet goes through the carefully constructed path, with exotic plants on both sides. Between two neoclassic towers, a slightly lower white house. In the living room, Eliza, short-exquisite-hair, beautiful and androgynous, stare at the TV with thick frame glasses. Notices Mariana's gun.

— Comes with the job.

In slow motion, a voluptuous Marilyn Monroe impersonator pours milk on a bowl of cereal.

– Bruno?

– Upstairs.

A plate brakes in the kitchen. To the left of the sink, dozens of cups organized by color, size, and format. To the other, plastic utensils organized by function and material. Scapular in the neck, Sofia é very white. She wraps the glass in paper, writes "GLASS" in wide letters and ties everything in a thick, transparent plastic bag.

– Your kitchen was too… Illogical.

– Of course.

Mariana notices a red spot below Sofia's long sleeve. She holds the arm of her friend: bruises.

— They're old, diz Sofia.

— Doesn't look like.

Takes the car keys. The pregnancy tests are in the same pocket. Mariana takes a deep breath and looks at the stairways.

Law books on the shelf, almost all sealed. Bruno is on the computer. It's hard to get why they're still married. Mariana has always been stubborn. He's on the computer most of the time. At 40, Mariana has silky black, perfumed hair. Tells good stories in a welcoming way. Mariana loves what the does. She's hit on constantly, by both sexes. And has a way to politely decline that doesn't make anyone uncomfortable.

There's a month since they had sex.

— I'm pregnant.

— Are you sure?

The tests in the keyboard.

— They're from a pharmacy.

— Yep. Three.

She pulls the plug from the computer. Bruno looks at her. His eyes are black.

My phone sits, as I, in silence

In my room – alone.

I hate myself, but seem to lack the energy

To dig into my bones.

When I was younger I was told that

One day God would call me home.

Instead the coffin calls my name in whispers

And beckons the unknown.

.

Why do I feed a body with a

Soul that keeps depleting?

When all my hopes and expectations come up

Short and keep receding – I

Start alternating between plotting,

Thinking, pleading

That I’ll make a rash decision, they’ll

Give my organs to the needy.

.

Perhaps I’ll drive a stake into my head and chest.

No one should endure this mind or heart.

Meditation never seemed to give much value,

All the medication felt a farce.

I’m an incongruent, uncompleted puzzle

Dangling from a bridge; falling apart.

I watch my pieces sink below into the water,

As this letter dances all about the hearth.

.

I carried out important shit in boxes;

Let the rest behind to be thrown away.

I hid and watched as they threw in the dumpster,

A bed now wrought with chocolate and decay.

As the memories flashed in to my brain,

Of how we chose to spend that final day.

(Of how) even on the best day of the end of my life,

I ended up naked, chocolate-covered, curled up on your chest and crying,

Begging you to stay.

.

The devil is a myth they tell believers;

Hell prevents their chasing earthly dreams.

I will not go to Heaven, and there is no Great Receiver

Who will comfort me and silence my screams.

There is no purgatory in the ether;

The earth is this one act’s final scene.

Fittingly, the water isn’t beautiful here either.

It’s choppy, warm, and a putrid shade of green.

.

Someone use my hands to write a sonnet.

Someone use my eyes to see a better day.

Someone use my legs to climb a mountain;

Use my tongue to find the words to say.

They’ll use my lungs to feel the oxygen.

Use my kidney when theirs is in decay.

They’ll use my heart to feel in love again.

I’ll rest easier that way.

Before time was time, nights were dreamless. No one narrated the hunts, and death was just a cessation of the body. Births were joyful but meaningless. Statements were nothing more than intentions among roaring, shouts, and racket. Sometimes two sounds came together in funny ways, but meaning was still far away from our primitive cogitations.

In these times of monotony, the Shadows entertained the primitive men. With no timbre or elocution, they came from the deepest layers of Earth’s mantle to tell stories under the moonlight. They lived in harmony, feeding on each other. The Shadows came to life with the laughter and the souls of the Men, and the Men lost the fear of the night with the histories told by the Shadows in a primitive symbiosis.

One day, a man died after eating a tasty looking fruit. Hunting was a gamble, and eventually, men needed to eat potentially dangerous elements. Another, more intelligent man, noted that the juice from his mouth indelibly marked the rock with a pattern that was pleasant to the eyes. He collected more of that fruit, avoiding to put it in contact with sensible areas. This man did not have a proper name. None of them did. They just knew that there was "The Boss", "The Hunter", "The Large" and "The Delicate".

Some men had soft lumps in their chests and above the thighs. Eventually, their bellies got big and other men came out from them. "The Delicate", who discovered painting, was of this kind. In secret, he drew their hunts in the cave. He made everything bigger and more menacing than it was: the spears, the beast, the joy, the moon, and the flames, that reached the sky.

It took some gestures and vocalizations for The Delicate to make The Hunter understand that that set of traces was him and that the thick line with a pointing end penetrating The Beast was his spear. But soon they understood and had great silence. Followed by a great laugh.

The Hunter imitated the muffled sound of the Beast’s steps and learned to use this sound to talk about the Beast even when it wasn't there. War shouts, death songs, the cutting of the meat, the crackle of the fire, the crickets, the frogs and all animals soon had their sounds, their own "words".

Men stories gained life by their own making.

The Shadows never came back.

Weakened, they returned to the depths. And, in the emptiness of their soulless existence, felt profound pain.

I was a kintsugi bitch

A dull, forgotten, broken pot

And then you fixed me up

.

You lined me with your own

dweomercrafted brand of gold

Lac, Mel, et Saccharum

.

And when you’d starve me for attention,

Fed me more from your breast

Til you filled me up

.

And then I’d look you in the eyes

Sugar broiling in the stomach

Am I pretty now

..

Lost, full, and quite ignored

When you had leapt onto the floor

And said we’ve got to go

.

I grabbed your hand and followed blind

My stomach churned I lagged behind

You were the love I know

.

You said we’re going to the sea

My dear you’ll spend a life with me

We’ll make the waves a home

.

And I smiled ear to ear

Cheeks were blushing like a deer

Am I pretty now

..

And then we made it to the bay

quickly climbed into a boat

They never have to know

.

We headed south for centuries

They cannot take the memories

I never hunger now

.

And after weeks of solitude

A stranger came into the view

There was another boat

.

My stomach burned, concerned,

Not a soul had stood astern

You produced a rope

..

You gave a gentle kiss

And slid the twine across my wrists

And tied them into knots

Dipped my legs into the water

Either hand tied either helm

Stretched into a cross

I looked up at you in fear

Just to see you’ve disappeared

I started crying out.

My stomach burned under the water

And the sun was getting hotter

And I’m all alone.

I pleased come to feed me

Don’t leave me weak, depleting

I got no response.

The fish were getting curious

Flies buzzed something furious

They knew what I did not

That if you leave out milk and honey

In the heat, in weather sunny,

It’ll start to rot.

.

Months had passed in sickly motion

Head leaned back, my eyes were open

I died long ago.

The bugs ate at my open mouth

My skin was yellow, wrought with drought

My throat housed a mold

The waters smelled of sulfate

As the serpents ate my stomach ache

My blood has washed away

The rope gave up on hope and

Threw my purple, molten corpse into the ocean

Am I pretty now?

.

.

.

Screenshot

I posted a few days ago about a notes app I was working on called Notementum, and I'm happy to show you the first release (0.1.0). Installation instructions are available on the Github repo: https://github.com/IvanFon/notementum

There's still lots of things I'd like to add, both big and small, and definitely a few bugs here and there, but I've been going for too long without sharing it, and I find it's best to release as early as you can to start getting feedback, and perfect it later.

One things that's missing is documentation. I'd like to start on this soon, but I'm probably not going to share this anywhere other than Tildes just yet, so this comment will do for now :)

Right now, the app only runs on Linux. I'd like to add Windows support, and it almost works, the problem is that WebKit2Gtk, the embedded web view I use to show note previews, doesn't support Windows. I'm going to explore some other options in the future, whether that's figuring out how to compile it, or allowing other preview methods (user's web browser, PDF, etc.).

The app is also very much in alpha, so you shouldn't use this for anything important, there may be bugs that can cause you to lose some of your data. If you do use this for anything, make sure you backup your notes database.

If you want to use it, here's a wall of text on usage:

Like I said, the app still has a few bugs that need to be fixed. If you find any problems, it would be great if you could leave a comment here or open a Github issue (or if you have any feature requests).

Longest piece to date?

Last night I saw a beast

four different heads with blackened eyes.

Not black in metaphor, but from

the blood that dried inside.

Each of seven legs was mangled

and the beast was blind

but she could fly.

.

Once upon a night so dreary,

and so dreadful I

came across a weathered bar

a woman stood inside.

She sat me at a table, there was

not a soul in sight

but I felt fine.

.

Then she brought a glass of dark with

something new inside.

Leaned in close and whispered to me

"Baby, close your eyes."

I parted my lips and drank as

her hand guided mine.

My guard resigned.

.

She said "I know a place where you can

truly feel alive.

Each one of your problems fall

defenseless by your side."

And she wrapped her arms around me

I contently sighed

as she took flight.

---

Her wretched and misshapen legs

held me close to her chest.

She let out her warning cries

i inhaled every breath.

Her claws were creeping out I

fell upon them like a bed.

I laid to rest.

.

I fell into a home so oddly

shallow and recessed.

The walls were made of rock,

a water drop fell on my head.

There was no single light,

the ceiling lowered as she led

me to her den.

.

As I looked around the room birthed

questions in my head.

So opposite the warmth that she

had first on me impressed...

She stroked my cheek, claws on my chin

my heart fluttered, digressed.

I was possessed.

.

She laid me on the floor and stood with

five legs for each end.

One aside my head and feet

another at my hands.

Then she gently laid a blanket

down over my head,

"Shall we commence?"

---

I still feel it so vividly

each night I fall asleep,

the fused infatuated fear I felt

at a monster's feet,

when that heinous eldritch horror

drained my blood from me,

took me for libation, prayed a tithe

she poured me out.

Her heart could call the kettle as it,

too, went black in drought

She bore her fangs and lowered,

took my body in her mouth.

She then carried me cliffside, like a dog

she threw me down.

My corpse then fell so far, on

impact, no audible sound.

The final earthly thing I heard,

her shriek, "The Gods are proud."

---

Now upon each night so dreary, she

crawls out to find

a source of poor, defenseless blood

that she can sacrifice.

She'll lure them in with gentle kisses

and sapphire eyes.

We all will die.

Epilogue.

On my way to death, I was met

with a choice instead.

I could end my life or help

ensure the gods were fed.

In the heat of fear and pain I

then nodded my head.

The halls of purgatory filled with

screams and smells of death,

as my eyes dried from the inside

and I then begat

five extra legs.

So what’s the deal with offices, amirite?

What if we gave a building full of adults enough money to get by. Oh, and also they have to drive 30-60 minutes to get here. And that time they spend on the way here? Yeah what if they just gave us that for free, and we made them pay for parking!

I know, I know, fantastic right? But listen, it’s not over yet. What if we also made the work pointlessly constrained to a particular 8-hour block in the day, five days a week so that they never have any personal time, even though this is all work they could get done in four hours a day and is fully capable of being completed on their own?

Fabulous!

——

So yeah, I don’t have free time. That means I’ve got a few half-ass pieces that I’ve been wanting to finish up for awhile.

Apparently bars are open today, so I’m gonna get sauced and get to it. Prepare for a small dump today. (Also I got some dummy minor news imma share in another post. Stay tuned if you want. Or don’t ¯\_(ツ)_/¯ all’s well.

Anyway here’s that piece now.

——-

I remember that time I forgot your

birthday

And that time was today

At 12:08 in the morning

And for a moment

I felt great.

.

My dear that was the first sign

That you were

Slipping on out of my mind

Today I’m sober in the morning

Feelin okay.

.

Well well-butrin what a surprise

When it done

Come on back to my mind

Now it’s 12:09 in the morning

And ain’t shit changed.

.

And in those 60 seconds

Girl I swear

I learned a lesson -

Depression is a woman

With your name.

fotózás

i wonder what it must be like
to remember your life.

i wonder what it must be like
to record it with a flash.

i wonder what it must be like
to pass those memories down.

i wonder what it must be like
to be normal like that.

nyáj

in the shadows of a great unrest
stand hallowed halls
yet undisturbed by
collapse.

---

to be untouched by
revolution
is a lucky fate
for a place like this—
so stable in lives
and yet
always received
with such hostility.

oh, to be a church—
a great meeting hall
for those of
the faith—
is to be us,
the people of this place
who dare to
keep their fire alive.

we are but a
little congregation,
coming together
once in awhile.
giving praise to
what had been;
remembering what
our time had lost.

we bear upon our weary backs
a legacy
and hope one day
to restore it.

but
we must rest now,
and resign to our dreams
what could be again.

A free form poem.

You sing the devotion song and
your people drink from your font
of well-meant falsehoods.
They sway in the breeze,
roses ripe for cutting,
so you reap. And I deal with it.

Brain revolting, hands shaking, heart beating
Sweating, aching, freezing, creeping thoughts
that I'm not enough.
I'm a failure. I don't deserve it. What if this goes wrong?
"Sometimes it can take awhile to find the right combination of medications."
And I deal with it.

The blood in the streets is cleaned, pristine,
likewise the crimes of an otherwise good man.
Heads shake and hands pray,
repeating robotic platitudes, but I do
nothing.
And I deal with it.

The sun shines high and the wind blows cool.
Our future dances and plays in the light.
We watch and her skin is soft, her hair yet softer, and I hold her
against me.
This too shall pass, my gut twists in knots.
And I deal with it.

Dark nights, dark thoughts
in front of a washroom mirror.
Lightning thunders, they come and go.
Drinking my hopes to keep them gone,
I tell myself, "This isn't you," but it hurts and it's true and I can't stop the dreaming of passing this down
And I deal with it.

This was written for a themed flash fiction contest (the theme was Technological Dystopia) and ended up losing, but I figured it wouldn't hurt to share it here. It's not my proudest work but, as flash fiction, I think it works well enough. I hope you enjoy!

She was three floors from the bottom of the sunken tower when the crying first reached her. A quick swipe earned her a pair from the rack nearby and she continued her descent.

With the aid of technology this process had been streamlined and systematized such that these checks were only needed once a month, but everyone dreaded them. She had drawn the short straw this time and, though it had been years since last she’d ventured to The Lab, she still remembered her last haunting experience. It wasn’t that she was a dissenter or rebelled against that which needed to be done. This was a necessary evil to save their species, but she was still a human being. Seeing them all like that, all tubes and tapes running from frail flesh, was enough to turn any stomach.

A pair of heavy iron doors sat ominously in her way as she bottomed out. She could see the white, crisp interior of The Lab beyond and pushed forward, swallowing her hesitance as best she could.

Before her lay a large room with clean white tile, walls and harsh, flourescent light. It smelled and looked like a hospital because that’s exactly what it was. 10 rows and columns of small, clear, plastic boxes stretched between her and the far wall. The muffs were doing their job exceedingly well, but she could still hear the awful racket bouncing around her memory. She took a deep breath, steadied herself, and started working.

Her primary duty was to make sure the machines were functioning correctly, mostly the arm that glided to and fro above the boxes, administering medicine or changing bags of various fluids as need be. She would also be checking the tubes for clogs that may have been missed by any old or worn out sensors; this was the part she dreaded the most. She flipped the lid on the nearest box and checked the left, then the right, and lastly the tube running into its belly button, and closed the box quickly.

It couldn’t have taken her more than 5 seconds but that short time was enough for the anguished face to plaster itself onto her mind. Everyone does their part, she reminded herself, from the start to the end. It didn’t serve a purpose to bemoan that which she could not change. She moved on to the next crib, hoping this would go by faster than she expected.

Halfway through her checks she hit a snag. There was a clog in Crib 54. She could register the fault in the system and it would fix it on its next hourly cycle, as were her orders, but it was such a small clog. The tube simply needed to be changed, and as a nurse she was well-versed in the procedure. In that moment it was decided.

The tubes themselves were specially designed to be thin and flexible, but rigid enough to fit the shape of a tear duct. Her first task, after finding a pair of gloves, was to gently remove the tube currently in the eye. She hovered over the crib and gently pulled the tube out of the right tear duct. It came slowly, millimeter by millimeter, each bit covered in more goop and mucus than the last. It wound its way up into the sinuses which meant, by the end of it, she had pulled at least five inches of tubing. This she discarded.

Next she had to insert the new tube (these were kept in abundance in a draw underneath the crib). She grabbed one, snipped it to length with a pair of scissors hanging from the IV stand, and took a moment to recent herself. Inserting the tube while the child was crying would be much more difficult than removing it.

As gently as she could she reached down and, with her index finger and thumb, pried open the eye of the little one. With one came the other, the muscles young and unwilling to work independently, and she found herself staring into a pair of brilliant green pools. Her heart melted and, for the briefest moment, she thought of taking it. She could smuggle it out. The bed being empty would trip the system but she could clear the error and explain it away somehow. But no, that was silly. This wasn’t a decision for her to make; things were done this way because there was no other choice.

She pushed the tip of the tube into the tear duct confidently, shoving the traitorous thoughts from her mind as the child’s cries were renewed with pain. She was here to do a job, cold and emotionless. It wasn’t her place to question the way things were done. The tube went in without a hitch and the child’s eyes snapped closed again once she released them. The little bundle of agony before her squirmed and she saw the tears begin to flow anew. With swift, definite movement she closed and latched the lid.

The rest of her checks went smoothly, but she couldn’t shake the uneasy feeling that now ran rampant in her gut. She hated Lab duty, and she expected that would always be the way. With a heavy heart she signed the documents needed to record her visit, noted the tube change in the work log, and left The Lab through its heavy iron doors. The trip upstairs would be long and tiring, but at least she could try and forget ever having been here.

Update! After a few hours of struggling I managed to set up Read the docs for Tildee, it should help using the library significantly.

After getting some inspiration from TAPS I thought that maybe I try to work on something vaguely similar on my own. And after… some? hours of coding today I came up with this: tildee.py (source)
It's a wrapper for the Tildes Public/Web API that is already used by the site internally to make it work. The obvious problem with that is that it will at one point break when this unstable API is changed. It can do basically all things a normal user can do with the notable exception of applying comment labels (because I haven't gotten around to that yet).

Example of usage for a DM reply bot (result):

import sys
from tildee import TildesClient
import time

# Initialize client and log in, 2FA isn't supported yet and will probably break in horrible ways
t = TildesClient("username", "password", base_url="https://localhost:4443", verify_ssl=False)

while True:
    # Retrieve the "unread messages" page and get a list of the conversations there
    unread_message_ids = t.fetch_unread_message_ids()
    for mid in unread_message_ids:
        # Access the conversation history page; this also clears the "unread" flag 
        conversation = t.fetch_conversation(mid)
        # Get the text of the last message
        text = conversation.entries[-1].content_html
        # Abort if it's from the current user (I don't think this could actually happen)
        if conversation.entries[-1].author == t.username:
            break
        print(f"Found a message by {conversation.entries[-1].author}")
        # If the message contains a reference, reply in kind
        if "hello there" in text.lower():
            print("Replying…")
            t.create_message(mid, f"General {conversation.entries[-1].author}! You are a bold one.")
        # Delay before processing next unread message
        time.sleep(3)
    # Delay before next unread check
    time.sleep(60)

This has a lot of potential. Haven't yet figured out potential for what, but I'll take what I can get.
I'd be really grateful if someone with a little more experience than me (that's not exactly a high bar :P) could give me some pointers on the project's structure and the "API design", hence the ask tag. Other creative ideas for what to use this for are appreciated, too.

This simple stylus userstyle hides vote counts on both voted and unvoted comments and your own comments. I really like what Deimos did, it significantly improved my time here on Tildes. If you want the feature back, install Stylus extension, click the Stylus icon > write style for tildes.net and paste this:

/* Hide vote count for unvoted comments */
.btn-post-action[name="vote"] {
    visibility: hidden;
    position: relative;
}
.btn-post-action[name="vote"]:after {
    visibility: visible;
	content: "Vote";
    position: absolute;
}

/* Hide vote count for voted comments */
.btn-post-action[name="unvote"] {
    visibility: hidden;
    position: relative;
}
.btn-post-action[name="unvote"]:after {
    visibility: visible;
	content: "Voted";
    position: absolute;
}

/* Hide vote count for your own comments */
.comment-votes {
    display: none;
}

Known issues

• There is extra padding around Vote button
• Extensions such as Vim Vixen cannot interact with Vote button

You know they’ve got poetry on Spotify? That’s some cool shit. Ended up following John Cooper Clarke into a rabbit hole of other British poets.

Decided to bite and try writing a bit of poetry for poetry’s sake.

Anyway. ‘Ere go. “June.”

I thought your voice was music

And your beauty - work of art.

I found your jokes amusing,

Ponygirl, a golden heart.

Your company, a journey

Which I never could depart

I really felt I loved you,

Well, I did once, at the start.

.

See, music can be different

Some songs good, and others crap.

Some begin melodically,

Then get crashing in a snap.

Starting subtle violins,

Then it blares with metal scrap

They lure you malevolent

Some music is a trap.

.

Some artists Donatello,

Others Jackson Pollock.

Some art goes well with wine,

Some turns you alcoholic.

Some is deep and intricate,

Some is purely bollocks

Can’t call this a masterpiece

I’m not sure what to call it.

.

Thought your lips were pure cuisine

And your beauty - work of art.

I never thought the kitchen

Would have mold and rot at heart.

The oven sent asunder

All the counters ripped apart

You’re a diner with one dish,

And it’s a dry and sour tart.

enikő

a story written on the edge of sleep and sanity

The dreams never seem to come unless they're tortured memories or painful reminders of some ill-begotten past nobody wants to remember. To sleep is to live with that reality, but there can be no sleep in such reality either, and neither can there be peace. In the reality there is Enikő, eyes strained against an all-consuming darkness, and the many fractured people that exist within.

"No sleep," mutters Enikő into the void. There are no people around to hear that, except the many fractured people within. Enikő flashes out of existence at once and the fractured people take their spaces, dance their dances against the blackness.

"You know," scolds Alyaza Birze, who flashes at once into existence, "you must cease to suppress me one of these days!" Probably Enikő is not truly around to hear this in the reality, for Enikő is just as nonexistent as all the other people within the darkness. Alyaza pays it no mind, for she is accustomed to such.

"Why must you always tax yourself so, Enikő?" calls Alyaza out to the void. "You know as I that you must sleep. The nightmares are no more common than the daydreams, and neither too are the thoughts. They are not often for you. Rest at once." The void does not answer.

Alyaza flashes back into nonexistence, and so takes her place is Natja Avidina. In some other place in some other space, it is so that Natja and Alyaza exist as roommates. In this reality though they are consigned to singular existences, never seeing one another. They are opposites, yin and yang, and in this reality yin and yang cannot be at the same time. Natja cannot exist where Alyaza does, nor can Alyaza exist where Natja does. Natja pays this no mind, for she too like Alyaza has long resigned to the void reality.

"Why do you make yourself suffer, Enikő?" slips the quiet voice of Natja into the void. "Surely you too must be tired, even with the nightmares and the thoughts, and surely you too must realize that there is no guarantee you will even remember them if you rest?" And then Natja too snaps out of existence and is replaced by Enikő.

"I don't want the thoughts or the nightmares or the dreams." says Enikő from reconstitution. "I have dreamed and thought like a crazy person for years and every day my sanity slips a little more because of it! Must I be consigned to suffer then like every other facet of life simply because you two demand it of me?"

Enikő's eyes drift, and into the void Alyaza calls back a simple "yes" before disappearing again. In the void little figures dance to the rhythm of a silent melody, one-two like so then one-two again, not figures like Alyaza or Natja but the manifestations of the thoughts and dreams and every little thing the brain conceives and conspires to employ in this god-forsaken hellspace of a reality. Fire and brimstone could never compare to the void that taunts and harasses the very depths of soul and sanity.

Enikő's eyes drift back into the void. "I refuse," she says with conviction. Sleep will bring upon this void all the figures dancing to the invisible beat a thousand times over complimented with the worst machinations of the mind. One thousand times too many has this happened and one thousand and one will not tonight.

Enikő gives way to another shard of a body, the one that always confronts the thoughts. The eyes of Twilight Sparkle methodically survey the void for the usual actors, the ones that seem to recur every time she is spirited to this curious place. This is not her home, nor has it ever been, and why she is here she never does seem to know. In another place she is lauded but anxious perpetually, sent against fate and time and gods themselves in the name of an abstract concept she supposes she represents. Here, she exists as a mixture of reason and reaction, and in the void it is never certain which side dominates. She has never been used to the void, but the void cares little for such things.

"The thoughts aren't anything you haven't experienced before." she says carefully. "If it were my call, I'd take it. Better than what the rest of the mind can spit out if you stay in this void for too long."

The manifestation of reason disappears, and reaction it seems has lost the day for once. But Enikő responds only with "I refuse" and vanishes once more into nonexistence. The Thompson-esque scene must shamble along once more, resembling more and more an acid trip gone awry with its talking purple ponies and radical socialist gryphon-kind. The void answers the call with frantic pace, the one-two double timing without a breath to spare and the void reaching with the first tendrils of abject paranoia. The void must call its call and spread until entropy overcomes its will. Sleep must one day win over void, or void must overcome all things otherwise.

But Enikő only pops back once more to refuse. "I shall not sleep, and none shall tell me otherwise. No void shall overcome me, no matter what, and I would sooner die than feel the thoughts once more."

Alyaza Birze has a plan. She is no strategist of course, and pays no claim to being such, but just as Enikő was the body within which all of the fractal personalities contained themselves, Alyaza was a person into which Enikő could project. And just as Enikő knew Alyaza, Alyaza must then have known Enikő.

The one-two one-two staccato of the void grew seemingly always more and more discordant, for which Enikő would no doubt pay in short order. But the void reality was not the only reality into which all of the fractal personalities could contain themselves, and Alyaza Birze knows this. There are many vectors by which to project yourself into another reality, and this too Alyaza Birze knows, but it is a very specific reality that Alyaza Birze seeks. And so into the void, with sudden rhythm, is a familiar humming.

Doo do, doo do do do.

Do do do do, do do do do, do do.

It is some indiscriminate time, in a place that is less so indiscriminate. Alyaza Birze is on a podium at the head of a sea of curious lifeforms in a reality that places her in a Thompson-like Battle of Aspen. But far from Aspen, this reality invokes some mayoral election for a town named Ponyville in a land called Equestria, in some god-forsaken reality that demands words but defies them and calls for no less than six tabs of acid. It is Birze, the uncharismatic but ever convention-defying radical speaker who raises a Gonzo fist to a species with no opposable digits and recites with conviction "All you maggot-smoking fags on Santa Monica boulevard." No explanation for these words or their significance to the Birze campaign is given, nor for the Gonzo fist, and the reality at once seems to shatter into a million ill-fitting pieces from such an illogical state of being. Birze pays none of it mind.

Somewhere to the side of the sea of life is a Twilight Sparkle equally oblivious of the void and all too aware of it, cringing at every word spoken by Birze and no doubt trying to distance herself from every syllable that is enunciated on that grand podium. No self-respecting person would be caught dead wholeheartedly agreeing with some platform literally based in nothing in this reality (except of course for the vast masses already doing so but without saying so). But then all of this is irrelevant and Twilight knows this and it is merely pomp and circumstance to the call of the void which exists and eats away at everything like a malignant cancer even in so far away a place as this. Behind the thinly veiled, multicolored sets of this reality jolt the rhythms of the void reality, ready to expand and consume here just as it too shall consume Enikő. And so it is under that circumstance that exponentially titled future Mayor of the Reality of the Freak Power Ponyvillians Alyaza Birze and shattered personality Twilight Sparkle meet both knowing and not knowing why it is they meet.

"To what pleasure do I owe speaking to the visit of our presumptive mayor?" asks the purple pony in the Thompson-esque scene. The void at least will not eat these words, so there is point and purpose in the intonation put on them.

"Someone as smart as you surely must know why I am here and not anywhere else today. Void is void, Tevilias. It is another one of those." said Alyaza with reservation. "And certainly I am no mayor, for the record."

"You must forgive me," Twilight strings together with lackadaisical attitude, "but what would 'one of those' mean?" There is an air of resignation in the words, like the inevitable weight of a hundred-million realities is about to crash down on this reality and consign it to some bad acid trip where it belongs.

"Well you know as I, Tevilias, that in twenty-odd hours I shoot all of you to that beat and tune, that bullshit line of "All you maggot-smoking faggots" in this strange smoke and mirrors bullshit reality that exists. That is where the thoughts go, that is what the void calls, and it is you who will die there too in agony a hundred times any other. And no doubt you know that I have no desire to do that. We've been through this a hundred times, haven't we? And we know what happens if we do that."

"Sure." The resignation is enviable.

"And so we will not let that happen, will we? Because it's not like I want to murder. And you know what will happen if we do." The three-headed cerberus that inhabits the void makes itself known then.

"I WILL MURDER YOU ALL IN COLD BLOOD" bays the first head. The second nods solemnly as though carried along for a ride it never asked. The third head is manic, bearing no mind to anything but the vast and acid-like surroundings and teetering back and forth on the cusp of some far off reality from here. All of them are Alyazas, stuck in a body that never represented them in a world that never cared for them, or so it seems. No one head ever seems to dominate, except when it surfaces and becomes The Alyaza Birze, the one that people know. And never is there a time when one knows which one is The Alyaza Birze or if none of them are The Alyaza Birze, the one that everybody interacts with. Perhaps twenty-odd hours from now it will be the first that will do the killing.

"So perhaps," says Alyaza Birze, the cerberus disappearing at once, "we should make this quick then." And Twilight Sparkle can merely nod as one of the fragmented personalities once in her own reality and soon to again no longer be.

The void cannot pace itself any longer, and the discordant harmonies cease at once to contain themselves. The thoughts grow darker and drearier as they always do and the figures in the void give way to the schizophrenic happenings of the night. The shadow figures that once were become again and reanimate against the pitch black, the vividness ever greater. Sleep is enviable, but the void shall not overcome. The thoughts shall not overcome, not the dreams of dying or doing the death dealing nor the inenviable and inevitable thoughts of wanton mutilation. "The void will not overcome me, and I shall not sleep." says Enikő, and the void surges its tendrils once more.

Alyaza Birze and Twilight Sparkle and all her friends and all the other fractal personalities but Natja Avidina constitute themselves in the void once more, humming the refrains to a song which they all care to know as fractal personalities to a person. What a thing to be a witness to the sunshine! What a dream to just be walking on the ground! Into the void must strum the beat to something more cheery, something to at least dispel the thoughts and the agonies and the void for awhile, something that isn't so depressive and destructive. Don't get so upset, the refrain cries, the world was never fair--but there are ways yet to get through the day and so too perhaps the night. None of the fractal personalities sing, for singing is never quite their tempo. In some other, non-void reality perhaps this is so, but here they simply drown in the thoughts. And the thoughts are drowned, slowly, but inexorably, by the feelings of the music.

The void begins to slow, and entropy takes its course as does inevitably for all things. Soon the dreams are gone and so too go the thoughts with them, and at once there is a true void where the nightmares and the thoughts frolic no longer.

"Well that was not so hard." says Alyaza Birze. "A work done well by everybody, I suppose." Twilight merely scoffs, and says nothing of it before she is reconstituted into her own reality, to perhaps be shot again sometime in not-so-far-gone future. So too out of existence and into their own blink her other friends, ever present in this void from time to time as she but never quite players in its major doings. One day in the not-so-far-gone future it is they too who may die at the hands of some Alyaza Birze. But tonight they are merely fractal personalities in a large symphony of them, called upon ever and remembered never.

Into the night Alyaza Birze skitters onto paper a little testimony she picked up on a day she can no longer remember but which sticks into her mind evermore.

It reads:

In my own country I am in a far-off land
I am strong but have no force or power
I win all yet remain a loser
At break of day I say goodnight
When I lie down I have a great fear
Of falling.

And then she too blinks into nonexistence, perhaps in some not-so-far-flung future destined to be as she was this night to kill, perhaps destined to rewrite the words of testimony, but ever destined to repeat the cycle of doing and being and defusing crises on this night and all others a million times over now and forever more.

And for the first time in a long while, Enikő is at peace and sleeps.