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    1. Lazy Sunday storytime - One for the Trekkies

      I hope everyone is having a good day. After writing that plea to let Star Trek die and do nothing with it for a while, I decided to be a necromancer for a day. Not sure where to put it so I went...

      I hope everyone is having a good day. After writing that plea to let Star Trek die and do nothing with it for a while, I decided to be a necromancer for a day. Not sure where to put it so I went with ~misc. In doing it, I know I'm probably forgetting some of the lore/timeline details. I haven't read a lot of wiki material, fan books, etc. I just watch old reruns now and then and had an idea rolling around in my mind.

      For context, let's pretend everything after 2005 just didn't happen, that the TNG movies were mostly dreams, and it's 15 years later. We're relying mostly on TNG/VOY/DS9 for the setting. The show runs for four seasons, with each season being one big arc. I don't know what to call it. If you have a fun name we can do that, and if you want I can try to fill in spots where folks have questions.

      ok, let's go (boldly)

      Season 1 - A Peaceful Mirage The year is 2540. Over a hundred years after the end of the Dominion War, the Federation has achieved a recovery back into its peaceful, exploratory posture. The security state that rose during the war has retreated, relationships within the quadrant have strengthened, and in celebration of this lasting prosperity a new Enterprise is being readied to embark on its classic mission. The ship is prepared, it sets off, and has a couple of monster-of-the-week encounters just like the good old days.

      Eventually, the Enterprise is assigned a rescue mission. A science guy on an outpost near the Romulans got himself into some shit with the locals and the Federation would like to avoid a violent misunderstanding. The Enterprise sets out, and when they get there do a pretty typical heroic thing - they battle some angry aliens, find the scientist, and recover his stuff for him. Aboard the ship though, they find that some of what the scientist had is odd. There are tools, weaponry of a kind they haven't seen before, that do things uncharacteristic of Federation technology. The scientist denies knowing much about it, but it's clear from how they're engaging something is being kept from the Enterprise crew. The guy knows more than he's saying, but because he won't explain all they can do is take him back home and hand over what they found.

      When they arrive at a starbase and check in with Starfleet, the captain is puzzled by their reaction to his report. They acknowledge what he found, but offer no real explanation/details. He's told it's simply not part of his mission to know. Before they're done, he checks out the equipment one more time, and discovers an insignia - Federation Security, the apparatus that grew and expanded during the Dominion War. Federation Security didn't disappear when the war ended, but its role was greatly reduced. A landmark moment in that history involved a new civilian government legislating various constraints on its activities and paring back the surveillance machinery built up for the Dominion War. The captain is puzzled why this organization would be operating on a remote outpost at the edge of the territory, and tries to investigate further. He finds bits and pieces, communications to and from the outpost in an indecipherable format. He tries to find out more about the scientist, and discovers he has always been in close contact with various structured linked to Federation Security. Those monster-of-the-week encounters were all also associated with the scientist's work - he was communicating with them, and to some degree may have orchestrated some of the moments the enterprise was sent there to resolve.

      Before the captain can put things together though, they receive orders to head out again on another mission near Romulan space. Along the way, strange things begin to happen. System failures, computer glitches, mechanical problems crop up and no clear explanation for them emerges. When the Enterprise reaches its destination, they are unable to locate the folks they're meant to rendezvous with. They try to reach Starfleet, but their communications start screwing up, and the engines become nonfunctional. As the crew tries to work out what is going on, multiple explosions rock the ship. Cloaked vessels are firing upon it, and the system malfunctions mean the Enterprise is more or less adrift. The ship is badly damaged, but in the nick of time engines get restored and they warp away. They set off for a starbase, but without the ability to communicate out to anyone.

      When the Enterprise makes it to the starbase, they come to find this incident is already known to everyone. Across Federation space it's been broadcast that the Enterprise was attacked by the Romulans. Though it's unclear exactly why they would do that, the incident is such a surprise that folks are scared, and leadership is saying this portends a larger conflict if the Romulans don't have a good explanation for what happened. While the Enterprise is docked, the captain/crew try to get in touch with Starfleet to inform them of what happened, but everyone they speak to seems dead set on seeing the incident as an unprovoked attack. The system malfunctions and original mission details aren't being included in folks' accounts of what happened and they won't correct their stories after hearing from the Enterprise crew.

      On their own, the captain and crew try to figure out what they can about the vessels that attacked them. The Enterprise didn't pick up much, but what little it did seems to indicate weaponry in some way similar to the weird stuff they found when they rescued the scientist. Before they can land on anything definitive, repairs are completed and Starfleet orders them out to rendezvous with other ships to help prepare for a border operation. Before they leave the starbase, the captain alone in his office is approached by Federation Security. He is told, they know of the particulars he's been trying to communicate, but they are ordering him to stay silent about the reality of his encounter. He must also ensure his crew stays silent too. If he tries to defy these orders, they will be removed from their posts. The captain, knowing at this point how wide the narrative has been broadcast about the attack, reluctantly agrees. The Enterprise then sets out for its next mission.

      Season 2 - Working from Within

      While the Enterprise is en route to the other Federation ships, the captain can't help but be fixated on that encounter with Federation Security. Something has to be afoot, but given how quickly everything evolved since the encounter with the cloaked ships, he knows he has to work out what to do on his own. As the Enterprise travels between systems, picking up different missions and coordinating with other ships, he notes areas in space where their communications will be less effective, and takes those moments to conduct investigations. During some of their encounters with the other ships, they meet people descended from characters in TNG/DS9/VOY. Through these characters, the captain comes to learn about stuff that never got told to folks, like the 29th century time traveler, covert operations surrounding Deep Space 9, etc. He learns details about what happened with each of the other Enterprise vessels, and is made to confront the idea that his Enterprise isn't like those. Those really were about exploration and discovery; his is more of a pawn in a larger scheme, the resurrection of an old image to serve a malign end.

      The captain becomes convinced, there is something deeply wrong with what is happening - Federation Security seems to have a much larger role in the Federation's leadership than what was known to most people, it didn't lose the power it had accrued. At this point, the captain pulls together his most trusted crew members (the bridge crew, basically) and lays out what he's come across. The Enterprise continues its missions, and when another opportunity to work in secret presents itself, they get together.

      They determine the cloaked vessels were in fact using weapons identical to the kind they found with that federation scientist. The tools he had were for intercepting and altering communications. The Romulans don't appear to have been doing anything of note anywhere near the part of space where they were attacked. As they get the details straight, a dark truth begins to emerge - Federation Security, not the Romulans, attacked them, utilizing cloaking technologies derived from some of the weird 29th century shit Voyager came across. They were attacked so as to give pretext for a conflict with the Romulans, which would mean a newfound need for Federation Security to take up a leading position within the Federation power structure. Much of the history they understood simply wasn't true - while on the surface, the Federation backed away from security/surveillance, in truth these aspects were being consolidated behind the scenes using much of what prior Enterprise excursions came across.

      The captain and crew decide, they have to reach the Federation's civilian leadership with what they've uncovered. They quickly come to see though, that will not be easy to do. Their investigation allowed them to understand some of how Federation Security operates, and in a revelatory moment they see that Federation Security is practically everywhere. They can observe what the crew does on their ship computer, they can see through the cameras, everything they're doing can in some way be observed. As its dawning on them that their entire effort has probably been seen, the Enterprise comes under attack.

      This time, it's a fleet of Federation ships. Communications are established, and the captain is told they are being apprehended for having sent sensitive information out to the Romulans. The captain and crew know, this is a setup, and so instead of surrendering they fight back and haul ass toward the nearest edge of Federation space. They escape. The ship is damaged but still functional, and once past the border their pursuers eventually turn back. Alone, in need of repairs, the Enterprise charts a course to an unpopulated system.

      Season 3 - Coalition of Secrecy

      With the Federation now hostile to them, and without means of getting in contact with anyone inside the Federation, the Enterprise crew devises a plan to get their ship fixed up and contact the other, non-human species within/around Federation space. The Klingons, the Romulans, the Vulcans, so on and so forth. They work on outfitting a shuttle to be able to cross borders undetected, so they can get to the various homeworlds and see if they can inform these species of Federation Security's scheming.

      With each encounter, they outwit and fight it out with the intelligence apparatus of each species, in stories based on wild shit actual intelligence agencies did. For example, in one episode they pick up some supplies only to find they've been laced with poisons. They reach the Klingons and have to deal with the Klingon KGB thinking this is all some triple agent stuff. They reach the MI5 Romulans and have to throw off pursuit by cloaked ships. They make it to Vulcan in disguise and feed false information to their Federation associates. Lots of room for half-monster-of-the-week material. In the end, they manage to reach important people with each species, and come out with a new plan to get the truth broadcast to the whole of the Federation all at once.

      A coalition of ships, outfitted for secrecy/evading detection, along with a similarly outfitted Enterprise, will penetrate into Federation space on a course toward Earth. Using every dirty trick, they will attempt to distract and throw off Federation Security enough for the Enterprise to make it to Earth's big communications relay, where they can broadcast to everyone the truth of Federation Security's false flag op. They're under the gun, because while they've been doing all this the Federation has been gearing up for a bigger conflict. The border with the Romulans is destabilizing, folks are getting in petty skirmishes, the populace is being brought to thinking they must go and fight. If they don't make it in time, the war will begin proper and there's no telling where that will go.

      The coalition fleet assembles, pinpoints where they've got the best chance to cross back into Federation space, and get going.

      Season 4 - The Truth Revealed The Coalition Fleet initially encounters little as it makes its way toward Earth. Cloaked, with all kinds of jamming and disruption, they are able to make progress and observe what is going on within the Federation. It isn't good. The populace is being spun up big time, old hatreds are being rekindled, it almost feels inevitable that there will be a gigantic conflict. As they do encounter resistance, each time they get into a fight they see that the fight is then broadcast as further reason to engage in that larger conflict - their effort to broadcast the truth is inadvertently serving Federation Security's ends. Because their coalition consists of the other major Federation species, FS is attempting to convince everyone that the Federation is under threat from multiple directions, that they are quickly coming upon an existential struggle for the Federation's survival. It's apparent by now, if the mission doesn't succeed the entire quadrant will erupt, everybody will be fighting each other. The narrative is getting intense and evolving fast, and the fleet cannot expose itself lest they be prevented from getting the truth out.

      Eventually they get near the Sol system. The Federation's warships are all over the place, with enough firepower that the Coalition Fleet stands no chance in a direct encounter. Through the use of all their weird intel agent tools they manage to evade detection and throw off pursuits, but not without some having to escape and others getting destroyed. Eventually the time comes, where the Enterprise alone has to get to Earth while the fleet performs a distraction.

      The Enterprise nears the moon, and figures out a way by which they can evade detection by maintaining a stationary orbit in a spot of weird stuff in between moonbases (I gotta technobabble that one I'm sorry). The captain and bridge crew man a shuttle and head out for the communications array, a big structure in between the Earth and the moon (again not sure whether that exists but let's just say it does).

      At the array they encounter almost no resistance. By now they know, something is up, but they have to complete their mission so they keep on. The goal is to send out a broadcast through the array that provides irrefutable proof of what they've found about Federation Security's attack as well as what information they could put together from their encounters up to this point. The hope is that once this is out there, Federation Security will lose enough credibility that it will be isolated - the rest of the Federation will hopefully turn against it.

      As they near the station they need to use, they are stopped by Federation Security's topmost people. They're offered a deal - surrender, hand over their information, the captain will be put on trial and the crew will be spared. For a moment it's uncertain how this will play out, because the experience of getting to this point has been one of continuous paranoia, suspicion, betrayal and exhaustion. However, together, they refuse, and fight it out while the captain and first officer get to where they need to be to get the broadcast done.

      They succeed. The Federation, all at once, is informed of what has happened. The remaining ships of the Coalition Fleet phone home, and ships from all over the quadrant approach to take down what forces Federation Security can muster. Most of the Federation turns against FS as well, so their leaders get apprehended and their power structure dismantled. The captain and crew, exhausted, head back to the shuttle, board the Enterprise and reveal themselves to the wider populace as this coalition effort secures the space.

      The show picks up again a few years later. After this incident, the Federation underwent a radical stage of transformation, in which the warmongering security apparatus was taken apart for good. In doing so, there were times of difficulty and disagreement - the other species came to learn of stuff that made relations harder to maintain, but because of the Enterprise's efforts in 2540 these ultimately were resolved. The captain and crew were eventually lauded as heroes of Federation, though none took up positions of leadership. Instead, many of them resigned, to live as civilians after having seen a bit too much. The captain stayed for a time, but eventually decided it was best for someone else to captain a new model, one that could conduct its exploratory missions without the burden of having been at the center of a big nasty scheme.

      THE END

      Afterword? I dunno, discussion that could spoil some things so it gets a tab too

      If I could summon infinite money and good actors, I think I'd focus a lot on the idea that following the end of DS9, the Federation wasn't quite the same thing as before their war with the Dominion. My read of DS9 was of the Federation slowly transforming into a security state - it was losing some of its freedom and exploratory nature for the sake of defending itself. By the end of DS9 it felt like the Federation had lost some of its spirit, and was left in a situation where it needed to seriously interrogate what it was all about. Voyager went further along in time but I don't remember it having much to say about the state of the Federation broadly.

      My beef with post 2005 Trek (as in, after Enterprise was over) was that instead of heading on into the future the franchise kept going back. I wanted to know, what happened to them after the war was done, when the need for surveillance and security fundamentally changed. Did they just go back to being about discovery and science and stuff, or did they go down a paranoid, Terran Empire sort of path? I think either could have been interesting, but more importantly I think leaving off with that kind of uncertainty was a good setup for doing a show that would have landed real hard years down the line. We all lived through the emergence of things like mass surveillance and the algorithmic internet and I feel like Star Trek should have been there to show us some of what could be done with that. I would like to hope that if a deep truth got sent out into the world it would mean something, so that's what's in what I wrote here. I think there would be a lot of room in a show like this to reexamine the role of the stuff we experienced, grew up with, etc., through the lens of an Enterprise captain realizing his mission isn't what it appears to be.

      I hope that was fun. Always happy to take feedback and hear what kinds of stuff ya'll think would make for a good show.

      Edit: Guess I'm adding Babylon 5 to the storage drive. I don't know why I never saw it but I will happily follow ya'll's suggestion on that one, sounds good to me

      14 votes
    2. Looking for surreal horror/mindbending

      I'm looking for some recommendations. I'm not a voracious reader, so just about anything you can recommend will be new to me. I'm not sure how to describe the genre I'm after, which is really why...

      I'm looking for some recommendations. I'm not a voracious reader, so just about anything you can recommend will be new to me.

      I'm not sure how to describe the genre I'm after, which is really why I'm here. I just got done binging Petscop on YouTube; the surreal and Lynchian story telling coupled with the dark subject matter really sucked me in. I'm also somewhat enthralled by some of the higher quality Backrooms content.

      I'm interested in short stories or novels.

      Edit: sorry for not tagging. I completely forgot!

      37 votes
    3. Did a fictional character from a show/movie influence your life?

      I've been recently thinking about the impact of fictional characters from tv shows/movies can have on our lives. Have you ever felt influenced by a particular character or show? For me, the show...

      I've been recently thinking about the impact of fictional characters from tv shows/movies can have on our lives. Have you ever felt influenced by a particular character or show?

      For me, the show Mr. Robot coincided with my decision to pivot to cybersecurity. There were a lot of other factors that made me switch, but it was undeniable that the show (and the main character, Elliot) played a sizable role. It's been a decade since it first aired, and I’m still grateful for that change I made.

      Curious to know if anyone else have a similar experience?

      23 votes
    4. What's your favourite Discworld quote?

      I've been re-reading the Discworld books recently and there are so many quotes that jump out at me as forming who I was as a child, or particularly relevant in 2025. I'm interested in everyone's...

      I've been re-reading the Discworld books recently and there are so many quotes that jump out at me as forming who I was as a child, or particularly relevant in 2025.

      I'm interested in everyone's favourite Sir Pterry quote, if you have one!

      38 votes
    5. Tildes Monthly Writing Prompts! (April 2025)

      Welcome to the April Tildes Writing Prompt! Hopefully the first installment of many monthly writing prompts. This is an offshoot of the writing contests hosted by @TheMeerkat, but a bit less...

      Welcome to the April Tildes Writing Prompt! Hopefully the first installment of many monthly writing prompts.

      This is an offshoot of the writing contests hosted by @TheMeerkat, but a bit less formal and running all month long. Though we'll still have a contest, with a prize of a $20 gift code for Proton or Tuta courtesy of Meerkat. That said, the ultimate goal is to just have an excuse to write.

      Among the changes: we have two options for prompts this time!

      The Traditional Prompt: The arrival of spring brings a clearer mind, and new revelations.

      The Keywords Prompt: Rain, Spring, Renewal

      You can choose to do either one, combine them, or do both in separate stories! The keywords are a bit experimental, so while ideally you should aim to incorporate all three, you can choose to use just one or two. I chose words that can be interpreted in a few ways, so don't feel like you have to write about renewing library books on a rainy day in spring.

      General Guidelines

      1. Creative writing only. Any format is allowed—prose, poetry, fanfics, creative nonfiction, branching narrative, what have you. Just keep it creative!
      2. The contest is optional. Some of us just want to dip our toes into writing or share our creations with no pressure or interest in prizes. So just state if you want to opt in or out.
      3. Length. Soft rule of 1,000 to 7,500 words, especially if you opt to enter the contest. However, any length is acceptable. Got a two-sentence horror story? Go for it! Somehow hammer out a full 60,000 word novel in a month? No guarantees many people will have time to read it, but that sort of effort deserves to be shared! (Seriously, you'd earn those bragging rights.)
      4. The contest winner will be decided via a poll. @TheMeerkat will post a link when the time comes. We'll be doing ranked voting rather than picking just one. So please read all the stories you can!
      5. You can write multiple stories, but only one can be entered in the contest! This rule was particularly made with shorter entries in mind, but the big goal is just to write. So if you've got multiple ideas, don't feel like you need to pick just one!
      6. Formatting notes. As with the contests, please use collapsible formatting if posting directly to the comments. If posting externally like with Google Docs or a PDF, just keep in mind that people are reading this on all sorts of screen sizes so fixed formats may not work the way you like.

      The contest deadline is Saturday, April 26th, at 11:59:59 EST.. This should hopefully give everyone plenty of time to write and read entries before voting starts, and enough time to announce a winner before the end of the month.

      And as a final note, please leave feedback on other stories when you can! Getting feedback is one of the best parts of being a writer. I know I always get a big grin at even just simple heart emoji, though you should probably leave a bit more than just that in your feedback here.

      Happy writing! I look forward to seeing what everyone comes up with!

      21 votes
    6. Fiction with great “plot devices”

      Warning: this post may contain spoilers

      I’m going to bring up examples from a variety of mediums, so I couldn’t really fit this just under ~books or ~tv. Sorry about that.

      Lately I’ve been thinking about just how much I love fiction with a good plot device, and I’ve been wondering what it is that makes these devices such great vehicles for telling an interesting story.

      Death Note is the first example that comes to mind for me. The “plot device” (and I may not be using this term correctly) if the titular item, which is a notebook where, if one writes a name of a person, while imagining their face, along with a time and date, and then a set of realistic circumstances that lead to that person’s death, then it will occur as written. If nothing other than the name, time, and date are written, then the person dies of a heart attack (after 40 seconds, if I remember correctly). The main character was the right kind to have acquired the book, because it enabled the story to be told in the manner that it was. I think the author illustrated this well when, at the very end, another character, not nearly as intelligent as the previous owner of the Death Note, quickly got done away with.

      Code Geass is probably one of my favorite animes of all time. It combines a lot of genres into one. The titular “geass”, however, particularly the one that the main character acquired—which allows him to give a one-time order to any person who looks in his eyes, which the person will see through no matter what—is also an excellent plot device.

      *The Lake House, a 2006 fantasy romance film, staring Keanu Reeves and Sandra Bullock. It’s not a masterpiece or anything, but I can’t forget the whole plot device about the mailbox that allowed the male main character to send letters to the female main character two years into the past.

      Dreamless is one of my favorite webcomics of all time. It’s crazy for me to think that this beautiful, entirely-colored webcomic was made available for free all the way back in 2009. I wish more people knew about it. The plot device, which is brilliant, revolves around a man and a woman who were born on the same day at the same time, but he in Japan, and she in the USA—a few years before the outbreak of WWII. From the very day of their birth, they were “connected”. Whenever they fall asleep, they begin to “see through eyes and hear through the ears of the other” until they wake up. If they both happen to be sleeping at the same time, than they see darkness but still hear surroundings. They became aware of this at very young age, learning each other’s languages and falling in love with each other since they were children. The time zone difference makes it relatively easy for them to observe each other’s lives as one sleeps and the other goes about his or her days. They embark on a quest to figure out how to meet each other, in the midst of a brutal war waged between their respective countries.

      Severance is a show that everyone is talking about right now, so I don’t need to explain much to you, right? The plot device here is a chip that is implanted into people’s brains, and makes it so that their memories are split in two, based on location. At their work place, the character’s memories from the outside world are “shut off”, and they only remember what they experienced on the inside. I’m almost done with season two and this show is what prompted me to write this thread. I’ve been loving it.

      Black Mirror is a show that I need to give a shoutout to, because many of its most famous episodes are centered around a very specific plot device. For me, the most impressive of these, was the one where they had these chips that basically recorded everything that they saw, and it was a normalized thing in society. I think that it was episode three. Episode eight was also interesting. It was about a society in which people’s social status was determined by their online social media rank.

      I had an example in the back of my mind of a piece of fiction with a great plot device that I felt was not properly made use of. I’m sure that there are others like that, and it’s a bit sad when that happens, because there is a great idea right there, but it was wasted. I totally forgot about it though. Maybe you can think of some bad examples yourselves?

      Edit: I remembered a different one, In Time, a 2011 movie about a society where people don’t age, but rather have their life spans written on a digital countdown clock on their arms. The way that people used their lifespans as currency that they could exchange was a neat idea. I didn’t watch the movie, but I read from other people about it, and it seemed to me like the concept wasn’t properly explored. Maybe I should give it a chance.

      And maybe you can also think of some other good examples, plot devices in books, shows, movies, manga, anime that really blew you away. I’d be curious to hear about them because I’d like to look into them if it’s something that catches my interest.

      As for what makes a plot device interesting for me, here are some points:

      • It is a concept that is easy to grasp or an object the functions of which are easy to understand.
      • It has strict limitations that the plot revolves around and the characters repeatedly run up against. These limitations are explained very early on in the story.
      • The plot device and its origins gets gradually explained over the course of the piece.
      • The story is largely centered around a small group of individuals.
      25 votes
    7. Creative short story writing contest—prize for winner! (2025-03-07)

      Welcome to the third installment of Tildes’s monthly creative writing contest! The February entries showcased some truly spectacular storytelling—my heartfelt thanks to everyone who participated...

      Welcome to the third installment of Tildes’s monthly creative writing contest! The February entries showcased some truly spectacular storytelling—my heartfelt thanks to everyone who participated or left feedback. Now let’s see what March brings!

      Hm? What’s that? The title’s wrong? I’m posting this on the 8th, not the 7th? No, no; that must just be your imagination. I would never miss a deadline like that. No, the light isn’t growing dimmer over time, why do you ask?

      Your goal: Write a creative short story based on the prompt provided and post it in this thread.
      Deadline: 2025-03-22T23:59:59-04:00. I’m giving you an extra day on the usual deadline because I’m a kind and generous host, and definitely not for any other reason whatsoever. (Note the timezone shift—daylight savings and all that.)
      Prize: Your choice of a $20 gift code for either Proton or Tuta! As always, if anyone wants to suggest or donate future prizes, my DMs are open.

      Your prompt: A character must solve a problem using their worst flaw, trait, or habit—something others have always criticized them for.

      The Rules:

      1. Creative Writing Only: Fiction, creative non-fiction, poetry, fanfiction—all welcome! Just make sure it’s, you know, creative. If you’re venturing into fanfiction territory, remember I might not know your favorite obscure anime from 2013. Also, submissions should be in English, unless you believe that Google Translate can only improve your work.

      2. Length (Soft Rule): Try to aim for the “short story” sweet spot of 1,000–7,500 words. Too short and you’re writing flash fiction; too long and you’re writing a novella. Both are wonderful forms! Just not what we’re doing here. One submission per person, please.

      3. Judging: Winners will be chosen through the highly scientific process of “whatever I think is best.” Comment votes are nice for ego-stroking but won’t influence the final decision. Trust me, my literary judgment is completely arbitrary absolutely impeccable.

      4. Originality: Your story should be freshly created for this contest. No recycling that brilliant piece you wrote in college that’s been sitting in a drawer for years. Though if it’s that good, maybe you should publish it anyway?

      5. Formatting: Use collapsible formatting if posting directly in the comments. This keeps the thread tidy and prevents the inevitable scroll-a-thon when reading multiple entries. Feel free to host your story elsewhere and link to it here as well.

      6. Licensing: Include a clear license declaration with your submission. Whether you’re going with “All Rights Reserved,” a Creative Commons option, or perhaps even the JWCL (which is not a shameless plug and don’t let anyone tell you otherwise), I’d like to know how/if I can compile these for the community later.

      7. Feedback: This isn’t actually a rule, but more of a desperate plea: please, please leave feedback on other entries! Writers thrive on knowing their work has been read, whether the response is effusive praise or thoughtful critique. Even a simple “I enjoyed this because…” can make someone’s day.

      Oh, and if you find yourself with spare time between writing masterpieces, you can always peruse my own writing. I promise it’s at least as entertaining as these posts are.

      Happy writing, everyone! I’m genuinely excited to see what you come up with this time around.

      25 votes
    8. Speculative fiction recommendations featuring fabric or fiber arts?

      I've decided to try fantasy bingo this year. The most obviously challenging category for me on the reddit list is the challenge to find a book I will enjoy featuring fiber or fabric crafting or...

      I've decided to try fantasy bingo this year. The most obviously challenging category for me on the reddit list is the challenge to find a book I will enjoy featuring fiber or fabric crafting or artistry.

      Does anyone have suggestions?

      I have read and enjoyed Surrender None by Elizabeth Moon which fits but I want to read something new and save rereads for the end of the year if I get stuck. Surrender None fits at least two bingo categories as it is also a story about disrupting systems.

      8 votes
    9. Creative short story writing contest—prize for winner! (2025-02-07)

      Welcome back to Tildes’s now officially monthly creative writing contest! Last month’s entries were a joy to read, and I’m excited to see what literary magic you all conjure this time around. Your...

      Welcome back to Tildes’s now officially monthly creative writing contest! Last month’s entries were a joy to read, and I’m excited to see what literary magic you all conjure this time around.

      Your goal: Write a creative short story based on the prompt provided and post it in this thread.
      Deadline: 2025-02-21T23:59:59-05:00.
      Prize: Your choice of a $20 gift code for either Proton or Tuta! I added the other major encrypted provider as a choice this time around, so you’ll need to choose if I select your entry as the winner. If anyone wants to suggest or donate future prizes, send a DM my way.

      Your prompt: Write a story that begins and ends with the same sentence, but the meaning of that sentence has completely changed by the story’s conclusion.

      Rules (Streamlined and Improved!):

      1. Creative Writing Only: It must be creative writing. Creative fiction, creative non-fiction, and fanfiction are all welcome! If you go the fanfic route, keep in mind that I might not be familiar with the source material. Also, your submission should be in English, unless you’re particularly confident in Google Translate’s artistic sensibilities.
      2. Length: While there’s no hard limit, “short story” generally implies somewhere in the ballpark of 1,000–7,500 words. Aim for that range, give or take, or it may mildly count against you. Only one submission per person, please!
      3. Judging: The winner will be chosen by my entirely subjective judgment, not by comment votes. Don’t worry, though—I have impeccable taste. Also, infallible.
      4. Originality: Your story should be written specifically for this contest based on new material.
      5. Formatting: Please use collapsible formatting if posting your full story in the comments to keep the thread tidy. You are allowed/encouraged to host it somewhere else and link to it from here as well.
      6. Licensing: New requirement this time around! Include a clear license declaration with your submission (e.g. “All Rights Reserved,” your choice of Creative Commons license, or perhaps even the JWCL (coughcough)). This helps me know whether I can compile the stories for the community later.
      7. Shameless Self-Promotion: In case the self-promotion in the last rule was a tad too subtle for your tastes, you can also always check out my own creative writing.

      And everyone, whether you’re submitting a story or not, please leave feedback on the entries! It means the world to writers when their work is appreciated (or even just constructively criticized).

      34 votes
    10. Speculative fiction that speaks to our current moment(s)

      I'm looking for your short stories, novelettes and novellas, and to a lesser extent novels too, that directly speak to the politics and social realities of today....

      I'm looking for your short stories, novelettes and novellas, and to a lesser extent novels too, that directly speak to the politics and social realities of today.

      https://www.uncannymagazine.com/article/rabbit-test/ was a short story I shared here about 18 months ago that directly dealt with abortion restrictions and the future created from them.

      Another user shared Better Living through Algorithms for a more optimistic sort of take on "AI"

      And recently I was reminded of Mur Lafferty's The Ophelia Network, a novella which features a dystopian society where one of the changes from today was the Heritage Law. People of color needed to prove ancestory at least three generations, "preferably" descended from slaves. This plot point runs mostly in the background through the story but pops up occasionally.

      From The Ophelia Network

      Agent Frank looked up from Saxon’s tablet. “Your file says you’re half Black, half white. Your father’s people can be traced to sale at a South Carolina auction—wow, in 1619!” She looked at Saxon. “Is that correct?”
      Saxon nodded. “Our records say he’s descended from the first slaves to set foot in this country. His father’s people have been here longer than most American families.”
      Frank smiled. “You’re really lucky that those slaves had a kind master who kept good notes on his inventory.”
      Bailey didn’t let his TV persona slip one notch. He had always been calm in the face of racist bait. He met Frank’s eyes and simply nodded; his father’s genealogy was not news to him. After the president signed the Heritage Law, all people of color had scrambled to do genealogical research to justify their place in a country their ancestors built but was suddenly not theirs. They needed proof of at least three generations of forebears in America, preferably descended from slaves.
      The sponsors of the Heritage Law presented it as a step toward thanking slaves for building the country. America would thusly reward the slaves’ descendants with citizenship and the right to stay. What the sponsors failed to point out is that millions of other people of color would be deported.
      The Heritage Law meant the first-generation Haitian family across the street from Bailey’s parents had been deported just last week. His parents were still trying to clean out their neighbors’ home and put their things in storage before the government claimed the house and everything inside.
      It was with relief, not pride or gratitude, that his parents found the information about his many-great grandmother and her sale in Charleston, South Carolina.
      “Yes, I’m a legal citizen of America,” Bailey said. His voice was slurred as his swollen lips rallied their troops to muster forth a communication.

      I can think of a bunch of novels that say big things. The Handmaids Tale, 1984, Fahrenheit 451 etc. But I find shorter works tend to be more responsive to current events and often more cutting for their shorter length. I'd also suggest trying to avoid really common novel recs and focus on niche novels or shorter (also typically more niche I guess) works. But I'm not the boss of you.

      Share your recs? Link them here if they're free to read online?

      25 votes
    11. Creative short story writing contest—prize for winner! (2025-01-07)

      There are, in my extremely well-informed and unbiased opinion, not enough discussions about creative writing here on Tildes. Let’s change that. If this gets any meaningful amount of interest, I’ll...

      There are, in my extremely well-informed and unbiased opinion, not enough discussions about creative writing here on Tildes. Let’s change that. If this gets any meaningful amount of interest, I’ll make it a recurring thing (hence the date in the title—look at me, being all forward-thinking)! 😸

      Your goal: Write a creative short story based on the prompt provided and post it in this thread.
      Deadline: Per ISO 8601, 2025-01-21T23:59:59-05:00. Here’s a link to decode that mess for non-robots. Two-weeks-ish from the posting of this topic, basically.
      Prize: A $20 Proton code! I’m sure all of you insufferable delightful privacy nerds advocates already know what Proton is, but here’s a link for completeness’s sake. It’s already purchased, so you don’t have to worry about any sudden impoverishment robbing you of that sweet, sweet encryption.

      Your prompt: Write about someone who finds out their everyday routine has been secretly impactful to strangers in ways they never imagined.

      I’m not one much for rules, so there aren’t many:

      1. It must be creative writing. Creative fiction and creative non-fiction are both allowed, but if you’re going the second route, ensure you have a strong understanding of what creative non-fiction “feels” like.
      2. There aren’t any hard length limits, but the internet tells me that “short story,” as a term, tends to be defined as 1,000–7,500 words. Because I always uncritically believe whatever the first search result I read on the internet tells me, you should probably aim for that range or it may count as a soft demerit. Also, only one submission per person.
      3. The winner will be decided entirely by my personal whims, not comment votes. If I let it be decided by votes, the first commenter would basically auto-win, so we’re committing the greatest internet faux pas: relying on subjective judgment. 🙀 That having been said, I have varied tastes and high media literacy (if I may say so), so you should be fine. Probably. Giving a character my name and making her the best person in the world will definitely help your chances.
      4. It must be written just for this thread; no previous work. I mean, I have no way of verifying that you didn’t start before now, I guess, but I’ll spot-check a sentence or two online to ensure originality.
      5. If you post your full story as a comment in this thread, use collapsible formatting. Collapsible formatting keeps the thread navigable and respectful of others’ submissions. If your work relies on formatting beyond Tildes's simple markdown/images/et cetera, you’re allowed to host a document file/webpage somewhere and link it here, too.

      Have at it, and I hope y’all have fun! All of you, whether you’re writing or not, are heavily encouraged to comment your feedback for posted work as a reply! Don’t let your fellow waves feel unappreciated. Putting yourself out there is scary.

      (Also, yes, the survey is closed and it’s being actively processed. I promise we’re working on it! It takes time to make pictures and read 577 individual responses to a long survey.)

      56 votes
    12. What significant dates from fiction have we reached?

      This question is inspired by two things: @carsonc’s comment in the hard sci-fi topic about Kim Stanley Robinson’s Red Mars starting off in 2026 (which is right around the corner). I started...

      This question is inspired by two things:

      1. @carsonc’s comment in the hard sci-fi topic about Kim Stanley Robinson’s Red Mars starting off in 2026 (which is right around the corner).

      2. I started reading Ministry for the Future (coincidentally also by Kim Stanley Robinson) for the Tildes Book Club, and the titular organization starts in, of all times, January 2025 (as in, right now! The book was a perfect pick for this month).

      It got me thinking about how a lot of science and speculative fiction books from the past imagined a future ahead of themselves, and how the passage of time has brought us to or even past those imagined futures.

      So I’m interested in specific date milestones from fiction that we have met or passed already. They do not have to specifically be from science/speculative fiction, though I imagine most will be.

      25 votes