Specially those of you who attend courses on the field of humanities, in which I feel the amount of note-taking is even greater than most fields, given all the reading and talking that occurs during classes and out of them. How do you do it? Do you write on paper perhaps, or do you find that digital notes suit you better?
I'm asking this because I am about to start my studies (finally) and am curious about how other people handle this task which, honestly, has been a nuisance through all my life. I'm not the best at organizing my notes and I believe it harms my studying overall.

Whenever I try to find new albums, I find myself skipping through the entire record fairly quickly in order to find out if they’re good enough to warrant a full listen. Sometimes I’ll find an album that sounds impressive to me for very simple reasons, e.g. the sound of the bass guitar or frequent use of a pleasant synth sound. In my case, Oneohtrix Point Never is the perfect example. I enjoy virtually every single kind of sound in his discography, even most of the random sound effects. That’s why I began wondering if I’d overrate his future albums if he kept using the same synths, effects, etc. without actually bringing anything new to the table.

Is there anything similar that will always make you more likely to enjoy an album regardless of many other aspects that contribute to its actual quality?

I love single-location films, and use them as inspiration for my own very-constrained filmmaking endeavors. This is a space where great screenwriters and filmmakers shine, coming up with creative solutions to keep things fresh and enticing with little to no variation in ambiance. Some examples:

• 12 Angry Men (1957)
• Straw Dogs (1971)
• Dog Day Afternoon (1975)
• El Angel Exterminador (Exterminating Angel, 1962)
• Phone Booth (2003)
• Coherence (2013)
• The Invitation (2015)

But I want more! Any ideas?

I should add that my motivation for this question is research for my next production, and because of practical concerns I'm only looking for single-location films in which the main location is small and simple enough that its sub-divisions cannot be considered a location of their own. For example: according to my criteria, a large house or apartment would be a single location, because its subdivisions (living room, bathrooms, bedrooms, etc) can be considered as logical parts of the main one. A shopping mall, a large condominium or an apartment complex would not be a single-location, because its many buildings and apartments are distinct and independent enough to function as locations of their own. When in doubt, try applying production pragmatics instead of pure logic. If something is logically not really another location, but would be just as hard to manage as another location (a whole new set design), it is a location. Thanks!