(Wasn’t sure how to word the title to fit both those who use streaming services and those who purchase music either digitally or physically.)

What are the upsides and drawbacks you’ve found for what you use for music, whether that’s Spotify, Apple Music, Deezer, buying from Bandcamp, etc. What’s so good that it’s keeping you on that service instead of other competitors? Meanwhile, what should they change or fix?

There was a recent discussion about the Windows App Store where people said they don't like using it. I'm in the Apple world, and people here constantly complain about the Mac and iOS app stores. I grudgingly use Steam to download games that are only available there. Everyone seems to hate using app stores, but most agree that having them is better than having to find stuff on the web or in bricks and mortar stores.

I don't tend to "shop." When I decide I need a product, I do research. I try to find unbiased sources, though that's problematic in itself. But I don't go browsing for anything because it's largely pointless and tends to drive you towards what the company that's best at selling wants you to buy rather than what's best for your needs. So for the most part, my interaction with app stores is searching for a specific program and either finding it or not.

What do people think would make app stores better? Complaints I've heard include:

• Too hard to find a product you want when you don't know the specific name of a particular one (like you want a photo editor that can make a photo mosaic, but don't know the name of a specific photo mosaic app)
• You search for a specific product and the top hit is a paid placement for a competitor
• Stores are full of crapware with similar names and similar keywords
• Top apps are all games

How could app store makers improve the situation? What would make using an app store a joy for you?

This is a wild, ongoing story that is playing out in a rather bizarrely.

First off, here is Frogware's open letter on the situation from August 25, 2020.

Basically, Frogwares signed an agreement with Nacon (formerly Big Ben Interactive) to license and publish their game in return for funding, but Frogwares still owned the IP. Frogwares claims that Big Ben was consistently late with payments and did not honour milestones for further funding. They took on an EGS exclusivity agreement to help get funding. At some point during the development, Nacom bought another studio and then demanded that Frogwares give their source code to this new company, which Frogwares refused to do.

The released the game in June 2019 but then were told by Nacom that the milestones that were previously agreed to were cancelled, therefore Frogwares would see no profit from the game. Frogware filed a lawsuit and finally got access to some sales data but found it wanting in many regards. They also found that copyright notices on the game were incorrect with the result of misallocating the IP ownership. Their logo was removed from the PS4 and X1 versions of the game and they discovered that Nacon was presenting themselves as the IP owners for the game, and had bought domains for Frogwares' other Sherlock Holmes titles (most of which was published by Focus Home Interactive, with some published by Atlus in North America or self-published by Frogwares).

Frogwares believes they had what they needed to terminate the contract with Nacon, despite some complications with the French legal system due to the COVID pandemic, and so they pulled their games from various storefronts alongside this letter.

In January 2021, that French legal complication played out against them when the Paris Court of Appeals determined that Frogwares acted unlawfully and decided that Nacon would be able to put the game back on the market.

Today, The Sinking City was put back on Steam with Frogwares listed as the developer, but Frogwares says they did not make this version. It seems to be an older version, missing much the DLC and features like achievements and cloud saves.

Frogwares' own version of the game is being sold only on Gamesplanet, Origin, and the Xbox 1 Series, PlayStation 5, and Nintendo Switch.

So currently I get most of my music from soundtracks ripped from games and from Bandicamp. However, quite a few artists that go through traditional publishers are not on Bandicamp.

Now, while I could go through the hassle of installing iTunes on Linux through WINE, I dont want to because:

• WINE can be a hassle, especially if the app does some strange things.
• Id rather not support apple in any way if I can

So, are there any major platforms that allow downloading .mp3 or better yet, .flac files, especially for artists going through bigger publishers?

Okay, so it's been around now for a year and a half. What's the good, bad, and ugly? I know they've got free games every week, I know they've got a bunch of timed exclusives, and I hear they've still got kinks to iron out. I'm primarily asking from the perspective of an occasional gamer who prefers to be as hassle-free, launcher-free, and DRM-free as possible.