The concept of song of the summer is something I’ve only recently learned about but looking back I can definitely see how that concept influenced radio play when I was younger.

Even as the radio started declining songs were still being deemed “song of the summer.”

2024: Espresso - Sabrina Carpenter

2023: Flowers - Miley Cyrus

2022: As it Was - Harry Styles

2021: Butter - BTS

2020: Levitating - Dua Lipa

There’s for sure secondary songs you can choose (Good Luck Babe by Chappelle Roan for 2024 and Watermelon Sugar by Harry Styles for 2020 as examples). But generally something broke out and became cultural moments.

It appears that Alex Warren’s Ordinary and three Morgan Wallen’s songs topped the charts this summer. Not the pop infused dance music “song of the summer” is usually referring to. It did seem like people were looking at Just Keep Watching by Tate McRae or Fame is a Gun by Addison Rae but they never really took off. It seems like Manchild by Sabrina Carpenter was the highest charting pop song but did not reach the heights of Espresso last year.

Looking at music subreddits people seem in agreement that the charts this year have been a mess, muted, with new music not breaking through. Also appears that Americans are leaning into country and/or Christian music.

Disclaimer: I do not like LLMs. I am not going to fight you on if you say LLMs are shit.

One of the things I find interesting about conversations on LLMs is when have a critique about them, and someone says, "Well, it's no different than people." People are only as good as their training data, people misremember / misspeak / make mistakes all the time, people will listen to you and affirm you as you think terrible things. My thought is that not being reliably consistent is a verifiable issue for automation. Still, I think it's excellent food for thought.

I was looking for new music venues the other day. I happened upon several, and as I looked at their menu and layout, it occurred to me that I had eaten there before. Not there, but in my city, and in others. The Stylish-Expensive-Small-Plates-Record-Bar was an international phenomenon. And more than that, I couldn't help but shake that it was a perversion of the original, alluring concept-- to be in a somewhat secretive record bar in Tokyo where you'll be glared into the ground if you speak over the music.

It's not a bad idea. And what's wrong with evoking a good idea, especially if the similarity is just unintentional? Isn't it helpful to be able to signal to people that you're like-that-thing instead of having to explain to people how you're different? Still, the idea of going just made me assume it'd be not simply like something I had experienced before, but played out and "fake." We're not in Tokyo, and people do talk over the music. And even if they didn't, they have silverware and such clanging. It makes me wonder if this permutation is a lossy estimation of the original concept, just chewed up, spat out, slurped, regurgitated, and expensively funded.

other forms of conceptual perversion:

• Matters of Body Image - is it a sort of collapse when we go from wanting 'conventional beauty' to frankensteining features onto ourselves? Think fox eye surgeries, buccal fat removal, etc. Rather than wanting to be conventionally attractive, we aim for the related concept of looking like people who are famous.
• (still thinking)