I can understand why the journey to make this into a film is so convoluted. I'm not sure I've ever read anything so dense and epic. I was always sort of keen to the series, and always thought the worm god was just cool imagery. So I did have kind of an internal motivation to get this far, but now that I'm about to dive into God Emperor, I just feel bad for anyone that called it quits after the first book. Frank Herbert had a lot to say, and faithfully adapting this to any kind of screen, I think, is impossible.

One of the favorite subjects of horror sci-fi — right up there with aliens, deadly asteroids and the machines taking over — has always been the deadly pandemic.

One of the things I'm surprised at, is how close so many of those old sci-fi books and movies were. No, there are no zombies (...yet), no enraged psycho-killer chimps ... but on so many of the basics — how it spreads, the incredibly widespread piles of misinformation, all the ancillary political BS, right along with the courageous healthcare workers and medical researchers out there on the front lines, battling for a cure before it's too late ...

and etc.

How about a discussion thread to compare and contrast what the sci-fi got right, and wrong?

ETA: Alternatively, if we've already had this conversation and I just missed it, somebody please point me in the right direction, and then never mind about this thread?

I just finished binging The Habitat, the awesome podcast about NASA's simulated mission to Mars. And I'm feeling the urge to read something along those lines: fiction or true stories and indulge my fascination with space (and things coming from it) and how that relates to contemporary imagination.

Any suggestions?

Just finished Annihilation. Decided to share some random thoughts:

The film looks absolutely stunning. Perfect blend of beautiful and horrifying. But the characters… ugh. They are your classical horror film bunch of idiots. And, as per tradition with the modern sci-fi horror, they're supposed to be “scientists”. Bah.

It seems like both the screenplay and the visuals were heavily inspired by Roadside Picnic by the Strugatsky brothers, and possibly Andrei Tarkovsky's film adaptation, Stalker (1979), as well as a bit of his other sci-fi work, Solaris (1972), here and there. Honestly, if you like the idea of “alien shit twisting stuff around it”, and you like reading, you're way better off just reading Roadside Picnic.

Why didn't most trees change? The flowers, the moss, and the animals get all kinds of wild twisted colours and mutations, but the trees remain just green? That really bothered me. They also don't mention all this mutated flora and fauna going outside “the zone”, which, I assume, would be a giant issue.

That lighthouse would be so destroyed if it was really hit by an object of that diameter.

I found it ironic that the psychologist of the team was the one who was severely depressed. Here in Russia we call that a “barefoot cobbler” situation. But the way the film shows severe depression is pretty accurate.

Overall, I reluctantly enjoyed the film, but I couldn't stop thinking that all those visual effects and designs would be much more amazing in a Strugatsky bros. adaptation film.