What have you been watching and reading this week? You don't need to give us a whole essay if you don't want to, but please write something! Feel free to talk about something you saw that was cool, something that was bad, ask for recommendations, or anything else you can think of.

If you want to, feel free to find the thing you're talking about and link to its pages on Anilist, MAL, or any other database you use!

This is a recurring post to discuss programming or other technical projects that we've been working on. Tell us about one of your recent projects, either at work or personal projects. What's interesting about it? Are you having trouble with anything?

Have you watched any TV shows recently you want to discuss? Any shows you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

The Cowboy Bebop live-action adaptation caught the attention of many users here, so I'll link some of the reviews I could find. The show is not yet available to the audience, but entertainment websites clearly had access to it.

AV Club: Netflix’s Cowboy Bebop is a bloodless substitute for the real thing.

EW: A colorful, campy attempt at live-action anime doesn't justify itself.

The Verge: Netflix's Cowboy Bebop has heart, style, and some rough edges.

Indie Wire: Netflix’s Live-Action Riff on Everyone’s Favorite Anime Is a Cosmic Disaster

Games Radar: A Stellar Remix That Hits All the Right Notes

Polygon: Cowboy Bebop turns a classic anime into a Saturday morning cartoon

IGN: mixed

Slate: Cowboy Bebop Is Netflix’s Latest Live-Action Anime Mistake

Hollywood Reporter: negative

Rolling Stones: The Live-Action ‘Cowboy Bebop’ Takes an Anime Classic Into the Stratosphere

The Atlantic: What’s Lost When a Classic Anime Is Adapted by Netflix

RogerEbert.com: Cowboy Bebop Fails to Find a Rhythm

Time: Netflix's Live-Action Cowboy Bebop Misunderstands What Made the Original a Classic

Vulture: Cowboy Bebop’s New Shine Can’t Replace Its Old Soul

Collider: Netflix's Live-Action Show Is a Colorless, Soulless Copy of a Landmark Anime Series

Vanity Fair: Netflix’s Cowboy Bebop Is the Rare Remake That Works

Rotten Tomatoes: currently 41%

Metacritic: currently 40, Mixed or average reviewsbased on 18 Critic Reviews

It was a genuine delight to see everyone post on their progress last week. I'm thrilled with the variety of projects people are attempting!

Weekly Task

This is the halfway point (ALREADY?!). Update us on your progress so far! What did/didn't you get done this week? Anything go according to plan? Anything go off the rails? Any successes or struggles to share?

Next Steps

Continue creating!

Timasomo FAQ

This thread is posted weekly - please try to post all relevant US political content in here, such as news, updates, opinion articles, etc. Extremely significant events may warrant a separate topic, but almost all should be posted in here.

This is an inherently political thread; please try to avoid antagonistic arguments and bickering matches. Comment threads that devolve into unproductive arguments may be removed so that the overall topic is able to continue.

As part of a weekly series, these topics are a place for users to casually discuss the things they did — or didn't do — during their weekend. Did you make any plans? Take a trip? Do nothing at all? Tell us about it!

This thread is posted weekly, and is intended as a place for more-casual discussion of the coronavirus and questions/updates that may not warrant their own dedicated topics. Tell us about what the situation is like where you live!

The distinction between Hard and Soft paywalls used to be clear:

Hard paywall sites only allowed paying subscribers to view their contents;
Soft paywall sites typically used a metered approach that limited non-subscribers to a certain number of free article views per month.

This made tagging paywalled submission here on Tildes, as either paywall.hard or paywall.soft, pretty easy to do, and doing so provided tangible benefits. They let submitters know when to consider providing a summary of the article, or even mirror/alternative links, so non-subscribers weren't left out. It allowed users to easily avoid or filter-out hard paywall submissions entirely, if they so chose. And also indicated when a paywall was soft, and easier to get around (e.g. by clearing browser cache, or viewing in private-browsing mode), so the article could still be read.

However in recent years the distinction between Hard and Soft paywalls has become increasingly blurry. And with all the new, constantly evolving, often opaque, paywall mechanics now in play, it has become more difficult to identify and keep track of what type of paywall a site has. E.g.

Some sites have begun adding article sharing mechanics as a perk for their subscribers (NYT). Some with hard paywalls now allow certain articles of "public interest" to be viewed by everyone (Financial Times). Some still hard paywall their print articles but allow the rest to be viewed for free (Forbes). Some have hard paywalls for recent articles but older ones are free (Boston Globe). Some decide on a case-by-case basis whether or not to paywall each individual article, based on editorial board decisions and other unspecified metrics (Business Insider). And apparently some now even switch from Soft to Hard paywalls depending on where in the world the traffic is coming from (WaPo?).

And as a result of all this, accurately tagging paywalled articles here has become increasingly difficult too, especially since there is no easy way to update all previously applied tags on older articles when a site's paywall type changes.

So, the question is, what should we do about this?
Should we simply stop trying to distinguish between hard/soft paywalls in the tags?
Should we add another "hybrid" category?
Should we just do away with the paywall tag entirely?
Or is there a better solution to this problem?

p.s. I started a "Hard vs Soft Paywalls" wiki entry to try to keep track of all the paywall types, as well as the various new mechanics I have been able to identify, for the sites commonly submitted to Tildes.

I watched Val tonight. Its mostly old footage that Val filmed himself. He was quick to have a video camera and seemed to carry it with him everywhere.

If you're unaware, Val Kilmer lost his voice during his treatment for throat cancer. He can still speak, but with difficulty.

Anyway, even if you're a mild fan of Kilmer's work, this is worth a watch. I much prefer this format for documentaries to the talking heads we get with other documentaries like Velvet Underground (2021)

Val is from Amazon Studios and A24.