I missed the Witcher, Harry Potter, and Game of Thrones boats-- what's the next big fantasy series that's starting right now? Like one book's been recently released and it was a shock how good it was, and all of its readers want more?

I want to hop on a train that'll take me into a fantasy land when the getting's good.

The series is done! Let's have a bit of fun with it now that it's over.

Choose characters from the show and assign them a popular song based on their story arc, characteristics, or whatever else you feel like highlighting.

Example:

• Daenerys gets Bon Jovi's "You Give Love a Bad Name" because she's grappling with the fact that Jon gives love a bad name (namely, Targaryen). Oh, and she's also shot through the heart.

Be serious or be cheeky--whatever floats your boat as we sail to find out what's west of Westeros.

Is anyone here familiar with his work? Perhaps you could recommend a starting point for someone more inclined towards exploring darker urban / sociopolitical realist "fantasy"; not so interested in escapism for the sake of escapism. LeGuin over Tolkien, etc.

Ursula K. Le Guin was my favourite SciFi & Fantasy writer. Her passing earlier in the year was a great loss.

I'm reading her scifi-fantasy book Always Coming Home (1985), a compilation of "in-universe" codices and oral traditions as seen by an anthropologist. Her works were usually put in the "soft scifi" bin, as opposed to the "harder" genre. What caught my attention was a passage from the book, as appeared in an oral narrative (p. 161):

There are records of the red brick people in the Memory of the Exchange, of course, but I don't think many people have ever looked at them. They would be hard to make sense of. The City mind [a vast autonomous network of computers] thinks that sense has been made if a writing is read, if a message is transmitted, but we don't think that way.

Here we're called to notice the information vs. meaning distinction, for which a lot has been said and will be said. It was striking to me how the definition of "sense" according to the "City mind" closely paralleled the concept of information in Claude E. Shannon's seminal paper, A Mathematical Theory of Communication (PDF link). There, "information" simply meant what was transmitted between a sender and a receiver. It gave rise to a consistent definition of the amount of information based on the Shannon entropy.

However, we implicitly feel that this concept of information isn't encompassing enough to include meaning -- a vague term, but one we feel to be important. It seems that meaning enters information only as we (or someone) interpret it. In the words of computer scientist Melanie A. Mitchell, "meaning" seems to have an evolutionary value (Complexity: a Guided Tour, 2009). I feel that we could as well say, meaning may be bonded to the bodily and messy reality where flesh and blood living is at stake.

Returning to the passage in the novel, for me it was read as a rare spark of "hard" science in Le Guin's scifi works. Was it possible that she actually read into the information theory for inspiration? I don't know. But it appears to have captured the tension in the "ever-thorny issue" of meaning vs. information. For the computers, "sense" follows the information-theory concept of information; but for the human people in the story, it "would be hard to make sense of" the information in that way.

Do you have similar "aha" moments, where you find a insightful moment of grasping an important "hard-science" idea while immersed in a "soft" scifi/fantasy work?

Or, we can talk about anything vaguely connected to this post :) Let me know.

Just finished The Wise Man's Fear, and I'm blown away by the massive amounts of world building interspersed by hella awkward sex scenes. Anyone else eagerly awaiting the next Kingkiller Chronicle addition?

Link to Google doc: https://docs.google.com/spreadsheets/d/1Hc-Ti6Pff_qUZLAfzzL7WjhFNh2m_XPvMkdYBL6mLzI/edit?usp=sharing

I created this document a while back and update it every couple months. There's an Introduction tab with guidance on how to browse the spreadsheets, which I've copied below for reference:

(1) This document outlines various TV shows and is broken up into 3 tabs: Watched, Watching, and Want to Watch.

Watched: Shows I've completed through series finale or given up on. Some of these were canceled early.

Watching: Shows I'm actively watching day-to-day or shows in between seasons that will air new episodes in the future.

Want to Watch: Shows I haven't started and want to watch. Many of them are recommendations I jotted down to avoid forgetting, so this list will sometimes be unalphabetized.

(2) Certain columns of information were exported directly from IMDB, and the page for each show is linked in the rating from the IMDB column.

(3) On the Watched and Watching tabs, there are columns for Recommend? and Notes to provide background that will help decide what to watch. Don't let any of my negative comments stop you from watching a show you're interested in.

(4) The Recommended? column is divided into the following categories: Must Watch, Yes, Maybe, No. These are all based on personal opinion with extra discussion/information in the Notes column.

(5) I've shared this with most people using View Only permissions, so download the Excel file (or copy to your Drive account) to filter columns by genre, rating, and personal recommendation.

Disclaimer: not everyone will have the same tastes as me - that's okay. I welcome any disagreement about how I've rated shows and hope to get some discussion going.

• What shows have I missed that I need to watch?

• What shows did I strongly recommend that you didn't like?

• What shows did I give up on too early?

I expect to take some heat for quitting Brooklyn 99 around season 3.

• What shows haven't come out that I should keep an eye out for?

Like Jack Ryan which debuts this month.

• How can I improve the document?

I considered including a column with the show's network or where it can be legally streamed, but this is pretty tedious given the nature of broadcast rights.

Not the release date (last intel: not in 2018, that's all we know), but the content. What's going to happen? Who's going to die? Here are my brief guesses for some of the main characters:

Jon: Inhabits Ghost for a while after his human body's death (like Varamyr in the ADWD prologue), then gets resurrected by Melisandre. GRRM has said he always found it cheap that Gandalf returned hardly the worse for wear in LOTR, so I'm interested to see how Jon's different. In the show he seems slightly more carpe-diem, but it also seems like the show has mostly forgotten about it.

Stannis: Takes Winterfell (look up the Night Lamp theory if you're not familiar with it) from the Freys and Boltons, and holds onto it against an eventual siege by the Others.

Bran: The show has probably disproven this, but I still think he becomes a prisoner of the Others next to his uncle Benjen, because the Others can't kill a Stark for some reason.

Sansa: I think Harry the Heir turns out to be a nightmare, but Sansa learns to deal with him and use the power of the Vale to help the Starks in their fight to retake Winterfell.

Arya: I think she comes back to Winterfell and gives the gift of mercy to her mother, after seeing what she's become.

Daenerys: I think she'll have a longer experience taking over the Dothraki than in the show, and she'll fly west across Essos, laying waste to the free cities and setting the slaves free. In Westeros it will be completely unclear to everyone whether she's mad or not.

Tyrion: I think he will continue to fall into moral decay and after becoming a close advisor to Dany will encourage her "fire and blood" side. (Especially since she's his aunt!)

Theon: Something about "what is dead may never die, but rises again harder and stronger" makes me think he's coming back as a wight.

Victarion: Blows the horn and dies from it.

Cersei: I think Jaime will kill her, and fairly early on. I think Aegon will have the role she had in the most recent seasons of the show.

Jaime: I think he survives the confrontation with Lady Stoneheart and, disillusioned with both her and Cersei, leaves high society to lead the Brotherhood Without Banners.

Brienne: Someone has to die with Lady Stoneheart, right?

Aegon: I think he successfully conquers King's Landing. He'll eventually die by foolhardiness, but probably not for a while.

What do you all think? Anyone I'm forgetting?

Do you have a favorite theory? Most hated theory? Books, show only, or both?

We're coming up on the 7th anniversary of the release of ADWD and I'm just trying to gather us all up for the inevitable sobbing next month.

I discovered this series while browsing something on Netflix Kids with my kids and after finishing the first season I already knew it was going to be one of those jewels that you absolutely love.
Both me and my kids waited with anticipation every new season and now that it's ended I sincerly have that bittersweet feeling of something good that ended but that couldn't have ended better than this.

I strongly recommend everyone to give it a watch, either if you have kids or if you just love animation's movie. It's really something special.

The series is completed (spoilers in this article) as stated previously, several time, by the creator Gulliermo del Toro and this just proves how it was a labour of love instead of a milking machine (looking at you How To Train Your Dragon").
Also some info about the two upcoming spin-off, 3 Below and Wizards.

Netflix: https://www.netflix.com/title/80075820
uNoGS: https://unogs.com/video/?v=80075820 (seems to be available everywhere)
IMDB: https://www.imdb.com/title/tt1734135/
Rotten Tomatoes: Season 1 - Season 2 - Season 3 - Average 95%

And why is it Ravenclaw?

I figure we might as well get a thread going about the Harry Potter series of books, show that it is popular and that ~HarryPotter needs to be a thing.

Which Hogwarts house are you? Find some like-minded friends and start the seeds of a community here.