@wendys: @THEONLYKOH @Michaelramos227 @EvanFilarca @GailSimone You wanna do this? We got time. Saga is on hiatus. It's not really bandwagon when you've been reading for decades.11 votes
For anyone who doesn't recognize Patience Phillips, she was Halle Berry's Catwoman in the most terrible superhero film - Catwoman (2004)...that I really enjoyed it. Probably because it wasn't...
For anyone who doesn't recognize Patience Phillips, she was Halle Berry's Catwoman in the most terrible superhero film - Catwoman (2004)...that I really enjoyed it. Probably because it wasn't well-received, it's often overlooked when talking about things like "the first female hero on screen" or "the first black hero..." sort of things. And technically, Catwoman's not a superhero.
Spoilers ahead. I'm also going to keep my points to the story and characters themselves. I honestly had no issues with any of the actors.
- The theme and social commentary on make-up, beauty products, self-harm/addiction and image issues woman do face. The added layer of cooperate greed. The idea of what you see in the mirror vs. what others see (and if they're right), alongside what you want to present to the world or to specific people - honestly this movie has probably one of the best takes on "the cost of beauty" that I've seen in a while, and since.
- The scene where Tom thinks he's saving a jumper, but Patience is actually trying to save a cat. This random scene turns out to be a great storytelling scene when brought up again after Tom arrests Patience for murder and she asks him what he first saw the first time they met.
- Laurel is probably the most interesting character in this movie. There's a really well-framed shot of her photos being removed from her company lobby in favour of a younger model. I think it's one of the best scenes in the movie. Laurel is capable, powerful, rich and very accomplished, but somehow her relevance still fades as her beauty does. (I can honestly say I generally can't stand the evil step-mother wrestling with her fading beauty and taking out her bitterness on some young snow white-y girl, but this one worked for me.)
- I loved that Batman wasn't in it (but didn't really like that a love interest still had to be introduced).
- That she's call Patience Phillips...but honestly this is the warning to divorce this from any Catwoman or female superheros (or anti-heros) you know.
- Patience doesn't earn her "powers" - Selina Kyle (Catwoman in basically all other versions) works obsessively to perfect all her abilities. She's an insanely good cat burglar, not a magic cat.
- Patience doesn't earn or drive her own growth. There is basically no growth as a character. A magic cat ghost could have simply possessed Patience's body and the story would be the same.
- Oversexualization of Catwoman...which I didn't even know could be a thing until this movie. Black leather for a sexy Catwoman - awesome. Whatever the belt thing was - grossly missed the point while trying to copy Pfeiffer's patched up catsuit.
- I'm also not the biggest fan of make-over tropes in general.
- The basketball scene - just everything about it.
- The hate that surrounded the movie because Catwoman wasn't blonde (or Michelle Pfeiffer), and that Batman's not in it.
- The physical punch-them-out fight scene between Laurel and Catwoman in the end - just why? This isn't a movie at all about physical strength, and having a "face like marble" isn't a real power. (To be fair, I don't like this showdown in really any superhero movie, with the exception of The Death of Superman.)
- The crazy cat-lady Patience goes too, and her tossing a cat toy at her
- The sushi eating scene
- The in case of date emergency kit her friends gave her.
- Laurel seeing her cracked beauty in the moment of a showdown fight
- The cat scratches on Tom
- Her best friend hooking up with her doctor
- The comparing signatures on the coffee cups
- Her Marvel-like comic book name
So yeah...I would recommend this movie, and really hope that when they do make another Catwoman film that it might share some themes. Have you seen this movie? Did you hate it? Who's your favourite Catwoman? What would you like to see in a Catwoman movie?10 votes
Warning: this post may contain spoilers
I've very loosely applying the title I used in yesterday's post because quite honestly, I can't even call what they did with the movie a modernization.
Old stories are always being updated for lots of reasons, ranging from trying to appeal to new audiences to correcting toxic depictions to fitting better to the current social or political climate and more. There's nothing new there. However, one thing I find a bit odd lately, as in the last five years or so, is that a lot of this modernization is actually done pretty poorly in main stream media. We see more forced diversity, queerbaiting, and generally bad storytelling.
There will be spoilers for both.
Batman: The Killing Joke by Alan Moore (1988)
This is probably my least liked batman comic that I still recommend fans read.
It's one of the few Joker origin stories and have impacted the tone of Batman since. It's honestly the story I think of whenever I'm thinking of Batman and the Joker's relationship, and makes Joker the all-time greatest DC villain.
And of course, through the paralysis of Barbara Gordon (Batgirl), we get one of the strongest female heros in DC - Oracle.
The Killing Joke is infamous for adding Batgirl to the list of Women in Refrigerators. The treatment of women, specifically Batgirl, is probably the most easily agreed upon aspect to modernize. She was pulled into this story without much thought on the effects of the character before or after.
Batman: The Killing Joke (2016)
When details about this movie was in the works, it was hinted (and then confirmed) that about half an hour will be added to the beginning of the movie and better flesh out Barbara Gordon. This was exciting. The end result was disappointing almost to the point of offense.
The additional time was devoted to Barbara debating with her "gay best friend" (who is every stereotype that phrase can embody) how her "boss" (Batman) doesn't respect her and that she should just quit. Also comes with a scene where she insists on being heard, is aggressive and then has sex with Batman. Yeah...I can't even truly describe how bad it was... (I'm just glad tickets were sold out at the theater so I didn't have to pay money to see it. I borrowed it from the library for anyone wondering.)
The quitting thing in particular really bothered me. Barbara is one of the few heros in the DC universe that does not have a tragic back story. She chose to be Batgirl for the same reason someone chooses to be a cop in a corrupt city like Gotham. In the animated series and in Adam West's Batman, Barbara became Batgirl independently. She wasn't seeking approval or permission.
Enough of the rant...why it didn't work? Ultimately, it was a lack of respect in general. There was a feeling all around that the team was asked to modernize, but they themselves weren't convinced. The end result was what you would expect a bunch of closed minded straight guys to write. Obviously no research was done to better understand gay men or women. They were ultimately not treated as real people. There was no research on Batgirl herself, and this includes watching Adam West's Batman, or reading any comics with Batgirl or Oracle.
The sad thing is, they had a chance to really add to the original story. I would have love to see Batgirl in her prime. Show how strong and capable of a hero she was before she was paralysis and emphasize the loss Batman and Gotham will feel from loosing Batgirl. Show Barbara's determination in perhaps a little Oracle origin story. She's very smart, let's see some of that. Show her dealing with her own loss while still carrying a duty.
Edit to add: I would also drop the gay best friend. In the new 52, Barbara's roommate is trans and they build a real friendship before she's comfortable enough to tell Barbara. Steal directly from that!
What are your thoughts? Any other comic adaptations that stood out for you? (There are so many!)9 votes
I've always loved how comics evolve alongside our real world. I have very passing knowledge of the old incarnations of Batman, but know he is quite different today than he was seven decades ago....
I've always loved how comics evolve alongside our real world. I have very passing knowledge of the old incarnations of Batman, but know he is quite different today than he was seven decades ago. For example, he used to have a gun, wasn't a crazy paranoid doomsday preper, and wasn't all angsty about his parents' death. He was also way more a detective than a human superman.
Anyhoo, here are some modern Batman characteristics/stories that stood out to me.
Batman vs. Schrodinger's Rapist
A long while ago, I posted Schrodinger's rapist here on Tildes. If you haven't read it, you don't have to. I'm going to take it to the extreme and basically bastardize it a bit for Batman.
Basically Schrondinger's rapist is any stranger a woman meets - he is both a rapist and not until proven otherwise. It comes with a mindset of vigilance and risk assessment. The idea that a woman will evaluate the situation and the stranger for risk and react accordingly to her acceptable level of tolerance. I think this is the perfect characterization of the "trust but verify" Batman. He is hypervigilant, constantly looking for an exit and preparing for flight or fight. Everyone is both trustworthy and not until proven otherwise.
Batman vs. Branding
In the New 52's Batman, Bruce decides branding and expansion is important, and creates Batman Inc. It's a very capitalistic/entrepreneurial take on providing private security, and comes with a tone of "trust depends on branding" and "security requires big money". It may be a good service with good intentions, but has a "selling weapons for protection" franchise-y feel, that I don't think is accidental.
Gordon's Batman vs. Militarizing individuals
I'm going to start by saying I'm not at all a fan of Jim Gordon's Batman. It had potential, but honestly really failed to live up to it.
However, they did do one interesting line, which was Mr. Bloom (New 52, #41-46). I'll try not to include too many details, as to prevent spoilers, but no promises.
Gotham is in it's usual chaos, but oh no, it's extra bad right now, because the real Batman (Bruce) is gone. On the streets there's these seeds that grant superpowers until you remove them or they kill you.
The average lowly citizen of Gotham has felt so unprotected that this seems like a good option. The story starts with gangsters using this and arcs up to normal people using it.
So what are you thoughts about these points or others? Are there other comics or storylines that stand out as a really good mirror of real world issues and events that stand out for you?4 votes
Or whatever else you'd want to talk about concerning comic books! A new comic book shop has opened in my town, and my fiancée and I are pretty excited about it. We've never really been into them,...
Or whatever else you'd want to talk about concerning comic books!
A new comic book shop has opened in my town, and my fiancée and I are pretty excited about it. We've never really been into them, but we're pretty excited to get into them. On that note, does anyone have any good recommendations for a newcomer?
As a neat aside, we have a thirty-plus year old comic book-ization of Return of the Jedi, and that's pretty cool.7 votes
Batgirl background: A lot of Batman fans maybe be familiar with Barbara (Babs) Gordon's Batgirl. She was the first Batgirl (not to be confused with Betty Kane's Bat-girl), and is often the...
- A lot of Batman fans maybe be familiar with Barbara (Babs) Gordon's Batgirl. She was the first Batgirl (not to be confused with Betty Kane's Bat-girl), and is often the on-screen Batgirl of choice.
- Barbara was paralyzed from the waist down in the infamous The Killing Joke. Her forced retirement from the Batgirl mantle has always triggered mixed feelings, and she's often the top three Women-in-Refrigerators.
- Barbara returns to DC comics after the events of The Killing Joke as Oracle, where she continues to fight crime in a less overt manner. She often provides much needed expertise and assistance to other vigilantes, including Batman.
- As Oracle, she is also one of the first major depictions of disability in DC comics.
Barbara's return to Batgirl:
- The New 52 Batgirl series is the first Batgirl title with Barbara as Batgirl. After a glossed over miracle cure, she can now walk and picks up her cowl again.
The lost of Oracle:
- Though it's great to finally see Barbara with her own Batgirl title comic, and her struggles to be Batgirl again. And it definitely doesn't hurt that she was written by Gail Simone. It seems the lost of Oracle was greater than the return of Batgirl.
- The Batgirl mantle has been carried by a few people at this point, specifically Cassandra Cain and Stephanie Brown, both of which are in the New 52 and Rebirth continuity. To put it pointly, Batgirl is replaceable.
- Oracle is not, and has not been replaced. In a world where information is the best tool and weapon in fighting crime, Oracle's role is more important than Batgirl's, which is basically one of might.
- Oracle was a show of determination and will. Barbara may have been forced to retire as Batgirl, but she chose to continue fighting against crime. Loosing the use of her legs didn't affect the use of her mind.
Any other fans of Batgirl/Oracle have thoughts on this? Is re-empowering Barbara as Batgirl, minimizing her contributions as Oracle? How do you feel about the representation of disabilities and/or women in comics in general?1 vote
I'm a pretty big DC fan, and they are notorious for killing and bringing back characters, such as Superman, Jason Todd (Batman's second Robin), Bruce Wayne, and more. Warning: Jason Todd spoiler...
I'm a pretty big DC fan, and they are notorious for killing and bringing back characters, such as Superman, Jason Todd (Batman's second Robin), Bruce Wayne, and more.
Warning: Jason Todd spoiler ahead...
I didn't like Jason as Robin (who he died as), but love him as the Red Hood (who he became after his resurrection). I didn't vote, but I would've in favour of killing him. So I'm pretty torn on his resurrection. His death is one of the single most impactful storylines in the Batman universe (another being Barbara's spine, which might be worth its own discussion...). It changed Batman, how other heros viewed Batman, generally changed the feel of the safety of pretty core characters for the reader. And I wanted to keep all that. I liked that Batman that has to take responsibility for putting a child in danger and getting him killed. I liked that shadow that Jason's death cast on the Bat family and the way it haunts them.
However, I really enjoyed Under the Red Hood, and it remains one of my favourite arcs. And in the new 52, the mending of Jason's relationship with Bruce, and the other Robins. He's the black sheep that works great to contrast Batman (Bruce and Dick's).
Though I enjoyed the stories that are only possible through resurrection (or rebooting), I can't help but feel it takes too much away from the original story, and in many ways disrespects the original work and its reception. And what use to be a devastating turn in plot, is just an almost ridiculous trope.
How do you feel about resurrections in general? How does it change when the stories are supernatural? Any other Red Hood fans?11 votes
I love comic books but just don't have the time to be a regular reader. I like classic characters, though, like Superman, Batman, X-Men, etc but it's always difficult to find self-contained...
I love comic books but just don't have the time to be a regular reader. I like classic characters, though, like Superman, Batman, X-Men, etc but it's always difficult to find self-contained stories that don't require knowing all the ins and outs of what a character has gone through or knowing that certain events happened.
What are your favorite self-contained series or graphic novels in comics? I'm looking for suggestions of things that are great stories that happen to have comic book characters (like Watchmen, Dark Knight, Hush, etc.) rather than cheesy comic book adventures (like All-Star Superman, which is a little too golden age for me).7 votes
Partially inspired by the Abduction as Romance topic. Both the Damsel in distress and Women in refrigerators tropes exists heavily in both written and screen media, especially in the comic book...
Partially inspired by the Abduction as Romance topic.
Both the Damsel in distress and Women in refrigerators tropes exists heavily in both written and screen media, especially in the comic book world, where women are reduced to easy plot devices to tell a man's story.
Women are "important" in that they matter to a man, usually the hero. They are mothers, daughters, girlfriends, but nothing more. They are defined purely by their relationships to the hero. If they are depowered, maimed or murdered, the tragedy is in the hero's loss, not hers.
People, men and women, do get hurt and die in fiction and in reality, and I'm definitely not saying this cannot be done on the page. A guy grieving his girlfriend's death doesn't automatically make her a "refrigerator girl".
For example, Gwen Stacy, who may or may not have been accidentally killed by Spiderman in his attempt to save her. Her death, and Peter's reaction afterwards has always been very organic and real to me. Her death didn't feel frivolous, and readers felt the loss as much as Peter.
As for an example of a damsel/refrigerator girl, (there are too many to choose from), let's go with Mr. Freeze's wife, Nora, who is literally in a fridge. I'm pretty sure there's no even passing Batman reader who doesn't know Nora. But do we honestly know anything about her?
Thoughts? Any common damsel/refrigerator girl that you think actually shouldn't be classified as such?5 votes