After re-watching the absolute masterpiece Close Encounters of the Third Kind (Spielberg, 1977), I was in awe. This got me thinking a lot about aliens, and it seems to me that that is an area where movies and TV shows have been lacking in recent years.

When I say "aliens", I mean something truly alien, foreign, mind-bending, even terrifying (although I'm not very fond of horror) -- so not the tame, often humanoid extraterrestrials that we fully understand, like you usually see in Star Trek and Trek-like shows. But rather stories of contact that make us rethink the boundaries of existence.

A recent movie that touches on that was 2016's Arrival, which has more than one similarity with Close Encounters.... Another is Contact (Robert Zemeckis, 1997).

Covid finally caught up with me and I'm going to be living like a hermit for the next 2 weeks. It's been a stressful month here so I'm looking to melt my brain (or at least the bits covid hasn't already melted). I'd love to check out your easy watching, good time having, feel good suggestions!

I haven’t watched as many films from this year as I would like. But here’s my current Top 5:

1. Top Gun: Maverick
2. Happening
3. Ambulance
4. The Bad Guys
5. The Black Phone

The ones that will most likely stay in my top 10 at the end of the year are 1-3. Most of my yearly favorite films come out at the end of the year as you can see by this list that only contains two movies released earlier in the year.

And really quickly I’ll give you my most anticipated films for the rest of the year:

1. Glass Onion: A Knives Out Story
2. Avatar: The Way of Water
3. Babylon
4. Amsterdam
5. The Fabelmans

One of the things I love most about movies is their ability to transport you to other times, places, or worlds. During the pandemic movies were one of the few outlets where I felt like I could get out and explore the world. Movies where the location is almost its own character like Midnight in Paris, Monsieur Ibrahim, or In Bruges can have such a powerful effect.

What movies do you find yourself returning to time and time again when you're getting the itch to travel?

Hey everyone. I know there's a few people here interested in film, but the majority aren't really. With the Oscars right around the corner, I was curious as to how many of this years nominees you have seen. Here's the Wikipedia page to see the nominees.

I've seen all the Best Picture nominees and most of the acting contenders. Notably I haven't seen Spencer, Parallel Mothers, and The Worst Person in the World which I will try to watch by the time of the ceremony. This year I have seen 4 of the Best Picture nominees in theaters (Belfast, Licorice Pizza, West Side Story and Dune). This is in comparison to last years 0 (obviously) and the year before's 5 (1917, Little Women, Parasite, Joker, and Once Upon A Time Hollywood). The rest I saw through streaming.

If I had to rank this year's Best Picture nominees, this would be the order:

1. West Side Story
2. Licorice Pizza
3. Don't Look Up
4. Belfast
5. Nightmare Alley
6. King Richard
7. Drive My Car
8. The Power of the Dog
9. CODA
10. Dune

What about you guys?

We had a wonderful thread where people commented their favorite movies that they watched this year, but they didn’t have to be 2021 movies. I listed a bunch of classics that I watched. But now I wanna know your end of the year top lists. It could be as many movies as you want, 5, 7, 10, etc.

I’ll start:

1. In The Heights

2. Belfast

3. West Side Story

4. Licorice Pizza

5. Don’t Look Up

6. Last Night in Soho

7. tick, tick... BOOM!

8. The Last Duel

9. Spider-Man: No Way Home

10. Candyman

I just finished watching it (pirated, because I wasn’t going to give Disney money after all the controversy regarding Taiwan).

Uhh, it.. was bad? I mean I’m usually pretty positive especially about all the Disney remakes, and I liked the general darker mood of this Mulan version. But what’s with the 90s era cgi physics?

Also, and I get the Mulan plot line is entirely about how ridiculous gender-gating is in general, but whew there is a serious case of The Stupids around a lot of the tradition, much more so than in the original. This felt very tropey to me, convenient idiocy. I mean yes okay this takes place 1200 years ago but …

I appreciated not seeing mushu, but the Phoenix could have just been a lot lot lot more subtle.

And I’ve never seen snow look so much like party foam. This is the same studio that produced Frozen?!

Man, this movie felt like it was written, produced and directed in 1998. I would say I watched the wrong one by mistake but the original was actually good for its time.

What happened, did I miss something? This could have been an amazing movie full of great music, awesome choreography, and a super dark take on the original. Instead, I watched the equivalent of a machine learning exercise in turning anime to live action.

I’m trying to find movies where Rock and Roll is a character, not movies about the music.

Examples I can think of include:

Heavy Metal
Xanadu
Sgt Pepper’s Lonely Hearts Club Band
Rock and Rule

Maybe
Streets of Fire
The Hunger
Grease (technically a musical i guess)
Guardians of the Galaxy

There were a ton of interesting ideas proposed on the previous thread

We could all just watch whatever we want, whenever we want and have periodic posts.

Someone smarter than me could schedule a Discord (whatever that is).

How would you all feel about a virtual film festival?

We nominate candidate films, documentaries or shorts, focusing on things ​rarely watched, but that might provoke an interesting discussion.

We watch candidate films over maybe a three week period, watching maybe 3 times as many films as we nominate.

Then discussion ensues.

I'm on a binge of watching YouTube videos about Asian culture and wanna take it to the next level. Anything about the cultures of countries like Japan, both Koreas, China, etc. As long as it's high quality and available on the major streaming websites. Thanks!

I just signed back up for the Netflix dvd subscription and am looking for some sci-fi movie recommendations. I tend to not like the horror themes but am open to just about anything else (even "bad" movies that are so bad they are good). Looking for movies that have come out in the last decade or so. May also be open to television series that can be had on dvd that were not on Netflix streaming.

I just caught part of one of the newer Terminator movies as I was flicking through channels on TV, and I was only able to identify it because a scene with a visibly 60-plus Arnold Schwarzenegger made me realize he probably hasn't acted in a decade and a half otherwise. I've never seen any of the Terminator movies... a fact which never fails to elicit shocked responses in movie conversations. I've also never watched any of the Alien, Indiana Jones, or Harry Potter franchises, am yet to watch any of the Shreks (despite one of my exes quoting them all the time and telling me she basically learned most of her life lessons from them), nor any of the Toy Story movies. I think the only Pixar movie I've ever watched is Up. I do mix up Pixar and Dreamworks all the time, so that whole debate between the two goes over my head, but I know I've never found Nemo or seen Frozen, or practically any of the others.

Obviously this is most egregious for stuff that's been released during your lifetime, or maybe adulthood, but feel free to include whatever you've never been particularly convinced you've missed out on, from any era.

... and, if you know ... why?

ETA: I'm honestly not looking for movie recommendations here. Oftentimes, a "regular" movie for the masses, just happens to hit the perfect note for one or a few people. I'm interested in those "it's special for me, because..." stories.

We have a dozen different "what's the best ___", but I haven't seen this discussion here in awhile.

My first pick here would have to be Mystery Men, which—for me—ranks as one of the best comic book / superhero movies of all time, right up there with the first X-Men and Ironman. However, broad critical concensus, as well as everyone I've ever shown it to, seems to be, "meh, that was cute; what else ya got?"

I honestly have no idea why this movie resonates so strongly with me, and not with the gen pop. My best guess is that I tend to identify more than average with the whole "well-meaning underdog screw-ups prevail" theme, and this movie is that, times seven.

My other pick is Grosse Pointe Blank, an old John Cusack thing which does have broadly positive reviews, and which most people truly like ... but my life history is enough of an outlier from societal norms, that I feel a very personal connection with the lead character, and his feelings of alienation from society.

Youtube Trailer : https://www.youtube.com/watch?v=aK-X2d0lJ_s
Netflix Link : https://www.netflix.com/title/81038963
Wikipedia page with plot summary : https://en.wikipedia.org/wiki/The_Old_Guard_(2020_film)

I watched Knives Out last night with my mother and we loved it. We used to love watching Hitchcock films, I’m in the mood for something more recent with a similar vibe. Like a modern Agatha Christie murder mystery. Any suggestions?

My Anniversary is coming up and I'd like to do a movie night for my wife. She likes romantic films but I don't so we don't often watch them together.

I'd like to come up with 3 or 4 of the best romantic movies ever to watch together as a gift to her. Since I don't ever watch these kinds of movies I don't know what's objectively good.

Thanks!

Thanks to everyone who responded! There are so many great options that I'm going to make a list of all of them to draw from on other special occasions too!

Hi!

My wife and I met through our mutual love of horror films, and really love watching movies together in general-- good or bad. For the past three years we'd go to the local horror film festival around her birthday which, sadly, is not happening this year, so I thought I'd wrangle up some horror films available online for us to watch instead.

Do you have any favorites?

Here's some of mine!:

• Transmission 1 (warning: starts loud): This was a webisode released to help promote the 2007 horror film The Signal in which a sound emitting from electronics affects how people behave.
• Spider: A prankster doesn't know when to stop. (trigger warning & mild spoiler: some eye stuff)
• Lights Out: Something seems off more than the lights (all of this guy's stuff is pretty decent as far as short horrors go).

I know those are higher production value than most of the stuff you'd see at a festival, so don't worry about that. We really enjoyed one last year called Finley that was just a complete delight.

It's a miserable cold rainy afternoon. You need to wind down. You want to lie down on the couch, curl up under a blanket, drink a mug of cocoa/tea/chocolate, switch off, and spend a couple of hours just relaxing in front of a movie. You don't want something that will challenge you or make you think. Nothing new and exciting. It doesn't need to cheer you up, because you're not feeling depressed. You just want something that's going to make you feel cosy. Something familiar and comfortable and warm. You want an old favourite that you've seen so many times you can practically quote it word for word, so you don't even need to fully pay attention - but a movie that always makes you feel happy when you see it for the umpteenth time.

What movie do you put on?

We haven't had one of these in a while, and given the amount of time people are spending indoors, I figured it might be good to share some movie recommendations.

I will post my own comment regarding some movies I've seen recently, but I wanted to also share some quarantine / pandemic movies that might be interesting given the strange times we find ourselves in. Warning: they are probably not a great way to take your mind off things, if that's what you are searching for, hence why I'm separating them from my other comment.

• Contagion (2011) - Probably one of the more relevant movies, and certainly on people's minds. It's an interesting worst case what-if scenario, and actually tackles some of the political struggle with organizing around a pandemic.
• Perfect Sense (2011) - Overshadowed by Contagion, which is arguably the better movie, but I liked the premise of this one: a disease that slowly takes away your 5 senses, one at a time. I didn't like the ending, but for a thought experiment it captured my attention. It threw in a love plot line which may or may not have been necessary when the reaction was more interesting, but it does help provide a ground floor experience of a more terrifying epidemic.
• It's a Disaster (2012) - I have somehow managed to miss watching this movie, despite it being on my watch list for some time. A comedy, which may come in use in this trying time, it centers around a group of friends who invariably become part of a self-quarantine at their house.
• Rear Window (1954) - A Hitchcock classic. Jimmy Stewart is confined to his NYC apartment due to a leg injury, and has all the time in the world to spy on his neighbors, where he becomes obsessive over a potential domestic dispute between a couple across the way.
• The Lighthouse (2019) - Superb acting by Willem Dafoe. Two men, a seaman fresh to the trade and a seasoned veteran, are servicing the sole lighthouse on a tiny island as part of a contract. They are forced to stay longer than either imagined due to a storm passing through them. They get at their wits end with each other and their sanity slowly falls apart. Beautifully shot in black and white and with authentic vernacular, it really transports you to a different time period.

• Trailer topic
• Wikipedia

I watched it last week. Fantastic movie. I don't watch many war movies (in fact this is one of my first ones), but I really, really liked it. I didn't even notice the two hours go by.

The one-shot effect is really well done, and I enjoyed trying to spot the transitions.

It's not an exceptional movie or anything like that, but it's one of the rare times I just went into the theater and came out exceedingly satisfied.

I was chatting with a friend today and this question came up - I drew a complete blank.

Aside from a few foreign movies retranslated into a completely different context, like Seven Samurai and The Magnificent Seven, most remakes don't even approach the quality of the original, for my tastes.

Please enlighten me if you're aware of any superior, or even equivalent remakes that tell roughly the same story with the same characters.

I love single-location films, and use them as inspiration for my own very-constrained filmmaking endeavors. This is a space where great screenwriters and filmmakers shine, coming up with creative solutions to keep things fresh and enticing with little to no variation in ambiance. Some examples:

• 12 Angry Men (1957)
• Straw Dogs (1971)
• Dog Day Afternoon (1975)
• El Angel Exterminador (Exterminating Angel, 1962)
• Phone Booth (2003)
• Coherence (2013)
• The Invitation (2015)

But I want more! Any ideas?

I should add that my motivation for this question is research for my next production, and because of practical concerns I'm only looking for single-location films in which the main location is small and simple enough that its sub-divisions cannot be considered a location of their own. For example: according to my criteria, a large house or apartment would be a single location, because its subdivisions (living room, bathrooms, bedrooms, etc) can be considered as logical parts of the main one. A shopping mall, a large condominium or an apartment complex would not be a single-location, because its many buildings and apartments are distinct and independent enough to function as locations of their own. When in doubt, try applying production pragmatics instead of pure logic. If something is logically not really another location, but would be just as hard to manage as another location (a whole new set design), it is a location. Thanks!

I can mention many movies that influenced me in major ways.

• Stand By Me made me realize the importance of friendship
• High Fidelity helped me understand romance is not entirely about passion. It's also about respect, love, and care. There's value in something that's simply "good", and "good" is not something to brush off.
• Goonies and Godfather showed that, when shit hits the fan, family is everything.
• Manhattan taught me love is nothing without courage
• A Bronx Tale taught me that our parent figures can be imperfect and even downright criminal, but this doesn't mean they don't love us.

Ant the list goes on...

The end of the year has me in a movie-watching mood and I want to add the best of the best into my queue for the next few weeks. Similar to games of the decades, what are your movies of the decades and why?

From Community to House of Cosbys to Rick and Morty, Dan Harmon made a name for himself as a comedy genius. IDK much about Justin Rowland, but I assume he's at least partly responsible for some of the most brilliant moments of Rick and Morty, and I'm not just talking about the jokes. Among other episodes, The Wedding Squanchers, The Rickshank Redemption, Pickle Rick, Rickmancing the Stone and Look Who's Purging Now show great mastering of how action scenes are supposed to work. They ally irreverence, great rhythm and creative use of violence to make delicious gory spectacles. Unlike the increasingly incomprehensible movie brawls of today (I'm looking at you, Marvel...), their battles can be just as fast, but their choreographs are dramatic and easy to follow while retaining a great degree of complexity.

Dan Harmon and his team have a lot to teach to Hollywood.

Partly because of the nature of the subject, most true-crime documentaries tend to emphasize dread. Some of them employ formal devices similar to horror movies, such as ominous soundtracks, dark lightning, and moody camera movements. My interest in the problem of evil is philosophical, and the constant attempts to induce fear are distracting.

I'm interested in documentaries that are more like case studies, with a clinical, speculative or even scientifical approach to the problem of evil embodied in criminal acts.

Any suggestions?

Not sure how spoilers are supposed to work here, but I deleted my other post and put the image in the comment

https://i.imgur.com/6EupcC0.png

T.W. - is Arthur imagining it in arkham asylum? When asked by the social worker he didn't have much of an answer why he was locked up before.

I'm interested to find out who you think is making good films? I'm also interested in what your favourite film from them is, and why you like it.

Feel free to interpret it how you like -- I'm interested in distribution as well as production companies, as well as producers, directors, writers, and actors.

This is what you get when you search VUDU for free science fiction movies. The plot is banal enough. A spacecraft is discovered in Colorado that is 14,000 years old. A linguist and her lover are hired to read an inscription and then summarily paid and told to go home by the mysterious and unlikeable head of the project, Richard Kontral.

This description in no way does justice to how bad the script is. My first theory was that a rich father gave his fourteen year old son a chance to create a movie for his birthday present. But it's really just a low budget sequel to an obscure cult film called Moontrap.

The lead character, Scout, is played by Sarah Butler who evidently rose to wordly fame in I Spit on Your Grave. Every line that Scout says to the villain includes adolescent sexual insults. The villain is I believe a washed up actor from an old sitcom called The Nanny. This guy is really hard to watch, the acting is as bad as the script.

There's a scene of robots fighting that looks like it was choreographed with Rockem Sockem Robots, a toy from my childhood. If you're a collector of bad movies, this is a true gem.

It was tough to watch, but our free streaming was slim pickings that night. I wanted to watch Day of the Triffids a classic bad movie from the '60's , but got outvoted. At least that movie was based on an interesting SF novel by John Wyndham. Maybe tomorrow night.

We have about a million films showing vampires, zombies, werewolves, and ghosts.

But despite rich folklore traditions we see very few films about other creatures. There is a handful of films dealing with leprechauns, pixies, trolls, fairies, witches, goblins, gnomes, etc. And that's just the western traditions. We have huge range of unexplored creatures from around the world. If I had to sit through yet another vampire film I'd rather it was based on adze traditions than Bram Stoker reinventions.

Why are there so many films that tread the same ground about vampires, zombies, and ghosts, and so few films about everything else?

Used to love reading the IMDB boards after checking out a flick. Up until, of course, Amazon's takeover and purging. Now I feel dirty using the site to check out info about films, and am trying to break the habit of using it as my 'go-to' site.

Letterboxd and TheMovieDatabase seem to be the 2 most credible alternatives. Any other suggestions on the Web3.0 (or 2.5) solution to a great community to kick back, contribute and learn with others about film?

Some of the works of Peckinpah had been on my watch list for months, sitting there in a subfolder of a subfolder. From the choice of Straw Dogs and Cross of Iron, I chose the aforetitled, liking the idea of embarking on a bit of a journey through Mexico with a gritty protagonist as we experience splatterings of violence and negotiate the thoughts of a down and out vagabond making a ran for his riches.

The film left me with mixed feelings. I enjoyed the path of Benny, experiencing how his character is unwavering in his desire to take that last lucky ticket out of debauchery street, but didn't care much for his journey's partner. While I appreciated the dynamic of the relationship, the understanding they both had that they weren't in love with each other, but all they both had, the chemistry and dialogue didn't really resonate with me at parts. I actually was rather glad when this relationship came to its abrupt end as the film entered its final 3rd.

On top of that, there was major issues with the sound which made it difficult to fully immerse myself in the journey at times. I found myself feeling I was watching a caricature of a 70s movie now and again, as opposed to be engrossed in a gritty noir-esque adventure.

But all in all, an enjoyable film which has left an impression. I always appreciate watching unpolished characters navigating circumstances plotted outside their usual courses, then watching how they deal with the inevitable implosion. From what I've read since, the film was one which perhaps accurately portrayed the director's life at the time of filming; dealing with various booze-infused demons. That rawness definitely shows, as does the inevitable imperfections in this movie's execution.

7.5/10

Since we're fast approaching the second half of the year, I think it's a good time to look back on the first half, to the movies that came out this year and to share our favorites. I'm giving my favorite 10 (though in no particular order) but if more or fewer stood out to you and you want to share all of them, feel free! Blockbusters, indies, comedies, dramas, whatever stands out to you from 2019 so far. Don't feel pressured to write anything but the title or a basic synopsis if you don't want to.

• Apollo 11: Okay, I know I said this list isn't in order, but this one is definitely #1. It's history in motion, and its images and editing will surely be seared into my mind as the way I think of the Apollo launch.
• An Elephant Sitting Still: Technically came out in 2018 in some regions, but has a 2019 release in my country, which is the order I'm organizing this list in. A beautiful and heartbreaking journey into universal pain and suffering and catharsis in the tiniest things. At nearly 4 hours and with an oppressively melancholy tone, I struggle to recommend it to everyone and anyone, but if the description interests you, definitely give it a look.
• The Farewell: Hilarious and sad, often in the same moment. My love of this may well have been colored by my experiences as an immigrant under very similar circumstances as its main character, but it's an interesting look at differing cultural philosophies of the worth of the individual on their own versus their relation to society.
• The Last Black Man in San Francisco: A layered critique of gentrification and the personal individual obsessions that keep us from truly seeing it and other issues in our world as they happen. It's filled to the brim with things to say, sometimes to a detriment, and some of the screentime spent just showing the sad beauty of San Francisco could've been used to further flesh out some of its ideas, but I still found it extremely compelling all the way through.
• John Wick: Chapter 3- Parabellum: I think the John Wick movies get a little more bloat on them every entry(much like their titles, actually), but the action only seems to get slicker. I still like the balance of the world, character work, and action in Chapter 2 the best, but while I think 3 drags itself down into its lore a bit too much, its setpieces are still top of the line. I find Keanu endlessly killing people left and right to be incredibly cathartic. Should probably talk to someone about that.
• Burial of Kojo: This doesn't say "Netflix original" on it, but it does seem to be distributed by them in all the countries I checked, so I don't know what's happening there. Regardless, there's a good chance you'll find this on Netflix in your country. I'm willing to admit this movie is heavily, deeply flawed. It overtelegraphs many of its plot points repeatedly, for one. But I also think it is filled with a gorgeous charm. It's light fantasy and grounded fairy tale feels half Tarsem and half Guillermo del Toro, and I was captivated from beginning to end.
• Booksmart: I find the new crop of female led high school movies (Booksmart, Edge of Seventeen, Eighth Grade) to be far more relatable and interesting than the dozens of high school movies of decades prior. It feels like the hands of the filmmakers is more on the pulse of the struggles of modern kids. Booksmart is very much a heightened comedy compared to the other examples I mentioned, but it is great at it. It's hilarious, even if there's one scene in particular that goes on forever. The comparisons to Superbad are mostly warranted, and I still lie awake at night, sad at the fact that I saw this opening night and the theater was mostly empty.
• Dear Ex: The Netflix revolution of every indie movie ending up on streaming services and leaving the theaters to the blockbusters isn't quite happening at the speed originally anticipated, but it definitely seems like more and more of my favorites of the year end up being a streaming original. Dear Ex is a Netflix film about different people grappling with the loss of one man, and it shows the power of the individual to connect the lives of the people they love, and of the many tools we employ to try to get over losses in our lives.
• High Flying Bird: Yet another Netflix movie. Steven Soderbergh is one of the people who can make a bearable heist movie in this day and age imo, and he lends that gift to this to make a movie where the heist isn't money or jewels, but the basic rights of human beings being trampled on by a system that creates middle men to suck up money, leaving the real workers with pennies. It's shot on an iPhone, and there are moments where that seems like a limitation, but honestly, a lot of it looks really impressive.
• Ash is Purest White: This is Jia Zhangke well within his comfort zone, looking at the strain put on human relationships by the passage of time and the everchanging effects of globalization and shifting national landscapes. The World(2004) (aka Shijie) is still my favorite of his, and it is definitely an idea he's explored before, but his ideas and commentary on it have never failed me to keep me enthralled all the same.

I have a list of all the 2019 movies I see that I consider "good" here (29 films at the time of writing this) if anyone wants to take a look at all of them.