I invite You to read and discuss, and if You have Your own "twisted gods", feel free to share!

In RPG and fantasy, we are often faced with a situation where the existence of gods is an empirically confirmed fact, rather than a matter of belief. Two extremes can be distinguished in the representation of these entities (note – I do not claim that all creation adopts one of these two extreme points of view). On the one hand – the trend adapted by e.g. most of the settings for D&D – gods are personification of certain values professed by people, not infrequently they are even „born” from the faith of mortals or at least derive power from it/are shaped by it – gods described as „good” are simply good in the conventional sense of the word, they sincerely care about their followers and you know what to expect from them. On the other side, we have motifs that can be considered taken from Lovecraft’s Cthulhu mythology – the gods are incomprehensible, distant beings, completely unconcerned with human worldviews and so-called „good and evil”, mostly indifferent to humanity (and if by chance their paths intersect with humanit’s ones, humanity is screwed) – at the same time, it is not uncommon for most mortals to be unaware of their existence, instead worshipping imaginary, more anthropomorphic deities tailored to their emotional needs.

In this article, I wanted to present deities standing somewhere in the middle – entities whose goals, yes, are not fully understood by mortals, but nevertheless close enough to human morality that worshippers can find some commonality (real or imaginary) with their patrons. These gods are usually directly interested in some way in the lives of their worshipers – although not necessarily in the way those worshipers would like. At the same time, I wanted each description to contain a hook, an important point where the devotees’ understanding of the deity diverges from its real nature – and whose discovery could be a significant twist.

1. Mother of Peace

The Religion of the Mother of Peace, or the Cult of Harmony, is a strictly pacifist religion. Strictly and absolutely. No violence is allowed, ever, anywhere, in any situation. If you see a psychopath murdering children with an axe, you have no right to use force to prevent him from doing so. You cannot stun him, disarm him, knock him over, or even grab his arm. At most, you can ask him to stop, try to distract him, or stand up to the blow to give the children a chance to escape. Why do people follow such religion? First, the philosophy appeals to some – in the real world, Gandhi said something like „applying the eye-for-an-eye principle will make everyone blind.” – Followers of Harmony believe that violence begets violence, while peace begets peace. If they consistently turn the other cheek and don’t resist evil, they will stop winding up the spiral of violence and constant revenge and eventually evil will disappear naturally. Second – following the path of Harmony brings concrete benefits. Holy priests, who have long been non-violent, receive healing powers from the Mother of Peace – but they only work on other followers, so the policy of „I do violence, and the pacifist priest of Harmony heals me” is impossible. To use healing, you need to sincerely renounce violence – which, on the one hand, reduces your chances of survival in an encounter with hostile beings, on the other – if you come out of it alive, all your wounds will be healed, plus you gain protection from natural diseases and other threats. Third – the priests of Harmony preach that those who live and die, observing the principle of non-violence, will be taken into the bosom of the Mother of Peace after death, who will give them happiness incomparable to earthly suffering – so it is „profitable” to trade your life in exchange for heavenly pleasures.

The religion of the Mother of Peace may be perceived differently in society. It is possible that the authorities are avtively against it – it makes the subjects unwilling to fight, which reflects on the combat power of the state. Or perhaps they support it, seeing it as a tool to pacify potential rebels? Ordinary people may regard the Children of Peace as annoying lunatics – or treat them with deep respect. Even if healing powers may not work on „infidels,” after all, the Children may be able to help them in other ways – such as using conventional medicine (while remarking „Join us and you’ll see real miracles!”).

Well, what is the catch? Yes, the Mother of Peace actually exists. But her goal is by no means to create a utopia where people can live in happiness and peace. Her goal is to weaken the population of a given world/planet/country. When a sufficient portion of the population is transformed into followers of Harmony, for whom the use of violence – even for defense – is unthinkable, and even if it were thinkable, they would became too weak to use it, the time for reaping comes. The True Children of the Mother, hordes of bloodthirsty, voracious creatures, come out to prey and consume the pacified people. The devoured people continue to make prayers to the Mother, who continues to appear from time to time, assuring her followers that this is the final test and whoever perseveres without putting up a fight against the monstrous invaders will be saved.

During the course of the game, players may encounter followers of Harmony. It would be good for the GM to present them as something more than detached hippies, to make the players start to wonder if they are right. Maybe they’ll come across a reformed bad guy – e.g., a psychopathic follower of the god of murder who massacred a village of Harmonious heretics, but their indomitable will and serenity in the face of death made him convert and join them? Or more life-like – a husband who stopped beating his wife and children and is now an exemplary head of the family? Players can act as defenders of persecuted Harmonists (although this will involve some ambiguity – „Harmonists are decent people, but without people like us, who are not afraid to get their hands dirty, thay would survive”). They can have discussions with the priests about the legitimacy of pacifism. Maybe one of the player characters will start thinking about becoming a Harmonist after his career as an adventurer ends? The more sympathetic players become to the cult of Harmony, the more shocked they will be to discover indications that the Mother of Peace may be a much darker entity than it appears. At first, they may trivialize rumors like „Harmonists are actually a fifth column preparing the world for an invasion by dark forces!” as typical denigration of the new religion by the old clerical establishment. But as time goes by, the evidence will become stronger and stronger… Until finally there will be an invasion of the True Children that the players will have to face. Or maybe they will have the chance to prevent it, and will face the dilemma „Whether to believe the critics of the Harmonists and obstruct the great ritual, which, according to the Harmonists, is supposed to help bring universal happiness, but in fact open the gates of the dark dimensions…. Given that in order to do so, we will have to massacre a crowd of unarmed civilians, including women and children?”

The Mother of Peace is portrayed by her followers as a goddess with, one can easily guess, maternal qualities. Perhaps even as a pregnant woman? This is a play on the ambiguous nature of this entity – the presumed spiritual mother-protector of the followers of Harmony, and the actual fecundator of the swarm that will consume them. Players may come across disturbing references to „the coming of the True Mother’s Children” in sermons and hymns – priests may (sincerely or not) explain that it’s such a metaphor, that it’s about the era when people truly dedicated to peace will come.

2. Enemy of Superstition, Destroyer of Magic, Defender of Normalcy

There are many arguments that are made against magic. It is source of obscurantism, superstition and charlatanism, a way to fool people. It violates the natural order of things. It is the work of demons, leading to possession or by destroying the veil of the worlds to demonic invasion. It is the theft of the power due to the gods, a manifestation of human pride. It distracts people from giving honor due to these gods. It brings madness, sucks the life out of the environment, causes the risk of explosions or other side effects. Leads to inequality, as mages can exalt themselves over ordinary people. Or something.

Depending on the setting, each of these accusations may or may not be true. But that doesn’t stop the Defender cult from preaching them. Inquisitors and witch hunters roam the world, collecting magical artifacts, books and even arresting anyone who manifests magical talents. No, they don’t burn them at the stake. All items and people associated with magic go to the Bottomless Wells located in temples – supposedly the only way to effectively annihilate them. Importantly, the hunters are ordered to take mages alive if possible and throw them into the wells – supposedly a mage eliminated in the wrong way turns into a wraith, or something like that. Inquisitors are aided in this work by the magic-blocking powers provided by the Defender.

Witch hunters can be treated by the people as terrifying villains – or as heroes. The reason for the latter attitude is not necessarily solely propaganda and „fear of otherness.” It is possible that the land has actually suffered a lot at the hands of mages – perhaps it has just liberated itself from the rule of an evil sorcerer and his disciples, or it is fighting a fierce battle against a nation that uses magic in a fierce way. It would be worthwhile for players to see some of the negative effects of magic use with their own eyes, so that at the very least they would develop doubts about whether the Defender’s followers are wrong.

What is the truth? It’s easy to guess that the Defender is not concerned with defending the innocent from witchcraft. But neither is he driven by any other selfish yet high-minded motivations along the lines of „magic takes the glory away from the gods.” The truth is that for the „Defender,” magic is just darn tasty. Bottomless Wells are portals leading directly to his insatiable maw. It’s possible that the founder of the Inquisition managed by some miracle to communicate with this entity and make a pact „I will provide you with food, you will lend me and my disciples your anti-magic powers, which you use to safely digest objects radiating magic – and we will use them to incapacitate mages.”

What will happen when the players reveal the truth about the Defender? Maybe the inquisitors will be furious that their holy crusade turned out to be nothing more than feeding an inter-dimensional monster, they will turn their backs on their god, to which he will react with rage (not because of his violated dignity or some other irrelevant value, but because of the vision of being cut off from a steady supply of grub), through one of the wells he will enter the world and the players, along with the inquisitors, will have to face him? Or maybe the inquisitors will react with a shrug of the shoulders and the statement „So what if the Defender is not a noble god, but a voracious monster. Magic is still a threat, and he is the best means to eliminate it.” Perhaps, using the method of the cobbler Skuba (Polish legend), players will toss a special object emanating „toxic”‚ magic into one of the Wells, which will poison the Defender?

3. Truthsayer

God of the truth, the whole truth and nothing but the truth. People swear by his name. He is also worshipped as the god of justice and knowledge, so judges and scholars worship him. Lying brings his curse.

The Truthsayer doesn’t lie about himself – in fact, he wouldn’t be able to even if he wanted to (and he definitely doesn’t want to). The problem is that the people themselves have sung too much about him. As I pointed out above – he is the god of truth and ONLY truth. Justice does not matter to him, it is a totally foreign concept to him…. If he helps the investigators uncover the machinations of the villains, it is only so that the truth will come out, but he does not care whether the result will be the administration of justice. He might as well help the villains discover the heroes’ forays and subterfuges. As for acquiring knowledge – yes, he assists scholars in their research, in order to reveal the truth. However, if a scholar spins unsubstantiated speculations and hypotheses (which happen to be contrary to the truth), even in good faith – he draws the wrath of the Truthsayer. Simply put, untruths make the Truthsayer suffer. This applies to any untruth. Also fantasy. If the Truthsayer’s followers perform a ritual to increase his presence in the material world, they will bring a terrible calamity. From now on, the curse will fall on actors and poets, on anyone who utters a harmless lie like „You don’t look fat in that clothes,” „I’m not mad at you,” or „I’m on my way out,” as well as anyone who uses deception (no, the Truthsayer doesn’t care about the nobility of the cause – if you put on camouflage to sneak under the headquarters of the bad guys and rescue their innocent hostages, you are a hideous LIAR and deserve to be punished). Bah, people in ordinary conversations must be careful not to use metaphors and phraseological compounds. A Truthsayer may even go so far as to seek to eliminate words like „nice,” „tasty” or „good” – after all, they are subjective, and what is not objective truth, is a LIE.

Good player characters can help prepare a ritual to summon the avatar of the Truthsayer – after all, „God of Truth” sounds like a decidedly good dude, right? At some stage, they may realize that the world of absolute truth will be something terrible (maybe some conversation with a philosopher?) and try to torpedo the ritual. Maybe they will be able to accomplish this in advance… Or maybe the avatar will already begin to pass into our world? Then they will succeed in playing him off by pointing out the paradox – people summoned him because they believed he was the avatar of goodness, justice and knowledge – if he exploits this ignorance of theirs, he will benefit from lying, and this would be unacceptable. Or a character with an exceptionally high bluffing skill or the like might try to spew a tale so full of lies and absurdities that the avatar of Truth will go berserk just from listening – but a half-hearted success will only enrage him!

For the Truthsayer, as an antithesis, I would see a god of lies and fantasy – not the typical sinister „Prince of Lies” in the style of the Christian Satan, or some malicious trickster, but a deity whose motto is „Such is the world! A wicked world! Why is there no other world?” (B. Lesmian) or „Be guided in life by such foma (harmless lying) as will give you courage, goodness, health and happiness” (K. Vonnegut), who lies not for some selfish purposes, but because he firmly believes that lying IS GOOD. The real world is cruel and unfair, lying helps to endure it and achieve at least a little happiness – through escapist fantasies, small daily lies „From tomorrow I will take charge of myself and achieve something!” „You look nice”, „Don’t worry, you’re not a failure at all” through big lies like „Good is always rewarded and evil is punished”. In this arrangement, both the god of lies and the god of truth would be morally neutral in practice (both can assist followers in certain situations, but at the same time pose a danger – the god of truth mercilessly punishes anything that is not the absolute truth, the god of lies can entangle you in a web of delusion) – but in theory, it is the liar who is driven by more altruistic motivations and loves mortals.

4. Prince of Blades, Lord of Sharp Angles and Edges

Centuries ago, the Prince of Blades was worshipped as a deity of war, or even slaughter. Legends say that he made the claws of his worshippers – and even their teeth and nails – exceptionally sharp and dangerous to enemies. And the legend is true – albeit the Prince was never a god of war. He is the personification – or perhaps the source? – of all sharpness. He doesn’t care about crippling anyone, although that’s mostly a side effect, he just wants things to be sharp. Or rather – in passing, by his very existence, he makes them so?

Let’s say there is a place where strange phenomena occur. Babies are born with long and exceptionally sharp claws and fangs. Swords and axes made by local blacksmiths are famous for their exceptional sharpness (maybe the player characters just came here to get their hands on them?). Why go. There is a temple of the Prince underground, and its influence radiates to the surface. Cultists come to the town to unearth it – they believe in the Prince in his aspect of the god of war and believe that this will help them triumph over their enemies. When they realize their goal, they are met with a surprise. The cultists are transformed into living avatars of sharpness. Invisible blades cut them so as to eliminate all contortions (a head clipped to a cube is not a pleasant sight), their hands turn into scythes, and in their brains all thought of their own is replaced by a single imperative – cut! What’s more, the Prince’s influence is more and more visible in the neighborhood – everything becomes sharper. The most visible effect from a mechanical point of view is that all weapons (edged weapons to a slightly lesser extent, but also) deal more damage. But as the influence increases, even rubbing clothes against skin starts to be painful, then every touch hurts, until finally the very movements of air cut the skin. If players don’t close the temple, the effects can be really nasty. It is possible that earlier players encountered a strange artifact – a sponge ball. If they didn’t get rid of it, it will turn out to be a „statue” of Our Soft and Oblique Lady, the opposite of the Prince, which what him will mitigate the effects of opening the temple. The battle will take place not between good and evil, order and chaos, or other abstract constructs, but between Sharpness and Softness.

5. Mistress of Natural Instinct

A goddess of wildlife, her followers preach the need to return to a life in harmony with nature and reject the defiling influence of civilization. Oh, it would seem – another „mother Gaia” with a pseudo-ecological cult. The thing is, the Lady is not at all measured by the fact that people are poisoning rivers and cutting down forests, as her followers believe. What she doesn’t like is that they are rational. Reason, consciousness, morality, are evolutionary dead ends. They only multiply pain and suffering. Do animals – much less plants – waste time and resources on some foolishness like art? Do they risk their lives and the lives of others for abstracts like honor? Do they suffer from offended dignity, boredom or lack of meaning in life? People simply combine too much to be happy. The return to nature is not primarily about rejecting technology (although that will probably be a side effect of it), but liberating people from the unnecessary baggage of excess thoughts. Let them become like animals – free, innocent and amoral. This is the purpose of the Lady, which is not grasped (possibly except by the high priests) by her followers. Yes, during ecstatic rituals some of them fall into a trance, during which they walk on all fours, howl and growl. And the priests are able to bring this trance on their enemies… But are the followers ready to accept the truth that, according to the will of their mistress, this is how life should be, forever?

Rest of the book is avalaible here, for free: https://adeptus7.itch.io/twisted-gods

The one-off series 'Good Omens' from 2019 is getting a follow-up!

Here's the trailer for Season 2, which is being released on Amazon Prime later this month.

I only know this as a one-off novel, and a series based on that novel. I didn't expect any form of follow-up.

However, Neil Gaiman, who is listed as an executive producer and the show-runner for this new season, has supposedly said in the past that he and Terry Pratchett discussed a possible sequel to the novel (although Pratchett gave up on the idea when Gaiman moved to the USA). Maybe Gaiman is going to use ideas from that unwritten sequel for this second series.

Spoiler warning for Dawnshard and previous Stormlight Archive books (Way of Kings, Words of Radiance, Edgedancer, & Oathbringer).

I'd seen mentions of the sleepless and Dawnshards when browsing the Arcanum and so was primarily hoping to learn more about these in this book. But in a short period of time I was surprised with how attached I grew to Rysn! In particular at the end of the book when the captain appreciates Rysn's role as Rebsk and allow here to steer the ship (showing their trust) for a few minutes, I let out an audible cheer. (Also when I noticed that she gained perfect pitch and perfect color recognition) Rysn and Vstim's interludes in the previous stormlight books were some of my favourite interludes and I'm so glad that we got to see more of them here.

The other thing I was surprised by was the set up for the two Winderunners swearing their third ideal here. Lopen says quite clearly that the third ideal is saying that you will protect even those you hate. And then a few chapters later we see Huio swear the third ideal in order to protect Lopen. I honestly thought this was just going to be played off as a joke since they have a fair bit of banter early in the book. But I was heart warmed to see that realisation that Lopen has that his jokes and teasing hurt people, and him swearing his own version of the ideal to protect other people from himself. It reminded me of some of the similar (but not same) character development moments we get with Wayne in Mistborn.

I'd love to hear what other people who read this book thought about it as well. Once I can get my hands on Yumi and the Nightmare Painter in paperback form, I hope to discuss that too with all you Cosmerenauts!

Edgedancer (a stormlight archives novella) came out a few years ago, but since there's little Cosmere discussion in Tildes and I just finished reading it a few days ago, I figured it would be worth posting my thoughts on this. The only book of relevance to this which I haven't read is Dawnshard, so please mark any discussion about that with spoilers.

I've seen a lot of complaints about Lift on reddit, and I can see where people are coming from. But I always liked the way Lift think and is written. I feel like Lift's stories would make great bed time stories because of how sweetly they end. In the first interlude where Lift appears, the people of Azir are having trouble picking a "king" because they keep getting assassinated. Lift's involvement solves this problem that we're introduced to at the start of the story. And now in Edgedancer, Nalan is still hunting down budding Radiants because he doesn't believe that the Everstorm has really come back. But at the end of the story Lift swears the third ideal "I will listen to those who have been ignored" and shows Nalan the truth. Which feels like a very fairy tale ending, compared to them getting involved in some epic battle. I honestly expected Szeth to intervene and team up with Lift against Nalan.

The moment at the end where she hugs Nalan to comfort him as he's crying was touching. It got me crying! I didn't expect to feel any sympathy for Nalan, but at the end it feels like a fog is lifting off of him and he's been in a haze this whole time. Which I suppose is true of all the Heralds at this point.

I kept trying to guess who the Radiant in Yeddaw was. Of course it had to be a minor character that we've already seen. So I was thinking it would be that guard we met earlier, since they mentioned trading to get some spheres with stormlight so that she can read. I thought this was a lie, with the real reason being using the stormlight to practice some surgebinding. The other candidate was the old man, but that turned out to be a very interesting misdirect that I'm hoping to learn more about in Dawnshard. (The actual radiant was the woman at the orphanage)

The description of the city of Yeddaw was very interesting and new. I wish there was more art to go along with the descriptions, but I feel like I don't really understand the layout of the city. I feel like it would be dark all the time (except noon) if it was carved into the ground like I imagined. Also I wonder if there's more to the story than it just being created with loaned out shardblades. We know that the total number of shardblades in Roshar is very small. Even assuming something like 5 shardblades that were loaned out, how is it possible to create a whole city with that in a reasonable amount of time. Feels like it would take many decades.

Been reading a lot of Malazan BotF and while I love it, I'm looking for something breezier to read for a bit. Preferably something with under 5 PoV characters, 150-300 pages, a mostly linear plot and that doesn't take 100+ pages just to get my bearings on the world. If it's got humor or a bit of mystery too it, all the better.

Edit: Some context if you're unfamiliar with mistborn: A bend alloy misting (slider) can create a bubble where time moves faster. A cadmium misting (pulser) can create a bubble where time moves slower. These bubbles can't be moved, unless they're on an object of significant mass that is already moving, like a train. The civilisation in The Lost Metal is roughly in the industrial age.

I was reading "The Lost Metal" and the newspaper ad after chapter 2 mentions hiring bend alloy mistings for a fast food restaurant. And I was thinking of more commercially profitable uses. Because fast food, wouldn't (I think) have sufficient margin to support consumption of bend alloy which is supposed to be expensive. So here are some ideas I had:

• One idea I had was a CEO using a bend alloy misting to give them more hours in a day. Time for CEOs is already at a premium so giving them more I think would be economically worth it, but I don't know if they have anyone comparable to that in mistborn era 2.
• I also think this would work for lawyers. I'm not sure how much a lawyer in Elendel gets paid but we do know they exist. In the real world sometimes lawyer bill for more than 24 hours a day (illegally)! But imagine if a lawyer could do that legitimately now. Maybe even 48 hours in a day!
• An idea I had for cadmium mistings was to speed up travel. Maybe for rich people you could use a slider to get up time so that their train journey appears to them to go by really fast. But that might be counteracted by their circadian rhythm getting messed up.

The following links contain some discussion on the usage of bend alloy and cadmium for commercial uses.
https://www.reddit.com/r/Cosmere/comments/ajdsjh/practical_usage_of_powers/

Some ideas mentioned there include using a slider in the waiting room of a hospital, or to preserve food, or to reduce the amount of food needed to support a siege, or to reduce the amount of supplies needed for Interstellar travel.

What are some other ideas you have for how a pulser or slider could be used during that time period in a profitable manner?
If you find other discussion online about these powers, please link them here.

I'm currently reading The Priory of the Orange Tree, and really enjoying it, but I've got to confess I'm a bit disappointed by how predictable the world is. There's an obvious pseudo-medieval European culture, a vaguely Eastern culture of respect and honour, a wise Southern Arabic-flavoured culture, and so on.

It's making me long for some fantasy that feels genuinely different - as far away as possible from this vision of monotheistic courts, swordsman's honour and mysterious wisdom from far away. Something that feels refreshing in trying to portray a world that I have never seen before.

I recently read C.T. Rwizi's Scarlet Odyssey series, and while that definitely involves analogues to a lot of our cultures, it was told from an African perspective, which was very refreshing. So I'd welcome suggestions for fantasy books that approach the typical enemies from a perspective that I don't often see as an English-speaking European reader. But is there much in the way of fantasy that truly tries to explore places and people that are completely out there and away from any of our experiences?

Hey folks! I’m looking for some audiobook ideas (preferably fantasy and science-fiction). I want them to have a TV series or Movie about them though I could watch before listening to them.

All ideas welcome!

Edit: I love the films too, but I'm really looking for examples in the text, even if the adaptation does the scene justice, I'm interested in how Tolkien himself wrote it.

I'm on a bit of a JRR Tolkien kick recently and revisiting some of my favorite bits from the books. One thing I really appreciate about Tolkien's writing is the outright poetry of some of the paragraphs and lines. I think the only "wordsmith" who appeals this much to me is Cormac McCarthy (and to some extent GRR Martin) -- but for very different reasons. Anyways, I'll share my favorite section from the Legendarium.

Théoden's charge at Minas Tirith - The Return of the King

To set the stage, the Rohirrim have navigated to Minas Tirith and are greeted by a dying besieged city steeped in darkess and fire. Upon seeing this, we get this line about Théoden:

But the king sat upon Snowmane, motionless, gazing upon the agony of Minas Tirith, as if stricken suddenly by anguish, or by dread. He seemed to shrink down, cowed by age.

Merry utterly loses hope at seeing the city and the reaction of the king. Then as all hope seems lost, we get one of the best sections in the whole trilogy:

At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before:

Arise, arise, Riders of Théoden!
Fell deeds awake: fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!

With that he seized a great horn from Guthláf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains.

Ride now, ride now! Ride to Gondor!

Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Éomer rode there, the white horsetail on his helm floating in his speed, and the front of the first éored roared like a breaker foaming to the shore, but Théoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Oromë the Great in the battle of the Valar when the world was young. His golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.

This might be my favorite bit in all of LOTR because we see good king Théoden shed all his fears and doubts and actualize into the man he was meant to be. And to be compared to the Valar Oromë to boot! Wow. I am also a total sucker for any moment in the trilogy when a deed or character gets compared to events or characters of the First Age. Anytime that happens, you know it's a big deal since the First Age was so much "larger than life" than the events of the Third Age. Tolkien does a similar thing when Sam faces off Shelob noting that not even Túrin or Beren with any craft of the elves could have injured her -- yet Sam stood his ground, nonetheless.

I am not a Tolkien scholar, but I know Tolkien was incredibly steeped in medieval and ancient literature (I mean, he was a Professor of English literature) so I know his heart was really in old mythologies in Germanic or Norse traditions (for example Túrin Turambar's story is directly inspired by the Finnish tale of Kullervo, or how almost word-for-word bits of The Wanderer poem end up in Rohan's culture and song). Because of his Christian faith though, I suspect he had qualms with the often-brutal mortality of those tales and the cultures which produced them. This section with Théoden charging bravely against hopelessness and despair I think represents the "merger" of all the positive qualities he found in heroes like Beowulf with his more temperate worldview. It's an idealization of the heroic good-pagan Germanic king.

I wish there was a more concise way to phrase that question. I've asked it a couple times and always get some interesting answers.

This is inspired by all the "isekai" stories in anime and manga where a hero is summoned to help fight the demon king, along with the LitRPG genre. They use game-like interfaces to track stats and skills. Not just the typical combat ones like magic or weapons, but mundane skills like cooking, cleaning, walking, resting, drawing, lying, etc. Naturally, higher level skills tend to surpass basic physical limitations found on Earth. You could run faster than a train if your speed is high enough, or sculpt an exact replica of Michaelangelo's David in just a few days with a sculpting skill.

So imagine you got summoned to such a world and went through the whole "defeat the demon king" quest, and could choose one skill to take back to Earth. This includes anything from some specific magic ability like weather control and invisibility, to trained skills like archery and blacksmithing, to even basic stats like strength and stealth. Anything is fair game, but you can pick only one.

So, what skill would you choose and why?

Reddit refugee here, I've been posting my book reviews on /r/Fantasy for years and figured some of you all would be interested in a best of list. My full list of all book reviews can be found here, but most of the links are broken right now because the Fantasy subreddit is still private. Still, perhaps the titles, authors and keywords are helpful.

What I enjoy

A brief list of things I care about in books, to help you jugde whether your taste overlaps:

• a good balance of romance and plot, where there is prominent romance but never feels like the story is just about that
• quality prose and dialogue
• believable relationship development, including romantic tension and explicit payoff for it
• high stakes drama, be it interpersonal, warfare, duels, court politics or heists
• LBGTQ+ main characters and queer romance

Note that these aren't the only qualities of the books listed below, just generally what I look for. I'll also gladly take recommendations for fantasy books that fit these criteria if you have any!

Books

Kushiel's Legacy by Jacqueline Carey

A divinely blessed masochistic courtesan and spy uncovers conspiracies against the crown of fantasy France. This series is probably my absolute favorite for how it combines intrigue, romance, kink and action, all with excellent prose and characterization. It has deliciously horny worldbuilding and ends up telling an epic fantasy story with an incredibly unique protagonist.

Silver Under Nightfall by Rin Chupeco

A recent addition to my absolute favorites. The author described the book as "vampire couple finds himbo in the trash and takes him in". If you're not sold on that, imagine a vibe like Netflix Castlevania and The Witcher - vampire hunter who's highly competent but looked down upon, vampire science, undead threat, dark gothic kind of setting, sprinkled with some "who's the real monster actually?" philosophy.

A Dowry of Blood by S.T. Gibson

A Dowry of Blood is about healing from abusive relationships through murder. It's also walks an excellent line between being sexy and horrible. It tells the story of Dracula's "brides", and the beautifully messed up relationship the four of them have.

Note: this one can't be described as having a "romantic subplot", since that implies some sort of happy ending. You know, because of the murder. (that's not a spoiler, it's revealed on page one)

A Charm of Magpies by KJ Charles

A disgraced nobleman returns to England years after escaping his father and finds himself and his family estate haunted. He hires a magician - who happens to bear his family a grudge. The Magpie series is fast paced, highly entertaining, well written, and plays with some delicious power dynamics between its initially hostile and soon reluctantly mutually attracted main characters.

Folk of the Air by Holly Black

The only YA series on this list, Folk of the Air holds a special place in my heart for its delicious fairy court politicking and for not pulling its punches. The titular Cruel Prince is a wonderfully hateable love interest, and even though I feel a few years too old to properly enjoy this series, the stabby and vicious dynamics between the two leads is just wonderful.

Nightrunner by Lynn Flewelling

A young man gets innocently imprisoned and receives unexpected help from his cellmate: a spy, rogue, thief and nobleman. The latter offers him a way out and an apprenticeship, which leads to well... spying and thievery, but also sinister necromantic plots against the throne. The highlight of this series is the ongoing relationship development between its leads. Book 1-2 are fantastic, book 4-5 are really weird, but the whole series remains a favorite despite some strange choices.

Rook & Rose by M.a. Carrick

A skilled con artist, a masked vigilante that challenges aristocrats to duels, and a dashing crime lord turned nobleman. The Rook & Rose series shines in its rich worldbuilding and prose, but especially in its handling of its main characters' multiple secrets, cons and identities. And especially shines when those schemes start crumbling down and some of the secrets become unveiled.

If the third book in the trilogy sticks the landing later this year, this series will firmly establish itself among my all time favorites.

The Stariel Quartet by AJ Lancaster

Years after leaving her family, a young woman returns home for her father's funeral and soon needs to deal with a magical estate that has a mind of its own, and discover that there may be more magic in the world around her than she's realized. The Stariel series is cozy and home-y in many ways, but doesn't shy away from tension either, and I find myself still in love with the main characters even long after finishing the series. I also really enjoyed the spinoff, A Rake of His Own recently!

Harrow Faire by Kathryn Ann Kingsley

Most of the books on here are fantasy with romance, while this one sits more firmly in the capital R Romance genre. But it is dark romance ("villain gets the girl"), and features an absolutely unhinged love interest, a lot of murder, and an evil circus. The series isn't without flaws (some of the side characters get a bit too much page for
how flat they are, and the pacing is a tiny bit uneven in parts), but I blasted through all five (short) books in a week because I had so much fun with it.

The Last Binding by Freya Marske

This series takes place in an early 20th century England where a secret magical society exists in parallel to the world 'as we know it'. There's even a bit of magical British bureaucracy that reminded me of aspects of the Harry Potter books, though the series have little in common otherwise.
Every book in this trilogy follows the same overarching plot, but features a different pairing of main characters and romantic leads. It's queer, fun and fast-paced, though sometimes a bit on the fluffy and romancey side for my taste.

That's just a brief selection of favorites, I highly recommend heading over to the reddit post (I should back that up at some point with Reddit's future being a bit shaky rn) to find more titles.

Thank you for reading! There's lots more to say on each of theses books of course, but I didn't want this to get way too long.
Let me know if you found this interesting, if you have similar books you'd recommend to me, or just share if you also enjoyed any of these books. This is my first post on Tildes and I'm happy to meet new fellow readers :)

Just finished this book this morning and wanted to do my usual jump to reddit to read what others have said/are saying about it. But as I have decided to leave reddit indefinitely, I have come here!

Have you read this book? What did you think of it? Any Cosmerenauts on Tilde yet that are anxious to discuss the implications of the book?

Personally, I enjoyed the book, but found it very quick and convenient in terms of plot and structure. It bothered me a tiny bit, at first, until I read the postscript and saw that he was going for a "Princess Bride" structure, and suddenly the whole book reframed itself in my mind. It wasn't convenient, it was a bedtime story. Every chapter being 3-5 pages, and being a non-stop string of events, that was its strength now.

From a cosmere perspective, it's interesting that this book is obviously very late future compared to most cosmere books. I'm not wise enough to know exactly where, but the mention of Spaceships landing on planets indicate we're not in Kansas any more.

Few small glimpses into Hoid, which was interesting, if nothing revelatory.

How did you all feel?