I've been thinking, and it seems like most genres are a love/hate thing (metal and punk are highly controversial for example, they have super hardcore fans but are largely disliked by the majority of people, pop is the opposite, most people like it but there's a very vocal minority that absolutely deplores it and wants to watch it burn, electronic music as a whole also tends to gather mixed reception, etc), but out of all music I pretty much never see any dislike aimed at r&b, funk, soul and jazz (except for smooth jazz, although a lot of people don't consider it actual jazz).

Is there some truth behind this? I personally don't like these genres (and neither do the people around me) and I've always had the feeling we were pretty alone in that sense.

While the latest hype-trains and the guaranteed oldies give me a reading list a few thousand books long, I like to read things which are left by the wayside. This list here is a good example. The author gives a list of genre classics. Books which aren't good enough to make the top 1000 books of all time, but are classics in their own genre and influenced a lot of future authors. The Princess and the Goblin is a good example. Everyone interested in Tolkien and the Inklings has read it, as well as those who like modern fairy tales, but it doesn't crop up much in recommendations lists. These are books which aren't quite as commonly discussed, but still good and important for people interested in the genre.

So, if you have a favorite genre or sub-genre I would love to read your 'genre classics' list, with maybe a sentence about why I should enjoy it. Not quite as comprehensive as a class on books, more than a bullet point.

Edit:
I just realized I didn't change the title. By the 'gap', I originally meant the gap between the books everyone suggests from the past and the mountain of dredged pulp you find in libraries and bookstores: books which are worth still reading, even if they aren't one of the 'Classics'. More like underrated recommendations.

This submission showed up on /r/listentothis a couple of weeks ago. I'm reposting it here because it is the finest and most on-point collection of music I have ever encountered. The original post from /u/theamazingsounds is included below.

Hello again fellow music enthusiasts!

1 year ago, I made a post about my ongoing project to create a collection with as many genres as possible, aiming to give listeners a convenient way to discover new music. It got many interested and since then more than 50 genres have been added, as well as descriptions for every genre.

I'm making this post to thank those following already, and am once again open for suggestions and ideas. I also made a subreddit called r/TheAmazingSounds where you can post about music that you want to share with others. It is currently empty but I will try to keep it active and reply often.

You can find everything on Spotify. It is synced with other services but doesn't convert all songs.

Spotify | Deezer | Soundcloud | YouTube

I've just finished The Sirens of Titan from 1959 (after seeing it recommended here, actually) and something struck me compared to more recent books. A lot of the more technical stuff is kind of hand-waved away. It's not a criticism, just something that stuck out as I was reading. Is this a trend? Do readers demand more details these days? I've read a bunch of sci fi from the 60s until the present day, but I've only really gotten back into it more recently with Sirens.

Perhaps I've read too much Neal Stephenson, who has likely never hand-waved anything away! The Martian also springs to mind, but that's very deliberately focused on the details and keeping it realistic, IIRC.

start rant

First, my personal definition of the term: melodrama is a narrative that appeals to our stronger emotions in a lengthy, recurrent, unjustified and exaggerated fashion. Unlike drama, which plays to your sentiments in a more contained and psychologically realistic manner, melodrama overwhelms us with every trick in the book to elicit a powerful emotional reaction by any means necessary.

You can tell from my phrasing that I'm not a fan of the genre, but that's beside the point. Melodrama has its place: operas and soap-operas wouldn't exist without it, and, in moderation, it's a practical way to inject emotion in plots that would be otherwise hermetic and dry.

But even sweetness in excess will make you vomit, and many interesting productions exaggerate it to the point of nausea. Arrival is awesome, but did Amy Adams character (which was basically one the smartest persons on Earth) really need to spend so much time as a freaking wife? We had the coolest movie aliens in the last 20 years, did she really need to marry a boring physicist? And what about the whole parenting conundrum in Interstellar? You're in fucking space, I couldn't care less about your failings as a father! No one could save 1998s Armageddon, but the struggle to explode the giant asteroid heading towards the Earth was way more interesting than Liv Tyler saying goodbye to Bruce Willis over some corny Aerosmith song. The TV show The Killing was particularly annoying... what would prefer, awesome investigation scenes with constant new developments or 30 versions of "look how the same family is grieving in a slightly different way"?

But credit where credit is due: some moviemakers know a thing or two about concision. So my props to Fernando Meirelles (City of God), José Padilha (Elite Squad), Alfred Hitchcock, David Fincher, Sidney Lumet, Martin Scorsese, Chad Stahelski (from John Wick!!!!) and many others. Thank you for not wasting my time!

EDIT1: And just make things perfectly clear: my issue is not with the presence of drama or melodrama, but with its amount...
EDIT2: to be even more clear: this does not mean that I wish for all movies to be sterile, dry or devoid of emotional content...
EDIT3: a lot of answers seem to ignore the differences between drama and melodrama, the previous edits and the nuance of the post. Ahh... what can I do? :P

end rant

I was wondering if anybody had any tips for muscling through a game. I've got a few games I want to play or go back to, such as Stardew Valley (I completed it before the 1.3 update, wanna play 1.4), and Factorio (I bought in a fit of passion, haven't gotten an hour in). There are others, but these are the two I find myself going "I'm going to play this!" and I just never get to, and it's not for time.

I like the concepts of these games, and I've got something like 135 hours on Stardew Valley, but seem to get bored after I've restarted it (I lost some key items and bugs caused me to never get them back, plus the mine completion bug fixed in 1.3). I started Slime Rancher after playing through it in early access, but can't seem to get back into it after it went gold a couple years ago.

I realize I'm sort of asking for a way to force myself to play games, but has anybody done this? I'm thinking for a given game I can set smaller goals to strive for, and work on doing that, but was wondering if anybody has any ideas.

A recent discussion got me thinking about how a lot of the standard genre descriptions for games are either opaque to the unfamiliar or seemingly incongruous with what they are describing. Almost any game can be described as a "role playing" game because you "play" the "role" of a given character. Adventure games often aren't very "adventurous" and often just mean that characters talk to each other instead of shoot each other. In survival games you survive; in racing games you race; in casual games you... well, usually match 3 but not always? Also why are we so focused on camera for some games (e.g. first-person shooter) but not for others (e.g. third-person sports)?

So, let's throw away everything we know about genres and start fresh. No baggage from gaming history; no widely understood conventions; no games that reference other games (e.g. "Souls-like"). Your goal is to make gaming genres as clear and accurate as possible, at the expense of convenience, tradition, and, in some cases, good taste.

Turn "roguelike" into "procedural death labyrinth". Turn "battle royale" into "shrinking-zone dead-is-dead killfest". Feel free to propose not just genre redefinitions but whole a whole taxonomy if you feel it's warranted. After all, some genres need a hierarchy of identifiers.

Be as formal or loose as you want, and the main purpose of this is to have fun, though if some great new terms happen to fall out of it you won't hear me complaining.

We have about a million films showing vampires, zombies, werewolves, and ghosts.

But despite rich folklore traditions we see very few films about other creatures. There is a handful of films dealing with leprechauns, pixies, trolls, fairies, witches, goblins, gnomes, etc. And that's just the western traditions. We have huge range of unexplored creatures from around the world. If I had to sit through yet another vampire film I'd rather it was based on adze traditions than Bram Stoker reinventions.

Why are there so many films that tread the same ground about vampires, zombies, and ghosts, and so few films about everything else?

I'm not necessarily asking for the scariest one you've played but for your personal favorite/best, based on whatever criteria you choose. Games that are more horror-lite/spooky still count as well, so feel free to consider and include those.

With regards to your pick: what made it so good? In what ways did its use of horror add to your experience?

Given that a lot of horror relies on surprise, subverting expectations, or the unknown, please give spoiler warnings if you plan to discuss important aspects/plot points that might ruin the game for others.

Hey there,

​

Someone suggested I add this here, hope you enjoy my collection of music. Been collecting/doing write ups about my favourite tracks since 2013 (~4.5k posts) and last year I started re-thinking how to organize music + putting together playlists on the major streaming platforms.

​

Chill Beats | lofi hip hop, chillhop & jazzhop

Spotify | Apple Music | SoundCloud | YouTube

​

Groovy Beats | instrumental hip hop, soul, funk & bossa nova

Spotify | Apple Music | SoundCloud | YouTube

​

Funky Flavors | electro funk, break beats, hip hop & electro soul

Spotify | Apple Music | SoundCloud

​

Soulful Hip Hop | hip hop, neo soul, jazz & r&b

Spotify | Apple Music | SoundCloud

​

Acoustic Escape | indie, acoustic, folk & folktronica

Spotify | Apple Music | SoundCloud

​

Dance Vibes | nu disco, electro, funky house, indie dance, french house

Spotify | Apple Music | SoundCloud

​

Ambient Space | downtempo, chillstep & trip hop beats

Spotify | Apple Music | SoundCloud

​

Bass Waves | future beats, future bass, electronic dance and trap

Spotify | Apple Music | SoundCloud

​

Lush Vibes | r&b, soul & future beats

Spotify | Apple Music | SoundCloud

After reading the recent ArsTechnica review of the latest Godzilla movie, I realized that I haven't really dived into the Kaiju genre and it might make for a fun weekend to watch a few of what you all consider fun and good. I know I have seen Kaiju movies in the past but this was when I was younger so any memory is long and forgotten. I am also not averse to non-english language movies as long as the subtitling is good!

Any you recommend and why you would recommend them?

I, personally, have a lot of music I listen to, but I can't just throw anything on when I want to jam. I have certain bands and certain genres whenever I'm feeling strongly one way or the other. Sad usually gets (to name a few) The Smiths, Blue October, or Motion City Soundtrack. Angry gets Periphery, some early Coheed and Cambria, or some early Incubus. Happy might get Weezer, Fleetwood Mac, or Polyphia. To name a few examples.

Or sometimes, I'm just feeling a certain band/sound and nothing else for days at a time. At the moment, it's been Thank You Scientist. If you can't put bands to emotions, what have you stuck on repeat lately?

Hello all, hope you're doing well. It's the weekend again, and that means that a lot of us have some free time on our hands. And some of my favorite things to do with my ever-shrinking free time is dive into a large game world and just explore. With that in mind, I thought we could start a little conversation about free-roaming video games, and open-world games in general.

Some thoughts to ponder:

• What are some of your favorite free-roaming titles?

• What keeps a free-roaming or open-world title from getting boring?

• What are some of the more unique ways to populate a large game world?

• *Is Just Cause 2 the best free-roaming game ever? The answer may surprise you!