The full podcast episode is worth watching, but I was absolutely blown away by all the tracks they played together and so wanted to share them here for any other QotSA or Norah Jones fans:
Make It Wit Chu @2:51
This Lullaby @15:13
Kalopsia @27:21
Somethin' Stupid (Frank & Nancy Sinatra cover) @51:16

I first started getting into Podcasts in 2017 after hearing about them for years. I finally had a regular, medium length commute to an internship and was tired of the radio and listening to music in the morning. I did a quick search for "Best Android Podcast app" and saw that Pocket Casts was highly reviewed. Since I had enough credit in my account to purchase it, I went ahead and installed it and never ended up looking for another app. Since then, I've become hooked as my form of audio entertainment/information gathering over the years, and Pocket Casts has become an app that I use every day.

I was thinking this morning while opening my app, what would cause me to switch. I briefly considered switching when Pocket Casts moved to a subscription model, but the features that were included in that subscription are really only "nice to haves" for me and how I use the app. This got me thinking about how other people engage with podcasts and choose the app that they use.

• How did you choose your podcast app?
• Do you ever try out other podcast apps?
• Are there any features that would/did make you want to switch to a different app?
• Do you use a cross-platform podcast app or different apps on different platforms?
• What are your favorite/most used features of your current podcast app?
• What podcast(s) are you currently listening to that you'd like to recommend to others?

I wanted to share this, in case there are interested folks who haven't checked it out yet. This is me gushing about a thing I love and hoping other folks are listening because the story is so good.

Worlds Beyond Number is a podcast run and owned by Brennan Lee Mulligan, Aabria Iyengar, Erika Ishii, and Lou Wilson with the goal of being able to tell the stories they want without time/production pressures. Taylor Moore is the producer and composer.

What stories are they telling?
The first and largest story so far is The Wizard, The Witch and The Wild One, set in the world of Umora using D&D, that starts from Level 1 (with a children's level 0 adventure) with the intent of this being the first long term campaign. The characters are in a world that I'd describe as Ghibli inspired - which includes some of the lightest sweetest moments and some of the most devastating moments of war. There's a bit of a running joke about which character is getting a Kiki or Ponyo moment vs a Mononoke moment in an episode. The Witch is a custom class, the Wizard has a custom subclass, and the Wild One has a custom paladin subclass.

But they've also played a few side games, Erika ran a game of Roll for Shoes, a chaotic game featuring a gangster chicken, a goat that may or may not be the devil, and a retired race horse doing a heist of corn from the county fair. A space jam inspired Space Cram two shot Aabria ran using Tournament Arc and a few prequels set in different areas of the world of Umora.

Where can it be found?
Any podcatcher, with the talkback "Fireside Chats," Children's Adventure, and the side adventures behind a $5 a month Patreon. No other tiers, the goal is to just fund the podcast.

What makes it stand out from other shows

The level of sincerity, and the fact these are some of the absolute best storytellers in the field who consider this their favorite story. In most actual play the rails are firmly on (dimension 20 due to # of episodes) or the episodes are essentially unedited (Critical Role), but these characters have fully split the party multiple times, and have come into genuine conflict, so much so that listeners have, para socially, been upset with players on behalf of the other players for how the characters are acting.

The show is also edited so some rolls and table talk are cut from the finished episodes (the narrative play label), but never to a point where you can't track what's happening. And you still get to hear a delighted squeal, a stressed exhale or a "let's go!" at the table.

The aesthetics are also wonderful with music and sound effects, the characters and different factions have themes that will come back and blend into motifs.

What's coming up next
The fourth "chapter" and first "book" is wrapping up here soon with a bit over 50 episodes, characters around level 5, and major character arc conclusions and then the show is going to take a break from Umora to start another longer campaign run by Aabria, probably hopping back and forth in the future as the goal is not for Brennan to run for like 5 years straight.

Anyway I love these folks (in a non-boundary crossing way) and I love their stories and hope some of y'all are already watching or will check it out and want to talk about it too!

(Note idk where to put this, podcast isn't a group, I went with games.tabletop)

I've been wanting to tell the Tildes community about a favorite podcast of mine, The Film Reroll, an improv. comedy show which plays through your favorite movies as TTRPGs and totally ruins them (their words, I love the show and think the cast is amazing), and would love to hear about any podcasts y'all listen to that you might want to recommend to others!

I have been listening to the PreHistory Podcast, written and produced by an actual academic archaeologist. I enjoy the rigor and specificity but i’m having trouble finding similar content I like, especially without the promotions and ads and fan service. I know that in the age of social media personalities such dry content is hard to come by.

I particularly enjoy ancient history, but feel free to offer other podcasts that feature people who have mastered their discipline and have found clear, effective, and even entertaining ways of sharing it. Thanks!

Title is pretty straightforward I think.

Trying to get my Podcast listening off of Spotify because I just hate their player and UX lately. Also, no ability to add feeds by RSS link.

My daily drivers I spend most of my time on are my iPhone and Macbook Pro. After that, maybe I would listen on my iPad, or my PC that is running both Linux and Windows.

In search of an app where I can pay for pro features once and get a fully featured application. Is it even possible these days?

Ok, now begin rant.

I don't understand - these services are aggregators of other people's content and let's be honest, only have to build a competent media player one time.

Why the subscription? While I fully understand that Adobe kicked off this new evil timeline of permanent rentals, I don't fully understand how this applies for something as simple as a media player.