Intro

Hello everyone.

Due to @Kat’s ever-failing health, I will be analyzing the data instead of her this time around. If you have no idea what this is about, see the demographic survey that was posted on the day of Tildes’ half-year birthday. She’s done this before, so let’s see what's new.

The original survey was answered by 404 people, while the half year survey was answered by 293. Though the total number of replies was lower, the completion rate was actually higher: 293 responses from 422 unique visitors, or 69.4%, up from the first year’s 404/599=67.4%. The decrease in answers is most likely attributed to the change of the default sort from “Activity, all time” to “Activity, 3 days”: the response rate held fairly consistent for the first three days, then plummeted after the third as the topic stopped being able to gain any publicity. Though response rates on the original were not high after the first three days, there was a steady trickle up until the survey stopped accepting responses.

While the numbers are relatively big (for a community of this size), do take anything found with a healthy dose of scepticism. Even though the original dataset she shared with me does not contain any identifiable information (all I can see are randomly-generated user strings) the specifics of that data will not be posted, as was mentioned during the original survey. This is because I am unable to be certain I can sufficiently anonymize it. Typeform has created a summary of the data on a per-question basis with substantially more datapoints than this thread, which you can find https://themeerkat.typeform.com/report/H2TtYg/rVf75AqbKaPncy6y.

Explanation

I will compare the statistics with a similarish reference set based on the six most common territories, all of which are above one percentage of the survey answers. That means when I compare on the general populace, I will base it on numbers from USA, Canada, UK, Australia, the Netherlands, and France.

This means it will be weighted like this:

I’ll clean up my data sheet and post it in the comments later. You all are absolutely encouraged to fix it because it will most likely contain errors.

The interesting stuff

What has changed in the first half year?

Age

This time around an age range was used instead of an exact numerical input, but if we were to assume that everyone is aged in the middle of their age range (so 20 for 18-22 year olds, for instance), the average age of a user would be 26.84 years, or 26 years, 9 months, and 4 days old (roughly). So we’ve grown a bit younger than last year, on average.

Gender and identity

Gender distribution seems to be roughly the same. We see a small decrease in percentage of heterosexuals, divided roughly evenly on the remaining categories. We also see a significant increase in the amount of transgender users, but since the amount reported is small, that could also just be statistical noise. The percentage of polyamorous people has remained exactly the same. For pronouns, there are only three users who prefer it/its, and zero who prefer any neopronoun set: every “Other” was offering commentary on the question rather than answering it. Similarly, almost all of the “Others” for orientation were expressing that they didn’t understand the specifics of the options given.

All in all, little has changed.

Territorial

In both surveys, three options dominated: the USA, the UK, and Canada. On that end, little has changed, though it seems that all of the Swedes disappeared, with zero answering the half year survey as compared to eight for the first one. Wonder what they’ve been busy with.

Native language

Unsurprisingly, about everyone speaks English. What is more surprising is the lack of native multilinguals: fewer than 6% of Americans who natively speak English also natively speak a second language. For comparison, that’s 10% for Australians, 21% for Canadians, and 13% for the UK. This represents an overall decrease in geographic diversity, with users coming from 36 different countries as compared to 42 the first time.

Religion

Compared to the world at-large, we sure are a god-denying folk. A whopping 52% of us consider ourselves atheists, whereas the sample data puts it at 12.1%, so we’re far from the norm of our fellow citizens.

We got a few interesting answers in the “other” section of the religion part of the survey. We got a few interesting ones I had never heard of before, like “Discordian”. But generally speaking, around half of them were either “none” or one of the actual options. Two stood out to me though.

To the one Chinese user who filled it in as “The heck is chinese traditional”: I have no idea either.

To the one Australian user who wrote “Left-hand path Heathen”, you be yourself, mate.

Politics

The average has barely moved in the last half year—we’re still slanted very much to the left. Unlike the first survey, there was no freeform input this time around, so the specifics are hard to discuss.

Computers

We have seen a drastic fall in the percentage of Windows users. It was at 60%, and is down to 43%. Nearly all of this has gone to Linux, which is now at 38%. That’s quite large, especially compared to the reference data, which has Linux use among web users at 1.23%. It’s like a herd of penguins in here.

Mobile phones

Compared to half a year ago, not many of us have switched mobile OS. Compared to the calculated data, we like Android slightly more than average. 62% vs 72%.

Not much interesting in the “other” section, though I will give a salute to the one American user still holding out on Windows 10 Mobile.

Work

We have a pretty even distribution with three exceptions. “Computer software”, “Never employed”, and “IT”. Nearly 3/4 who answered “Never employed” are currently students.

Among the students, we only have one student that proudly smokes and has no interest in quitting. The campaigns seem to be working.

Tildes usage

If we look at the users who visit Tildes multiple times per day, we see a few interesting trends. Nearly all of them use Android, and nearly all of them are employed. Beyond that it all seems surprisingly… average.

Overall, people rated Tildes as a platform as-it-stands a 5.7/7 (0.81), and their optimism for the future of the site at a 5.4/7 (0.77). The most important reason they use the site (of the options given) is “Minimal, fast design” at a 4.6/5 (0.92), with “Privacy-consciousness and lack of trackers” right on its heels. 20.8% of users have ever contributed money to Tildes (surprisingly high, compared to most donation campaigns), with about half as many making a recurring donation.

Despite @Kat’s insidious attempt to influence the data, “waves” as a demonym only received 5.5% of the vote. The leader for that, overwhelmingly, is “no demonym at all”, with a combined 49% of the votes and 18.5% of respondents strongly preferring the site not to have a demonym. Second place, the generic “users”, only has 15.8% in comparison. The first Tildes-specific demonym present is Tilders/~​rs, with 13.4%.

Most notably, about ⅔ of users would prefer Tildes to be remain invite-only long-term.

Freeform questions

The survey had three freeform questions: “What do you like most about Tildes, thus far?”, “What do you like least about Tildes, thus far?”, and “What is the most pressing missing feature/‘pain point’ for you about Tildes in its current state?” All the comments fill over 30 pages, so it seems like we really have a lot to say. You can download and look at all of the raw answers here, if you’d like. They’ve been shuffled to ensure privacy.

Likes

A large majority of the comments boil down to “a quality of discussion where disagreement is discussed in a respectful and level-headed way”. A very significant amount also point out the lack of “low effort content and trolls” as a good thing. A significant amount also mention the simple and quick-loading interface. We also have one user who believes he can find a twerk team on Tildes.

So on this, @Deimos can feel proud for what he has done. Though you know what really makes the site good? There is one comment that properly gets it: “The people, d’awwww.”. Yes, that includes you.

Dislikes

But not everything is perfect, though negatives about Tildes seem to be a lot less unanimous than the positives. There are a few that repeat a bit more often than others: the biggest one is “left centrism in discussions” or “echo chambers”, though in a close second, as with any political discussion, is its exact opposite with complaints about “too much discussion about left-centrism in discussions”—notably, though, in the question “Do you feel as though Tildes has a good mix of political opinions, for your personal preferences?”, the leading answer was “Yes” with 63%. A small amount of users also think we have too many software developers.

Beyond that, the main complaint that stands out is “lack of users and content”, which I am sure will improve in time.

Missing feature/pain point

This too is very varied. A lot of the comments are actually about features that have been introduced since the survey was done, like bookmarking. Honestly, it’s not that many complaints compared to just likes and dislikes.

The “majority” seem to be on a lack of tag autocompletion, USA-centrism, and the lack of a mobile app.

There was one more section: “If you would like to offer any long-form commentary, criticism, or feedback regarding Tildes, you may do so here.” Due to its nature, I’ll let you read through them yourself in the raw data, if you’re interested.

Closing words

First of all, to everyone who took the time to answer: thank you! I hope this post and the survey has brought some fun to everyone. If there’s an interest, I am sure that Kat, myself, or someone else will make another one at the one year anniversary. We already got some feedback in the previous thread, but we’re always open for more.

I will do some additional data comparisons on request. I might be a bit occupied this weekend, though, so that will come when it comes.

Short link. Probably more to follow.

The Swedish Academy handed out two prizes this year, after they were forced to suspend the prize last year amid a metoo scandal which saw most of the Academy’s members either resign voluntarily or be forced to resign. There’s been a lot of speculation about how they were going to restore their reputation this year, and they spent a long portion of the press conference explaining their new process, whereas in past years they haven’t felt compelled to do so.

It was expected that at least one of the two prizes would go to a woman, with Margaret Atwood being one of the odds favorites (the bookmakers’ picks never win, so I don’t know whether we should put much stock in them, but they do reflect pre-award buzz). I’m not too familiar with either author, but it’s interesting that they chose Peter Handke. He’s one of Europe’s most controversial authors for his decades-long support of Serbia and Slobodan Milosevic’s actions during the Yugoslav Wars. He once compared Serbians to the Jews during WW2, visited Milosevic in prison when he was on trial for war crimes, and spoke at the man’s funeral. He’s also hailed as one of the greatest living German-language authors. It’s like the Academy decided to throw feminists a bone by awarding a woman the prize, but then couldn’t resist jumping headlong into controversy again right away.

hey everyone!

i don't usually post a lot in general, and when i do its mostly poetry.

but i'm looking for an excuse to procrastinate, and we've got a big emo rap discussion in the 2019 predictions thread going, so I was inspired (and caffeinated) enough to share my top 10 emo rap tracks of 2018 with you all!

enjoy

10. "Get Dressed" x Cold Hart

Music Video

Lyrics

if there's one phrase, brand, collective, namesake that you should be expecting to hear time-and-again over the next few years, it's the "GothBoiClique". the musical collective that brought us Lil Peep is absolutely filled-to-the-brim of other creative, first-moving, and prolific emo-inspired rappers, like our man here, Cold Hart.

where as a good number of popular emo rap songs (XXXTentacion's "Jocelyn Flores" or Juice WRLD's "Lucid Dreams" come to mind) are particularly more sad, sombre, and dark - Cold Hart is a consistent reminder that there is still joy to be found in dark times.

his music typically more inspired by the alternative rock and emo music of the early 2000s, and all the while touching on some sad topics, is more often than not found to be using his music to celebrate life, love, friendship, and the alternative subculture.

"Get Dressed" is a modern emo anthem, and a perfect song to rally the troops of the GothBoiClique. a cute, uplifting song about a guy with a crush, produced by other GBC members Fish Narc and Yawns, and references to Lil Peep's "Hellboy" album is a perfect reflection of where emo is in 2018, and a reminder that GBC is on the rise.

9. "EVERYTHING IS FINE" x scarlxrd

Lyrics Video

Lyrics

this new single from the British up-and-comer "scarlxrd" has been making big rounds in the underground - and been doing great work to hype-up his coming 2019 album, "Infinity."

we've seen screamed vocals begin to make their way into the modern rap scene - most popularly exemplified in songs like "GUMMO" x 6ix9ine, or "Ultimate" x Denzel Curry. scarlxrd has adopted this style, and been one of the biggest proponents of screamed vocals in the underground.

this song shows scar reflecting on a previous relationship, and the current state of his mental health - dripping in emo lyricism, and heavily metal-inspired lyrics

8. "Nike Just Do It" x Bladee

Music Video (your volume is fine - there's just silence at the beginning)

Lyrics

alright, so let's talk about this album really quick.

the name of the artist might sound familiar.

that's because the album that this song was on is Anthony Fantano's #5 worst album of 2018.

give the first 30-60 seconds a listen, and come back. odds are you'll agree - and i really can't argue with that, hahaha.

but - hear me out, because this song is actually pretty important.

Bladee is one of two frontrunners of an emo rap collective in Sweden - most commonly referred to as "Drain Gang". this collective is made up of a few members - Bladee of course, Thaiboy Digital, Ecco2k, Yung Sherm, and a guy named Yung Lean.

the last name might sound a bit familiar, because little Leandoer was actually one of the first people to bring attention to cloud rap, vaporwave aesthetics, and modern emo rap with his releases in 2013 like "Ginseng Strip 2002".

his style and delivery has greatly influenced Bladee, and definitely shows in the cloudy delivery, and emo-influenced lyrics.

i like this song for the same reason that i like the previous one from Cold Hart. yes, it touches on tough subjects. where Cold Hart's track touched on unrequited love from a crush, this track from Bladee touches on deathwishes, drugs, money, and suicide.

but - you pair these themes, the supremely cloudy acid-rap beat, and the lightheared air with which it's all put together - and what you have is a depression-aesthetic song meant to help people just get by, catch a vibe, and have a good time.

what i'm saying, is that this song is the musical equivalent of all of the depression and suicide memes of 2018. things suck, people are broke, people are sad, but damnit life does go on, and we gotta keep on waking up - so we might as well laugh off our own struggle whenever we can.

7. "PPL THT I LUV THE MOST" x 93FEETOFSMOKE

Song

Lyrics

this song was a big surprise to me - and almost nearly didn't come across my ears to make this list! i'd just discovered both this song, and 93FEETOFSMOKE himself a month ago - but on my first listen, i was hooked.

the raw, sad lyrics are painted on top of relatively simple music - almost as a way to make you focus onto what's being said, and how it's being delivered. the half-screamed quarter-sang quarted-spoken-word lyrics are reminiscent of the hardcore rock scene, and bring me memories of songs like "Such Small Hands" x La Dispute and "I Am In Great Pain, Please Help Me" x Crywank

it's songs like this, and a number of others on this list, that give me confidence in the future of emo rap - not solely because of the subgenre's commercial success, or the quick rise in popularity of some of it's more popular artists, but because of how well the essence of emo rock is captured, and exactly how many different areas of emo are drawn from across different artists, albums, and
singles.

6. "Will He" x Joji

from the same man that brought us:

Hair cake (warning: Gross)

Pink Guy - "STFU"

and the Harlem Shake

we have the first major single from rising emo rap artist - Joji.

Music Video

Lyrics

this song is a muted, solemn message to a former lover - peppered with regret, mystery, melancholy, and suicide.

we see the song somehow very bluntly, yet very smoothly pay it's respects to the bi-polar nature of breakups, and the need to take care of oneself, whilst also wanting to still take care of your former partner, the anxiety of wondering if they're in good hands, and the pain of knowing that you cannot ask - that these questions are to remain unanswered.

the music video seems to show the aftermath of a house party gone wrong - a woman in a blood-stained cupid costume on the floor, someone in a panda costume passed out, and Joji - fading and nodding in a bathtub full of blood. in my own interpretation - I would take this to signify the feelings of withdrawal after an important relationship has come to a close.

5. "Lucid Dreams" x Juice WRLD

Music Video

Lyrics

by far the most popular emo rap song of the year, i have to mention Lucid Dreams for it's commercial success, and it's introduction of emo rap to millions of new listeners.

even though it can be an eye-roller, given how much this song gets played at parties, on the radio, in your Spotify recommendeds (you really should get Premium) - this song does deserve attention as being one of the more well-written emo rap songs of the year.

within the realm of emo music, it's very easy to fall into the trap of #imfourteenandthisisdeep as we struggle to find the right words to describe loneliness, anxiety, depression, loss, and the other complex topics that we may find ourselves in the midst in.

one of the reasons this song was so successful, i feel, is because of how absolutely blunt, clear, and to-the-point the lyrics were. it takes no second of meditation to understand lines like

I still see your shadows in my room

I take prescriptions to make me feel a-okay

and

Who knew evil girls had the prettiest face?

these lyrics make the song inherently biting, direct, and most importantly, digestible as the mass market starts to put their headphones on. this was a song written to be inherently relatable, expressed the emotions behind emo music in a modern package, and helped to cement the place of emo rap in the current musical zeitgeist.

4. "In Providence" x Wicca Phase Springs Eternal

Music Video

Lyrics

on the same idea as the previous entry about 93FEETOFSMOKE - this is a track (and an artist as a whole) that very much draws from the emo and metal days of yore.

(fun fact - this song was originally #6 on the list, but my bit of extra research and writeup changed my heart for the better.)

Wicca Phase Springs Eternal, founding member of the aforementioned GothBoiClique, and previous founding member and vocalist of the late 2000s emo band Tiger's Jaw draws very heavily on the emo and gothic superstars of the early 2000s - often referring to groups like Fall Out Boy and My Chemical Romance as major musical influences.

this has led Wicca, throughout his emo rap career, to be a cornerstone of the gothic, and more subtle edges of the alternative. whereas for some, the word "emo" is an aesthetic, with Wicca, it's a lifestyle - the style of which, i feel like, is perfectly captured within this song and it's video.

this song speaks on themes that i feel like we can all relate to (or at least i very much can) - capturing the feeling of a loss of an important relationship, and the feeling of insecurity and concern as you walk about the city in which you both live, carrying about your life, though always looking over your shoulder for unfriendly faces and bad memories.

whether this song will shine as one of the most important emo rap tracks after the genre dies, i'm unsure. however, i think this song very well captures the spirit of emo - both emotionally and musically, and well deserves to be mentioned when we discuss the progression of emo in the future.

3. "Leanin'" x Lil Peep

Song

Lyrics

as we come to close a year of emo rap - it's hard not to mention Lil Peep.

after Gustav's death in late 2017, his fans were nearly foaming at the mouth for unreleased material, and in November, they got their wish with the release of his first posthumous album, Come Over When You're Sober, Pt. 2

this album features a lot of fantastic tracks from peep - such as "Falling Down" ft. XXXTentacion, the more-optimistic-than-usual "Life Is Beautiful", and my personal favorite from the album, "Broken Smile".

however - in light of his passing, none of these songs seem to be quite as harrowing as "Leanin'"

the lyrics feature Peep nodding (the feeling of euphoria and disorientation you may experience on opiates) in his seat, reflecting on someone he misses, and the current state of his life.

peppered with bi-polar lyrics about sex and wanting to scream when you hear someone's name -

and the absolutely chilling verse

Woke up surprised
Am I really alive?
I was tryin' to die last night, survived suicide last night

makes this song a hallmark of the year for me - highlighting the struggle that Peeper felt, how risky he new his lifestyle was, and how much he was ready to give up if it meant him finally being free of the pain he felt.

Rest easy, Gus.

2. "Peach Scone" x Hobo Johnson

NPR Tiny Desk Contest Submission - (Music Video)

Lyrics (the intro changes with every performance. i think it's a cute concept.)

breakout emo rap star Hobo Johnson has had a really big year, with the release of this single, and the growth of attention to his other more-popular tracks "Romeo and Juliet", and "Father" (i'm the new Will Smith!)

our man Frank has seen himself come up on a rise in the underground, as his creative lyricism, inventive instrumentals, and fresh/interesting vocal delivery have gotten the attention of a lot of people inside and outside of the emo rap community. (this aided by the fact that his otherwise bright, bubbly personality has led him to become a bit of a prettyboy in the scene, causing his concerts to be full of sad dudes and girls fawning trying to get a good pic for Instagram. can't say i blame them. he's a cute fella.)

but on the important musical side of things, i love the fact that his lyrics seem to be striking and raw, without being hyper-simplistic. his delivery comes across as raw and pained - without being aggressive or dark. and most importantly, he touches on topics and feelings of anxiety that i feel like we all experience every now and then - but as we grow older, have come to ignore or simply accept as a "part of life" or a "part of the way the world works". with peach scone, we see Frank finding himself smitten with a girl already in a happy, committed relationship - and his struggles of smiling and offering her support, whilst also trying to hide the face that any time he sees this girl,

he's absolutely

smitten

and then the courage builds up inside of him and he cant help but turn to her and admit the fact

that he

loves

...
.

...peach scones.

1. "Train food" x XXXTentacion

and here at number one - we have my personal favorite track off of Jahseh's first posthumous album, "Skins".

Song

Lyrics

this was a very interesting song. and, in the same vein of the song from Peep, very harrowing as it looks forward heavily discussing the topic of death, and it's inevitable nature.

this is not a recanting of a moment in Jahseh's life, or a metaphor expressing some deeper ideas of life/death/pain.

rather, this is a bit of a concept song, meant to tell a story of a boy walking home, as he comes nearby a train track, and meets a man who turns out to be Death.

the delivery, style, and message of the song are very reminiscent of his earlier song "I spoke to the devil in miami, he said everything would be fine" (Song/Lyrics)

this song shows X walking home with his head down as he comes across a man - presumed to be Satan, who stops him for a quick chat.

wanting to avoid confrontation and not wanting to talk, X changes directions, only to be cornered by the weaponless man around every corner. there was no escape.

they begin to "talk" as X is reminded of his history of self-harm, and the life of hardship he'd lead until his recent acquisition of an audience, a change of heart, and financial success.

then we hear X attacked, and bound to the rails of a train track - calling out to God for help and hearing nothing, feeling abandoned, as he knows death inevitably waits around the corner.

almost as if he could see the murder coming just months in the future.

not only is this track absolutely chilling, but it's also a phenomenal use of music to tell a compelling story. we've seen that X has the capacity to create the mindless/empty trap bangers like "Look At Me!" or "#ImSippinTeaInYoHood" - but he instead chooses to use his platform to push the boundaries of what today's rap fans listen to, using his influence to open his fans up to the idea of concept-music and musical storytelling, and to show that he was, above all else, an artist looking for a platform, looking for self-expression, and looking to lose himself in his art.

Long Live Jahseh.

(oof)

TRAN-

Mine, in no particular order:

Daughters "You Won't Get What You Want"
Bosse-de-nage "Further Still"
Lush "Snail Mail"
Uniform "The Long Walk"
Rolo Tomassi "Time Will Die and Love Will Bury It"
Frontierer "Unloved"
Rival Consoles "Persona"
Ken Mode "Loved"
Portal "Ion"
Janelle Monáe "Dirty Computer"

honorable mentions to "Twin Fantasy" by Car Seat Headrest (not really a new album), "Year of the Snitch" by Death Grips, "Ordinary Corrupt Human Love" by Deafheaven, and "Heartless" by Pallbearer.

https://store.steampowered.com/steamawards/

Video direct link:
https://steamcdn-a.akamaihd.net/store/promo/steamawards/Steam_Awards_2018_04_NoCountdown.mp4

Wikipedia table with results:
https://en.wikipedia.org/wiki/Steam_Awards#2018

The "Game of the Year" Award	The "VR Game of the Year" Award
PlayerUnknown's Battlegrounds Monster Hunter: World Kingdom Come: Deliverance Hitman 2 Assassin's Creed Odyssey	The Elder Scrolls V: Skyrim VR VRChat Beat Saber Fallout 4 VR Superhot VR
The "Labor of Love" Award	The "Best Developer" Award
Grand Theft Auto V Dota 2 No Man's Sky Path of Exile Stardew Valley	CD Projekt Red Ubisoft Bethesda Rockstar Games Digital Extremes Square Enix Capcom Paradox Interactive Bandai Namco Entertainment Klei
The "Best Environment" Award	The "Better with Friends" Award
The Witcher 3: Wild Hunt Subnautica Shadow of the Tomb Raider Far Cry 5 Dark Souls III	Tom Clancy's Rainbow Six Siege Counter-Strike: Global Offensive Payday 2 Dead by Daylight Overcooked! 2
The "Best Alternate History" Award	The "Most Fun with a Machine" Award
Assassin's Creed Odyssey Wolfenstein 2: The New Colossus Hearts of Iron IV Civilization VI Fallout 4	Rocket League Euro Truck Simulator 2 Nier: Automata Factorio Space Engineers

Every year we try to put together a 'best of' list that is devoid of the same 200 albums that make up all of the other music lists on the internet. We do this by intentionally excluding popular/mainstream artists from our submission pool. Our cutoff is generally no more than three tracks with a million plays on spotify, though we do fudge it a bit especially for artists that only have regional success or put out something really great. The popularity limits are more of a guideline than a hard and fast rule.

I used last year's results as a test post on tildes, if you want to see what the final results will look like. Once we finish voting on the albums we generate the playlists on spotify and use automated tools to replicate them to other streaming services. We have a google spreadsheet that helps us manage the process. There's a submission form that will drop recommendations right into the spreadsheet where we can work on them.

We're not trying to find albums that are 'better' than the mainstream. We're just trying to include more of the great music that gets released every year, particularly the good stuff from new and overlooked artists that gets lost by the wayside while all the major music publications argue about the right order of the year's press darlings. Consider AlbumOfTheYear's List as the 'official' record of what's popular in the music press.

We do this by asking people for their favorites - in listentothis, in letstalkmusic, and today here on Tildes. I'd like to invite everyone on Tildes to submit their picks for the best overlooked music they've heard this year.

How do you know if an album you like is good enough? Everyone has their own way of listening, but generally, if you've had the record on repeat at all, that's the sign that it's worthy of attention. If you've got one you can't stop spinning and can't get out of your head, that's 'must listen' territory which goes at the top of the list. Make sure to leave a note in your comment when you submit, if you think it's that good. ;)

You can submit albums right here using this form. Please put a ~ in front of your username when you submit, so we know it came from a tildes user rather than a reddit user.

This spotify playlist contains the 175 albums from 2018 we've gathered so far. That's what's in our spreadsheet right now, at the start of the process. We haven't vetted/voted on these yet, just made sure they come in near the popularity cutoff. If any of the albums in this list really knock your socks off, let us know in the comments below. The first 1/3 of the list is mostly from random redditors, quality may be a bit dicey. The last 2/3 is the fruit of the l2t crew's cratedigging all year, submissions from our 30+ moderators. Every genre you can imagine (and some you can't) is in this list, they aren't sorted by style yet - this is one big bucket that goes all over the map.

I will update this playlist as new albums come in, though not exactly in real time - expect a day or two delay. If you want to keep up with it, just follow that list on spotify.

We're taking until the end of Feb. to finish the 2018 set, so roughly 6-8 weeks to listen to all of this stuff before we push the finished set out the door. If you want to help us listen, bookmark this thread here on Tildes, and leave a comment here when one of the albums grabs you. Feel free to submit new albums to that spreadsheet right up until the deadline at the end of Feb.

Happy listening. :)

When it comes to news, it can be hard to separate the big drops in the bucket from the small. In thinking back through all the news of the year, what stories do you think are the most important? In other words, which are the stories that people will look back years from now and remember when thinking about 2018?

What made them great? Who would you recommend them to?

Don't feel like you have to limit yourself to 2018 releases either. I'm interested in whatever you played and enjoyed regardless of when it came out.

Previous discussion here

Nominees for Game of the Year:

• “PlayerUnknown’s Battlegrounds”
• “Monster Hunter: World”
• “Kingdom Come: Deliverance”
• “Hitman 2”
• “Assassin’s Creed Odyssey”

Nominees for VR Game of the Year:

• “VRChat”
• “Beat Saber”
• “Fallout 4 VR”
• “Superhot VR”

Nominees for Labor of Love:

• “Dota 2”
• “Grand Theft Auto V”
• “No Man’s Sky”
• “Path of Exile”
• “Stardew Valley”

Nominees for Best Environment:

• “The Witcher 3: Wild Hunt”
• “Subnautica”
• “Shadow of the Tomb Raider”
• “Far Cry 5”
• “Dark Souls III”

Nominees for Better with Friends:

• “Counter-Strike: Global Offensive”
• “Tom Clancy’s Rainbow Six Siege”
• “Payday 2”
• “Dead by Daylight”
• “Overcooked! 2”

Nominees for Best Alternate History:

• “Wolfenstein II: The New Colossus”
• “Assassin’s Creed Odyssey”
• “Hearts of Iron IV”
• “Sid Meier’s Civilization VI”
• “Fallout 4”

Nominees for Most Fun with a Machine:

• “Euro Truck Simulator 2”
• “Rocket League”
• “NieR: Automata”
• “Factorio”
• “Space Engineers”

Nominees for Best Developer:

• CD Projekt Red
• Ubisoft
• Bethesda
• Rockstar Games
• Digital Extremes Ltd.
• Square Enix
• Capcom
• Paradox Interactive
• Bandai Namco Entertainment
• Klei