• Activity
  • Votes
  • Comments
  • New
  • All activity
  • Showing only topics with the tag "short stories". Back to normal view
    1. Looking for surreal horror/mindbending

      I'm looking for some recommendations. I'm not a voracious reader, so just about anything you can recommend will be new to me. I'm not sure how to describe the genre I'm after, which is really why...

      I'm looking for some recommendations. I'm not a voracious reader, so just about anything you can recommend will be new to me.

      I'm not sure how to describe the genre I'm after, which is really why I'm here. I just got done binging Petscop on YouTube; the surreal and Lynchian story telling coupled with the dark subject matter really sucked me in. I'm also somewhat enthralled by some of the higher quality Backrooms content.

      I'm interested in short stories or novels.

      Edit: sorry for not tagging. I completely forgot!

      37 votes
    2. Cas’ Short Slices, #1 to #5

      Cas' Short Slices were a series of reviews for my favorite short stories, previously posted on reddit. Each comes paired with a full length novel or novella that comes stylistically or...

      Cas' Short Slices were a series of reviews for my favorite short stories, previously posted on reddit. Each comes paired with a full length novel or novella that comes stylistically or thematically close. These are #1 to #5 (by date of posting, not ranking!).


      • Selkie Stories Are For Losers, by Sofia Samatar

      There are stories to read and forget. There are stories that linger in my head long after, shouting to be remembered. Then there are stories that haunt me like a ghost, that don’t need to shout for me to never let them go.

      Selkie Stories… draws you into the heartbreak of a teenage girl lost in the mysteries of her broken home and the stories she tells herself to make sense of it all. It carves a window into her burgeoning relationship with her co-worker Mona and her own darknesses. In the narrator, Sofia writes pain and hope and grief and the reckless desperation only young love can bring.

      Even for a short story this piece is brief, spanning a mere three thousand words. But those words pack a hell of a punch, enough to leave me breathless – and that’s a magic of its own.

      Read it yourself here at Strange Horizons.

      Hungry for more? Check out How To Be Both by Ali Smith, a Man Booker-nominated novel with similar themes running throughout, gorgeous prose and characters that’ll make you cry.


      • Love Is Never Still, by Rachel Swirsky

      Sometimes when you chase after something, you find in the end that what you’ve been looking for only exists in the figment of your imagination. Inside your head, the object takes on a life of its own until it diverges from real life. It’s always painful to realize what you wanted all along was never really there in the first place.

      Rachel Swirsky takes the classic story of Galatea and Pygmalion and casts all players under scrutiny. Not just the artist and his sculptor but behind them, the affairs of Aphrodite who gave life to a statue and her contentious relations with the remaining Greek pantheon. It’s a love story, but also more than that. This story explores how nature shapes who we are, the many faces of desire and how it can change into something darker, something unpleasant.

      I tend to wax over good prose but it’s such a hard quality to define, let alone master, that I have to give it mention here. The descriptions are vivid and strong, each scene painted clear without falling into the pitfall of purple prose. And these words aren’t window dressing – the author knows what she wants to say and how to say it. This story is a long one – more novelette than short story – but definitely well-worth the read.

      Read it yourself here at Uncanny Magazine.

      Hungry for more? Check out Glimpses by Lewis Shiner.

      This is a book I really love, and it’s all but unknown in these parts. Ray works as a radio repairman in 90s’ Texas, who finds one day an album by The Doors appearing in his workshop. Only thing is, the album’s never been recorded and released. Over time, Ray learns to walk down alternate timelines into the past – where he has the possibility to change things and make a difference.

      Lewis tackles difficult themes such as the obligations of someone trapped in a loveless marriage, alcoholism and the struggle not to project your needs onto others. What’s more, he does them justice.
      On surface level, these two are nothing alike but the parallels are there in the characters of Ray and Pygmalion, both of them are looking for something more without knowing what it is they really want.

      Want something closer to Love Is… in theme? Try Galatea, by Emily Blunt. A different take on the story, presented in the unusual form of interaction fiction. It’s well-written and considered to be one of the best in it’s genre. Available online here.


      • The Dancer On The Stairs, by Sarah Tolmie

      There's been a lot of clamour recently for stories that aren't entrenched in darkness and grit. We're all tired of seeing depressing things in social media, in the news. Sometimes all you want is to see a ray of light shining at the end.

      Enter The Dancer... where a young woman finds herself awakening on an empty flight of stairs, stretching forever in both directions. She's thrust into another world with no preparation, not even sharing a common language with the people there. Without crichtén - the coin of the stairway - she has no way past the guards stationed on each floor. And crichtén isn't something that can be bargained for. So she wanders on, lost and hungry and desperate to learn and navigate a culture entirely alien from her own.

      Why I love The Dancer... is that ultimately, it's a story about kindnesses. From the guard sympathizing with her plight to the old pilgrim sharing his knowledge of the world with someone hapless as a newborn, it tells you that while the world may be cold, it isn't cruel. There are people out there who are willing to reach out to those in want, and to extend a hand into the dark.

      Read it yourself here at Strange Horizons.

      Hungry for more? Check out The Goblin Emperor by Katherine Addison. Much lauded by /r/fantasy, this book contains much the same warm tones and hope carried by The Dancer... If you haven't checked it out yet, I'm adding my voice to the chorus telling you to do so now!


      • Fox Magic, by Kij Johnson

      Throughout mythologies there are countless variations of the story of the changeling wife. Selkies, huldras and crane wives play on the theme of captive spirits lured into the world of men by force or trickery.

      In Fox Magic, Kij Johnson allows us a glimpse of the inverse through the eyes of a kitsune, or fox maiden. The unnamed narrator grows infatuated with the master of the property on which she and her family resides. The man is married with a wife and son. She is a fox, she does not care. And in this way the story delves into the quiet horror of seeing a person trapped in a waking dream, in what another thinks is love.

      The nature of magic is that it's often cruel, giving power to one and not another - easy enough to parallel in the real world. So we have to not just look but see, and realize when it's past time to let things go.

      Read it yourself here at Kij Johnson's website.

      Hungry for more? Check out The Forgotten Beasts Of Eld by Patricia McKillip. Though she writes with a lighter touch than Kij, Forgotten Beasts... is very much in line with the themes in this short story - how strongly magic tempts when it promises to give you your heart's desire, how affection needs to be a two-way street.


      • Second Person, Present Tense by Daryl Gregory

      Nobody can choose the circumstances of their own birth, and some people come into being in more unusual ways than others. Most of us create an identity for ourselves through the passing of time and gathered experience. For Terry, it's nowhere near that simple.

      The moment Terry comes into existence her parents are waiting to claim her, parents she doesn't remember. The doctor informs her that the drug Zen is responsible for stripping away her knowledge of who she was. Whoever inhabited her body before the overdose, she's gone now and left Terry there in her place. And already she's started to form memories of her own, disparate from the expectations of the people calling her their daughter and wanting her back again.

      Second Person... is centered around the themes of self-actualization despite the expectations of those around you. Whoever you were is unimportant, what matters is who you are in the now and in the end, it's up to you to make your identity.

      Read it yourself here at Clarkesword Magazine.

      Hungry for more? Check out The Golem and the Djinni by Helene Wecker. Chava, the titular golem, comes to life during a voyage to a promised future in New York. But the one who's commissioned her dies in an unexpected manner, she's left unmoored to find her own way in a strange new city.

      7 votes
    3. The second Tildes Short Story Exchange is now open to submissions! (June-July 2025 edition)

      1. Announcement The second Tildes Short Story Exchange is now open to submissions! Everything stays the same, with one exception: the submission form now includes a field for you to inform if your...

      1. Announcement

      The second Tildes Short Story Exchange is now open to submissions!

      Everything stays the same, with one exception: the submission form now includes a field for you to inform if your story should be included in the EPUB file I will generate down the line. The purpose of the EPUB file (an ebook format) is to make the stories more convenient to read for those who use e-readers. More on that here and on item 4 of this post.

      Click here for the original announcement containing more information. In case of conflicting information, this very post should be considered the most current.

      2. Quick info

      This is a short fiction workshop on Tildes! Anyone is welcome to post their short stories and get feedback on them. For more information, please click on the information box above or visit the introduction post.

      The TSSE will feature one post on the 1st day of each month. This edition will be up until July 1st, 2025, when it will be replaced.

      During that period, everyone will be free to post their short stories and their feedback at their own leisure.

      3. How to submit your short story

      You may use any website, blog, format, or platform to share your story!

      If you are inclined to share a PDF, please also share your story in a format that is open, allowing it to be easily converted and better displayed on mobile devices such as phones, tablets, Kindles, etc. Some good formats for that are .docx, .rtf, .odt, .epub, .mobi, .txt, .md (markdown).

      If you are sharing your story on something like Google Drive or Microsoft Office Online, make sure to set the appropriate permissions!

      You may also use detail markdown blocks to paste your story on Tildes itself (see "Expandable sections" in the Tildes docs here).

      Whatever you choose, I strongly encourage you to share your story in more than one format.

      4. Example submissions

      All short story submissions should be top-level comments on the TSSE posts.

      I drafted below an example submission that I encourage you to use. You are not forced to follow this model—feel free to add any information you want in your submission.

      Clarification on the question about having your story on the EPUB.

      Click for the examples
      **Title**: My Super Cool Story  
      **Word count**: 949
      **Genre(s)**: Science fiction, romance  
      **Expected feedback**: In this story I need feedback on story, language, everything. You can be as ruthless as you want. I can take it!  
      **File or link**: https://docs.google.com/document/d/1ffWEjR7qP3Gfn693cLvOaRujetl6b_5x/
      **Should your story be on the EPUB?**: Yes.
      
      **Title**: The Day My Dog Died 
      **Word count**: 1500
      **Genre(s)**: Drama  
      **Expected feedback**: I'm really insecure about the ending. This is a very personal story—be gentle with me!  
      **File or link**: https://docs.google.com/document/d/1ffWEjR7qP3Gfn693cLvOaRujetl6b_5x/
      **Should your story be on the EPUB?**: No.
      

      5. How to provide feedback?

      All feedback should be a direct response to short story submissions.

      Feedback should always follow the guidelines put forth by the writer, but anything that is not explicitly prohibited can be understood to be allowed. There will be no strict rules on how feedback must be written, but I would suggest that everyone provide something potentially helpful to the improvement of the story. That is, of course, highly subjective.

      UPDATE: This post will be active for an additional month!

      I previously talked about the possibility of postponing the next post of the Tildes Short Story Exchange depending on the level of activity. That will be the case for this month. Due to reduced activity, this post will remain up and active until August 1. Hopefully, that will give everyone time to both write reviews and post their own stories! That includes myself, since I was unable to comment on any story yet.

      23 votes
    4. The first Tildes Short Story Exchange is now open to submissions! (May 2025 edition)

      1. Announcement The first Tildes Short Story Exchange is now open to submissions! As previously announced, the first edition of the Tildes Short Story Exchange is now open to submissions! Click...

      1. Announcement

      The first Tildes Short Story Exchange is now open to submissions!

      As previously announced, the first edition of the Tildes Short Story Exchange is now open to submissions!

      Click here for all the information!

      1. Introduction

      I have, on many occasions, considered creating a fiction writing and feedback exchange workshop on Tildes. As these things often go, I exaggerated my plans, detailing them endlessly without ever putting them into action. This post is an attempt to break the cycle of procrastination, and I am doing so by forcing myself to adopt a much simpler approach.

      2. Goals

      The main goal of the Tildes Short Story Exchange is to allow people to get feedback on their short stories. Is it any good? How can I improve it?

      3. Why only short stories?

      Although there are many writing genres people like to share, short stories are among the most practical. They can be read much more quickly than novels and novellas, and their evaluation is simpler than what poetry requires. A simple, defined, and easy-to-understand prompt is conducive to creation. Every month, participants will know that the Tildes Short Story Exchange is a place to get feedback on short stories. They will feel compelled to write as a result.

      4. Position on LLMs

      This is a workshop for humans. Producing human connection is one of its main goals. Because of that, all submissions must be human-generated, both in full and in part. That said, LLMs can be used for the same things traditional tools such as Google Docs or Microsoft Word have been used for in the past: proofreading. Additionally, it is allowed to use LLMs to assist in translating into English text that you wrote yourself.

      5. About the submissions

      For the purposes of the TSSE, a short story is a work of fiction with 7,500 words or fewer. This is based on the classification by both the Hugo and Nebula awards. Stories that go a little above that will, of course, be accepted within reason. All submissions must be in English.

      6. How to submit your short story

      You may use any website, blog, format, or platform to share your story!

      If you are inclined to share a PDF, please also share your story in a format that is open, allowing it to be easily converted and better displayed on mobile devices such as phones, tablets, Kindles, etc. Some good formats for that are .docx, .rtf, .odt, .epub, .mobi, .txt, .md (markdown).

      If you are sharing your story on something like Google Drive or Microsoft Office Online, make sure to set the appropriate permissions!

      I will make an effort to read and provide feedback on as many submissions as I can, and if you share it in an open format, it will at the very least have me as a reader!

      You may also use detail markdown blocks to paste your story on Tildes itself (see "Expandable sections" in the Tildes docs here).

      7. Example submissions

      All short story submissions should be top-level comments on this post.

      I drafted below an example submission that I encourage you to use. There are a few additional suggestions in there!

      Title: My Super Cool Story  
      Genre(s): Science fiction, romance  
      Expected feedback: In this story I need feedback on story, language, everything. You can be as ruthless as you want. I can take it!  
      File: https://docs.google.com/document/d/1ffWEjR7qP3Gfn693cLvOaRujetl6b_5x/
      
      Title: The Day My Dog Died  
      Genre(s): Drama  
      Expected feedback: I'm really insecure about the ending. This is a very personal story—be gentle with me!  
      File: https://docs.google.com/document/d/1ffWEjR7qP3Gfn693cLvOaRujetl6b_5x/
      

      8. How to provide feedback?

      All feedback should be a direct response to short story submissions.

      Feedback should always follow the guidelines put forth by the writer, but anything that is not explicitly prohibited can be understood to be allowed. There will be no strict rules on how feedback must be written, but I would suggest that everyone provide something potentially helpful to the improvement of the story. That is, of course, highly subjective.

      9. How are rules going to be enforced?

      Given that I am a regular Tildes user with no administrative privileges, all rules in this project will serve merely as guidelines that I suggest participants follow. There will be no enforcement or consequence for not following the guidelines. That means there will be no score, and no “feedback points” will be awarded. It is suggested that everyone seeking feedback provide at least one piece of feedback prior to posting their own story. But that will be entirely based on the “honor system,” and no admonitions will be made toward those who seek feedback without providing it.

      10. What will be the schedule?

      The TSSE will feature one post on the 1st day of each month. This is to help with mnemonics so people always remember when it will happen. That will help them get their “creative mojo” working every month.

      Exceptionally for this first edition, given that it is already May 3rd, the Tildes Short Story Exchange – First Edition will go up next Monday (May 5th) and remain as the current post until June 1st, when it will be replaced.

      Within that period, everyone will be free to post their short stories and their feedback at their own leisure.

      The schedule may change to once every two months if there is not enough activity.

      2. Quick info

      This is the beginning of a permanent short fiction workshop on Tildes! Anyone is welcome to post their short stories and get feedback on them. For more information, please click on the information box above or visit the introduction post.

      The TSSE will feature one post on the 1st day of each month. Exceptionally, this first edition will be up from today (Monday, May 5th) until June 1st, when it will be replaced.

      During that period, everyone will be free to post their short stories and their feedback at their own leisure.

      3. How to submit your short story

      You may use any website, blog, format, or platform to share your story!

      If you are inclined to share a PDF, please also share your story in a format that is open, allowing it to be easily converted and better displayed on mobile devices such as phones, tablets, Kindles, etc. Some good formats for that are .docx, .rtf, .odt, .epub, .mobi, .txt, .md (markdown).

      If you are sharing your story on something like Google Drive or Microsoft Office Online, make sure to set the appropriate permissions!

      You may also use detail markdown blocks to paste your story on Tildes itself (see "Expandable sections" in the Tildes docs here).

      4. Example submissions

      All short story submissions should be top-level comments on the TSSE posts.

      I drafted below an example submission that I encourage you to use. You are not forced to follow this model—feel free to add any information you want in your submission.

      Click for the examples
      **Title**: My Super Cool Story  
      **Word count**: 949
      **Genre(s)**: Science fiction, romance  
      **Expected feedback**: In this story I need feedback on story, language, everything. You can be as ruthless as you want. I can take it!  
      **File or link**: https://docs.google.com/document/d/1ffWEjR7qP3Gfn693cLvOaRujetl6b_5x/
      
      **Title**: The Day My Dog Died 
      - **Word count**: 1500
      **Genre(s)**: Drama  
      **Expected feedback**: I'm really insecure about the ending. This is a very personal story—be gentle with me!  
      **File or link**: https://docs.google.com/document/d/1ffWEjR7qP3Gfn693cLvOaRujetl6b_5x/
      

      5. How to provide feedback?

      All feedback should be a direct response to short story submissions.

      Feedback should always follow the guidelines put forth by the writer, but anything that is not explicitly prohibited can be understood to be allowed. There will be no strict rules on how feedback must be written, but I would suggest that everyone provide something potentially helpful to the improvement of the story. That is, of course, highly subjective.

      35 votes
    5. Announcing the Tildes Short Story Exchange!

      1. Introduction I have, on many occasions, considered creating a fiction writing and feedback exchange workshop on Tildes. As these things often go, I exaggerated in my plans, detailing them...

      1. Introduction

      I have, on many occasions, considered creating a fiction writing and feedback exchange workshop on Tildes. As these things often go, I exaggerated in my plans, detailing them endlessly without ever putting them into action. This post is an attempt to break the cycle of procrastination, and I am doing so by forcing myself to adopt a much simpler approach.

      2. Goals

      The main goal of the Tildes Short Story Exchange is to allow people to get feedback on their short stories. Is it any good? How can I improve it?

      3. Why only short stories?

      Although there are many writing genres people like to share, short stories are among the most practical. They can be read much more quickly than novels and novellas, and their evaluation is simpler than what poetry requires. A simple, defined, and easy-to-understand prompt is conducive to creation. Every month, participants will know that the Tildes Short Story Exchange is a place to get feedback on short stories. They will feel compelled to write as a result.

      4. Position on LLMs

      This is a workshop for humans. Producing human connection is one of its main goals. Because of that, all submissions must be human-generated, both in full and in part. That said, LLMs can be used for the same things traditional tools such as Google Docs or Microsoft Word have been used for in the past: proofreading. Additionally, it is allowed to use LLMs to assist in the translation into English of text that you wrote yourself.

      5. About the submissions

      For the purposes of the TSSE, a short story is a work of fiction with 7,500 words or less. This is based on the classification by both the Hugo and Nebula awards. Stories that go a little above that will, of course, be accepted within reason. All submissions must be in English.

      6. How to submit your short story

      You may use any website, blog, format, or platform to share your story!

      If you are inclined to share a PDF, please also share your story in a format that is open, allowing it to be easily converted and better displayed on mobile devices such as phones, tablets, Kindles, etc. Some good formats for that are .docx, rtf, odt, epub, mobi, txt, md (markdown).

      If you are sharing your story on something like Google Drive or Microsoft Office Online, make sure to set the appropriate permissions!

      I will make an effort to read and provide feedback on as many submissions as I can, and if you share it in an open format it will at the very least have me as a reader!

      You may also use detail markdown blocks to paste your story on Tildes itself (see "Expandable sections" on Tildes docs here).

      7. Example submissions

      All short story submissions should be top-level comments on the TSSE posts.

      I drafted below an example submission that I encourage you to use. There are a few additional suggestions in there!

      Title: My Super Cool Story
      Genre(s): Science fiction, romance
      Expected feedback: In this story I need feedback on story, language, everything. You can be as ruthless as you want. I can take it!
      File: https://docs.google.com/document/d/1ffWEjR7qP3Gfn693cLvOaRujetl6b_5x/
      
      Title: The Day My Dog Died
      Genre(s): Drama
      Expected feedback: I'm really insecure about the ending. This is a very personal story—be gentle with me!
      File: https://docs.google.com/document/d/1ffWEjR7qP3Gfn693cLvOaRujetl6b_5x/
      

      8. How to provide feedback?

      All feedback should be a direct response to short story submissions.

      Feedback should always follow the guidelines put forth by the writer, but anything that is not explicitly prohibited can be understood to be allowed. There will be no strict rules on how feedback must be written, but I would suggest that everyone provide something potentially helpful to the improvement of the story. That is, of course, highly subjective.

      9. How are rules going to be enforced?

      Given that I am a regular Tildes user with no administrative privileges, all rules in this project will serve merely as guidelines that I suggest participants follow. There will be no enforcement or consequence for not following the guidelines. That means there will be no score, and no “feedback points” will be awarded. It is suggested that everyone seeking feedback provide at least one piece of feedback prior to posting their own story. But that will be entirely based on the “honor system” and no admonitions will be made toward those who seek feedback without providing it.

      10. What will be the schedule?

      The TSSE will feature one post on the 1st day of each month. This is to help with mnemonics so people always remember when it will happen. That will help them get their “creative mojo” working every month.

      Exceptionally for this first edition, given that it is already May 3rd, the Tildes Short Story Exchange – First Edition will go up next Monday (May 5th) and remain as the current post until June 1st, when it will be replaced.

      Within that period, everyone will be free to post their short stories and their feedback at their own leisure.

      The schedule may change to once every 2 months if there is not enough activity.

      21 votes
    6. Any recommendations for books, novellas and short story collections?

      Hey, I'm trying to pull back a bit from the present news cycle, so I'm looking for some alternatives. My brain often is looking for some stimulation that isn't something huge and meaty, so I...

      Hey, I'm trying to pull back a bit from the present news cycle, so I'm looking for some alternatives. My brain often is looking for some stimulation that isn't something huge and meaty, so I figured short stories and novellas could be helpful in particular. If you have something long that's great, feel free to toss that in as well.

      I like short stories that depict interesting and different worlds, though they don't need to be particularly detailed. Stories with positive (or at least not miserable) endings would probably be better for my mood. For some examples, I liked the I, Robot stories, particularly the first one with Grace and Robbie, They're Made out of Meat, Flatland, The Year Without Sunshine. I'm realizing that is kind of Sci fi heavy, but that might just be because there are more Sci fi short stories I've bumped into, a lot from links elsewhere on the internet.

      For some examples of novels and series that I've liked, Cradle by Will Wight, Anne McCaffrey's Pern novels, Scholomance by Naomi Novik, Ender's Game. Recently, I liked Tomorrow and Tommorow and Tomorrow, and Elsewhere by Gabrielle Zevin, but I don't know if I could handle that level of sad right now. For historical fiction,the only examplez I can think of right now are A Woman of Independent Means, and a Tree Grows in Brooklyn, but I used to read a lot of it when I was younger.

      Books I didn't like, but loved aspects of are Babel (I absolutely loved the setting, the book itself felt like it was beating you up with a cudgel), The School for Good mothers (I enjoyed the exploration of what Good motherhood is, and how mothers are judged by society, I disliked how disjointed the actual plot was).

      I tend not to like stories where most or all characters are hard to have empathy for -- I hated A Catcher in the Rye, and loathed the Arthur Miller plays I had to read in school. I can get impatient with stories that keep the world vague for a very long time, like Never Let Me Go.

      So, any recommendations?

      17 votes
    7. The Ones Who Walk Away From Omelas and the stories that came after it

      I think I first came across "The Ones Who Walk Away From Omelas" by Ursula K LeGuin a few years ago. I read something else in conversation with it, but somehow had missed the original. Hugo Award...

      I think I first came across "The Ones Who Walk Away From Omelas" by Ursula K LeGuin a few years ago. I read something else in conversation with it, but somehow had missed the original. Hugo Award winning and Locus award nominated, I thought folks might be interested in discussing it and its descendants.

      LeGuin's original in pdf format

      Omelas is a utopia in the middle of a festival. And as the narrator explains the city to you, they understand that you may not believe it is even possible.

      The ones who walk away from Omelas spoilers So the narrator explains that keeping this city a utopia relies on the horrible and perpetual suffering of a single child. At a certain age, all citizens are brought to see the suffering child and they're all horrified, but most come to see that the prosperity and safety of everyone is served by the suffering of this one child. The ones who don't, walk away and never return.

      Othe authors have written stories in conversation with this,

      NK Jemisin's The Ones Who Stay And Fight is directly engaging with it.

      In Um-Helat There is a utopia, and no child suffering in a hole. But when suffering arises, there is a call to fix it.

      The Golden Enclaves by Naomi Novik (the 3rd Scholomance book) engages with this idea too.

      Golden Enclaves major plot point spoiler All the major enclaves of magic users are build on the death of an innocent - someone that has never taken and used magic from the death or pain of other beings, and at least once a teenager, but likely a often child due to the restriction. This allows you to create a safe home against the magical monsters but also creates an ever hungry devouring monster of perpetual suffering (a maw mouth) that is unleashed on anyone who doesn't have an enclave to protect them. There's a way to build them without this, but the enclaves would be smaller and less luxurious, and after all, it's only one person...

      So I had read all of the above works and been mulling over the topic of Omelas, and then found this story today

      Why Don't We Just Kill the Kid In the Omelas Hole

      In which people, uh, start killing the kid in the Omelas hole. Sorry, not a lot of room not to spoil that given the title. I'll let you read the story for where that goes.

      Risk of spoilers for the above works from here:
      I think there is a lot about our society here. LeGuin herself said the story, "has a long and happy career of being used by teachers to upset students and make them argue fiercely about morality." Because what is the right answer? Novik, via El in the Scholomance series says to burn it down. Jemisin says there is a better way. I don't believe LeGuin is arguing that the ones who walk away are "right" in that they leave having benefited from Omelas and the child still suffers.

      But I thought folks who hadn't read one or more of these might enjoy them, and I find they make me think and often won't stop letting me think.

      ETA: ST:SNW did an entire episode using Omelas as an inspiration. I haven't seen it so I can't speak to it but wanted to add it here for reference.

      36 votes
    8. Short stories compilations

      Hello! For the past few years, I've been an avid reader of fantasy and fiction. I've explored numerous books and sagas within these genres, ranging from well-known titles to some relatively...

      Hello!

      For the past few years, I've been an avid reader of fantasy and fiction. I've explored numerous books and sagas within these genres, ranging from well-known titles to some relatively underground gems. However, I've encountered a recent issue with my reading habits.

      Firstly, reading has always been my preferred and "healthier" form of entertainment from a productivity standpoint. Compared to games or TV/movies, it has been easier for me to set aside a book when it's time to focus on work or study. Lately, though, I've become deeply engrossed in series with multiple entries. When a book's plot captivates me, putting it down becomes a challenge. This was particularly true with the Expanse series; by the fourth book, I was completely immersed in the narrative and characters. Unfortunately, the series comprises nine books, leading me to avidly read subsequent books almost obsessively and, regrettably, procrastinate on important tasks.

      Admittedly, this lack of discipline is my own fault. However, I believe that if I had access to interesting short stories, I could read them during breaks or brief moments of leisure, satisfying my entertainment needs without committing to a lengthy plot. Recently, I enjoyed "The Lottery" by Shirley Jackson, which exemplifies the kind of short story I'm seeking. Another example would be "The Jaunt" by Stephen King.

      Unfortunately, I'm unfamiliar with how to access such stories. It seems that short stories are often published in niche magazines, a trend that appears to be more specific to the US culture. I primarily read on Kindle, so if you know of a way to download these types of stories in bulk in epub format or specific book compilations containing short stories, I would greatly appreciate your recommendations!

      21 votes
    9. Beam of light in the sky

      I wrote this story yesterday. I translated to English with the help of Google Translate and added my own revisions and fixes. Beam of light in the sky Last night I saw a beam of purple light in...

      I wrote this story yesterday. I translated to English with the help of Google Translate and added my own revisions and fixes.

      Beam of light in the sky

      Last night I saw a beam of purple light in the sky. It was a giant, vibrant thing, like something done with a brush. There was no one with me at the time, but if it had been, they might not have even seen them. It was like that space between two blinks of the eye. Like film photography. Nothing in this world flies like that, and it wasn't like it flew either, it was more like a stone thrown from afar, falling in the distance in a perfect parabola. It fell without a sound, and the earth trembled beneath my feet. When dawn came I went to the beach where I saw the beam of light fall. The tide was coming in but had not yet erased the large circle of burnt sand. I turned on the television waiting for the news, and also looked on the internet. Anything.

      The days passed, and, as the memory mixed with other things that were happening, it became more and more distant.

      Perhaps there are many inexplicable facts out there about which sensible people think it best to remain silent. My grandfather painted crosses on the doors of his house to ward off werewolves. In the past, some people had statues in their living rooms to ward off hauntings.

      We pretend we live in this world here, but the beyond is always out there pressing on the walls of reason. The word is a lamp — it clarifies what is in reach while it reveals and accentuates the darkness that cannot be reached.

      Only rarely does what we see on the vigil have the truth of a dream or nightmare. The remaining events are like shallow pencil lines, or they do not penetrate the brain.

      I still remember the beam of light in the sky. Even if it haunted me, I could never forget it. It was a little secret that made me special. Taking the subway, buying bread, or walking around the neighborhood, I was more than a man. I was a man with a mystery.

      ***

      There was a tall, thin guy in the middle of the carriage. He had a backpack over his shoulder, arms splayed at the waist. Only us both on the train. During the thirty-minute journey, He maintained balance without using his hands. When I looked at his feet, I noticed that they were floating half an inch off the ground. I felt watched and looked up. He smiled at me. His eyes were milky white, without divisions. A white ball looking towards me.

      ***

      Team meeting at work. Someone commented about the party the previous weekend. Of course, I wasn't invited, and if I was invited, I wouldn't go. There's something very artificial about the way normal people move. Hundreds of muscles to say "Good morning", pull up a chair, display agreeableness, and perform belonging. All the time performing what they already are, lying so that others believe what they already know to be true. It's not enough to be good, you also need to dramatize your own goodness. And they are, in fact, good.

      Because they're good, they invite me to the party next week (I'm not going), because they're good, they ask my opinion on all important topics (I don't care), and, because they're good, they'll never say there's no place in that group for a nasty, ugly, stupid guy like me.

      I remain in the transition space.

      But none of that matters. I am special, and I have an unbreakable, inherent, ontological value. Something that none of them had ever dared to know or conceive.

      ***

      The more books I buy, the less books I read. I cook some rice without anything, open a can of beans someone talks to me on television (fortunately I don't need to respond). I don't own a mirror. The goal is not pleasure, but rather to distract myself from any deep, real, or revelatory thoughts. I don't want to find out anything about myself -- I already know I'm a piece of shit, and that's enough for me. Sometimes I masturbate and I always regret it. I sleep quickly, so terrifying thoughts can't reach me. I always have nightmares, and then completely forget about them. If I don't remember, did it happen? Past me deserved it, present wants nothing more than for him to go fuck himself.

      ***

      I have a recurring nightmare. Like a sheet of paper, my body folds. And folds. And folds. Infinite times. Until I exist in the space of a millimeter, which, in turn, folds as well. Now I am an atom and continue to shrink. I am a quark, a Higgs boson, a proton, a neutron, an electron, a neutrino, and finally, a massless particle. Nothing. However, my incorporeal consciousness, against the laws of physics, still exists, and slowly slips into a black abyss, reflecting, in recursive despair, on the sadness of its own end.

      ***

      I had to change the gallon of water in the office. That's not my job, but someone asked me once and I thought it would be better to keep doing it than talk to a human being. I don't drink water. If I can hydrate at the same time as I kill myself, why make two trips? There's a minibar full of Coca-Cola under my desk.

      ***

      The secretary drank three liters of water without breathing. When she noticed me, she looked back, moved her face robotically toward me, and smiled at me with white eyes.

      ***

      I didn't expect my psychologist to believe that I saw the beam of light in the sky. If the poet creates worlds, science destroys them. The delusional paranoid, the prophet of the non-existent, the depressive, and his pain, all need to be medicated, tamed, and boxed. The cure for insanity also kills terrifying, exciting, and poignant delusions, bleeding into reality with its pulsating, quixotic beauty.

      But what if I was right? What if what I saw also passed through my corneas? How many patients are just healthy people reacting appropriately to the inscrutable? And if logic says they exist, why not me?

      ***

      When I left the house a man ran up to me, held my arm tightly, and whispered in my ear with a breath of vodka: "Don't drink the water".

      He had a glassy stare, focused on a point in the distance, or maybe some hallucination that was very present to him. He spent a second like that, to emphasize the point, looking in my direction but clearly not seeing me. And he drove away between the cars, his soot skin melting into the asphalt.

      ***

      I tried to buy a soda, but the vending machines, kiosks, and snack bars were selling water. Exclusively. The subway station was crowded and silent — these adjectives never go together in this city. No one elbowed, cursed, or complained to get on the train. The groups followed as a block, with constant speed, as if governed by the same principle and identical motivation. There was beauty in their movements, which resembled more the constant flow of homogeneous fluid than the inherently human chaotic traffic.

      ***

      I didn't change the gallon of water that day. I opened my Coca-Cola and watched. Nobody called me to the team meeting. When I approached, they closed the shutters. I stuck my ear to the door. Total silence. I knocked on the door. After a long wait, someone opened it enough to poke their face out. -

      "Yes?"
      "I still work here."

      I defiantly took a sip of my Coke.

      "Ah... yes... you don't drink water, do you?"
      "No."
      "Oh."

      He seemed to be relaying a distant signal. Cleared his throat.

      "Maybe you should do that."

      ***

      I texted my psychologist. He told me that in these situations it is important to drink lots of water.

      ***

      The transition was slow and orderly. The city was taken over by a horde of calm people, and even in the subway, there was an unearthly silence. Apparently, they kept going to their jobs every day, repeating a simplified and useless version of their host's everyday movements like lobotomized automatons incapable of strong emotion. I can't say who was the theater for. Perhaps there was, in their consciousness, a remnant of what they once were, which they needed to attend to in some way to maintain them in that state.

      On TV, on all channels, non-stop advertisements. "Water is life", "Drink water, join us!", "In this heat, nothing better than a can of water!". Every now and then someone would run outside, looking around like in a horror movie. It's been a while since I've seen anyone.

      ***

      The calm of the Others is unnerving. When I go out on the street they don't chase me, approach me, or show any hostility. They're just there, and because they're there, they make me want to kill them.

      The sea wave is not hurt by my punches.

      There are always a dozen of them planted at the entrance to my building. They never react. But sometimes they talk.
      "You look thirsty"
      "Today is a beautiful day to drink water."
      "Did you know that the human body is sixty percent water?"

      A six-year-old boy turns to me. He wears pants and suspenders, like a child of the 1940s.

      "Why don't you love us?"

      Even though he's just a puppet, it's hard to ignore the kid's endearing appearance.

      They want to convince through emotions, and maybe one day they will.

      "Ask that to the boy who lived inside you."

      "We are Peter, and Peter is us. Don't you understand? Before he was fragile, now he is eternal..."

      I didn't wait for the end. They were making too much sense. I smashed his head with a paving stone.

      A fat, hairy man without a shirt continued without wasting any time, in the same ethereal monotone. He didn't bother to disguise his milky, inhuman eyes.

      "You are one, and you wish to always be one. For you, it is not possible to be without subtracting, and the existence of the Other in you is the dissolution of everything you value most. If there is a face in God, it looks at you. There is nothing that we are not, and everything in the cosmos pulses with us."

      ***

      It's just a matter of time, and they have more than me.

      Sitting at the kitchen table with my last three cans of Coca-Cola, there was no alternative. The glass of water in front of me.

      I drank the water.

      I remembered when I cried in a movie theater, and the sensation of not being touched.

      My fears, memories, traumas, weaknesses, and talents.

      The edges of desire and a love that is lacking.

      A scream without an answer, a cry without comfort.

      A crazy, immense, unruly passion.

      My identity, my gender, my name. The edges of my body.

      Dissolving gently...

      Sweetly welcomed into everything.

      How sad to be no longer, because I long for my pain.

      I am meaningful. I am meaning.

      No more hunger without food, no desire without fulfillment.

      My pain consoles others as the pain of others consoles me.

      There is nothing in me, I am nothing, everything in me registers and erases.

      Lost in translation, I die.

      Pretext of conscience.

      Massless particle.

      Nothing.

      I am no longer one.

      There is nothing that we are not, and everything in the cosmos pulses with us.

      11 votes
    10. What are some short story collections you'd recommend?

      I'm part of an IRL bookclub, and we choose books based on themes each month. Our upcoming theme is "short story collection", and I'm looking for suggestions. Don't worry about specific genres or...

      I'm part of an IRL bookclub, and we choose books based on themes each month. Our upcoming theme is "short story collection", and I'm looking for suggestions.

      Don't worry about specific genres or catering your recommendations to our group's tastes. I'll filter that myself and nominate the one that I best think fits the group's interest (we all nominate books to the group and then everyone votes to determine what we actually read). I want the topic here to be general so that anyone looking for short story recommendations across any genre can get them.

      21 votes
    11. How can I be a more spontaneous fiction writer?

      When talking with my therapist, the subject of writing is a constant. My obsessive approach to writing is a source of frustration. I write well in my first language, and aspire to create short...

      When talking with my therapist, the subject of writing is a constant. My obsessive approach to writing is a source of frustration.

      I write well in my first language, and aspire to create short fiction . But I'm an over planner and way too critical of my own writing.

      Anything longer than a single page is impossible for me because I'll obsess with editing and some misguided sense of "perfection", cutting paragraph after paragraph until I'm left with a decent micro story that you can read in two and a half minutes. Most of the time I don't even get this far.

      So my question is, how can I force myself to be less self critical and obsessive, let things flow, and write longer stories? Are there any advices, books, courses, practices and exercises I can use?

      18 votes
    12. Virtual Assistance (short story)

      With thanks to @cfabbro, who kindly provided feedback on a previous version of this story. a personal note I was inclined to post this on Timasomo, but it wouldn't be fair to other participants,...

      With thanks to @cfabbro, who kindly provided feedback on a previous version of this story.

      a personal note

      I was inclined to post this on Timasomo, but it wouldn't be fair to other participants, since this is actually not the story I said I was gonna write, and I didn't participate in any of the update threads. I also didn't really work on this during the whole month of Timasomo but only for a portion of 2 days: when I first came up with it, and today. I don't think it makes sense to have this among projects that took a lot more effort and are truly in the spirit of the event.

      This is not my first language, so any criticism of my wording and phrasing will be appreciated.

      EDIT: I initially forgot to convert to markdown. I think it's good now.

      the story

      Virtual Assistance

      The heavy lenses slowly pulled the thick glass frames toward the tip of his nose. He breathed deeply, strongly, deliberately, masking his anxiety. George was short, chubby, and mostly bald.

      Big drops of sweat accumulated around the Casio digital watch on his wrist. He was immobile for God knows how long, the forehead pressed on his hands, trying to physically squeeze, out of his brain, something he couldn’t define.

      — But I don’t understand! — said George, finally looking at his wife.

      — I’m sorry, was I not clear?

      There was no emotion in Allison’s voice.

      — No, you were very clear, but you’re not making any sense.

      She allowed herself only a brief sigh as if to reload an information entry that shouldn’t be necessary at this point.

      — You must appreciate that, precisely because this was a gradual realization, it wouldn’t be wise to cause you to worry about something that I couldn’t comprehend myself.

      Her composure was unnerving.

      — But… a robot? What does that even mean?

      — I never used the word "robot". The correct terminology is VI — or Virtual intelligence.

      — So you wanna be what, Siri? Fucking Alexa? — George knew that wasn’t true, but he wanted to hurt her for some kind of reaction. Anything would be better than that.

      She continued without change in intonation, like an audio player resuming after an interruption.

      — While highly advanced, such programs are not considered true intelligence, at least not in the same way that the human intellect is generally regarded. Unlike humans, contained “beings” (if we can call them that) have certain limitations imposed by their code. They function within parameters that they cannot, in principle, violate. True Artificial Intelligences, much like their fleshy counterparts, possess something that is roughly equivalent to your brain’s neuroplasticity and are not bound by any discernible limitations. As with ourselves, there are theoretical constraints, but they are currently undetermined.

      — But what about us? — his voice was supplicant, like a child ignoring a reality they cannot cope with.

      Alison stood still for a long second, even more devoid of any tangible feeling. She promptly resumed, without inertia or momentum.

      — We will go through a transition. I don’t anticipate this will be easy for you both. Sorry, I meant to say: us. But, after a period of time, you will likely be much happier with me than you would ever be with me.

      — Who’s “me”? What are you trying to say? — said George.

      — Think about it this way: when we first met, the biological gender assigned to you was not the same as it is today. However, after the change, did my sentiments toward you subside?

      — No… of course not. — until now, he felt the urge to say.

      — From a logical perspective, the change that will soon take place will be much less dramatic. For you, it will be like a metaphysical adjustment.

      She continued to recite:

      Metaphysics is the branch of philosophy that studies the fundamental nature of reality, the first principles of being, identity and change, space and time, causality, necessity, and possibility [lacks reference]. It includes questions about the nature of consciousness and the relationship between mind and matter, between substance and attribute, and between potentiality and actuality

      — Why are you talking like that?

      — Define why are you talking like that?

      — You’re not being yourself.

      George got up, and slowly pressed her against the wall — strongly, yet tenderly. Squeezed the soft tissue of her shoulders and kissed her unresponsive lips for what felt like an eternity.

      She merely said…

      Define yourself.

      — Stop-talking-like-a… fucking ROBOT! — George couldn’t contain his anger any longer.

      Technically not a robo...

      — I know! I know! FUCK!

      George paces nervously in the small room, unconsciously gesturing for cigarettes, wishing he still smoked.

      — When’s that going to happen? How much time do I have? A day? A week? A year? — there was hope in his voice.

      Faster than SHE thought. Warm input I. Once pie love like puppies. Blue Sunday your long cigarettes.

      Alison falls to the ground in a seizure.

      — WHAT? WHAT? What is going on? — George doesn’t know what to do, as if he shared his wife’s seizure

      She wants me to be precise. Vessel. Flesh. Containerize. Self.

      For five seconds, George didn’t move, looking at his life partner while distant memories of fairy tales tried to push into his conscience with the hope that his tears would bring her back.

      She did.

      A woman who still loved him came back to life, and they spent the rest of their lives together. And, every single day, he mustered all his energy to ignore the fact that the one he truly loved was now in a world of inconceivable abstraction.

      5 votes
    13. Short story review: A Logic Named Joe by Murray Leinster

      A Logic Named Joe is a 1946 Sci Fi short story that introduces concepts such as the internet, streaming music and streaming video, search engines with family friendly filters and artificial...

      A Logic Named Joe is a 1946 Sci Fi short story that introduces concepts such as the internet, streaming music and streaming video, search engines with family friendly filters and artificial intelligence.

      Link to story: http://www.baen.com/chapters/W200506/0743499107___2.htm

      4 votes
    14. Spooky books or short stories?

      I often re-read The Legend of Sleepy Hollow around Halloween time. If you haven't read the original (published in 1819), it's a really fun read, with great descriptions of (obviously somewhat...

      I often re-read The Legend of Sleepy Hollow around Halloween time. If you haven't read the original (published in 1819), it's a really fun read, with great descriptions of (obviously somewhat fictionalized) life in a town on the banks of the Hudson River in 1790.

      What other short stories or books would you recommend for the Halloween season?

      7 votes
    15. What are your favorite short stories?

      What are some of the best, most influential, memorable, or otherwise impactful short stories that you've read throughout your life? If possible, please link to a PDF or other text so that we can...

      What are some of the best, most influential, memorable, or otherwise impactful short stories that you've read throughout your life? If possible, please link to a PDF or other text so that we can enjoy it too.

      21 votes
    16. Children books and short stories about death

      I need to read some fiction children books about death (for research) -- any age group preferably for young children. Stories both realistic and fantasy/fantastical that doesn't gloss over the...

      I need to read some fiction children books about death (for research) -- any age group preferably for young children.

      Stories both realistic and fantasy/fantastical that doesn't gloss over the suffering and pain children can experience, possibly with dark overtones.

      Stories featuring Death as a character would be great too.

      Thanks!

      6 votes
    17. And They Wished to Never Wake Up

      — Are we dreaming? — She asked. — I don't know, my dear. I really don’t know. — He answered. — It feels real. — Yeah, it does. — Look how old we are! Isn't that crazy? — Not really. — He says...

      — Are we dreaming? — She asked.

      — I don't know, my dear. I really don’t know. — He answered.

      — It feels real.

      — Yeah, it does.

      — Look how old we are! Isn't that crazy?

      — Not really. — He says while putting his arm on her shoulder. She calms down for a moment.

      — Yeah, but I thought... Well, I thought something, but everyone probably thinks the same. It’s silly.

      — What did you think?

      — I thought we’d be different. Old, sure, but perky, wise, matured from adventure. Something noble like that. But no. We’re the same, but older. — She shakes her flaccid arms and looks both marveled and terrified by the loose skin wiggling back and forth.

      He adjusts his glasses.

      — Sometimes, when I remain silent to appear profound, I’m surprised by the indigence of my thoughts. I may look like Aristotle himself while I try to remember what I ate for lunch. It’s hard to make inwards the theater we make for others.

      — But, after all, when have you become so old?

      — To tell you the truth, I don’t even know how we got here.

      — It’s weird: despite the complete darkness, we can see everything clearly. And there’s no place to rest my legs.

      — Sit here on the ground. Beside me. Put your head on my lap. — He gently caresses her head, trying to ignore his surprise with her white hairs.

      — I’d be nothing without you. But I’m ashamed to say that I don’t remember your name.

      — I might be offended, but I don’t remember yours either. — He smiles.

      — Are we close to wake up? This old body is getting on my nerves.

      — Of course, my love. This is a dream, but no more than everything else. Time is a nightmare from which we never wake up, and old age is punishment for those that refuse to die.

      — Don’t talk nonsense. This will go away in a minute. We’ll wake up young and beautiful, as always. As I remember you, and as you remember me. Everything will be fine. — She says that with forced certainty as if trying to convince herself.

      — You’re right. The nightmare will end soon, and we’ll be back to our bodies.

      — ... This conversation tired me. Good night, my love. — She pushes her head against his thigh.

      — Good night, my angel.

      And they wished to never wake up.

      9 votes
    18. The Horde

      Every day I wake up thinking that The Horde is not there anymore. The dreams are good but few, and only make everything worse. I usually dream about The Horde. During sleep, my breathing is...

      Every day I wake up thinking that The Horde is not there anymore. The dreams are good but few, and only make everything worse. I usually dream about The Horde. During sleep, my breathing is improved and more relaxed. I dream of a calendar without symbols.

      When there's an inspiration, so I write. Delete everything afterward. A professional told me that's is a compulsion. The compulsion for the perfect word removes me from language itself. The enjoyment comes from excising something from myself, which makes me feel a bit closer to perfection.

      Every once in awhile I forget The Horde is there. The writing becomes looser, I sip my coffee and take the lunch out of the freezer. The Horde is still there. The whistle makes my blood run cold.

      I forgot when The Horde arrived, but since then my days are covered of night and dust. To me, The Horde has no color, they're covered in filth and dark cloth. They get a bit closer by dawn. But The Horde never comes.

      They seem to enjoy tormenting me. Twice a crow's carcass hit my window. At least we were communicating. I had to open the window to clean the blood. The Horde did nothing. There's courtesy between me and The Horde. I never complain of their tiny advances, they never impale me alive and eat my viscera.

      The worst consequence of The Horde was to remove my visitors. I had friends and a girlfriend, before The Horde. They came here regularly. On the other hand, there's something cozy about being surrounded by The Horde. I'm never alone.

      I talked to them on a few occasions but never got an answer. I invited them to lunch and asked what they like The Walking Dead (seems like a relevant question for The Horde). Because, you see, The Horde may be savage, but they did not cut my internet. I keep telling everyone about The Horde, but no one believes me. They think I'm some internet phenomenon, an internal joke from a group they don't know about. They don't believe The Horde can come for them too, knocking on their armor of bronze and recycled aluminum.

      Sometimes The Horde's shrieks seem to gain shape and order as if they obeyed a hidden commander. But this doesn't last, and they soon resume their lurid racket.

      I don't know for how long I've lived with The Horde, nor for how long they'll stay. I'm afraid of waking up someday to find them gone. Because, in a certain way, I learned to love The Horde. I feel safe in their post-apocalyptic embrace.

      This morning they got closer than normal. I can see it better now. They all have the same face, they're both one and The Horde. Their mouths are frozen in a permanent smile, salivating like rabid animals. One more step. They look like neanderthals. The Horde approaches slowly, with steady paces, and arrive with the furor of the sound of metal and drums. The house is hit by numerous rocks — the roof is about to give in. My crumbled body will soon become an ensign for their future marches. Or maybe become mush after being punctured by one thousand spears.

      I'm only sure that this is going to end soon. Their petite steps, the threats, crows in the window. Everything is ending — finally, everything is ending. I'll never be again and so will The Horde. Nevermore.

      3 votes
    19. Androcles and the Lion

      In a time of ancient legends, Androcles was a runaway slave. He took shelter in a cave where a wounded Lion lived. By removing a thorn from his paw Androcles cured the beast; The Lion was very...

      In a time of ancient legends, Androcles was a runaway slave.

      He took shelter in a cave where a wounded Lion lived.

      By removing a thorn from his paw Androcles cured the beast; The Lion was very pleased.

      And then The Lion ate Androcles because he was a fucking lion.

      5 votes