I realized that some games I play fall into specific categories that could be their own sub-genre, but are either too specific, haven't been around long enough, or there's a "good enough" combination of genres that could be used to describe them that makes it impossible to find more in that genre.

I'm interested if anyone else has any of these weird little sub-genres that they enjoy and wanted to share.

Feel free to add any games that you think fit into sub-genres other people describe

Over the last year, I've found myself listening to quite a few audio dramas. I've never been one for traditional podcasts so it was pretty surprising to me that I loved them so much the moment they went from nonfiction to fiction. It's pretty similar to watching TV, except you can still use your eyes for other tasks! Audio books are nice too, but they don't quite scratch the same itch. So with all that, here's an unordered list of some of my favourite audio dramas (along with a small synopsis and some personal opinions), and I invite you to post your own in the comments!

All of these can be found on basically any podcast app (I use AntennaPod on Android), so if any piqued your interest, do give them a shot!

I used to read voraciously in my youth, but as an adult it is very difficult to get into a story, even if it seems to be good. So, I'm asking for what you'd recommend... based on a few options.

I typically love/hate dystopian options that show that humanity is just a complete horrorshow. That being said, I haven't been able to get past page three (I think it was?) in Clockwork Orange. But, some of my favorite books are: The Lord of the Flies, 1984, To Kill a Mockingbird, and Tale of Two Cities in backwards order (that is, Dickens' is my favorite, and Lord of the Flies is still great but the least of those four).

I feel that futility and the rest of the world hating on you or just being its normal awful self are the main themes I seem to gravitate to.

As I mentioned though, I still intend to read Clockwork Orange but I'm not a fan [yet?]. I also read The Good Earth when I was about 11, and honestly, it's a godawful book but I read the whole thing because its horror kept me reading. Just putting that out there for ideas. Also I'm not much of a fan of sci-fi, unrealistic fantasy (though that might be an exception), or zombies/apocalypse.

So with all that in mind, does anyone have anything either modern or classic that you'd recommend?

EDIT: THANK YOU ALL! (And feel free to continue adding more suggestions!) I just wanted to say thank you for so many potential options; I just have to get over to the library for a card (scheduled for Friday), and what I can't get there or something that seems a little too dense, I will look into audiobook options since I drive a lot.

I've tried hundreds of searches (variations of this) on google and either I have no idea what to search for, or it doesn't exist.

I'll keep it short, the best way to explain is that I'm looking for a game in the style of the Total War franchise, but focused (mostly) on the top down battle view:

Example 1

Example 2

I'm not that interested in manually managing tens of regions, I don't want to 3d my way through a battle front while the soldiers gore eachother, I just want to focus on being a general that wins battles through tactics. Where I can apply strategies like Oblique Formation and False Gap to outmaneuver my enemies.

Do you have any recommendations for me? Is there any game that even comes close to this? (apart from the Total War franchise - which I love by the way, but the games tend to last too long, and they're getting bigger and bigger with each release)

Inspiration came when I was listening to Busy Signal - One More Night, a half-cover of the Phil Collins original. Reggae and dancehall have a lot of examples like this but it's usually interpolating or covering the chorus rather than the entire song.

So, which do you know? If you could post links for both the cover and the original, that'd be ace. I'd say sampling in hip-hop usually doesn't qualify here, unless there's clear conceptual connection to the original song beyond just the beat.

Also, if anyone suggests the Chet Faker version of No Diggity, I will start a riot in here.

So, I used to think I hated all love songs.
I disliked them because, in the ones that id heard were the type that found on the FM radio stations, and those tend to fall into a couple broad categories:

• I just met you, and I want to marry/stalk you
• You broke up with me, and I will do anything to get you back
• Your with someone else, and Im trying to win you over

My view on them changed when I found I'll Take Lonely Tonight, A song about the temptation of cheating in an established relationship.
While not a song I can exactly relate to, it still struck me, because its, well, respectful.
Its respectful towards the woman offering the one night stand, but still describes a deep, enduring love between Tim and his wife,
that he would rather spend the night on his own then break their trust.
(I guess it probably helps that I already like tim minchin, especially his newer, more subdued works.)

Since then, Ive only discovered one other song that scratches that same itch: Like my Father, a song about how the artist's parents relationship set the standard she strives for in her own relationship (My parents relationship was very much a role model for my marriage today, so this one hits me in the feels)

Im actively looking for other similar songs, and would appreciate any other suggestions.

Just saw this other thread about the FNaF movie actually doing quite well at the box office, which apperently is much newsworthy and something I should care about. This here thing is popular, this and that is trending, read all about it. Yay. Well sure, it's quite nice they made their money back, but I felt it looked a bit overproduced and cookie-cutter like. Okay, haven't actually seen the blessed movie, but I've decided to hate it, so there!

I know about David Lynch, I know about Cronenberg, I know about J-horror, all that old stuff, but are there any contemporary horror movies which will screw me over? Something a bit more art-house and crazy? I've been a bit away from movie for the last decades, but I'm unsure if I'm out of the loop, or if there is anything to be out of the loop about.

Albums specifically, please! Not individual songs. I’m wanting something meant to be listened to from back to front.

I thought about listing some of the favorites I already have, but I don’t want to prime the recommendations. I might jump in with some in a comment later if other people are wanting to enjoy the recommendations too.

Anyway, give me any chiptune album favorites you have. If the music sounds like a game console is having a good, meaningful, moody, or interesting time, then that’s exactly what I’m looking for!

Also, game soundtracks are fine as long as they work as an album.

I've been building a playlist of songs that I would classify as, for lack of a better term, "cool" songs. The word is extremely subjective and based on my personal experience, of course. But the best way I would describe these songs would be: if I imagine myself riding in a car with a friend, and he/she puts on a playlist to show off some new music discoveries, these would be songs that I hear for the first time and think, "damn, that is a cool song."

Most of the songs that I'm about to list have similar qualities, but there are some exceptions. I know all of these songs by heart, so my objective is to find new songs that fit these obscure qualities. Also, I'd really like to know what exactly is causing me to call these songs "cool".

The songs (with Spotify links):

• The Prodigy - Breathe
• Eels - Novocaine for the Soul
• Lo Fidelity Allstars - Battleflag
• Sneaker Pimps - 6 Underground
• White Town - Your Woman
• Run the Jewels - Blockbuster Night, Pt. 1

Now, you're instantly thinking: 5 out of 6 of these are songs from the 90's from groups that all probably ran in the same circles and shared pedal board setups backstage. There's probably a lot of truth to that. Aside from that theme though, here's what I've identified:

• Typically the sound is lo-fi.
• There's some sort of funky beat/rhythm. The drums are probably electronic.
• Many of these songs feature buildups into a powerful chorus or ending
• There may be vocal distortion or other effects
• Usage of electronics
• There's a dark/minor/modal sound to them
• Maybe there's a bit of industrial tie-in?
• The singers are closer to monotonous than all over the octaves

And that's all I've got so far. I've been thinking about this a lot and would love to discover some more music to fit into this theme. I want to be clear that I do NOT think this should just be a 90's playlist... unless that just happens to be where all of these songs exist.

So the discussion at https://tildes.net/~movies/1ar2/martin_scorsese_says_fight_back_against_comic_book_movie_culture_by_supporting_directors_like made me think about mainstream Hollywood way of movies versus - well everyone else? I am not even sure I like the term "arthouse" movies, because movies are movies regardless of the boxes we put them in, but for the sake of the argument movies that don't fall in the category of traditional mainstream storytelling. Is it just French artsy fartsy pretentious weirdness or is (quote) real cinema (unquote)?

I think my movie habits have been pretty average. I am not American, but most of what I have watched during my lifetime have been Hollywood productions. By a huge margin. In recent years I found myself going more and more bored with both movies and tv series from whatever the algorithms at the streaming services were pushing to me. Not that it was bad, just felt more and more like a product designed after a specific set of criteria aimed at my taste demographic. So I forced myself to break out of the bubble and watched movies totally outside my comfort zone with something I am sure the algorithms would never have recommended me. Started with movies by Kieslowski and Wong Kar-wai. And since then I feel like a whole new world of movies has opened up for me. Not that everything is magically great. There are still pretentious French movies that make me roll my eyes, but most of all it is something different. Story telling rules I thought couldn't be broken are thrown in the air and something completely unexpected appears on screen instead.

It takes some getting used to. I really struggled with a good deal of self-doubt whether I could actually understand these movies, because I have studied film theory or went to art school. At the end of the day it is really just about watching things intuitively and trying not to analyze everything or thinking about what things are supposed to mean, and be curious to why the movie does things that maybe the complete opposite of the film techniques I was used to from more mainstream movies.

This is not to bash at the Hollywood blockbuster way of filmmaking, because when that formula works - it really damn well works. But so can something completely different like Hlynur Pálmason's Godland, Haneke's Funny Games or Bujalski's Computer Chess - just to name a few of my recent very compelling movie experiences.

I read through He Who Fights with Monsters and it was not only my first read into the genre, so far it's been my favorite. I've come to absolutely love the characters, especially the protagonist, and the humor. Interesting and likeable characters are what makes or breaks a book for me.

I'm waiting on the next book to release, and in the mean time I've tried reading some others, but I've disliked what I've read so far. I read through the first three and a half books of Defiance of the Fall, but not only is the main character just hands down boring and contradictory, it's made worse by the fact that I don't believe the author is a very good writer. The amount of times a character has "snorted" and "rolled their eyes" is honestly a bad running joke.

After this I tried reading the Iron Druid Chronicles. It's not a LitRPG book, just a fantasy novel that takes place in modern times, but the author spent very little time on anything but the major plot points. Everything happens in such rapid succession that there's no depth given to the characters. I don't think it's poorly written, I just think it's just written for a different kind of reader. The books are also incredibly short for me, and I finished the first three in just a few days.

I'm halfway through the first book of The Primal Hunter now, and the writing is far better than Defiance of the Fall, the protagonist much better written, except I'm not sure I like him all that much. Very much the "I'm quiet, smart, and better than everyone" kind of attitude you'd get out of the know it all in high school, except supposedly this guy is a grown adult.

I've read all of these through Kindle Unlimited and they were all suggested to me by the app itself. I've only recently picked up reading again since dropping Reddit altogether, so I'm not super well versed into the best ways of finding new series to read.

Been reading a lot of Malazan BotF and while I love it, I'm looking for something breezier to read for a bit. Preferably something with under 5 PoV characters, 150-300 pages, a mostly linear plot and that doesn't take 100+ pages just to get my bearings on the world. If it's got humor or a bit of mystery too it, all the better.

I'm at a bit of a crossroads. There's a show I really adore (two actually, it's complicated) because it has lots of characters that appeal to me as someone who never found a lot of characters I could really identify with. However, I've become distant from it recently because there's a big theatre/musical element to it that has become more pronounced over time, to the point where it kind of overshadows the rest of the show for me. I can't watch it now because when someone starts singing, I roll my eyes and turn it off. Musicals don't work for me typically because the logical side of me can't rationalize people singing about their worries, etc. in the context of something ostensibly meant to be taken seriously. It completely takes me out of it. Maybe it's just me, maybe it's some deep-seated childhood trauma, who knows.

That said, is there anyone who can perhaps offer some film musicals that they feel play well to a non-theatre nerd demographic? I've seen stuff like Rocky Horror and Cannibal! The Musical, which I didn't hate mostly because I adore Tim Curry and the South Park guys. I'm not about to jump on the La La Land bandwagon or something, though.

EDIT: Since some people pointed out that I didn't mention the title, the show(s) in question is Helluva Boss/Hazbin Hotel. You can find both on Youtube if you're curious. Be warned though, it's pretty R-rated and LGBT-oriented if that's not your thing.

I'm currently working on a research paper (low-threat undergrad coursework), and I keep alternating between Lofi hip-hop and gentle acoustic pop covers to keep me motivated and on task. I've tried to get into a variety of classical music for this purpose, but I always end up rolling back to my Samuel Barber playlist and end up burning out on it. What's your go-to for productivity enhancement?

I'll go first: turn-based combat.

While not as common as they once were, there are still a lot of games, AAA and indie alike, that get massively popular and are known for their supposedly excellent turn-based combat. Games that are probably what a lot of people who don't care for turn-based combat make an exception for, for one reason or another. Say they really enjoy how Undertale is "the RPG where you don't need to kill anything", or how Persona 5 is "so stylish". Also, there's the classic JRPGs of old, such as the older Final Fantasy games, or these more military grid based kind of games like Fire Emblem.

I just don't "get" any of it. I've never beaten a game featuring turn-based combat from start to finish. Yes, that includes Pokemon games. I don't know what it is specifically. I've beaten games of basically every other genre, but when I start any turn-based game because of some friend recommendation or good reviews, I try it, am genuinely invested for a couple hours, then my interest in the game just dies all of a sudden. I don't think it's any one issue really, probably a lot of different things.

Anyone else never really got into these kinds of games? Or do you have some other game genre that everyone else swears by that you just don't care for?

What's happening in the hardcore scene in 2023?

I typically pose these sorts of questions to Reddit, but Tildes hasn't failed me on anything music related. We had an incredibly successful prog metal thread a couple of weeks before, and I'd love to have one on hardcore punk.

I have general questions about hardcore like:

• Who are the biggest names in hardcore of all time that still tour and write music today?
• Who are the biggest hardcore bands that have started in the last decade or less?
• In 2023, is it even useful to talk about hardcore as a distinct genre separate from metalcore anymore?
• Does any metalcore meaningfully exist in the hardcore scene? Is there any metalcore scene that embraces the punk ethic of hardcore?
• If a through-and-through hardcore band uses elements of metal in their music, are they now metalcore? Are you no longer punk if you use breakdowns?
• What should people know about the hardcore punk scene?

I don't know enough to know which of these questions are stupid or cringe, or what the best questions to ask are. Feel free to answer questions, ask questions, or share your knowledge of the scene with curious minds.

As always, I greatly appreciate your feedback!

Hey I would love some new recommendations. I love all kinds of music without words, weather that be classical, ambient, postrock, whatever. (I also love music that has lyrics too :) But sometimes I just enjoy listening to instrumental tracks).

Are there any favorites you'd be willing to share? Right now I am listening to Brian Eno. Thanks in advance.

I grew up an angsty rural white kid in the 2000s, and as such listened to my fair share of post-grunge/nu-metal/emo bands. Stuff like Seether, Staind, Korn, MCR, Nine inch Nails, Disturbed or Breaking Benjamin Sometime around 14 my musical taste shifted away from that and towards alt/indie/folk (not so coincidentally around the same time I got my first girlfriend and a solid group of friends). From there I've expanded to listening to pretty much every major genre, but the one subsection of music I've never been able to get back into is the aforementioned stuff. Whenever I listen to it I feel like it takes me back to my early tween/teen years and just puts me in a very bad mood. I know I used to really enjoy all of that but I feel like the period of time when I listened to it has been like permanently fused with the music itself and I can't enjoy it any more because of that.

Which is also weird because I had a very bad few years circa 2015-2019 and I was listening to the mopiest sad boy albums and post rock stuff but I've been able to come back around and enjoy them again without feeling like they're tainted by when I predominantly found and liked them, which was objectively a "worse" period of my life.

Burn Notice, White Collar, Chuck, Psych... List probably goes on. Suits fits the mold in my head tonally (at least the earlier seasons), though less about action.

Nowadays even the comedies are turning into serious drama than light pick-me-ups. So... let's talk about that? What happened? Do you miss them?

I'm currently reading The Priory of the Orange Tree, and really enjoying it, but I've got to confess I'm a bit disappointed by how predictable the world is. There's an obvious pseudo-medieval European culture, a vaguely Eastern culture of respect and honour, a wise Southern Arabic-flavoured culture, and so on.

It's making me long for some fantasy that feels genuinely different - as far away as possible from this vision of monotheistic courts, swordsman's honour and mysterious wisdom from far away. Something that feels refreshing in trying to portray a world that I have never seen before.

I recently read C.T. Rwizi's Scarlet Odyssey series, and while that definitely involves analogues to a lot of our cultures, it was told from an African perspective, which was very refreshing. So I'd welcome suggestions for fantasy books that approach the typical enemies from a perspective that I don't often see as an English-speaking European reader. But is there much in the way of fantasy that truly tries to explore places and people that are completely out there and away from any of our experiences?

The first one that comes to my head is Viking Metal, which i think is self-explanatory.
Also one that I like but is a bit more popular is Doomer Wave. Usually just remixes of music on Youtube that are more depressing.

I love microtonal music. Ever since discovering the concept about 6 years ago, I’ve become deeply fascinated by alternate tuning systems and have sought out and listened to microtonal music wherever I can. Most people I’ve talked to are not familiar with microtonal music, or have had a bad experience with it, so I wanted to make a post that explains what it is, and how one might appreciate and eventually acquire a taste for it, along with providing a variety of examples to choose from. All discussion related to microtonal music welcome!

What is microtonal music?

In short, microtonal music is any music that contains notes or intervals not found in the standard Western tuning system. Of course, this invites the question: what is the standard Western tuning system? If you are a musician, you are probably intimately familiar with it: the division of the octave into 12 equally-spaced steps, to which we typically give letter names like C or E flat (etc.). Most people come to unconsciously use these notes as the baseline for determining whether a note or interval is in tune or out of tune.

However, there is nothing intrinsically ‘correct’ about the Western tuning system. In fact, by some standards, it can be quite out of tune. If you listen carefully, you may even notice that our major thirds are ‘wobbly’ - the notes come close to a 5:4 ratio of frequencies, but the interval is about 14 cents too wide, which causes a subtle wobbly sound. We find these slightly ‘off’ intervals acceptable in part due to sheer familiarity. But it turns out, you can familiarize yourself with almost any interval!

There are a great many ways to design a tuning system that produces notes and intervals which are different from what we’re used to. Some of these might be more ‘in tune’, others less so. And there are even those that are in tune with respect to ratios that don’t even exist in the Western tuning system. As a result of these unfamiliar features, microtonal music may give the uninitiated listener the general impression of being ‘out of tune’. But if you give it a chance, it may surprise you - the only way to develop the familiarity that governs taste, after all, is to keep listening.

I think it also helps to know a bit about different tuning systems, to ‘see what’s going on under the hood’, so to speak. This conceptual familiarity may eventually support a degree of aesthetic familiarity.

Tuning Systems

Equal Division Tunings

Where the Western tuning system chose 12 steps, we can also divide the octave into some other number of equally spaced steps. These tunings are often referred to ‘EDOs’ (Equal Division of the Octave) - e.g., the Western tuning system could also be called 12-EDO.

Globally, perhaps the most common EDO (other than our very familiar 12-EDO) is 24-EDO, which is used by many musical traditions in the Arab world, such as Turkish, North African, Persian, or Arab itself. Conceptually, 24-EDO is interesting because it ‘contains’ all the notes of 12-EDO, plus 12 new notes exactly in between the other 12. As a result, it can be used to play all the intervals we are familiar with, and music which strongly relies on this feature is definitely on the more accessible end.

I tend to refer to 24-EDO music as simply being ‘quarter-tonal’ (the 12 semitones of 12-EDO being divisible into 24 quarter-tones). This distinction is useful since in many cultures, quarter-tonal tunings are not precisely 24-EDO, but some slightly sharp or flat variation of the general 24 notes per octave structure. It can be hard to distinguish the two, so ‘quarter-tonal’ is probably most accurate.

You could divide the octave equally into any number of notes, though - I’ve seen as low as 5 and as high as 500. Each has a unique sound depending on what intervals the division produces. Some EDOs, such as 19-EDO, 31-EDO, and 53-EDO produce very similar intervals to what we have in 12-EDO. Played with some restraint, they can be difficult to distinguish from 12-EDO, though they also have the option to play unfamiliar notes as well.

Other EDOs, such as 17-EDO, 22-EDO, and 27-EDO sound quite different from 12-EDO, producing lots of unfamiliar intervals while ‘missing’ ones you’d expect to hear in 12-EDO. And finally, there are of course EDOs such as 10-EDO, 13-EDO, 23-EDO (and many more) that produce few truly ‘good’ sounding intervals. Nevertheless, this doesn’t stop people from trying to extract something decent-sounding from them!

Just Intonation

In short, just intonation is the practice of tuning different intervals to exact ratios of frequencies. Instead of trying to accommodate or work around ‘out of tune’ notes you might find in EDOs, why not just make every note perfectly in tune, after all? The result of this is notes that harmonize perfectly with each other, even if these harmonies are at first unfamiliar to the untrained ear. Often, just intonation produces intervals or whole chords that have a very clear, resonant quality.

The downside of this, though, is that since the notes do not equally divide an octave, you cannot simply transpose scales and chords to a new key. You may have made everything in tune with respect to, say, B flat, but it may turn out that with respect to D, the ratios are far more complicated and their sound commensurately dissonant. To compensate for this shortcoming, a lot of just intonation music tends to play in only one key, or perhaps a few related keys. Certain genres of music, such as drone music, or modal examples of rock and folk, better lend themselves to this technique.

There are many possible tunings within the broad category of just intonation. Usually a musician selects, say, 9 different notes that form specific frequency ratios with each other, and limit themselves to that. So describing specific just intonation tunings often comes down to a list of ratios, which can be hard to interpret without experience in microtonal music.

Free Intonation

Enough of ratios and equal divisions - maybe you just have a particular sound in mind, and you’ll know it when you hear it. This practice of tuning notes semi-arbitrarily, is known as free intonation. The notes chosen may simply sound good to the musician playing them, and at times they may even come close to the just intonation ratios. At other times, they may be chosen because they are out of tune. Maybe the ‘beating’ quality of out of tune notes provides a desirable texture, or maybe a certain ugliness itself is desired.

Free intonation per se is somewhat less common than the other two categories of microtonality. However, some musical traditions are actually more similar to free intonation than anything else, the difference being that instead of the ‘ad hoc’ quality of free intonation, the specific tunings are passed down from generation to generation.

Examples of cultures that use non-just, non-EDO tuning (for lack of a better name) include Indonesian gamelan music, Georgian liturgical music, and lots of different types of African and Asian music, just to name a few. If you needed proof of the notion that microtones are, in principle, capable of becoming familiar, even ‘normal’, these long-lasting traditions of unsystematically tonal music should suffice.

Examples

After listening to a lot of microtonal music, some good, some bad, some very bad, I have amassed quite a collection. Below I have listed what I feel to be prime introductory examples of microtonal music in a variety of genres. A lot of it is very approachable to people unfamiliar with microtones, and I hope you can find something you enjoy among the albums listed.

Of course ‘microtonal music’ is such a broad category I can’t hope to be even close to exhaustive. In many cases I am summing up a huge subcategory (such as Turkish psych rock or Arab dance music) with one or two representative examples.

For any other fans of microtonal music out there, please post your favorite albums or tracks! I’m sure there is some great stuff I’ve missed, and I would love to expand my collection further.

Rock

Altın Gün - On
YouTube / Bandcamp
Altın Gün - Aşk
YouTube / Bandcamp
A lot of Turkish folk music uses a tuning similar to the quarter-tonal tuning used in the rest of the Arab world, and a lot of modern Turkish rock music (especially starting in the 70’s and 80’s) features these same tunings. I think Altın Gün is probably the best example of the ‘Turkish Psychedelic Folk’ style from the past decade or so. Some songs on these albums, in part or in whole, focus more on the normal Western tunings. But pay attention to the vocal parts and the baglama (similar to a guitar) and you’ll hear lots of quarter-tonal inflections. These two albums are a very accessible introduction to quarter-tonal tunings, in my opinion.

Balungan - Kudu Bisa Kudu
YouTube / Bandcamp
This album is a juxtaposition of Javanese gamelan music (explained in detail at the very bottom of this list) with RIO-style avant-rock (featuring the drummer of French band Etron Fou Leloublon) that uses the more typical 12-EDO. Bombastic and strange without being too inaccessible.

Brendan Byrnes - Neutral Paradise
YouTube playlist / Bandcamp
Brendan Byrnes - 2227
YouTube / Bandcamp
Brendan Byrnes has some excellent microtonal rock music which generally uses a lot of electronic elements as well (synthesizers, digital effects, and occasionally drum machines). Sometimes this recalls synthwave, but genre-wise it’s very much its own thing. He uses a variety of tunings, particularly 22-EDO, but also 27-EDO and just intonation, among others. His guitar work fuses these exotic tunings with fluent, articulate playing that is a joy to hear.

Compro Oro - Simurg
YouTube / Bandcamp
Another great modern example of Turkish psychedelic folk, from a psych / funk / fusion band whose other albums do not use microtones (most of them exploring a more ‘Ethio jazz’-influenced style). As with a lot of music in this style, the microtones often play a more ornamental role, which makes them more accessible to the uninitiated listener.

Feeding Fingers - Do Owe Harm
YouTube playlist / Bandcamp
Some very fresh-sounding post-punk / darkwave that uses quite a diverse selection of exotic tunings (listed on their Bandcamp page). This album has that dour, ‘Joy Divison’ sound, and the use of microtonality alternately lightens the sentimentality or darkens the menace that music in this genre evokes.

Horse Lords - Interventions
YouTube / Bandcamp
Horse Lords - Comradely Objects
YouTube playlist / Bandcamp
Horse Lords are one of the most exciting, interesting microtonal rock bands out there, in my opinion. They primarily use just intonation tuning, and a lot of their tracks even use other compositional elements to point out the mathematical features of this tuning (for instance, using a 3 on 5 on 7 polymeter, with instruments that play the 3rd, 5th, and 7th harmonics of a note). Polymeters and polyrhythms are a regular feature in their music, and along with other cool techniques such as hocketing, change ringing, and repetitive riff structures reminiscent of North African music, they serve as a fascinating, unique vehicle for exploring just intonation. These two albums are probably the best examples, but pretty much everything this band has put out is excellent.

King Gizzard & The Lizard Wizard - Flying Microtonal Banana
YouTube playlist / Bandcamp
King Gizzard & The Lizard Wizard - K.G.
YouTube playlist / Bandcamp
King Gizzard & The Lizard Wizard - L.W.
YouTube / Bandcamp
King Gizzard is probably one of the biggest-name artists on this list, and while only 3 of their albums (out of like 20-something) are exclusively microtonal, they are a great example of heavy psych rock or garage rock that draws a lot from Turkish psychedelic rock. This is some high energy rock music for dropping acid and kicking ass. Flying Microtonal Banana, which marked the point at which I personally got very into microtonal music, is almost entirely based on the microtonal ‘Huseyni’ scale most common to Turkish folk music. The other two albums on this list have more variety, but still employ the characteristic quarter-tone tunings.

The Mercury Tree - Spidermilk
YouTube playlist / Bandcamp
Some very aggressive prog rock using the curious 17-EDO tuning. The sound of this tuning is very different from the standard 12-EDO, which gives this album a dark, otherworldly sense of harmony that fits its angular melody and unconventional rhythms. And yet, the vocal parts are very smooth and natural sounding, which is an interesting contrast. The Mercury Tree have several other albums using this tuning, but I think Spidermilk is their best work.

Secret Chiefs - Book M
YouTube / Bandcamp
Extremely eclectic music (featuring members of the bands Mr. Bungle and Estradasphere) that employs Arabic-style quarter-tones. The band wanders between folk traditionalism, speedy electronica, swanky funk rock, and industrial metal with each subsequent track, but somehow the aesthetic is all of a piece. Some really great musicianship here as well, especially the violin parts (in my opinion). A few of the band’s other albums feature microtones but I think this one is the most cohesive and approachable.

Ventifacts - Ventifacts
Bandcamp
A duo consisting of the frontmen of The Mercury Tree and Jack o’ the Clock, who play rock music which heavily features the hammer dulcimer (of all things). Stylistically, you could call it progressive rock, leaning towards acoustic but still quite intense in places. Some of the songs use quarter-tones, but others use such tunings as 10-EDO or the 17-EDO favored by The Mercury Tree.

Yossi Fine & Ben Aylon - Blue Desert
YouTube / Bandcamp
Israeli hard rock / world rock which uses the standard Arabic quarter-tone tunings. Heavy desert vibes, with simple, approachable riffs and microtonality that is way out in the open, but still very accessible.

Metal

[syzygy] - [escape]
YouTube / Bandcamp
10-EDO is a pretty wild-sounding tuning, and [syzygy] works it beautifully into some stoner doom metal. This EP unrepentantly embraces the out-of-tune feel that this tuning has, but it was surprisingly easy for me to acquire a taste for. It helps that the singer belts out a very strong performance, exactly nailing those hard-to-grasp notes. Not necessarily for beginners, but rewarding if you can get into it.

Agonanist - The Cynicism of Solitude
YouTube / Bandcamp
Atmospheric black metal with extra creepy microtones (I’m pretty sure it’s 17-EDO but I couldn’t find any information about it). The microtonality is a good fit for the genre, where the extra-dissonant parts find themselves buried among blast beats and guttural roars. Yet at times, the tuning provides a melancholic feeling that is softer than you might expect. Really interesting stuff, especially if you’re already into black metal.

Cryptic Ruse - Unfertile
Bandcamp
An impressively heavy sludge metal album featuring the super dissonant 23-EDO tuning. Cryptic Ruse has albums with other tunings, but this one is especially impressive with how well such a strange tuning works. Of course, by any reasonable standard, it’s still extremely bizarre, so tread with caution.

Jute Gyte - Perdurance
YouTube / Bandcamp
Jute Gyte - Mitrealität
YouTube playlist / Bandcamp
If there was such a thing as using quarter-tones for evil, Jute Gyte is it. Absolutely crushingly heavy avant-black metal with hyperspeed blast beats, harsher-than-harsh vocals, and the most dizzying, angular approach to quarter-tones possible. These two albums are a good place to start if you like the sound of pure madness. The liner notes on the Bandcamp page for Perdurance explain a bit of the (really crazy) compositional approach.

Kostnatění - Úpal
YouTube / Bandcamp
Blackened death metal that incorporates microtonality through the usage of fretless guitar. A lot of the microtonal sections seem to roughly follow quarter-tones, but there appears to be some free intonation stuff as well. It’s a surprisingly accessible album, at times seeming to draw a bit from (Slovakian?) folk music. A really catchy release, overall.

Last Sacrament - Enantiodroma
YouTube / Bandcamp
Death metal using the 16-EDO tuning. Interestingly, this tuning preserves the tritones and minor thirds present in 12-EDO, so it’s a good fit for a genre that heavily relies on these intervals in its riff structures. At times it almost just sounds like regular death metal, though there are plenty of places (such as guitar solos) where the microtonality shines through.

Scarcity - Aveilut
YouTube playlist / Bandcamp
Atmospheric black metal using 72-EDO. With high-numbered EDOs like this one, you get so many intervals you can approximate almost anything you want, which allows this album’s droning guitars to be quite consonant - when they want to be. Long song structures allow for very gradual development of harmony, and it’s all underpinned by blast beats and screams like you might expect from the genre.

Victory Over the Sun - Nowherer
YouTube / Bandcamp
Blackened sludge metal using 17-EDO. Really dissonant, not only due to the standard screams and guitar distortion, but also along with sections that are kind of minimalist and not overwhelmingly distorted - rather, just written to be intentionally kooky and compositionally abrasive.

Electronic

Aphex Twin - London 03.06.17 [field day]
YouTube / SoundCloud
Aphex Twin is a pretty big name in electronic music in general, producing stuff in the IDM / drum & bass / acid genres, but a lot of his music is also microtonal. The London 03.06.17 EP is one where pretty much the entire thing uses microtones (I’m not sure of the tuning; it might be free intonation), but you can also find a healthy dose of microtonality on several of his other works, including Syro and Analord.

FASTFAST - New Color Bomb
YouTube playlist / Bandcamp
Bright-sounding funky synthwave which uses a wide variety of tunings. Very accessible, with some really refined-sounding, psychedelic vocals which gives even the most electronic tracks a slightly more organic quality. A lot of the chords are nearly the same as you’d hear in 12-EDO, but the changes between them occur over microtonal intervals. Neat stuff.

Lynyn - Lexicon
YouTube playlist / Bandcamp
Hyperactive drum & bass / IDM music that occasionally incorporates microtones (sometimes quarter-tones, other times more of a free-intonation thing). These harmonic qualities really fit the wonky, glitchy sound of the music, at times playing almost more of a textural role - as a result, it’s a very accessible album if you like the genre.

Omar Souleyman - To Syria, With Love
YouTube playlist / Bandcamp
The music of Omar Souleyman is like something you’d hear at a Syrian wedding party. Quarter-tones are common to most forms of pan-Arabic pop music (a huge category that would of course be hard to effectively summarize), but I’ve found that I keep coming back to this album, among others that Omar has recorded. Incredibly fun dance music (‘dabke’) with a sort of cheesy 90’s techno vibe.

Sevish - Harmony Hacker
YouTube playlist / Bandcamp
Sevish - Morphable
YouTube / Bandcamp
Sevish is a big name among electronic microtonal hobbyists, and for good reason. Bright, uber-synthetic timbres are used on these albums to deploy a wide variety of equal temperament and just intonation tunings. Alien sounding for sure, but the fun, pop drum & bass approach keeps the overall experience pretty approachable. Sevish is probably many an internet-dweller’s introduction to microtones.

Trauma Triad - A North Facing Window
Bandcamp
I feel awkward promoting my own music here, but I do honestly think my album of quarter-tonal IDM / fusion is actually pretty decent and worth a mention. Primarily using electric piano and 808 style bass synthesizer, I tried to explore quarter-tones from a more harmonic and less modal perspective. A more detailed explanation of the harmony is included with the (free!) Bandcamp download of the album, for any deeply interested parties.

Jazz

Amir ElSaffar - Rivers of Sound: The Other Shore
YouTube / Bandcamp
This album explores a combination of contemplative spiritual jazz and quarter-tonal Iraqi folk music. The large ensemble provides a huge diversity of instrumental texture, and long song structures provide a chance to let the microtonal harmonies sink in before proceeding through the sprawling yet gentle improvisation. A must for any jazz lover.

Firas Zreik - Salute
YouTube playlist / Bandcamp
The first half of this album leans towards quarter-tonal Palestinian folk music, while the latter half develops more into actual jazz. The star here is the kanun, an instrument similar to a dulcimer, which Firas absolutely shreds. The mastery of this instrument on both a rhythmic and harmonic level is really impressive. Overall quite accessible and entertaining.

Giorgi Mikadze - Georgian Microjamz
YouTube
The full album doesn’t seem to be available on YouTube or Bandcamp, but one track should at least give you a taste of the truly unusual Georgian folk harmonies. Neither equal temperament nor just intonation (nor even an approximation of either), this is some extremely strange sounding stuff, especially combined with some spacey instrumental timbres. Yet it’s ultimately buffered by a more familiar jazz fusion stylistic approach, complete with virtuosic solos and skittery rhythms.

Land of Kush - Sand Enigma
YouTube / Bandcamp
This album features Arabic quarter-tone styles worked into large ensemble avant-jazz. The addition of multiple vocalists is also rather unique. At times, the music swings like you’d expect, but a lot of the music here is more textural and experimental. There are sections of fiery free jazz, creepy noise-sculptures, and much more.

Mike Battaglia - Sweet Lorraine
YouTube
While I try to focus more on albums than individual songs, this cover song from YouTuber microtonalist Mike Battaglia is particularly fascinating. Using a stride piano style that gradually works in more and more quirks of the 31-EDO tuning, it perfectly toes the line between detuned honky-tonk piano and truly intentional microtonality. Mike has a bunch of other neat microtonal covers on his channel if this provokes your interest.

Ambient / Electroacoustic / Folk / Classical / Etc.

75 Dollar Bill - I Was Real
YouTube / Bandcamp
Incorporating the quarter-tonal aesthetic of North African music, 75 Dollar Bill deeply plumbs the idea of desert folk for this really excellent, wide-ranging album. Many of the tracks are in a sort of meditative near-ambient style that highlights the subtly-amplified guitar. In others, hand percussion and occasionally other instruments (e.g. viola, saxophone) push lightly in the direction of rock. Overall an extremely relaxing album.

Basiani Ensemble - Georgian Polyphony Singing
YouTube
I bet you didn’t think you’d be listening to microtonal Georgian church choir music today, but here you are. As I explained for ‘Georgian Mikrojamz’ above, Georgian folk tunings are quite otherworldly, but here as a solemn purely vocal performance they acquire a strange profundity that is hard to describe. Some of the tracks use typical 12-EDO harmonies, but about half of them have these odd, resonant microtones that probably sound even better in a huge space like a church (I imagine). Start with tracks 2 and 5 if you want just a taste.

Duane Pitre - Omniscient Voices
YouTube / Bandcamp
Ambient electroacoustic music primarily featuring piano. The very slow pace and gentle, quiet sound are very conducive to hearing the details of just intonation tuning, whose exactly tuned ratios produce intense and evocative ringing sounds. A great album for relaxation or meditation, in my opinion.

Guillaume Costeley - Seigneur Dieu ta pitie
YouTube
Guillaume Costeley was a 16th century French composer, and one of the first Western examples of experimentation with microtones - particularly, he used the 19-EDO tuning, which is good at approximating similar intervals to 12-EDO, but gives new options for key changes. This video is a brief composition of his, played on microtonal organ, along with sheet music and a more detailed explanation of how this tuning works. Fascinating stuff.

Julia Reidy - World In World
Bandcamp
On this album, just intonation tunings are played using only almost exclusively clean electric guitar, using heavy reverb, delay, and looping to create some expressive, mystical soundscapes. The almost tactile textures produced are sometimes rather dark, though never sinister. At other times they are bright and expansive, though no less quiet and intimate. Another great relaxation album.

Methods Body - Methods Body
Bandcamp
Electroacoustic avant-rock that uses free intonation to create harmony that is bizarre yet curiously organic-sounding. You can hear the warbling texture of the intentionally out-of-tune intervals in a lot of these tracks, which fits the earthiness of the acoustic instrumentation. A lot of the tracks also have a danceable groove to them reminiscent of some free intonation African music. Methods Body also recently released an album called Plural Not Possessive that is an even more low-key, ambient example of some of these features.

Sound Tracker - Gamelan
YouTube
Indonesian folk music, also called ‘gamelan’ music, uses some very unusual tunings - neither equal temperament nor just intonation, but some idiosyncratic set of intervals cooked up long, long ago. In addition, gamelan ensembles pair up instruments that are tuned slightly differently, so when they play in unison you get a beautiful, ‘shimmering’ texture. Unfortunately, there are not a lot of high quality recordings of purely traditional gamelan music. This is probably the best one I’ve seen, and it also lets you see some of the musicianship involved in actually performing the stuff.

The System Shock remake thread got me thinking about it. I've played the crap out of the Dishonored series, and Prey, along with some Deathloop, and I really enjoy all of them. It's crazy how much fun it can be to just really get into it, I drop the lights and everything, sit 8 inches from my 4k monitor (ghetto VR basically), and just 'enter' the game. This is especially fun when a little THC is involved!

Any games I may have overlooked? I do prefer the First Person type games, the visuals are part of the immersion for me personally.

"Generational" might not be the correct word. What I mean is that pop¹ music from the 20th century transitioned from one style to another in a way where decades could have pretty distinctive sounds. 50s music was different than 60s was different than 70s was different than 80s. What I'm wondering: what is your perspective on pop music style change from 2000s to 2010s to today?² Has it changed or does it sound the same as it did 10-20 years ago?

The reason I ask is that I listened to a pop station recently and it seems barely different than when I was in high school pre-2010. Taylor Swift is still incredibly popular, and listening casually to other songs, I had no guess on what year they were actually produced. It could have been 2012 or it could have been last year. I don't know if I'm just getting old and I've lost my ability to keep up on the nuance of current trends or if it's that pop music has stagnated the same way Hollywood movies have - art that is analyzed and meticulously designed to appeal to the widest audience possible.

[1] - I'm defining "pop" as Billboard Top 40 or equivalent.

[2] - I think this only applies to "pop" songs. I haven't noticed the same trend in sub genres such as country, rap, latin, or metal. I am also sure the extent of style variation over time depends on the country.

To preface, I'm trying to find horror movies that may be considered more on the mild side, something that's more accessible to someone not familiar or comfortable with horror or thriller movies.
Happy Death Day and it's sequel are already on my list, especially since there doesn't appear to be overt nudity / sex and the language is mild.
I suppose it could be described as PG-13 horror, but even the Scream series is actually kinda mild on the gore/violence side of you really break it down, as they have a whodunit plot more than a "let's douse the protags in blood" vibe.

Oh and of course Tremors is always on every list of all time great movies.