-
26 votes
-
After “Barbie,” Mattel is raiding its entire toy box
22 votes -
Superhero fatigue is real. The cure? Make better movies than ‘The Flash’
67 votes -
Warner Bros. needs to stop copying Disney and let its superheroes fly solo
25 votes -
Dear David Zaslav: Gutting TCM will not help you win filmmakers back to Warner Bros
15 votes -
The Accused | Interview with Kevin Spacey
15 votes -
Can Warner Bros. restore its movie glory? Michael De Luca and Pam Abdy want Christopher Nolan back, will prioritize theatrical and take more big swings
6 votes -
Disney is staring down the barrel of a no good, very bad year
The Little Mermaid opened this Memorial Day weekend. Pre-sales, being the tickets that people buy in advance, were looking strong. It looked like it would open to over 100 for the 3-day weekend,...
The Little Mermaid opened this Memorial Day weekend. Pre-sales, being the tickets that people buy in advance, were looking strong. It looked like it would open to over 100 for the 3-day weekend, and 130 for the 4-day. Potentially the highest opening weekend for Memorial Day ever.
That didn't happen. While it had a strong opening day, it failed to keep up the pace for the rest of the weekend. Ultimately opening under 100 for the 3-day weekend. The expected casual audience, referred to as "walk-ups" didn't show up in the numbers that were expected (based on past live-action Disney films). Hollywood trades are seemingly ignoring this, most of them calling the opening weekend a success.
While the Domestic opening weekend is certainly not bad, it's worldwide opening weekend is terrible. Internationally the film opened behind Fast X's second weekend. It's acting closer to Dumbo, a big bomb for Disney in 2019, than any of the successful live-action Disney films. Domestically, also, the film is acting closer to Solo, another bomb, than Aladdin (which had amazing legs).
Why this happened is still being debated. Some say that having a black lead turned off a lot of the international audience, others say they were turned off from a lack of a big star in the film (like say Will Smith in Aladdin or Emma Watson in Beauty and the Beast). Whatever the case is for the international audience, it's clear that there was a total market rejection of the film. Domestically, it seems like casual audiences are experiencing a bit of fatigue with these live-action movies (perhaps due to all the bad ones going straight to Disney+).
And maybe, perhaps, Disney betting big on Disney+ in 2022 while the other studios started to refocus on theatrical, was a mistake. Maybe that's diluted the Disney brand in all forms.
But whatever it is, Disney now has two bombs on their hands. Ant-Man failed to make a profit and now Little Mermaid is unlikely to reach that as well (considering the huge 250 million dollar budget on it). And the rest of the year is not looking any better for them.
Disney went to Cannes with Indiana Jones and Elemental. Which we all assumed was a sign of confidence in the films. That ended backfiring as both Indiana and Elemental ended up rotten on RT. Now they have to deal with a negative reception for both films, on top of the fact that there was very little excitement for both to begin with. Pixar, and Disney animation as a whole, is now looking at back to back to back bombs (Lightyear, Strange World, and now Elemental). Indiana Jones had an inflated budget of 300 million and now looks like it won't break even either.
Haunted Mansion might surprise, but it's gonna be a tough ladder to climb considering the really big 150 million dollar budget.
The Marvels will need to be as well received as Guardians in order not to be Ant-Man'd out of existence, which most people are not expecting, especially as you need to watch two TV shows to understand it.
Wish could finally be a win for Disney's animation department, but considering the track record I wouldn't count on it.
It's really not looking good for Disney, what a fall considering the immense success they experienced in 2019. They really might just end up with one success this year (Guardians).
38 votes -
Time to break up Hollywood
5 votes -
Writers Guild calls first strike in fifteen years
23 votes -
Yep, it’s slow: How a potential strike and industry pivoting has Hollywood at a standstill
5 votes -
George Takei: Love and justice beyond the stars
3 votes -
Desperate for profits and souring on streaming, Hollywood falls back in love with movie theaters
5 votes -
Hollywood’s Covid protocols get expiration date; vaccine mandate will end
2 votes -
Amazon may buy distressed AMC theater chain in seismic Hollywood streaming shift
10 votes -
Why Hollywood isn’t - and can’t be - just about blockbusters
6 votes -
Cannes 2023: Thierry Fremaux on the festival’s relationship with Hollywood, Scorsese, Netflix, Oscars and TikTok
1 vote -
Snow White and the Seven Dwarfs was Walt Disney’s biggest box office gamble
2 votes -
Apple to spend $1 billion a year on films to break into cinemas
7 votes -
Shazam 2 and the birth of the lame duck superhero movie
3 votes -
What studio franchises can learn from the rise, fall and rise of the western
2 votes -
Killer dolls, cocaine bears and dinosaur time travel: how the B-movie became big business
4 votes -
Harvey Weinstein sentenced to sixteen years after rape conviction, putting former movie mogul behind bars for life
12 votes -
Alec Baldwin charged with involuntary manslaughter in Rust shooting
7 votes -
Crushed
7 votes -
Netflix offloads two completed films, filmmakers shop projects elsewhere
6 votes -
Hollywood cannot survive without movie theaters. Why is this so hard for studios to believe?
5 votes -
Alec Baldwin and ‘Rust’ armorer to face involuntary manslaughter charges in shooting death
12 votes -
Justin Roiland domestic violence charges met with silence from TV partners
4 votes -
Was 1920s Hollywood really as decadent and debauched as it looks in ‘Babylon’?
4 votes -
Harvey Weinstein convicted on three charges of rape and sexual assault
8 votes -
Kim Masters on Hollywood’s year of wishful thinking
1 vote -
Disney shocker: Bob Iger returning as CEO, Bob Chapek exits
9 votes -
Chinese protesters want ‘cinema freedom.’ Hollywood should help them.
3 votes -
Babylon | Official trailer
4 votes -
Amazon plans to invest $1 billion a year in movies for theaters
4 votes -
‘Fast X’ budget has ballooned to $340 million – Can it still turn a profit for Universal?
5 votes -
‘Babylon’ first reactions are all over the place: Responses for Damien Chazelle’s film range from a ‘daring Hollywood epic’ to ‘truly monstrous’
3 votes -
How ‘Pig’ became Nicolas Cage’s cash cow. After making fifteen indies in the span of a few years, the storied action star has recaptured the studios’ attention — raising both his profile and his quote
13 votes -
James Gunn and Peter Safran named co-chairmen and CEOs of DC Studios
9 votes -
Marvel, DC among last bastion for supersized paydays
3 votes -
Movie theaters want more from Netflix, but the streaming giant isn't ready to budge on its release model
10 votes -
Interview with the Vampire, Anne Rice, & 150 years of gay vampires
5 votes -
Brendan Fraser on his "comeback" in 'The Whale' and defying Hollywood's obesity prejudices
3 votes -
Hollywood says farewell to Chinese investment bonanza
9 votes -
Moral clauses: Why a red scare tactic revived in the #MeToo era could lead to a fight with the guilds
3 votes -
The visual effects crisis
4 votes -
#MeToo, five years later: Why Time’s Up imploded
8 votes -
High anxiety in Hollywood: “Everyone is totally drained and burnt out”
8 votes -
China says Hollywood needs to show respect as films blocked
10 votes