I've recently finished Mary Oliver's A Poetry Handbook and have begun writing my own poems (just for fun). I feel though that I may be limited by my having read little poetry. So, I'm searching for anthology recommendations to get some inspiration.

I'm not really looking for collections of "classics," just a large collection of poems generally considered to be "very good," and maybe leaning more towards contemporary (late 19th century onwards?). But I'd welcome recommendations outside of these guidelines too if anyone feels particularly strongly about some collection.

© 2014 u/ebonGavia

Love

Love's sweetly poisoned darts

Are wasted on this heart

Inerrant though they fly

My shielding gives them lie

These centuries-builded walls

The keenest edge forestall

Thus armored sit I here

At siren's call do sneer

By hours, years do toll

And cold becomes my soul

That blackguard, Love, I spurn

From treach'rous Hope I turn

At length my vigil wanes

Naught but ennui remains

With apathetic sigh

And dry, half-lidded eye

My senses, weak, are dulled

To fitful sleep are lulled

Thus primed for artifice

Undone by artlessness

A 'doring glance unlocks

My bitter heart. A shock —

A shining word, a koan —

The fatal shot is flown

Each quick'ning touch, now soft

Our scales, forgotten, doffed

Bewitched by winsome eyes

We don our honeyed ties

Yet venom's stings presage

Our bittersweet malaise

But how is it that we

Bemoan this malady?

In love — by Love, lovesick

Yet, healed, we poison pick

No Cupid bends a string

We prick ourselves, willing.

I desire more poetry on this site. So here is more poetry!

I believe this is Cummings due to the style and some cursory internet searches but I was unable to find an authoritative source. If anyone has one I'll edit it in! The formatting is taken from a book (I discovered this in a photo online).

the great advantage of being alive
(instead of undying)is not so much
that mind no more can disprove than prove
what heart may feel and soul may touch
--the great(my darling) happens to be
that love are in we,that love are in we

and here is a secret they will never share
for whom create is less than have
or one times one than when times where--
that we are in love,that we are in love
with us they've nothing times nothing to do
(for love are in we am in i am in you)

this world(as timorous itsters all
to call their cowardice quite agree)
shall never discover our touch and feel
--for love are in we are in love are in we;
for you are and i am and we are(above
and under all possible worlds)in love

a billion brains may coax undeath
from fancied fact and spaceful time--
no heart can leap,no soul can breathe
but by the sizeless truth of a dream
whose sleep is the sky and the earth and the sea.
For love are in you am in i are in we

Hello everyone :)

I write as a hobby and have had an article in my drafts for a long, long time. In essence, I'd like to discuss the "repetitive nature of human tribulations/suffering/life", that is, the fact that regardless of superficial characteristics we all are confronted with extremely similar circumstances throughout our lives.

Whether it's 10 years into our lives or 40, there's joy, heartbreak, loss, a need to belong, some desire for freedom, a need for a purpose, lack of direction, obsession with a newly found direction, etc.

I'd love to come across poets, philosophers, psychologists, etc who have touched upon this subject: we are not defined by our circumstances, as they are, in very broad strokes, largely the same, but by how we are able to adapt and reinvent ourselves amidst those same circumstances.

Looking forward for your answers :)

Thanks!

So as an American whose love of poetry started in early childhood with A A Milne and Lewis Carroll, I have a theory that the teaching of poetry in typical schools (at least for my generation which may be 30 years out of date re what happens now) that poetry as taught is almost tailor made to destroy any interest in poetry. I like to compare it to introducing music by teaching music theory.

So, if anyone here reads poetry and is willing to talk about it, what poems would you use if you wanted to come up with a gateway drug. They should be easy to appreciate. And on the flip side, if you met someone who said they were really into poetry, are there sophisticated poems that you think are just cool and insightful and moving and impressive in some way? Please feel free to explain your choices or to talk about your experience with poetry in or outside of education.

The concept

It's a box that contains a receipt printer and an interface with several buttons. A user would press a button that reflects their emotional state (happy, sad, anxious, etc.), then the machine prints out a more-or-less appropriate poem on a receipt printer, beautifully formatted and embellished with simple artwork.

It could be occasionally repurposed for certain themes, like Pride Month to print out queer poems.

I want to place it someplace public and well-trafficked, like Dolores Park or on Castro Street.

Feedback

I like poetry. The idea of a (free) vending machine that gives me a poem to uplift my day excites me. But I wonder if this appeals to others enough to be worth fully realizing. I don't want to spend time and money building something that'll go totally unloved.

Also curious about anti-vandalism measures or ideas. I'm sure some jerk will try graffiti-ing it or peeing on it.

Lastly, anyone interested in collaborating?

T'was picking fruit down under, where
I learned the truth of underwear
Davenport made the best boxer
costed more but last forever

At first my junk was hanging loose
no more briefs snuggling like a noose
but soon I loved it hanging free
it's quicker when you have to pee

Decade later holes not in sight
Bought some more in case they might
Thought they'd be with me till the end
Thirty years they've been my friend

Now I'm down to last seven pair
Out of business they went I fear
Brought down low by cheap knock offs
Where oh where is my Undie Guru now?

I sang her name in words forgotten
Rough bellows of lost yearning
A hurt hound without path
A sorrow meaning without an end

I heard the rain, heard the ocean
Lick the sand without defect
The water, where it falls
Is always beautiful all the same

I saw, my God, that you made her
Carefully crooked, imperfect
And inside her deep mournful eyes
The tears that I could never shed

The sky is clear
except for some
soft grey clouds
beyond the hill

The early setting sun shines orange
on the woods
and the houses
that sit atop the ridge

Not a single bird crosses
the pale blue sky
though I can hear
their chorus
and a gentle wind blows
cold
on my face

I can smell the traffic
from the road behind my house
mingling with
the earthy smell of trees
from the field in front

Neither my hot black coffee
nor my dressing gown
are enough
to keep the
cold
at bay
on this
the first truly frosty day
of the year

Occupied by the primal cries of democracy and its dying eyes.
Ain't no reason to keep pushing some days the infighting the outfighting the needless highlighting of differences in ourselves and others, not some injustice just arbitrary maladjustment.
These words ain't here to minimize or demoralize but to quantify and qualify the true enemy.
We are cannibals, our self absorption and self adornment lead to self consumption and our mutually assured destruction.
As we consume we forget we need to resume what we started, we assume that we’ve done enough and that the movement will carry on without us.
It’s too late, in the death throws of Democracy we choose a different path, without occupation, preceded by preoccupation, we now find ourselves the subject of this new occupation.

I'm an undoubted pleb when it comes to just about everything artistic (with the exception of music, in which I have impeccable taste). A while back, I suggested I'd be interested in seeing some critique or general discussion of already-known or published poetry, if only so I could get others' opinions on things that usually go over my head. This is an effort to get the ball rolling, with a poem that is one of my favorites.

Also, I'm not sure if this belongs here or in ~arts, please classify as appropriate.

Morning - Frank O'Hara

I've got to tell you
how I love you always
I think of it on grey
mornings with death

in my mouth the tea
is never hot enough
then and the cigarette
dry the maroon robe

chills me I need you
and look out the window
at the noiseless snow

At night on the dock
the buses glow like
clouds and I am lonely
thinking of flutes

I miss you always
when I go to the beach
the sand is wet with
tears that seem mine

although I never weep
and hold you in my
heart with a very real
humor you'd be proud of

the parking lot is
crowded and I stand
rattling my keys the car
is empty as a bicycle

what are you doing now
where did you eat your
lunch and were there
lots of anchovies it

is difficult to think
of you without me in
the sentence you depress
me when you are alone

Last night the stars
were numerous and today
snow is their calling
card I'll not be cordial

there is nothing that
distracts me music is
only a crossword puzzle
do you know how it is

when you are the only
passenger if there is a
place further from me
I beg you do not go

So we have all these people, and they all seem to be pissed.

So many people and they all seem to have... something amiss.

Many of these people, their concerns are just... entirely dismissed:

By other people with the same problems who somehow look at these perfectly normal people and react: "I have been nixed!"

These problems are pervasive in our memories and experiences and on a metaphorical wall they are fixed;

And yet the root causes are consistently misinterpreted, and ultimately missed.

And the result is we are betting everything for the sake of getting our cathartic and revengeful fix?

That is being delivered to us by people that if they were to meet us, would utterly reject us and loudly hiss?

And if that gamble fails I will be the one to pick up the scraps, and mop up the piss?

Man, I didn't want to grow up to this.

I'm working on this for a poetry class I'm taking, any criticism is welcome.

Edit: Italicized some text I forgot when I copied it out of Word.
Edit 2: Fixed some phrasing.

Coming Out 2.0

When I first came out
I thought it was over.
Done.
I know myself now,
My life can finally be
worthwhile and fun.

But there was always a mess I dared
not touch. Who do I like? What gaze
makes me blush? I suspected the feminine
but held out hope – only taking up one letter
made it easier to cope.

And some people do change after starting
HRT, so patiently I hoped men would appeal
to me. I had some feelings before, it seemed reasonable
they would grow. But as time went on I realized I had
nothing to show. My feelings for men were entirely gone,
but still hopeful for a straight-passing future, I pressed on.

I had definite feelings for women before,
But at times the attraction seemed a bit more –
Did I want to be them or did I want to be with them?
The former I assumed, as it helped to distract,
focus on my work, brush my desires under the mat.

I’d think “She looks cute”, but “in that outfit”, “with that hairdo” and other qualifiers
I began to append, convincing myself what I felt was normal and, like a
Chicagoland road, no bend. When I began to notice some feelings bubbling up I said
“Female friendships are close, it’s nothing, the end.” But try as I might, they flowered
and bloomed, and soon I could not help but be all-consumed. Maybe I’m bi, I thought,
That isn’t so bad. More options for dating, how can I be mad? I told my friend my feelings, and as
expected, for me she had none. She’s still one of my best friends, so I’d neither lost nor won.

I dealt with the rejection and moved on. I could still be bi, better not
jump the gun. You can’t take back coming out, you’ve got one shot – nail it
and be done. I thought everything would be the same, but the floodgates were open,
my restraints had been broken. I could finally be honest about my feelings
for women (endless, confusing and interwoven) and for men, which were at most
an appreciative token.

A week after confessing to my crush, it was obvious
who won. The Sapphic feelings and desires made
their presence known, their intent to stay,
and more difficult than coming out
as trans was admitting
to being gay.

always seem happy and dandy
and talk of love and romance
a riven smile on the face
to hide thoughts of pain

for her, everything has a verse
a waltz at each step
a flimsy variety of beauty
that melts after rehearse

huge hipster glasses
coffee without any taste
a window facing concrete
is now hummingbirds enlaced

and when she sings all her love
I am always in disbelief
cause when someone shouts too much
I sense a hooded grief