I'm mostly very appreciative of everything @Deimos has accomplished here; so far, it's been a very smooth and interesting alpha experience. I'm seeking some clarity on how the eventual reputation and trust system he proposes might eventually materialize, and would like to start a discussion among other users as to what mechanic they're seeking. [My apologies if this has been addressed previously - search functions are also anxiously awaited.]

There are multiple social sites (Slashdot, HN, Reddit, etc.) which use new/active/upvoted categorization for ranking front-page comments. This seems to be reproduced here, and generally, I don't have a problem with it as long as the permitted posts don't become just a reproduction of inflammatory click-bait available elsewhere, dank memes, etc.

However, on a per-user-basis, the first reasonably-well composed comment on a thread collects most of the votes. My observation is that in an active post thread, the best-reasoned/researched posts may occur after dozens/hundreds of comments, as people who don't spend their entire lives camping on a social site (highly-engaged!) join, read through prior material, and comment. These users don't garner the votes and reputation points which highly-engaged users might, even though they're working harder as quality participants. Threads die, potentially prematurely, because there's no reward for late arrivals or continuing disputation.

While this phenomenon hasn't become egregiously manifest on Tildes yet, there's certainly potential for it to arise. Would it make sense to age out the votes on the "first post!" comment, so that there's some encouragement for deeper or longer posts to continue on an active thread?

Since Tildes is ostensibly built to discourage the "engagement" tactics required to optimize for maximum ad views (e.g. https://www.bitcatcha.com/blog/instagram-tools-strategies-no-ones-talking/), is there another system which might further encourage participants to engage in thoughtful discussion and high-quality posts instead?

Ok, so I'm relatively new here on tildes, so I'm not even sure if I'm posting this in the right place, and if I am, I apologize. One of the things that I've noticed about tildes is that it doesn't have a search bar. I've looked through some posts but can't seem to find anything about it (it was made difficult by the lack of the search bar :P), so I'm wondering is there a reason we don't have one, have we not gotten round to getting one yet or do we just not want one? What are your thoughts on a search bar?

I'm sure as tildes gets bigger, security will continue to be a matter of discussion.

The dev GodEmperors of tildes have (quite awesomely) taken a big position on security already by disallowing breached passwords from being used.

I'm not much of a hacker myself, but it's an armchair interest and I'm sure others more skilled would love to be able to give back to Tildes and help keep the site as secure as possible.

What's the policy on bug hunting, and searching for exploits?

Thanks!

Inspired by @Marszalot 's topic about humor podcasts I would like to see you guys have any good recommendations about high performance mindset topic.

Recently I stumbled across Cindra Kamphoff's podcast at Spotify and I've been enjoying it a lot. Most of them are short, which suits very well my time to walk from home to the office (20 to 30 minutes), but it's weekly, so I'm searching for more sources to listen about high performance mindset / habits.

I have to do an assignment for university soon-ish, and it requires Angular. I'm not very fond of that framework specifically, but I would be interested in making it more interesting as a learning project. I've also recently discovered PureScript, which I have no experience with right now.

Searching online, I've purescript-angular, which hasn't been updated in years. I also couldn't find much else. Of course, I may be missing something simple (for instance, it's actually supported by default in Angular these days), so I wanted to ask if any of you know if this is possible, and if so, how?

I'm certain this has been discussed before, but seeing that
A: There's no search function and
B: Maybe people who joined since the last discussion would like to talk without necroing anything

Is there a cycle/timeline for adding new groups as interest seems to appear?
What's the plan for how to choose which new groups get added?

If not, could we (and the site's staff) discuss possibilities on good ways to do that?

I've gone through quite a few of the music streaming services now. I was on Rdio for a long time until it (sadly) shut down, switched to Spotify for a while, then to Google Play Music, and as of yesterday I have access to YouTube music (which it sounds like is intended to replace GPM before too long).

From a quick glance at YouTube Music I'm a bit worried—the "library" functionality seems pretty limited, and the search isn't really working as I'd expect. It also doesn't seem to have any connection with my GPM collection or playlists.

I think it's been out in the US for about a month now, has anyone been using it? Any thoughts on it so far or suggestions about using it?

In ~comp, there's a post about optimizing a string parser, and one of the tags is "optimisation" instead of "optimization". This makes me curious, what's the official policy for regional spelling differences in tags? Will people be encouraged to use exclusively American or British spellings, or will the search feature (when it arrives) automatically link results for both if you search for either?

Hey there!

I'm planning on going full linux again (last time was 5-6 years ago). The only problem is: i've lost track of the community and especially what hardware is currently best to run, especially tech that was really giving me headaches back then (GPU - remember the omega drivers?).

But searching for linux compatible laptops without purchasing a machine from some dedicated vendor is quite hard.

Any recommendations?

Earlier I saw a post on imgur about how the mars rover has now been carrying out it's mission for almost 15 years, but recently a large dust storm has resulted in NASA being unable to contact the robot at all. Whilst reading the post I felt a sudden sadness for this poor little robot that has been on its own for such a long time and now it can't even communicate with home. I caught myself and wondered why I was feeling such sadness for a electronic device on the other side of solar system.

One possible explanation I had was that most humans all share a common disliking of the feeling of loneliness, and feel sad for those experiencing that feeling, regardless of whether that thing is human or not. Maybe it's just me, but I feel like a lot of other people also hate to see others in a position of loneliness as I think at some point in everyones life you experience some form of loneliness and therefore know how horrible it is to be in that situation. There's a really good quote by Carl Sagan that sums this up rather nicely: “In all our searching, the only thing we've found that makes the emptiness bearable is each other.”

Do any of you fellow users occasionally feel bad for robots or have done so in the past, and why? I'm sure I can't be the only one but I'd like to hear other peoples take on the subject.

Next week the EU parliament will vote for their new copyright directive. In general it contains some good ideas, but also some extremely bad ones, such as article 13. It will require all uploaded content to be scanned, and deleted if it might contain references to other copyrighted material.

The issue here is the word might. Due to the possible fines for companies that accidentally leave up something that contains a copyrighted work, they are incentivized to act more harsh than often necessary. It's safer for them to delete everything that looks like it might infringe copyright than risk the fine.

This could be disastrous for the Internet as we know it. And this is why many movements are speaking out against it. One such example would be the open letter to EU parliament. More information is available on https://saveyourinternet.eu/resources/, and you can find much more about it all over the Internet if you search with your favourite search engine.

What's your opinion on article 13, and have you done anything to make your voice heard?

I was reading a discussion about this on here earlier today, and I've already lost it! 😬 Sorry if this is just creating more noise, but we clearly need better ways to find content. The search feature will go a long way, but here are some other ideas:

Tag search. On any topic with tags, the tags should be clickable links to URLs like https://tildes.net/tag/elder+scrolls. This page would show all topics that use that tag, with sort and filter options. There should be a way (maybe built into the search form) to type any tag and jump straight to this page.

Recently viewed topics list. Reddit shows a sidebar listing the last n posts you viewed. It's admittedly a little creepy seeing your history displayed like that, but it's a useful way to jump back into conversations for follow-up later. The old Reddit design had a "clear" button to delete the history, but curiously that is no longer present in the redesign. (Privacy features like that should not be overlooked here.)

Saved topics. Another feature from Reddit. Every post has a "Save" link below it, that adds the post to your personal saved posts list, which can reached from your profile. Saved post lists are only visible to the users that own them.

Repost detection. I really like how Ask MetaFilter helps posters make sure their content is fresh before they publish it. The submit button under the new post form is labeled "Preview" and clicking it shows what the post will look like before publishing it. This gives posters the opportunity to proofread and ensure their text formatting is correct. More importantly, the site scans the content of the post and displays a list of five possible existing posts that match it:

The following previously-posted questions might be related to the question you're asking. Please take a look before posting to see if any of these answer your question.

This flow adds an additional click before you can actually post, but I think it's for the best. The slowdown politely nudges you toward considering the quality and originality of what you're about to say, without being overbearing. The main MetaFilter site also checks all URLs you enter to see if anyone has posted them before. Note that these tools don't prevent anyone from posting, they just empower users to avoid reposting and reinforce good posting behaviors.

Repost flagging. I have a half-baked idea about allowing users to flag topics as reposts, but I haven't seen this implemented before. This would be separate from voting. A user wishing to flag a topic would be asked to provide the URL of an existing topic it duplicates. This wouldn't affect the topic itself, other than to add a small banner to the top of the page: "n users flagged this as a repost of the following topics: [list of links]". Then anyone would have the ability to [agree], [disagree], or append a link to the list. Public consensus would affect the future of the topic... if enough others agree the topic is redundant, it could be auto-deleted or just algorithmically prioritized lower than non-reposts. If enough disagree, the flag could be auto-removed from the topic. The usernames of the flaggers should be public, and there should be a way to view both a user's frequency of flagging and whether consensus agreed with those flags. Accountability would be important for this sort of system.

Ability to subscribe to users. I saw the other feature request for a "friend" mechanic. I agree with the commenters who said it would be too much like a social network. However, I could see a use case for a "Subscribe" button on a user's profile page, just like the ones on group pages. This would cause all topics posted by that user to be included in your main page, even if they are in groups you aren't subscribed to.

I'd be interested to hear your feedback on these suggestions, as well as other ideas specific to increasing content visibility.

I summarize the project that the following is taken from here: https://tildes.net/~talk/1yr/are_you_writing_a_diary_if_so_in_which_ways_does_it_help_you#comment-kuy

Some of what's discussed below builds on ideas familiar only to my friend and I, but the gist is probably understandable enough, and as the occasion for my writing this is a momentous one, I want to share and see what people might think of some of my thoughts on it. Some of the language is probably a little flowery or seems silly, but that's okay—who has time for shame?

Feedback, questions, discussion, etc., are all welcome.

. . .

Something you may have gleaned by now from my entries and our private discussions both is that I've been wondering for a while at the sheer scope encompassed by the whole of life's perspectives taken together. Something you said to me tonight seems particularly acute in relation to this thought:

"but it makes sense that anthony bourdain could kill himself
to us he represents just a random facet of the universe
but to him he was the universe, painting it with his eyes, and he hated his eyes."

The Universe is made in the eyes of its beholder. The philosophers (and the philistines alike) have been making that observation for a long time now; they call it solipsism, or subjectivity. So I'm not unique in my also identifying it. But that's okay, because the idea is as valid as it ever was. If there's anything our recent discussions have made clear to me, it's that we can believe in nothing but that, and can't but trust in the Universe in its every moment of presentation as a mirror.

In my saying "wonder" above, I mean just that; it is wonder which I feel towards this thought. Life as experienced in the moment is ossified in the next; as soon as an experience is registered it is passed and past, becomes one among many tomes relegated to the bookshelves which fill to the brim the expansive vault called Memory, and with time it and its shelf are pushed further and further into the ever growing obscurity. One can walk those halls again, venture far into those depths, but with distance one finds the shelves dustier and the names of the tomes which line them more difficult to make out.

In such a recognition everything has become compressed (but wasn't it so all along, and it's only now that I've come to see it?). Life is become compartmentalized, broken into bite-sized pieces for its more comfortable consumption. Everything is a mood, a color, a sound, a smell. The terms 'synesthesia' and 'aura' become interchangeable. Part of the difficulty in trying to retrace one's steps through that maze of shelves—and most frustrating is to set out in search of just one particular tome among all the multitudes, some of which cry out like sirens in hopes of diverting one's attention—is that all the colors which mark each shelf are so easily mixed up, confused with each other, and with that of the present moment, that their being received just as they were in the moment of their edification seems probably impossible; and should one come to the right shelf after all, where is the book that shines with just the same sheen with which it shone upon its binding? There's a great deal of work to be put in, it turns out, in seeing in Shrek exactly what one saw in watching it as a child.

By "consume", as I use the term above, I mean just that. Life is consumed in the moment of its passing, just as experiences become memories and thoughts are born and die in the same moment. Everything is in constant movement (remember Heraclitus? A man never steps in the same stream twice). Enter the importance of momentum. Momentum can now be better defined than it was when first I dealt with it (and we can do away with the whole discussion around dialectic, though that doesn't preclude taking what is useful from it—a kind of [auto-]cannibalization). We can call it a refusal to linger on suffering, a choosing to embrace rather than curse the inevitability of movement, of passing, of distance. In movement of this sort is to be found the Promethean, if that term can be recycled also. Love flowers in a maintenance of momentum; love is the seed, momentum the water.

In memory, too, can we find ourselves renewed. An aura lost is not lost forever, and part of the thrill of retracing one's steps is in the search itself. True, the shelves become dusty, the tomes decrepit, as towards a more distant past one reaches; but what child loves not to get lost among old sheafs and musty stacks, places of secrets and lost knowledge? And is it not taught, and can we not agree, that there is far more to be said for a reader's interpretation of a text than for the text itself? One must remember to chew mint from time to time; it can make a big difference.

On this day I graduate from high school. The following pledge is my choice of commemoration in marking that accomplishment: I choose to look towards the future with as much optimism and positivity as can be mustered, to spurn resentment and suffering, nostalgia and hate—the last being permitted only in its manifestation in opposition to all things anti-life. We must remember to remain lovely and loving beings, to take things seriously enough to be able to take things easy, to appreciate as beautiful what is foolish, but ours in its foolishness, and to love delirium of the sort known by the psychonaut convinced of the profundity of a truly meaningless revelation. We must in our approach to life in all its majestic whole say as Nietzsche (and, more recently, the writers of Futurama) would have said if asked to go through it all again: Fuck yeah.

I'd like to suggest site search as a Tildes feature. It would be useful to know if a topic has already been discussed by people on the site. For instance I don't know if a search feature has already been discussed.

Or perhaps I noticed a topic I wanted to follow up on later that I can't find now. Or I there was a reply that said something interesting I wanted reference, etc...

Hi all,

In light of our recent conversations re quality, I'm sorry that this is more of a "nothing" post. But I trust you all and I think you could give me some good advice. I've tried Googling, but it's hard to find anything I feel is trustworthy.

I'm searching for a few tablets on which I can have employees view training videos and or SCORM training content. I believe all of this will be sourced from web-based companies with mobile platforms built-in. I know very little about tech stuff, so I don't know if a basic tablet would do, or if I need any certain specs.

I believe our wi-fi is good enough to support this. We'll be purchasing 2-8 of these for intermittent trainings.

Needs:

• Cheap-ish
• Durable (We will be buying industrial Otter-box type cases as well)
• Good volume/accessibility (Avg employee age is 52)
• Standard video playback (don't need super hi-def anything)

I posted in ~talk rather than ~tech or ~comp because I didn't think it would fit there. Thank you!

Warning, this is a rant. Feel free to criticize me.

1. As ESL speaker, there's a "butt" in the name.
2. SSB is the protocol, you have to download client called "patchwork" which is not an attractive name either
3. After setup patchwork, idk what to do next except staring at a blank "timeline" something
4. So I grabbed documentations (you need manuals to use a god damn social network software), obviously you have to join pubs to dive in.
5. After joined pubs, you start to stare list of "pubs followed you/someone else joined the pub" message explode.
6. After a awkward self-post on "#new-people", I learned that you have to follow others to get content. So am I supposed to follow thousands of strangers on the Internet for a good degree of influx content?
7. After several rounds following, I still dont get how to make new friends. I mean by what? I cant judge if I should follow someone because of random recent posts.
8. So I started to search for stuff. The search is mostly broken, the results are not in chronological order, only English alphabet works, I dont know if reply someone's 2 year old post is polite or not. Engaging a conversation but expect no response feels wrong.
9. The only way to tell if a "channel" is popular or not is through the search box. The "all channels" page does not show numbers at all.
10. Channel names are a mess. The plural form and alternative spellings are killing me. I always feels worried that I might miss good content by not thinking of what creative "channel" names people invent. When making posts it gets worse, you have to paste dozens of bullshit channel names just in case.
11. There's no way to tell if the software is functioning or not. Sometimes it took up to ten minutes busy downloading stuff, the rest times it's totally static. F5 does not work, Cmd+R reloads the whole electron app frame.
12. When downloading stuff, I totally do not want old posts. There's not way to filter that.
13. There's an "Active Channels" on the left side of the software, it jumps indefinitely for no reason. When I click one of the channels, I see old posts without any "activity". Again, you have to follow people in that channel to get fresh content.
14. There's search for name tag function. Maybe there are people social with each other just by lookup Internet IDs. Since names can be the same on Secure-Scuttlebutt, you have to use public keys to identify people accurately.
15. It's written in Nodejs/Javascript. I lost my motive to contribute.

TL;DR barrier of harvest is wayyy too high.

Anyone else using/tried secure-scuttlebutt? What are your thoughts?

Since computers and computer-like devices are prevalent in most modern societies shouldn't we be teaching people how to use them effectively and for purpose, rather than saying "oh, they'll pick it up" or "they grew up with it, they'll understand it just fine". Both of which, are clearly not the case.

What does tildes think of a mandatory computing class in early grades, and/or several years of classes to master the concepts, like the U.S. does with History, English literature, Math, and Sciences?

Should computers be necessary to learn as an academic subject?

Or is it fine that many people can't do very simple tasks on computers?
Is it fine that they do not understand basic computing concepts? e.g. keyboard shortcuts, searching, folder management

Author's note: I posted this a couple days ago in @Kat's WIP thread, but I felt it was a little too tough of an ask to put there. This is probably going to take a more serious time commitment to review than the average submission, so I want to make sure everyone knows what they're getting into (such as through that nifty word count that will appear in the thread title). To that end, let me lay out some context so you're more grounded as to what this is, where I came from, and how serious I am about it.

For starters, I wrote this as part of a complete manuscript (about 63k words total) over a couple months late last year on a challenge from a friend. Liking the direction it was going, I then spent much of the early part of this year fixing and tweaking and revising because it turned out I liked it so much I decided to plan out three more independent stories set after this one.

So what is this? This is a first-person science fiction story of a test subject within an ongoing science experiment. It is set in not-too-distant future, 60-80 years give or take--I didn't want to be too specific for World Building Reasons. The nature of that experiment is unknown to the subject. I need to work on my blurbs.

What type of feedback am I looking for? Any you're comfortable giving, and I've got a very thick skin (many calluses from toxic league of legends players, I'd joke if it weren't true). This is the fourth-or-so draft and I could use fresh eyes on the little things. I also highly value emotional feedback, like what something is making you feel, whether you found something upsetting or funny or confusing. This is an unreliable narrator, so there should bit of each. Endgame-wise, I am probably going to look to publish this somewhere somehow, but I want to make sure that I'm not barking up the wrong tree before putting too much more energy into this.

If this isn't a great format for this sort of work (and I get it. This text is twelve pages on a good day), I am open to suggestions on how it might be easier to consume and respond. I've used my markdown wizardry to mimic the format of my word doc, which I'm not planning on uploading directly. So please forgive weird formatting things like inconsistent italics. I tried to catch them all, but it's like playing a game of whack a mole over here.

Editor's note: The following text came to us within encrypted song files in specific order. We were also provided an executable file that decrypted the text so that we could publish it. The relationship between these songs and the narrative is often not clear. To allow readers the opportunity to judge any potential relationship for themselves, we have titled each bit of text with the correct song file it was encrypted within. The order was preserved.

Prologue

"Yesterday”.FLAC

I'm not breathing. I'm dead. Is this hell? Heaven? I’m in a white room with Adam and Eve in white robes as the gatekeepers. Why is the room tilted? It’s not a hospital; it’s far too dirty. Will I recognize anyone? Am I dressed for heaven? The grime makes me think maybe this hell. That’s the breaks then, huh. But why would demons be in lab coats? And what are those tops? Is that a scarf? Indoors?

Oh shit, they're staring at me.

Hi. Am I dead? Did I say that? Can I speak? I can’t breathe.

They looked at each other. Did I say anything? Maybe I'm not dead. But I'm not breathing. I’m not just not breathing, but I can’t breathe. I don't feel like I can move. Why can’t I breathe?

Holy shit, I don't have any legs. My arms aren't mine. They're someone else's. Some hairy darker bastard too. Oh fuck, oh fuck, oh fuck. What the fuck is happening?

You're not dead, but you did die. That has all the clarity of a Taoist monk. I think the woman said it. She stepped forward a little bit and tilted her head to the side with some mouth flapping to match the words. Did I really hear it? How can I not be dead? Whatever happened in America froze you. Like, we talking cryogenics frozen? Disney movie Frozen? The Iceman cometh frozen? Even frozen people should be able to breathe, right? They needed to replace my arms? What was wrong with my old arms if I was frozen to death? You’re in a new body. Those arms are yours now.

Yeah, the woman has to have said some of that. She started leaning in during the mouth-flapping like she was talking to a child. Now she’s straight as a country boy at church. I’m going to have to track her specifically. This is tedious.

Asian woman. If you can hear this: sorry, I’m new here.

“My name is Nadia, not ‘Asian woman.’ Can you tell us your name?” She glanced back to the man before looking back at me, with her hands clasped like she was pleading. Do I need to be pleaded with? She put her hands back to her sides. Where am I?

“You’re in Istanbul.” That’s not Nadia. Her mouth didn’t flap. I think it’s a voice, and I think it’s the man’s, but I couldn’t see him flap. Nadia was blocking the view. I think she’s like two feet away or something. Just out of arm's reach, but close enough that I can’t see the man anymore. Now she’s backed away. Why does she do that? The timing is weird.

So I'm in Istanbul. My legs are gone. My arms are fake and way super hairy. I'm not breathing, but I'm not dead, though I did die. I felt my eyes roll. I guess you two did something to me then.

“Well,” This is the other voice. Now that Nadia has backed away I can see the man’s mouth flapping, but he’s barely doing anything else. Not even a simple hand-gesture. I thought he was just wallpaper. Breathing wallpaper. Or is it mine? Maybe mine is the mouth that’s flapping.

“The frozen you died, but your brain was intact and incredibly well-preserved by whatever happened. We transferred the data that your brain contained into an android unit we designed for this purpose, and here you are." Yep, not mine. It’s got to be the dude, especially because he did a weird, body-length bobblehead bounce the entire time that voice was happening. Wait--

“You designed an android not to have any legs?” I heard that one. That’s me. Okay, I'm getting better at this. That explains the breathing, I think. It at least explains the arms. I'm not dead, but I'm also not alive. This is fun. I'm having fun. “So what did you do to me and how the fuck did I get to Istanbul?”

Whatever script these two had, I'm sure I've deviated from it. They're spending a lot more time looking at each other in silence than mouth-flapping. Okay. Fake-breath. What didn't I notice? The recorder is a little black thing on a little spot at the bottom of the mirror. Oh, I'm laid on this weird chair thing that has me positioned to look across the room. That’s why everything at an angle, I guess. Well, let’s just get off of that. I can just lean against this wall. It’s drywall, but that’s fine so long as I’m not throwing myself at it. I’ll have to lean because my ass is rounded with holes where legs should be. If I imagined legs there, I’d probably look like I have a nice ass.

The room looks like a room you use to interrogate someone mixed with a kid’s idea of wall-design. The wall behind me and to my left are drywall, looks like. The opposite wall with the door and the wall to my right with a mirror are concrete. Not even brick, like just solid concrete. I didn’t even realize that was still code. If this is a hospital, I’m reporting a lot of code violations. This place looks like a pigsty, one that not even the hired help cleans up. Though, that might just be those concrete walls. I’m especially complaining about the lack of legs.

"We felt it was a safety risk to give you legs." Safety risk? Safety for whom? I can’t breathe. Who is this guy anyway? "I'm Mehmet."

"Wait, how did you hear that? Have I been saying everything?" I'd rather have a little privacy at some points, you know?

"Well, you haven't exactly been silent." Huh. That's going to be a problem.

"You should be able to create a subroutine for the thoughts you want to save without speaking." Nadia to the rescue, but how would I do--oh, I see. That's new.

Let's restart this, then.

"Mr. Roboto".FLAC

Goooooooooood morning, subconscious! WELCOME TO THE FUTURE! Cue audience applause and cheers. I'm your host, Mr. Android! As you know, we’ve been off the air for a while. There’s a lot to catch up on. That’s why we’re bringing in two special guests to help reintroduce us to the anxiety of life: Mehmet and Nadia! We got a great show for you tonight, so stay tuned because you have no choice anyway.

Before the break, Mehmet, you were saying that you felt it was a safety risk to give us legs?

"That's right, Mr. Android. The design team and I thought that if you had legs, you'd be likely to use them.”

You’re damn right. Cue audience laughter. What’s wrong with using legs?

“If you had that mobility, we don’t know what you’d use it for. You could do anything a normal person could do, even walk right on out of this building.”

I presume you wouldn’t like it if I walked out right now. What if I just wanted a coffee from our proud sponsor: BB's Coffee™?

"First, don’t drink coffee. Don’t drink anything. That mouth wasn’t designed for drinking."

We’ll see about that. Cue audience laughter.

“Second, we need you not to walk out because we’re trying to monitor you to make sure you’re safe, as well as try to figure out what happened around your death.”

We'll have to come back to that, Mehmet. First, tell us a little bit about yourself.

"Sure. I was born and raised here in Turkey, but my grandparents were studying tornadoes in Oklahoma when everything went down."

Your grandparents? How long ago are we talking about here?

“It’s been a bit more than a half-century.”

Alright, what is ‘everything’ and how did it impact your grandma?

"Well, whatever happened to kill you. No one is really sure what caused the incident to happen. The best we could make of it at the time is that there was a large eruption near America's capital, and after that almost the entire east coast was some form of an infected mess. People who didn't die immediately had their immune systems too compromised to handle any other serious illness. That killed most of them within a few years." A moment of silence fell on the stage.

How bad was the devastation?

"Most of the coast was gone. Flights were stopped by the US almost immediately, so people in those areas were stranded. One flight got out to Montreal and it wiped out nearly a quarter of the city’s population. Cities along in the infected area lost an average of 75% of their population within a couple weeks.”

How far did it get?

“Atlanta was the northernmost city along the coast to weather the outbreak. A well-timed storm system kept the illness from spreading further west than it did. The mountains usually marked the furthest west it got. People who flew from those areas in the moments before the quarantine were tracked down and quarantined forcibly.”

Did anyone come to help?

“Sure, if a vulture helps a corpse.” Cue audience laughter. Audience might not laugh. “No one dared try to go near the infected areas, but Mexico declared a relief effort. That really was an attempt to annex most of the west and Great Plains under what it considered its historic claim to the land. The locals did not see things the same way. It turned into a classic occupation situation. They were resisted.”

So Texas is the new Palestine? Or would Crimea be a better analogy? What did your grandparents do?

“It was something like that. My grandparents just wanted to keep studying meteorology. There really wasn't a place in the United States safe enough to do that anymore. They applied for refugee status in Turkey and moved here. From there, they had a typical immigrant story. They earned enough money to start a restaurant and set their children up with a good education to be successful in Turkish society." Cue audience awe and applause.

Fascinating stuff. Nadia, it's your turn. Tell us a little about yourself.

"Well, I'm from Saudi Arabia. My parents were in California until about a decade before I was born. My mother was German-American, from Oregon. My dad was second generation Chinese-American, Californian born.”

California was impacted by the incident?

“Indirectly. After the incident, California tried to maintain some semblance of normalcy, but there were too many other nations that wanted to claim California for it to keep that dream alive for long. Russia, Canada, Japan, China, and Mexico each fought the other and the Californian government as they tried to claim it for their own.”

So they were the prettiest gal at the ball. Cue audience laughter. How did they deal with that sort of peer pressure?

“California had to start a mandatory draft program to keep up with the military needs of the new environment. Every citizen was theoretically part of the military’s reserves. After a few decades of near constant skirmishing at sea and especially in the north where most of the invading forces fought, California was out of resources and friends and collapsed after a military coup. Turns out if you can’t pay the active service personnel, you can’t keep a country.”

Intense. How do your parents fit into that?

“My parents saw the writing on the wall and applied for visas to work and live in Saudi Arabia a few years before the government collapsed. Saudi Arabia’s requirement for immigrants were twofold: it has to be a family and the man has to be educated, so here I am." Cue audience applause.

That's wild. Turkey and Saudi Arabia are refuges for the educated for more than two generations. How much more than a half century are we even talking here? I feel like a Twinkie from a time capsule. Cue audience laughter.

“It’s been about 60 years.”

You heard right, subconscious. We've been dead and 'incredibly well-preserved' for about 60 years. Everyone you knew is probably dead. Everything you know doesn’t matter. Your parents are statistically 99.99% certain to be dead even if they did survive and were outside the zone impacted. You're a man out of time. Are you even really a man anymore? Oh well, at least you don't have to put up with that breathing nonsense anymore, right? That sure was a drag*.*

Tune in next time for an interview with Toto. What is the matter with Kansas? Find out what Dorothy's breath smelled like as we ask Toto about his upcoming tell-all biography: Help, I'm A Dog And My Owner Takes Me On Tornado Rides.

"Clint Eastwood".FLAC

Oh good. There's a way to combine these tracking subroutines with living in the present. Now I don’t have to live in mortal fear of every errant thought becoming vocalized.

"Thanks, Nadia. That was very helpful." I’m a bit surprised about how my voice sounds. It’s tinny and higher pitched than my voice. Almost nasally too, but that doesn’t make any sense. There’s no nasal cavity for this voice to work through, right? There is no booming echo that I’m used to feeling when I talk. I have a strange confidence that I hear my words exactly as they sound, with no perspectival shift involved as the one saying them. No sense in telling them about that. I don’t even know for sure what we’ve been talking about.

I can tell that they've started to ease up. Nadia’s doing less of that leaning-to-the-children thing and Mehmet’s shoulders aren’t as far back as it’s humanly possible to bend them. He almost looks relaxed now. The bobblehead days might be behind us. Still, I think their increased comfort is more because I was off in that other subroutine most of that time. It feels like coming out of a blackout. Damn I'm going to miss alcohol.

"You're welcome, but a lot has happened in 60 years that we should get you caught up on." Oh, we've moved on. I thought I was just making all that up. I guess not. Weird. She’s hovering near the recorder like she turned it on recently. Or maybe turned it off? That wouldn’t make any sense though.

"You know what, Nadia. I think that's a lot to soak in. Unless there are more subroutines that help me process stuff like world events or that give me some newspaper articles or stuff from the past 60 years or something, I think I'm okay moving on from that for now. It's more interesting to me to talk about why you've revived me and what it is you're hoping to get here."

"Are you sure? I made a presentation for you outlining the biggest trends and current ongoing conflicts around the world." This woman is a nerd. I like it, but damn. Calm down. I hope she didn’t make any spreadsheets. For her sake.

Speaking of calming down, I should probably take a moment myself. Let’s see. The room isn’t nearly as white as I thought. I should have been either dead or in a hospital. This place doesn’t make sense. These people don’t make any sense. They’re not in any lab uniforms I’ve seen. They look rather like they’re about to go clubbing.

Nadia is average height. She looks like she's in her late twenties or early thirties. Her look matches a mix of her parents’ heritage: half Chinese-American and half German-American. I wonder what part of China. Brown hair, brown eyes, olive skin. Now that I think about it, I’m not actually sure what about her face strikes me as especially Asian. Maybe high cheek bones are what do it. Small noses really don’t mean much to me. It’s just a holistic thing, I guess. She could easily be mistaken for just about any ethnicity. She’s wearing jeans and no burka, so hurray for Saudi progressivism. I bet she might even be allowed to drive! She’s wearing a traditional white lab coat, but it’s open and I can see a black flowy thing that is tucked into the front of the jeans. She is joyously well-prepared to talk about shit that’s in her wheelhouse. Then again, I do seem to be these people's lab rat and I know these two are just the ambassadors of a much larger team of scientists. Preparing for this moment is probably their job.

Mehmet is probably in his thirties or forties. I can never tell age with men. Once you're over 26, you could be as old as 45 before I notice. He's maybe about six feet tall or six one--although this is Istanbul, so height is probably in centimeters here. What even would that be in centimeters, 181 cm? Anyway, he’s also wearing the open, white lab coat. Under it is a blue and gray checkered button down shirt with his jeans, and this tiny yellow argyle scarf. It isn’t long enough to protect your neck from winter, so it’s weird. Boots are yellowish. He's got sandy brown hair and ocean blue eyes. They look radioactive. They have to be fake. Eyes aren’t that blue. He also doesn’t have much of a tan. For a Turkish boy that’s awkward as fuck, but I guess his grandparents are from Oklahoma so maybe he's just a traditional, melanin-challenged, white American type. He didn't say anything about his other set of grandparents, but that's not related to what they want from me. Maybe Germans. Turks and Germans always had a close relationship going. Probably best to assume that Germans are part of an experiment like this anyway. They’re always getting into shady shit. Viva la Nuremberg.

"I'm sure, Nadia. But we can go over your presentation later. Or maybe there's some way for me to watch it on my own time, or something. I don't know. You designed this thing." I hope there isn't. Call me old fashioned, but I don't like people messing with my thoughts.

"Oh there is. Yeah, I'll upload it later." Great. Thanks, Nadia.

"To your question about purpose, we revived you because we don't know what happened 60 years ago,” Mehmet, as usual and fitting the German thesis, is stiff and blunt with his delivery. He doesn’t make hand gestures as he talks, which I never realized someone could accomplish. He barely moves. Makes me wonder who’s the real robot here, you know? “It was an important historical moment. We want to understand what happened to put it into a broader context of how the world changed since the fall of Imperial Era America." I'll let that label slide. Too many things to focus on to let a naming convention derail things.

"So you're hoping I can fill you in on the details."

"Exactly, at least what you know," he says.

"It would be a lot easier to put things into context if I had some idea of what context to put them into. Aren’t there like relevant stories or movies or something you can show me? Or anything that makes me feel a little less like a lab rat?" Mehmet winced, and Nadia glanced at him again. It’s especially noticeable because Nadia is almost always closer to me than Mehmet, so she has to turn around to look at him. Something makes them uncomfortable about me. Am I deemed unnatural? Is this entire experiment sacrilegious? Wouldn't be the first time for either. I goddamn hope there are some ethical qualms here.

While I was searching for an answer for their perpetual discomfort, Nadia chimed in. "We have a list of topics that we agreed as a team to discuss. I hope you'd understand if we took your suggestion to the team before agreeing to it? If we give you too much context we might skew your presentation. It’s just something we’d need to carefully plan out with the team."

"Sure, of course. Makes sense to me." Why are you even asking me though? I don’t have any power in this exchange, physical or emotional. Hell, you've even made sure I can't run at you. Oh shit, they’re about to leave.

“Hey, before you head out, is there a way I can be positioned so I can see that mirror over there? I’d like to see myself. I don’t even know if I make facial expressions.”

Nadia responded much faster than either of them have been up until now, “Oh you make facial expressions alright.” Fuck. She’s chuckling under her breath too. What have I been doing? If there were any blood in this husk, it’d all be in my cheeks right now. I used to cosplay as a tomato when I’d get the least bit worked up. I have that feeling right now.

Mehmet moved in closer to the table I’m on for the first time. Unlike Nadia, who often looks to him, he doesn’t look to her before grabbing a side of the table. He looks to her after though, and gives her a nod. I can’t tell if that’s workplace hierarchy or respect or just a man in the workplace or what. "Yeah. We can move you. Could you get away from that wall?" Without responding, I slid away from the wall as he suggested. Made sense if they were moving the table with me on it.

“Hang tight,” Nadia said, but she didn’t need to. I had already grabbed onto the edges of the table. Mehmet and Nadia lifted the table a couple inches and walked it slowly to the wall that was to my left. I’m not under any illusions about what this mirror is. It’s a one-way with a team watching on the other side. There’s no way it isn’t. The wall the mirror sits in looks like they broke through it just to put the mirror in; it’s got all sorts of chips and cracks like somebody actually chiseled the hole out. The important thing here is that I can see myself now.

They certainly had an eye for detail. My face has a bigger, more squished nose than I'm used to. It’s all olive, which of course I imagined from the arms, but to see it brings a new depth to this place. Is this actually me now? The dark brown eyes are new, though they are probably contacts anyway. I bet they look red when the light catches them. That’ll be a test for later. They should be light-brown things that would look yellow in the light. They’re not. I can’t believe I miss them assuring me I’m going to be blind by the time I’m 50. Eyebrows are just as thick--like caterpillars resting on a face. They didn't bother with hair on the top, but that's understandable. Hair is hard and they put all their hair energies in the arms and eyebrows. For some reason they put on a light stubble all along my jawline. Why would they want to show I could grow a beard? That was never true before. I'm not really crushed it still isn't true now. They replaced all my freckles with a simple mole just under my left eye. They thought to put on a mole? Can androids even get skin cancer? It looks like real skin, except it doesn't play as much. They must have made me to look like the most stereotypically handsome, bald man in society, with a mole to make it all seem real. I'm okay with that. This body looks good. I’d date me. Now let's see those pearly whites. Holy shit, nevermind. This mouth is fucked. The teeth are perfect, but everything within it is this wiry abomination that probably didn't get enough design time.

I realize now that I'm too busy gawking to think much about how this all must look to the people behind the mirror. Of course, this was after sticking my wire cage pretending to be a tongue out at them. Nadia and Mehmet are near the door now, watching me look at myself.

I put on my best smile for them. Got to show a good game face, right? "Thanks. I was just dying to marvel at my own newfound good looks." Both Nadia and Mehmet smiled back, but it was Mehmet’s reaction I was after. It wasn’t a very big one, but it’s good enough for me. Hopefully that means he can react to a bad pun, but he could have just been smiling because I smiled. That’s a thing with meatbags. Though that smile didn’t move up an inch. It was one of those horizontal smiles that you give when you just want to be polite. This guy must have taken a martial arts class in self-expression because he does not react more than he has to.

I want to ask them what the endgame here is. If they're just going to turn me off again after bringing me back from the dead to have a good chat, then that's kind of a bad thing for me. If they're planning on keeping me around, it's not clear what use I can be outside of this experiment. Maybe they want to have proof that they can bring people back from the dead and put them into androids? A new technology that gives people (who can afford it, or are deemed worth it) immortality and further leads to the singularity and domination of all humanity by robot people. It doesn't seem like there's any way out of this mess that can be good for me. God damn I need legs.

They’re still here, watching and waiting. I might as well voice some of my appreciation for this body. "I have some hairy arms here. Oh, and I feel these washboard abs. I'm guessing that design choice was you, Nadia?" I felt myself wink. We're back. Breathing crisis resolved. “Were there some legs in the works for this project too? Are they a hairy match for these arms?" And what are the hair trends in porn these days? Is everyone hairy? I can’t ask them that. Incidentally, and unrelated: this mirror shows that this body can, in fact, blush. Not as red as I’m used to, but the cheeks do change color slightly. How did they do that?

"The legs were in development because we didn't make the final risk assessments until after the base android design was tested and showed that the legs performed far better than expectations." Dang, Mehmet. That sort of response really goes beyond what I'd think the team would want you to say. I hope you don't get iced for that. I'm starting to like your blunt, no nonsense style.

"Cool.” I nodded to make it seem like I was deeply offended. “Are there any questions you wanted to get into right away or did you want to talk with your team before moving forward?"

"I … ” Nadia held that like she was interjecting on a conversation she wasn’t in. “I think it's probably best if we talk to the team first and give you some time to get adjusted. I'll also add that video to a list you can access internally while you wait. You already have access to some music, both contemporary hits for you and more modern tunes. There are also some other things that we put together." Nadia smiled gently as though she had done me some great service, but I’d prefer to find my own way thank you. They can’t know what I like or don’t like. They don’t know me. What happened to the internet? Can't I just access that or would that be way too much of a security risk? Fuck. They're gone.

Well, might as well get a better look at this thing resembling a tongue.

TL;DR: First impressions and suggestions: infinite scrolling; comment box position; collapse comment button too small; comment previews; vote button position; search function; expandable images/videos; remembering collapsed comments; spoiler tags; saving comments/posts; ninja edit; and keyboard hotkeys. Really enjoying my time here! Tildes has been growing on me.

Been browsing the website for a couple of days now and wanted to give my first impressions. To begin with I wanna say I'm enjoying Tildes a lot. At first I thought it was a cool idea, but thought I wouldn't really get into it too much since I'm quite fond of mindlessly browsing Reddit for simple funny content. This being more discussion oriented didn't really fit my usage. Turns out I was wrong lol Of course I had to force myself to use the website initially, but I quickly started browsing Tildes naturally and participating in threads and discussions. While I still browse Reddit, I've been coming over to Tildes whenever I can pay a little bit more attention to what I'm reading. Anyways, without further ado, here are my observations as far as features go:

• First thing I noticed was the lack of infinite scrolling (having to click "next" to go to the next page).

• As I found my way to the introductions post, I came across the comment box position problem, which has been discussed at length.

• Browsing through the comments, I found that the button to collapse comments is too small. I think extending it vertically so that you can click anywhere on the left side of the comment to hide it would be ideal. Many subreddits have done that and it works great. Here's an example from /r/Overwatch (you can click anywhere on the yellow area to hide the first comment).

• I also think a comment preview would be really useful and I've seen some other posts about it too.

• Here's a potentially controversial one: a more obvious vote button. As I browsed more, I got to read more about the intentions behind Tildes and where its efforts are, so I can see how this would go against the general mindset of not turning this into a high score game. That said, this is a first impressions post and so it deserves mentioning.

• Obligatory search function mention. I know everyone is aware of this, I'm just going through my list.

• Another controversial one: expandable images/videos. I've read the discussions about it and I'm aware of the Reddit-ifying potential. With that said, I wanna play the devil's advocate here and say that images/videos are not necessarily low quality shitposts (case in point, the image I linked above to illustrate a suggestion). They are bound to be used and linked anywhere on the internet and I think this is a reasonable feature to have. In my mind, it's not the use of silly images that make a community low-effort, but the other way around. With the mindset we have here, I'd argue that images and videos would probably be used "appropriately".

• Eventually, when I went back to threads I had already visited, I noticed the comments were all expanded again. Remembering hidden comments is something I consider really important, even more on a discussion focused board where you often go back to old threads to keep the conversation going.

• I might have missed this one, but spoiler tags are definitely needed. I tried poking around to see if Markdown had built in spoiler tags, but I didn't find anything. If this already exists and I just overlooked it, I'm sorry.

• Another important feature for me is saving posts and comments for future reference.

• Pretty minor, but having a "ninja edit" feature would be nice. A grace period after submitting a post/comment where you can edit it without it being tagged as edited. This is useful for correcting typos or when you immediately change your mind about the wording of your post.

• Another minor one would be keyboard hotkeys. I use RES hotkeys all the time to browse Reddit. Voting (which might not be particularly desirable here), hiding comments, expanding images (not very relevant unless this gets implemented), saving posts/comments (damn, none of these are relevant with the website as is) are all great to have mapped to the keyboard.

This ended up being a longer post than I expected. To finish things off, I'd like to say I'm really glad someone is willing to put time and effort into this. I like the ideals behind Tildes, the privacy concerns and the non-profit choice. If this takes half as much of my free time as Reddit used to, I'll definitely drop a donation!

I'm sure this thread exists somewhere already but in my searching I couldn't find it. My hope is that we can brainstorm some good ideas in addition to what deimos has already proposed.

The recent discussion about lobste.rs reminded me of the fact that they use an invite system to limit the effectiveness of spammers and manage an invite tree to see the relationship of user accounts. A modified invite tree system would go a long way to help the trust system be more effective while not being stifling.

While it (unmodified strict invite system) would definitely make it more difficult for people to join the site the benefits of such a system cannot be overlook. Even a naive system where we would limit new accounts to require current users to "vouch" for new ones would have noticable benefits later on down the line. The main benefit of this is that users who are a source of consistently inviting troublesome accounts could be held responsible. The added benefit is that you would be a little more conscientious of the people you invite as it would affect your reputation as well.

The naive approach to this system would be a strict invite tree-based site. The only way you could get an new account on tildes is to get an invite from a current user of tildes. Like lobste.rs this woud be a very good deterrent but also (possibly unnecessarily) stifle growth. Such a system is a good starting point but I believe since a lot of effort will be put into making the trust system effective, we can do better if we put in some creative brainpower and work.

Possible ideas/tweaks for an invite tree-based system :
Parent account = person who invited user
Child account = person who was invited

• Users could create new accounts without an invite but would be severly limited in the rate they could post content (1 post a day), make comments (5 comments a day), etc. At any point they could be "vouched" for by a parent account with reputation (become child account) and those limitations would be lifted as though they had an invite from the beginning.
• User reputation would be impacted by child accounts (invite more, more likely to be punished as a result of children's bad behavior) to discourage individuals from becoming invite mills without repercussions.
• If a parent account is banned all child accounts would be demoted to "uninvited" status, child accounts would be encouraged to build up reputation to lose child status and become an independent (reputation-wise) parent account. Accounts would still be historically linked to parent accounts to pinpoint bad behavior down the line if it occurs.

Obviously a lot of effort has already been made by people a lot smarter than me to make such systems work and I think we can draw on that for tildes as well. I tried to look for some peer-reviewed papers and graduate level work about creating such a system but didn't come up with anything useful, perhaps you'll have better luck.

Online/digital bookmarking and excerpting is something that really interests me because I think most if not all existing options for it fall very short of the functionality I wish existed, and that I think could exist.

One of the first online bookmarking services I used was Delicious, and for a few years it was irreplaceable for me. However it languished after it was bought by Yahoo and then resold, and since then I’ve observed its slow and steady decline from afar.

The purpose of this post is twofold:

1. I want to know the current state of online bookmarking for you. I’m curious to know if it’s as much of an unmet need in anyone else’s life as it seems to be in mine.
   • Were you once a bookmarker and gave up due to the seeming futility of it?
   • Have you never been interested in bookmarking and/or don’t see the point of it?
   • Are you an active bookmarker, and if so what tools or workflows do you use, and what kinds of content do you bookmark?
2. I thought I would share some of the research I did into Delicious’ various design iterations over the years via the Internet Archive. It’s a cool birds-eye survey of how the service’s ethos, goals and design changed over time. Beyond the value it provides as a case study, I think there are greater lessons and insights that can be gained from observing the rise and fall of what was once such a beloved online service.
   • del.icio.us | 16 September 2005
   • del.icio.us | 20 December 2005
   • del.icio.us | 11 October 2006
   • Delicious.com | 11 May 2011
   • Delicious.com | 27 November 2011
   • Delicious.com | 12 May 2012
   • Delicious.com | 30 August 2012
   • Delicious.com | 14 October 2013
   • The period between 2013 and 2016 seems to be one endless loading screen from the archive’s perspective
   • Delicious.com | 15 March 2016
   • At some point in 2016, they went back to their original domain name – del.icio.us | 14 May 2016

As a sidenote, I also found this explanation of Delicious' approach to tagging to be very interesting: del.icio.us/help/tags | 21 February 2006

I hadn't realized that Delicious was actually the first to introduce the concept of user-controlled tags for bookmarks:

When Delicious was first launched, it was the first use of the term "tag" in the modern sense, and it was the first explicit opportunity where website users were given the ability to add their own tags to their bookmarks so that they could more easily search for them at a later time. This major breakthrough was not much noticed as most thought the application at the time "cool" but obvious. – Source

Edit: I hope it's alright to edit a post this many hours after having submitted it. There were a few important updates that I really wanted to include here.

                                             How to Live Safely in a Science Fictional Universe

Charles Yu's debut novel, How to Life Safely in a Science Fictional Universe, could be described as a story about contemporary family life disguised as science fiction. It concerns a young man who has spent most of the past decade in a small time machine in his job as a time machine repairman. He makes calls on people who have rented time machines for recreational purposes but have become stuck in time and must be rescued by him. As the novel progresses, it is revealed that this man's name is the same as that of the author, Charles Yu. The protagonist is a lonely and rather sad fellow, who spends much of his non-working hours drifting along in his capsule, thinking about his past and his parents, especially his father who disappeared long ago. Accompanied only by his dog and a computer that has the pixilated face of a female and a cartoon-like voice, Charles hopes to one day locate his father in some alternate universe to which he apparently has traveled in a time machine. Charles's parents, a few clients, and several street performers are the only other humans that he encounters during the course of the story. He makes one trip to a city in Minor Universe 31, a residential and entertainment world made mostly from a science fiction "substrate," where the company for which he works is headquartered. His objective is to have maintenance work done on his time machine and when he goes to pick it up, he encounters his future self. Panicking, he draws his service revolver and shoots his future self in the stomach, just as his future self is attempting to tell him that the key is the book. He has no idea what this means as he stumbles into his time machine and races away. On the capsule's console, he finds a manual-type book that has the same title as the novel.

With the help of his computer, he realizes that he must read the book and make amendments and additions to it as he goes along. At some point in the future, he must give the completed book to his past self, who then will shoot him and begin the rewriting process again in an endless cycle. Charles realizes he has become stuck in a time loop. By the rules of time travel, if he changes anything that happens during this loop, he risks entering an alternate universe from which he might not emerge. Under the circumstances, escaping the time loop appears to be extremely difficult. He may be doomed to spend the rest of his life in the time machine, writing the book, giving it to himself, shooting himself, and starting the cycle again. The book is a manual about time travel, but it also offers advice on how such a traveler should live within or use time wisely. The main use of Charles's time is in thinking about his father and mother, but he begins visiting periods in his past in his time machine, watching his younger self interact with his parents. Eventually, he discovers that the book given to him by his future self is literally the key, because it holds a key that unlocks a box that his mother gave him, inside of which his father left clues to where he went in time. This inspires Charles to realize that he can break out of his time loop through the power of his mind and memory. He does so and rescues his father from the past time in which he is stuck. As the novel ends, it looks as if the family has a chance to regain normalcy and move forward with a better understanding of how to cope with the difficulties of life by facing the problems of the past with courage and honesty.

                       Praise

“Glittering layers of gorgeous and playful meta-science-fiction. . . . Like [Douglas] Adams, Yu is very funny, usually proportional to the wildness of his inventions, but Yu’s sound and fury conceal (and construct) this novel’s dense, tragic, all-too-human heart. . . . Yu is a superhero of rendering human consciousness and emotion in the language of engineering and science. . . . A complex, brainy, genre-hopping joyride of a story, far more than the sum of its component parts, and smart and tragic enough to engage all regions of the brain and body.”
—The New York Times Book Review

“Compulsively rereadable. . . . Hilarious. . . . Yu has a crisp, intermittently lyrical prose style, one that’s comfortable with both math and sadness, moving seamlessly from delirious metafiction to the straight-faced prose of instruction-manual entries. . . . [The book itself] is like Steve Jobs’ ultimate hardware fetish, a dreamlike amalgam of functionality and predetermination.”
—Los Angeles Times

“Douglas Adams and Philip K. Dick are touchstones, but Yu’s sense of humor and narrative splashes of color–especially when dealing with a pretty solitary life and the bittersweet search for his father, a time travel pioneer who disappeared–set him apart within the narrative spaces of his own horizontal design. . . . A clever little story that will be looped in your head for days. No doubt it will be made into a movie, but let’s hope that doesn’t take away the heart.”
—Austin Chronicle

“If How to Live Safely in a Science Fictional Universe contented itself with exploring that classic chestnut of speculative fiction, the time paradox, it would likely make for an enjoyable sci-fi yarn. But Yu’s novel is a good deal more ambitious, and ultimately more satisfying, than that. It’s about time travel and cosmology, yes, but it’s also about language and narrative — the more we learn about Minor Universe 31, the more it resembles the story space of the novel we’re reading, which is full of diagrams, footnotes, pages left intentionally (and meaningfully) blank and brief chapters from the owner’s manual of our narrator’s time machine. . . . . Yu grafts the laws of theoretical physics onto the yearnings of the human heart so thoroughly and deftly that the book’s technical language and mathematical proofs take on a sense of urgency.”
—NPR

“How to Live Safely is a book likely to generate a lot of discussion, within science fiction and outside, infuriating some readers while delighting many others.”
—San Francisco Chronicle

“An extraordinary work. . . . I read the entire book in one gulp.”
—Chris Wallace, GQ

“A great Calvino-esque thrill ride of a book.”
—The Stranger

“Science and metaphor get nice and cozy in Charles Yu’s How to Live Safely in a Science Fictional Universe. The novel joins the likes of Gary Shteyngart’s Super Sad True Love Story and Jillian Weise’s The Colony, fiction that borrows the tropes of sci-fi to tell high-tech self-actualization narratives.”
—Portland Mercury

“A brainy reverie of sexbots, rayguns, time travel and Buddhist zombie mothers. . . . Packed with deft emotional insight.”
—The Economist

“A funny, funny book, and it’s a good thing, too; because at its heart it’s a book about loneliness, regret, and the all-too-human desire to change the past.”
—Tor.com

“A keenly perceptive satire. . . . Yu’s novel is also a meditation on the essentials of human life at its innermost point.. . . Campy allusions to the original Star Wars trilogy, a cityscape worthy of the director’s cut of Blade Runner and a semi-coherent vocabulary of techno-jargon cement these disparate elements into a brilliant send-up of science fiction. . . . Perhaps it would be better to think of the instructional units of How to Live Safely in a Science Fictional Universe in terms of the chapters of social commentary which John Steinbeck placed into the plot structure of The Grapes of Wrath.”
—California Literary Review

“How to Live Safely in a Science Fictional Universe is the rare book I pick up to read the first several pages, then decide to drop everything and finish at once. Emotionally resonant, funny, and as clever as any book I have read all year, this debut novel heralds the arrival of a talented young writer unafraid to take chances.”
—largehearted boy

“A wild and inventive first novel . . . has been compared to the novels of Kurt Vonnegut Jr. and Jonathan Lethem, and the fact that such comparisons are not out of line says everything necessary about Yu’s talent and future.”
—Portland Oregonian

“Bends the rules of time and literary convention.”
—Seattle Weekly

“Getting stuck with Yu in his time loop is like watching an episode of Doctor Who as written by the young Philip Roth. Even when recalling his most painful childhood moments, Yu makes fun of himself or pulls you into a silly description of fake physics experiments. In this way, he delivers one of the most clear-eyed descriptions of consciousness I’ve seen in literature: It’s full of self-mockery and self-deception, and yet somehow manages to keep its hands on the wheel, driving us forward into an unknowable future. How to Live Safely in a Science Fictional Universe is intellectually demanding, but also emotionally rich and funny. . . . It’s clearly the work of a scifi geek who knows how to twist pop culture tropes into melancholy meditations on the nature of consciousness.”
—io9

“Funny [and] moving. . . . Charles Yu’s first novel is getting ready for lift-off, and it more than surpasses expectations which couldn’t be any higher after he was given the 5 Under 35 Award . . . How to Live Safely in a Science Fiction Universe is one of the trippiest and most thoughtful novels I’ve read all year, one that begs for a single sit-down experience even if you’re left with a major head rush after the fact for having gulped down so many ideas in a solitary swoop. . . . Yu’s literary pyrotechnics come in a marvelously entertaining and accessible package, featuring a reluctant, time machine-operating hero on a continual quest to discover what really happened to his missing father, a mysterious book possibly answering all, and a computer with the most idiosyncratic personality since HAL or Deep Thought. . . . Like the work of Richard Powers . . . How to Live Safely in a Science Fictional Universe fuses the scientific and the emotional in ways that bring about something new.”
—Sarah Weinman, The Daily Beast

“One of the best novels of 2010. . . . It is a wonderfully stunning, brilliant work of science fiction that goes to the heart of self-realization, happiness and connections. . . . Yu has accomplished something remarkable in this book, blending science fiction universes with his own, alternative self’s life, in a way, breaking past the bonds of the page and bringing the reader right into the action. . . . Simply, this is one of the absolute best time travel stories . . . even compared to works such as The Time Machine by H.G. Wells or the Doctor Who television series.”
—SF Signal

“Within a few pages I was hooked. . . . There are times when he starts off a paragraph about chronodiegetics that just sounds like pseudo-scientific gibberish meant to fill in some space. And then you realize that what he’s saying actually makes sense, that he’s actually figured out something really fascinating about the way time works, about the way fiction works, and the “Aha!” switch in your brain gets flipped. That happened more than once for me. There are so many sections here and there that I found myself wanting to share with somebody: Here—read this paragraph! Look at this sentence! Ok, now check this out!”
—GeekDad, Wired.com

“In this debut novel, Charles Yu continues his ambitious exploration of the fantastic with a whimsical yet sincere tribute to old-school science fiction and quantum physics. . . . A fascinating, philosophical and disorienting thriller about life and the context that gives it meaning.”
—Kirkus, starred review

“With Star Wars allusions, glimpses of a future world, and journeys to the past, as well as hilarious and poignant explanations of “chronodiegetics,” or the “theory of the nature and function of time within a narrative space,” Yu, winner of the National Book Foundation’s 5 under 35 Award, constructs a clever, fluently metaphorical tale. A funny, brain-teasing, and wise take on archetypal father-and-son issues, the mysteries of time and memory, emotional inertia, and one sweet but bumbling misfit’s attempts to escape a legacy of sadness and isolation.”
—Booklist

“This book is cool as hell. If I could go back in time and read it earlier, I would.”
—Colson Whitehead, author of Sag Harbor

“Charles Yu is a tremendously clever writer, and How to Live Safely in a Science Fictional Universe is marvelously written, sweetly geeky, good clean time-bending fun.”
—Audrey Niffenegger, author of Her Fearful Symmetry and The Time Traveler’s Wife

“Funny, touching, and weirdly beautiful. This book is awesome.”
—Nick Harkaway, author of The Gone-Away World

“How to Live Safely in a Science Fictional Universe is that rare thing—a truly original novel. Charles Yu has built a strange, beautiful, intricate machine, with a pulse that carries as much blood as it does electricity.”
—Kevin Brockmeier, author of The View from the Seventh Layer and The Brief History of the Dead

“Poignant, hilarious, and electrically original. Bends time, mind, and genre.”
—David Eagleman, author of Sum

I've found that it's difficult to keep track of threads I found interesting but are no longer highly active, especially without a search function. My suggested solution is the ability to subscribe to updates on a topic/thread (whatever you want to call it) and enable easy access to checking up on the thread for updates without having to receive a direct reply to my comment on the topic. If this already exists and I'm just blind, let me know!

I've noticed a lot of people in introductory threads mentioning their mental health issues and a sizeable number of people who took the survey indicated they consider themselves mentally ill. I myself have been dealing with depression for about 16 years.

Without a search function it's hard to tell if this is a repost, but I figured I'd give it a go and see if anyone out there is in need of some support. If you need someone to talk to, consider this thread a support group and I will be here to lean on. :)

I would like to have everyone weigh in on constructive critique style for ~creative. :)

Most of the critiques given so far in ~creative have been very light and amiable. People are feeling their way into what is acceptable, and don't wish to offend. Today we've had an extremely high level critique by Trin (awesome feedback, btw!) And I'm caught between cheering and covering my eyes.

Cheering because having this level of critique in ~creative is worth gold. To have members of the community capable and willing to devote this much care is incredible. It takes a LOT of time and energy to give this sort of feedback. Some people search and pay money for feedback like this, and still can't find someone good enough to give it.

Covering my eyes because many people don't understand or want such thoroughness, and I'm imagining all the new writers/crafters/artists running for the hills and never posting again.

I am extremely reluctant to fling a "critique scale request" out there. That often seems to polarize posts. Also...if someone reads your work, views your art, enjoys your craft enough to give you the compliment of a deep critique...wouldn't you want it?

Let's hear what people want! I personally want all levels of submitters comfortable in ~creative. But I also want it to be a place that encourages growth instead of just ego stroking. :)

I first read "The Giver" circa 1998 when I was still in elementary school, and it changed my life. From that moment on, I craved idyllic utopias with undercurrents of death and despair but couldn't find them anywhere. I moved onto ghost stories and fantasies and Harry Potter, but still I read The Giver several times a year, inevitably kicking off a pre-family-computer search for more. The simple but powerful themes made me feel wise and the promise of euthanasia made me feel dangerous, and I was changed again.

Imagine my relief when I found Margaret Atwood's "The Handmaid's Tale." And Aldous Huxley's "Brave New World." And, finally, a name for my favorite genre. Even after I learned the phrase "Dystopian Fiction" and told everyone I could about it, it wasn't easy to find all the books I wanted. But I read "1984," "Fahrenheit 451," and the classic allegorical novels. When I was in high school, I read Kazuo Ishiguro's "Never Let Me Go" and Cormac McCarthy's "The Road," and I was shaken to my core and felt content enough.

[This ended up being more melodramatic than I originally intended; I'm definitely not a writer. I just wanted to get across my adolescent depth of feeling for dystopian fiction before I actually come to the point in my timeline when "it" happened. *self-deprecating eye roll emoji]

I actually enjoyed "The Hunger Games." The world compelled me even when the characters did not, and while I would have liked a touch more exposition about how the high society came to accept the murder of children, it was still chilling. But then the world exploded. YA dystopian novels were spilling from publishing houses with abandon as the populace became as obsessed as I was, and of course I was thrilled! And then I was miffed. And then I was disappointed, and then I became some sort of crotchety old-man/hipster hybrid. "No I'm not just jumping on the bandwagon! I was here before the world even knew its name! Back in my day, dystopian books had actual themes, not just unhealthy love-triangles and shadowy-but-one-dimensional villainous overlords!" The genre became overrun, in my opinion, with authors trying to cash in on the success of the big name novels without any passion for subject matter. Characters were flat, love stories were rampant and boring, and the dystopian world-building was over-the-top, reaching, and unearned. I still feel a little bit cheated.

I do feel bad about being so petulant; I'm glad that this surge has fostered a love of reading in zillions of children. I'm honestly probably missing out on some excellent novels, but now I'm hesitant to read a post-2012 book marketed as "Dystopian" lest I'm forced to live in yet another world where love is a disease ("Delirium"-Lauren Oliver) or, preserve me, where all forms of language have become deadly to adults ("The Flame Alphabet"-Ben Marcus).

Hopefully that wasn't too boring! I'm done now! I want to know if you've ever felt similarly, if you think I'm flat wrong, if you have some post-2013 novels I should read, if you want to talk about the genre... anything!

Lodown Magazine
FEATURES
PULSE

▀▀▀▀▀▀▀▀▀▄▀▀▀▀▀▀▀▀▀▄▀▀▀▀▀▀▀▀▀▀▀▀▀

▀▀▀▀▀▀▀▄▄▄▀▀▀▀▀▀▀▄▄▄▀▀▀▀▀▀▀▀▀▀

▀▀▀▀▀▄▄▄▄▄▀▀▀▀▀▄▄▄▄▄▀▀▀▀▀▀▀

▀▀▀▄▄▄▄▄▄▄▀▀▀▄▄▄▄▄▄▄▀▀▀▀

▀▄▄▄▄▄▄▄▄▄▀▄▄▄▄▄▄▄▄▄▀

Das Chaos frisiert sich nicht

4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ € 00'85 qɐ ƃunllǝʇsǝq/oɟuı
4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ € 00˙85 qɐ ƃunllǝʇsǝq/oɟuı
4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ llǝnʇuǝʌǝ ƃunllǝʇsǝq/oɟuı
4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ € 00'85 qɐ ƃunllǝʇsǝq/oɟuı
4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ ʇɥɔıu ƃunllǝʇsǝq/oɟuı
4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ ʇɥɔıu ƃunllǝʇsǝq/oɟuı
4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ ʇɥɔıu ƃunllǝʇsǝq/oɟuı
4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ 65'74 ɹnǝ

|...PIPI TRUCK.I....... | ||'|";, |......______===|=|||__|..., ]-. "(@)'(@)"""''"|(@)(@)***''(@)

6H5L3T.GIF

☠

1458457_573340192720969_1417713503_N.JPG

800PX-SCHEIN-BUSHALTESTELLE_0009.JPG

────██████──────
───██████████───
───▓▓▓░░░▓░─────
──▓░▓░░░░▓░░░───
──▓░▓▓░░░░▓░░░──
──▓▓░░░░░▓▓▓▓───
───░░░░░░░░─────
───▓▓█▓▓▓▓──────
──▓▓▓█▓▓▓█▓▓▓───
─▓▓▓▓█████▓▓▓▓──
─░░▓█░███░█▓░░──
─░░░███████░░░──
─░░█████████░░──
──███████████───
──████───████───
─▓▓▓▓─────▓▓▓▓──
▓▓▓▓▓─────▓▓▓▓▓─
█ ███ ███ ███ ███ ███ ███ ███ ███ ███

HUI!

⤴

1947484_10152255283418633_1651829558_N.JPG

IMAGE-700577-GALLERYV9-IBSY.JPG

plǝƃɹɐɐq ɹopoǝɥʇ sǝuuɐɥoɾ

˙ɐpɐpsɟdɯnɹɹɹɹɹɹ 'ʇɹɥöɹ ǝɹɥöɹɯɹɐɥ ǝıp 'ɹɥoɹɹɥoq 'ɹoqɐlloɔ ˙ƃunpıǝlʞɹǝʌsʇɥɔǝlɥɔsǝƃ uı ɹǝpɹöɯʇsqlǝs ɹǝp ʇsı ɹǝʞıʇoƃ ɹǝp ˙ɹǝıǝzʇolʞ ɹǝp sılɐuoıʇıqıɥxǝ ǝpuǝɹǝıssɐɯıɹƃ ɹǝp ʇsı ʞıʇoƃ ǝıp :ǝɹɥöɹɥǝʇs ¡ǝʇɐɹoqɐlloɔ ¡uǝɹɥöɹ ʇɥǝʇs ˙ǝɹɥöɹ ʇɥǝʇs ("ɐ" ǝqɐƃsnɐ ulöʞ uı ǝʇsuüʞ ɹǝp ʇɟɐɥɔsllǝsǝƃ ɹǝp uoʌ uǝƃɐlɥɔsɹǝʇun uǝɥɔsılƃuǝ ɯǝp snɐ) plǝıɟʇɹɐǝɥ puɐlǝıʍ ˙ǝɹɥöɹ ʇɥǝʇs ʇuɐsǝq - ıuuɐ - ǝıp ˙ǝɹɥöɹ ʇɥǝʇs pnoƃǝd ˙uıǝquǝɹɥöɹ ˙ǝɹɥöɹ ɹǝp uı pun uɐ ɹnʇʞǝʇıɥɔɹɐuǝɹɥöɹ ǝıp uǝllos ɹıʍ ˙uǝɥɔılƃǝƃsnɐ uǝpuǝɹǝıpnʇsʇʇodɯoʞ-lɐızos uǝuoʇılıɯɯoɔ uǝɥɔsıuıǝɥɹ ǝıp uɐ ǝʇsɹüʍuɥɐzɹɐɐɥßoɹ ǝɥɔsʇnǝp 029 ʇɐɥ ƃunƃǝʍǝq uǝɥɔsıʇsıɐpɐp ɹǝp ɥɔıɹüz ǝʞɔnusʇɹo ǝıp ˙sɯǝʇsʎsuǝɹɥöɹ sǝp ǝɟlıɥ ʇıɯ ǝuısäɹpǝƃɐuäɹp ǝuıǝ sʇıǝɹǝq pun 'ʇsı ǝlnäɟuɥɐz ɹǝp ƃunuıǝɥɔsɹǝ-suoıʇɐɯoʌ ǝʌıʇʞǝɹǝ ǝuıǝ ʞıʇoƃ ǝıp ßɐp 'uǝɯɯoʞ nz sıuqǝƃɹǝ ɯǝp nz ʇqnɐlƃ dɹɐ ˙uǝsıǝlǝƃ ǝsǝɥʇuʎsuǝɹɥöɹ uǝɥɔsıuıʇsnƃnɐ ɹǝp ǝssüƃɹoʌ ǝıp ǝʇʇıu ɹǝuıǝs uoıʇɐʞɹǝqnd uǝʇsɥɔäu ɹǝuıǝs uı ʇǝlǝɥʇɐlıɥd ǝʇqǝılɹǝʌ ɹǝp pɹıʍ uǝƃǝƃɐp ˙uǝƃɐɹʇɹǝʌ ıǝp sılɐnʇʞǝllǝʇuı ɹoɯɐ uǝp ɹǝläɥɔs uoʌ plodoǝl ˙ɟoɹd uǝʇǝlǝɥʇɐlıɥd sǝp ǝʇʇıu ɹǝp ʇɐɥ "p" sǝssnɥɔssnɐsuoıʇʞɐ uǝlɐuoıʇɐuɹǝʇuı sǝp ɹässıɯǝ 'dɹɐ suɐɥ ʇsıuıʇɐs ɹǝp ˙ʇɥǝʍǝƃ slǝʇıdɐʞɯop sǝp uǝızıɟɟo ǝıp ɥɔɹnp lɐɯıǝʍz ǝzʇlnɥɔs ˙ɹp ɟoɥɔsıqzɹǝ ɯoʌ 51˙3 ˙ɯɥɔɐu ǝpɹnʍ "uoıssɐd ǝƃızuıǝ uıǝɯ" ʞɹǝʍɹɐʇlɐ ǝuǝɟɟıɹƃɹǝ sɐp ˙ʇǝpuǝlǝɹǝʌ uıʇʇɐƃ ɹǝuıǝs ƃunlɐɯsnɐ ǝɥɔsıʇsıuoıssǝɹdxǝ ǝıp uǝuǝssılɟǝqɯoldıpuǝuuoq ɹǝp ƃunzʇıs ɹǝɥɔsıʇuǝpnʇs uı uuoq - ɹǝƃuıɥɔɐɟ ˙ɥlıʍ ˙ɟoɹd uoıʇʞǝɾɹǝʇuı ɹǝp ʇsıpuɐƃɐdoɹd ɹǝp ʇɐɥ ɯǝpzʇoɹʇ ˙ʇƃɐɹʇuɐǝq ɹǝlloɹ ɹǝzɹɐɥ ɥɔɹnp suǝsǝʍuǝʇuǝuɹǝzǝp sǝp ƃunɹǝısıɹɐuɐʞ ǝıp ɹǝɥɐp ʇɐɥ ƃunƃıuıǝɹǝʌuǝʇuǝɯnsuoʞ ǝıp ˙ʇzʇɐldǝƃ plǝɟɹǝǝɯ ɐlɐsoɹ uıʇsıɐpɐp ɹǝp uǝsɐʌ ǝıp puıs sɹǝssɐʍɥɔoɥ-ɹɐnuɐɾ sǝp ǝƃloɟ slɐ ˙uǝpɹoʍ ʇɹǝıdıʇsuoʞ uɥos ɯǝuıǝs ʇıɯ ʇlʎs ƃunlpǝısuǝɹɥöɹ ɹǝp uı ɹǝuıqnɹ ˙ɹ uuɐɥoɾ uǝʇsıɐpɐp sǝp ƃunɹɥüɟɹǝʌ ɥɔɹnp ʇsı ɹǝʇlɐʍuǝsɐɥ ˙uǝssoƃǝq uɥos ɯǝuıǝs uoʌ ,ǝpǝıʍ ,ǝʇıǝʍ pɹıʍ ɹǝʇlɐɟuǝsɐɥ ɹǝʌǝlɔ uǝɥɔlıǝʍouıʞ sɐp ˙uǝnɐʞnzsnɐ ɹnʇʞǝʇoɹɥdɐuǝɹɥöɹ ɹǝp uouɐʞlɐʇuǝɯɐuɹo uǝp ʇʞɐ uǝɥɔılqıǝʍ ɯɐ uǝƃunplıqlɹǝd pun uǝƃunɹǝuıǝʇsʇoʞ 'uǝƃunɹɐɐɥ ɹǝɯɹouqɐ 'uǝƃunsɥɔɐʍʇuǝ lɥɐzɟnɐ ɹǝuıǝ ʇıɯ ʇƃıʇɥɔısqɐǝq ʇnʇıʇsuı sɐp ˙ʇǝʇɥɔıɹɹǝʌ ǝʇɹɐʍlɐʇuǝɯɐuɹo ǝɥɔsıɯoʇɐuɐuɐld ǝuıǝ (1944ɐ ˙lǝʇ '451-051 ƃǝʍɹǝƃɹnqsɹǝɟǝıɥɔs 'sǝddıu) sʇlɐʍɹǝʌsƃunʇɹǝʍʇuǝɹǝıʇɹǝız ˙ʇpäʇs sǝp uǝɯnäq uǝp uı ʇɐɥ ˙q˙p˙q ǝʞɥɔsɐɯ ɐpɐp sǝp "ƃunɹǝʇıǝʍɹǝǝʇʇäʇs" uɹnɯıǝɥǝƃ ɹǝp ˙ʇzʇǝs ɥdɐʇıdǝlǝllɐɹɐdoɥɔʎsd uıǝ ƃɐʇ ɯǝp slǝʇɹǝıʌ sǝuıǝs uɹǝʇuıɥɹǝsnäɥ pun uɹǝnɐɯpuɐɹq uǝp uɐ uǝpɐɔɹɐɟuǝɹɥöɹ uoʌ uǝƃuıɹquɐ ɥɔɹnp ɹǝp 'ʇpuɐsǝƃ lǝʇʇüq ɯǝp ʇıɯ ɹnʇʞuıʇıɥɔɹɐuǝɹɥöɹ ˙ʇqɐ 3/ʍ ǝlɐɹʇuǝz ǝıp uɐ ɥɔıs ʇɐɥ ɹɐɐdlǝqnɾ sɐp ˙ʇǝʇɐɹıǝɥǝƃ ǝʇqǝılǝƃ ǝuıǝs ʇɐɥ ʇǝʍıǝs oǝl pılodoɯsoʞ ɹǝp ˙ʇɥɔıɹdsɹǝpıʍ sǝɟɹnʍʇuǝzʇǝsǝƃuǝɹɥöɹqǝıɹʇǝq sǝp uǝƃunɯɯıʇsɹǝʌ uǝp pun ʇsı ɹǝllǝʞ ɹǝʇƃǝlǝƃıǝɹɟ uıǝ ɹǝp 'puıs uǝqɐɹƃɹǝʌ nz sǝɯɹnʇlǝɟɟıǝ sǝp uǝıǝʇɹɐdǝqlöʍǝƃ ǝıp qo 'uǝssɐl uǝɯɯıʇsǝq ɥɔıs uǝpɹǝʍ ǝʇǝıqǝƃsƃunɯɯıʇsqɐ ǝıp ˙snɐ ɹnʇʞǝʇıɥɔɹɐuǝɹɥöɹ ɹǝp uǝpoq ɯǝp ɟnɐ ɥɔıǝlƃɹǝʌ uǝuıǝ ʎqɹǝp-uɐsǝzöıp ǝƃıllıʍıǝɹɟ-ƃıɹɥäɾuıǝ sɐp ɹüɟ ɐpɐp ƃunƃǝʍǝq ɹǝp 3/ʍ ǝlɐɹʇuǝz ǝıp ʇƃäs 'ulǝʞäɥ ǝɯɯɐɹƃǝlǝʇɥɔsunʍʞɔülƃ uıpoɹ ǝʇsnƃnɐ uıʇsılɐızos ǝıp pun uıǝʇsuıǝ ʇɹǝqlɐ puǝɹɥäʍ ˙nɐɹɟ ɹǝuıǝs ƃunɹǝısılɐunɯɯoʞ ɹǝp ʇıɯ ʇɥoɹp pun ǝɥǝ ɹǝp nɐqqɐ slɐ ʞıʇoƃlɐunɯɯoʞ ɹǝp ƃunlɥüɟuıǝ ǝıp ʇsɹǝ ǝsolɥɔnɐɹ ʇʞɐpıpouɹod ǝpuǝɥɔǝʇs ʇɥɔılɟdʇɟɐɥ ɹǝp qlɐɥɹǝßnɐ ɹǝp ʇɹälʞɹǝ 'uǝɯɯouǝƃ ƃunllǝʇs uǝsoɥɹǝıɹɟǝƃ uoʌ uǝƃnɐsuɐ ɥɔɹnp ʇʞǝɹpod ɯǝp nz sǝpunq sǝp lǝƃuılʞ ǝuɹodolıɥd ǝıp ɯǝpɥɔɐu ˙sɯop ɹǝulöʞ sǝp ɟnɐlɟnɐ uǝp ɥɔɹnp sɯǝʇsʎsuǝɹɥöɹ sǝp ƃunpuɐsǝq ǝıp ʇlǝpuɐɥɹǝʌ pun uǝʞɔɐqǝƃuıǝ puoɯǝɹ zʇıɹoɯ uǝʌǝlǝnɐqlɐunɯoʞ uǝp ɥɔɹnp ɥɔıluösɹǝd ˙ɯɹoʌ 03˙11 ɹɐnuɐɾ ˙51 ɯɐ ǝpɹnʍ ˙ɥǝƃ 0291/3332 ʇʞǝɹpod ɹǝp ˙uǝßoʇsǝƃ ˙ɥǝƃ 0291/3332 ˙ou ɟɹnʍɹoʌlɐuıɯıɹʞ uǝp ɟnɐ uǝʇıǝqɹɐ uǝʇɹǝıɹouoɥ puǝɟnɐlɥɔɹnp ɹǝuıǝs ƃunɹǝıʌouǝɹ ɹǝp ıǝq ʇsı uǝʇʞǝʇıɥɔɹɐsnıʇɐlnʞǝds ǝʌıssǝɹdxǝ lǝʌ ɹǝƃuäƃuǝʇuıɹd ɹǝɥɔsıuısɐɯoɥʇ ʇɟɐsuǝɥɔsɹnq ɹǝp ˙ɯɹnʍpuɐq 'puɐqzzɐɾ 'zzɐɾ

HABITABLE_ZONE_-_HZ.JPG

NYNXD3Y.GIF

PENCIL1.JPG

schwieriges los:

Ɱⱻ|И ŦℜⒺUηⒹ & K❍⎳⎳€g트

ⓂⒶ®◉K

//uⓇDҼ ⩕i† KUⒸⒽέƝ GⓇⓄϟ$g∑ZʘGⒺN

(seine mutter kann zwar sehr gut kuchen backen, aber nicht so gut kochen)                

1.GIF

╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲
╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱
╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲
╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱
╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲
╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱
╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲
╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱╱╲╲╱

5-KOPIE.JPG

10291071_648125388575782_4079966481718848630_N.JPG

̵̶̥͝䷀⃣⁚͌※₪⃝ ﰹ⊙

1604723_599279130127075_1192531611_N.JPG

༗

'Hannover' - Kurt Schwitters

Die Hannoveraner sind die Bewohner einer Stadt, einer Großstadt. Hundekrankheiten bekommt der Hannoveraner nie. Hannovers Rathaus gehört den Hannoveranern, und das ist doch wohl eine berechtigte Forderung. Der Unterschied zwischen Hannover und Anna Blume ist der, daß man Anna von hinten und von vorn lesen kann, Hannover dagegen am besten nur von vorne. Liest man aber Hannover von hinten, so ergibt sich die Zusammenstellung dreier Worte: "re von nah". Das Wort "re" kann man verschieden übersetzen: "rückwärts" oder "zurück". Ich schlage die Übersetzung "rückwärts" vor. Dann ergibt sich also als Übersetzung des Wortes Hannover von hinten: "Rückwärts von nah". Und das stimmt insofern, als dann die Übersetzung des Wortes Hannover von vorn lauten würde: "Vorwärts nach weit". Das heißt also: Hannover strebt vorwärts, und zwar ins Unermeßliche. Anne Blume hingegen ist von hinten wie von vorne: A-N-N-A.
(Hunde bitte an die Leine zu führen.)

537D2523C07A802121000190_VENICE-BIENNALE-2014-MONTENEGRO-TO-PRESENT-TREASURES-IN-DISGUISE-_HOTEL_FJORD_ORIGINAL_CONDITION_INTERIOR-1000X744.JPG

42C4A5CA309D3867F13255DF2D6F436F_IMAGE_DOCUMENT_XXL.JPG

10574357_693575990697388_2987809822696709434_N.JPG

® featured content was

• found on the interweb

• found on my harddrives

• done

KAISERBESUCH_1896_STEMPEL_SPEZIELL_0900_0700_SV.JPG

by sksm

FACEBOOK

TWITTER

GOOGLE+
SEARCH

LODOWN SHOP

IMPRINT

FACEBOOK

INSTAGRAM

TWITTER

SOUNDCLOUD

I use Lastpass at work but don't have experience with any others. Last time I looked into it Lastpass and Keepass were the only two viable options if I recall (though my memory isn't the most reliable thing). A few quick searches seem to indicate that the market has opened up a bit since then. I'd like to use something open source with Linux, Windows, and Android clients. So, what's your preferred password manager and why?

So far, Tildes is creating a lot of good discussion, but it's lacking a way to "retrace your steps" and get back to old threads that were worth remembering.

Either a search function, or save function would come in very handy here.

I'd like to see the ability to save comments made a first class feature here, rather than an upgrade as it is on Reddit.

Maybe this has already been talked about but there isn't a search so I can't tell (I know it's being developed when the API goes public) but right now when I get a reply in my inbox the only link I have is to the entire post not the specific comment. Right now the site is small enough that it isn't a huge deal to scroll down and find my comment but it is something that eventually needs to be added

Hey everyone!

I was recently exposed to a new website called Song.Link. You can search for songs, albums, or artists that you like, and generate a link that provides access to the music you found in all of the major music streaming services.

Song.Link

I think it'd be great if we could make it standard to post a song.link when possible!

Edit: learning to markdown

The book Code Complete changed me as a programmer and as a person. It is the best book I have ever read and if you're a programmer I highly recommend you read it.

The book was so good that after having read the pirated version of it I just had to give the author its money's worth. The problem was that almost nobody sells a PDF version of the book - Amazon sells it as a Kindle book, but I prefer PDFs (can use my chioce of software to read it). After searching for a short week I finally found a seller that sells a PDF version. I have never been so happy to find a legal PDF version of a book. Having been a pirate in my teens I'm proud of having gone to such lengths to the right thing. That's all. Just wanted to share this with you.

TL;DR: Instead of pirating a book because I didn't find a legal PDF version spent time searching for a seller and bought it legally.

Sorry, I skimmed the sidebar and announcement posts and whatsoever, but didn't find anything where to post.

Found a simple bug, which may also be a feature:p

If you delete a comment, you can't press reply on that same comment again, where you previously deleted your reply from. If I vote that comment after deleting my comment reply is again clickable.

Thanks for your attention. Have a great day. :P

€dit:
I'm using a phone, with webview browser. (Entering into Google search and using that view instead of a browser)

So, after a rather clunky script to open comment's link in a new tab with the left click, I got inspired by the idea of @kalebo and wrote also a script to quickly jump to new comments in a topic.

I thought about writing a dedicated script but felt like it was going to become overly complicated for a user to import different script.

• The script itself is here: https://gist.github.com/theCrius/04dc86bea0ed0f1cbec7e57f1aaff9aa
• I wrote it with tampermonkey in mind: http://tampermonkey.net/
  Please read further as tampermonkey has issues with custom styles.
• And here is a simple tutorial on how to load script in tampermonkey: https://imgur.com/a/pY51wn2

These script are all meant to give the community some QoL while lightening the pressure on @deimos so he can work without too much stress from all the requests. As soon as the feature are implemented you should get rid of those script that in some parts felt like bad hacks to me that I was writing it.

I know the button to scroll to new messages is in a quite bad position (top center of your browser page) but I couldn't bear to deal with tampermonkey issue and its GM_AddStyle meta not working properly so I had to use the basic CSS provided by spectre already loaded in tildes.net.

If someone knows how to figure out that goddamn meta, let me know.

========= UPDATE ============

Edit: So apparently tampermonkey has issues with styles that are not yet fixed and firefox has some issue in general with script that inject stuff in the page (understandably).

For tampermonkey the solution is simple. Use violentmonkey instead. you can just copy the script and it will work.

For Firefox it's a little more dirty unfortunately but I cannot find other solutions. You need to open the internal URL about:config. Then search security.csp.enable and double click to disable it. After this the script will work.
Firefox has a very strict policy and the only real solution would be to write an extension and I don't think it's worth the effort in the current state of development.
For full description of what that policy does, check the official doc from mozilla: https://developer.mozilla.org/en-US/docs/Web/HTTP/CSP#Threats

I am absolutely loving Tildes so far! I have been using HackerNews for a long time and I think a couple of things that sites like those lack is 2-Factor Authentication and a dedicated on-site search functionality. Even though this is not a priority, nor does this site require any personal data, I think adding a 2FA would allow users to strengthen (?) their account at one point. I also think a site-wide search would be a good feature to have. HN does not have a native search and you need to use 3rd party services through HN API, which I think isn't really intuitive.

Neither of these are a priority, but I think having these features early on would actually be a good thing to do.