No holodeck adventures, no hiding in space clouds, no musical dance numbers, no soap operas ( just a tiny bit ) and no less than subtle modeling of how people should behave.

Stories that were actually interesting and that held your attention.

Some of episode 5 was derivative from other Star Trek's and other sci-fi series, but it was done well.

Episode 6 was engrossing and with a surprise ending. I like the slow buildup of King Arthur ( Kirk ) eventually pulling the sword out of the stone ( taking command of the Enterprise ).

Episode 7. I knew people in college like Beto. I thought the actor did a great portraying such a person. I even found myself getting irritated though Star Fleet is fiction. I loved how Uhura handled him. She was kind, but she completely unmasked what he was behind his behavior.

Cas' Short Slices were a series of reviews for my favorite short stories, previously posted on reddit. Each comes paired with a full length novel or novella that comes stylistically or thematically close. These are #1 to #5 (by date of posting, not ranking!).

• Selkie Stories Are For Losers, by Sofia Samatar

There are stories to read and forget. There are stories that linger in my head long after, shouting to be remembered. Then there are stories that haunt me like a ghost, that don’t need to shout for me to never let them go.

Selkie Stories… draws you into the heartbreak of a teenage girl lost in the mysteries of her broken home and the stories she tells herself to make sense of it all. It carves a window into her burgeoning relationship with her co-worker Mona and her own darknesses. In the narrator, Sofia writes pain and hope and grief and the reckless desperation only young love can bring.

Even for a short story this piece is brief, spanning a mere three thousand words. But those words pack a hell of a punch, enough to leave me breathless – and that’s a magic of its own.

Read it yourself here at Strange Horizons.

Hungry for more? Check out How To Be Both by Ali Smith, a Man Booker-nominated novel with similar themes running throughout, gorgeous prose and characters that’ll make you cry.

• Love Is Never Still, by Rachel Swirsky

Sometimes when you chase after something, you find in the end that what you’ve been looking for only exists in the figment of your imagination. Inside your head, the object takes on a life of its own until it diverges from real life. It’s always painful to realize what you wanted all along was never really there in the first place.

Rachel Swirsky takes the classic story of Galatea and Pygmalion and casts all players under scrutiny. Not just the artist and his sculptor but behind them, the affairs of Aphrodite who gave life to a statue and her contentious relations with the remaining Greek pantheon. It’s a love story, but also more than that. This story explores how nature shapes who we are, the many faces of desire and how it can change into something darker, something unpleasant.

I tend to wax over good prose but it’s such a hard quality to define, let alone master, that I have to give it mention here. The descriptions are vivid and strong, each scene painted clear without falling into the pitfall of purple prose. And these words aren’t window dressing – the author knows what she wants to say and how to say it. This story is a long one – more novelette than short story – but definitely well-worth the read.

Read it yourself here at Uncanny Magazine.

Hungry for more? Check out Glimpses by Lewis Shiner.

This is a book I really love, and it’s all but unknown in these parts. Ray works as a radio repairman in 90s’ Texas, who finds one day an album by The Doors appearing in his workshop. Only thing is, the album’s never been recorded and released. Over time, Ray learns to walk down alternate timelines into the past – where he has the possibility to change things and make a difference.

Lewis tackles difficult themes such as the obligations of someone trapped in a loveless marriage, alcoholism and the struggle not to project your needs onto others. What’s more, he does them justice.
On surface level, these two are nothing alike but the parallels are there in the characters of Ray and Pygmalion, both of them are looking for something more without knowing what it is they really want.

Want something closer to Love Is… in theme? Try Galatea, by Emily Blunt. A different take on the story, presented in the unusual form of interaction fiction. It’s well-written and considered to be one of the best in it’s genre. Available online here.

• The Dancer On The Stairs, by Sarah Tolmie

There's been a lot of clamour recently for stories that aren't entrenched in darkness and grit. We're all tired of seeing depressing things in social media, in the news. Sometimes all you want is to see a ray of light shining at the end.

Enter The Dancer... where a young woman finds herself awakening on an empty flight of stairs, stretching forever in both directions. She's thrust into another world with no preparation, not even sharing a common language with the people there. Without crichtén - the coin of the stairway - she has no way past the guards stationed on each floor. And crichtén isn't something that can be bargained for. So she wanders on, lost and hungry and desperate to learn and navigate a culture entirely alien from her own.

Why I love The Dancer... is that ultimately, it's a story about kindnesses. From the guard sympathizing with her plight to the old pilgrim sharing his knowledge of the world with someone hapless as a newborn, it tells you that while the world may be cold, it isn't cruel. There are people out there who are willing to reach out to those in want, and to extend a hand into the dark.

Read it yourself here at Strange Horizons.

Hungry for more? Check out The Goblin Emperor by Katherine Addison. Much lauded by /r/fantasy, this book contains much the same warm tones and hope carried by The Dancer... If you haven't checked it out yet, I'm adding my voice to the chorus telling you to do so now!

• Fox Magic, by Kij Johnson

Throughout mythologies there are countless variations of the story of the changeling wife. Selkies, huldras and crane wives play on the theme of captive spirits lured into the world of men by force or trickery.

In Fox Magic, Kij Johnson allows us a glimpse of the inverse through the eyes of a kitsune, or fox maiden. The unnamed narrator grows infatuated with the master of the property on which she and her family resides. The man is married with a wife and son. She is a fox, she does not care. And in this way the story delves into the quiet horror of seeing a person trapped in a waking dream, in what another thinks is love.

The nature of magic is that it's often cruel, giving power to one and not another - easy enough to parallel in the real world. So we have to not just look but see, and realize when it's past time to let things go.

Read it yourself here at Kij Johnson's website.

Hungry for more? Check out The Forgotten Beasts Of Eld by Patricia McKillip. Though she writes with a lighter touch than Kij, Forgotten Beasts... is very much in line with the themes in this short story - how strongly magic tempts when it promises to give you your heart's desire, how affection needs to be a two-way street.

• Second Person, Present Tense by Daryl Gregory

Nobody can choose the circumstances of their own birth, and some people come into being in more unusual ways than others. Most of us create an identity for ourselves through the passing of time and gathered experience. For Terry, it's nowhere near that simple.

The moment Terry comes into existence her parents are waiting to claim her, parents she doesn't remember. The doctor informs her that the drug Zen is responsible for stripping away her knowledge of who she was. Whoever inhabited her body before the overdose, she's gone now and left Terry there in her place. And already she's started to form memories of her own, disparate from the expectations of the people calling her their daughter and wanting her back again.

Second Person... is centered around the themes of self-actualization despite the expectations of those around you. Whoever you were is unimportant, what matters is who you are in the now and in the end, it's up to you to make your identity.

Read it yourself here at Clarkesword Magazine.

Hungry for more? Check out The Golem and the Djinni by Helene Wecker. Chava, the titular golem, comes to life during a voyage to a promised future in New York. But the one who's commissioned her dies in an unexpected manner, she's left unmoored to find her own way in a strange new city.

Overview

Background

Why I chose the Minimal Phone by Minimal Company

• while more expensive than a cheap android that I do software limitations on, it felt like I was getting a device that worked for me, rather than doing a bunch of configuration to get one to work for me
• Minimal phone was significantly cheaper than the Lite Phone, and had Google Playstore access to add some apps not included that I may need
• RCS support (it is just running Google Messages)
• eInk felt like a good fit for me
• The physical keyboard intrigued me

Experience ordering the phone

Software Impressions

Hardware

Summary

TLDR: I think that I don’t like Pokémon games anymore because the battle system literally puts me to sleep, I can’t be bothered to “catch them all” all over again, and there’s just nothing else about the mainline games (not even the story or anything) that makes them interesting for me. Anyone else?

Disclaimer: If you love Pokémon, then I’m very happy for you. Seriously. This isn’t a rant about the games being bad (not even the modern ones). I’m not casting judgment on the quality of the games nor the people who buy and play them. This is 100% about my astonishment at how much my personal taste for video games has changed.

I decided to share my thoughts on this matter with all of you here to see if anyone has had a similar experience.

I only got into Pokémon in the year 2000, I think. I still managed to play Red, Blue, and Yellow before Gold, Silver, and Crystal released. Out of these six, the only one I never owned was Gold. But on top of that, I played the ever-loving heck out of Stadium 1 and 2. There is a non-zero chance that I invested more than 1,000 hours into all of these games combined. I even got my mother hooked on the Stadium games. It was wild.

Then gen III rolled around, and while I did get a GBA, I somehow never managed to buy a single new Pokémon game. My guess is that I was too busy fawning over all of the crazy, weird, and fun games that I was playing on the Gamecube, two of which I spent a lot of time on: Animal Crossing and Sonic Adventure 2: Battle. So, I totally missed out on Ruby, Sapphire, Emerald, FireRed and LeafGreen. I also never played Colosseum or XD: Gale of Darkness.

I returned to the series on the NDS, with Diamond, which was a lot fun (at least I don’t remember anything negative about it), but that was close to the beginning of a period in my life where I played almost no video games, let alone Pokémon.

This may sound silly, but what I enjoy about Pokémon (or at least, what I enjoyed about gen I and II), was the adventure. Does that make sense? I loved exploring the world, befriending six “cute” creatures (I always was more interested in carrying the more animal and pet-like ones in my party), becoming the very best, like no one ever was, defeating bad guys, and learning more about the lore surrounding certain legendary Pokémon.

Side note: I did try to catch them all, but Celebi completely eluded me.

It wasn’t until like... I think, 2023? That I went back to the series and played Emerald (through cough cough “alternative” means), and forced myself to plow through the game until I beat the League. And I mean “forced”. It wasn’t like the game was bad, and I enjoyed the adventure to some extent (though the story didn’t quite “grip” me), but the grinding ground my gears (pun intended).

Yes. I had to grind. I can’t remember what my team was and at what level they were (I think around 55 each) when I reached the League, but I remember grinding at the exit of the Victory Road to raise their levels because my first attempt failed. (It’s definitely, at least partly, a skill issue. lol) I had, however, been grinding a little bit before each gym already, and whenever I did, I had to listen to podcasts or YouTube videos in the background or whatever, because I would literally fall asleep while doing it. lol

Most recently I tried HeartGold. Before that, I tried FireRed and White, and with neither of them, I managed to get past the third or fourth gym before I just couldn’t deal with the tedium anymore and gave up.

Fast-forward to this month of April.

I’ve decided to focus on GCN games, since there are many that I never had the chance to play. I replayed Metroid first (needed to scratch that itch) and had fun. Yesterday I finished Paper Mario TTYD, which was a dream come true. Been waiting 20 years to play it. I absolutely loved it.

But today I tried Pokémon Colosseum.

And... I think that I want to give up. lol

I just can’t anymore.

I think that I have become an Old Person™. lol Like, something about the battle system just literally puts me to sleep. I’m not kidding you. I was playing the game today, and whenever I had to battle, I began to feel Drowzee (pun intended).

I played for a little over an hour and then checked Bulbapedia, only to look at the list of “snatchable” Pokémon and think to myself: “Do I think that the ‘adventure’ in this game will be interesting enough to keep me grinding through all these many battles?”

My hearts tells me no. I don’t think that it will.

So, after all these years, I have to sadly conclude that I just don’t like Pokémon anymore. I can’t deal with the battle system. It’s too tedious for me. I also can’t deal with the grind of catching and raising them. Neither the adventures nor the stories catch my interest anymore. It feels all too repetitive, like I’m playing the same game over and over.

But do you know what the irony is? I have replayed Crystal a few times over the years—maybe a handful. It feels easy to pick up somehow. I still grind, but the grind doesn’t grind me down. And I am willing to bet that I could pick it up today and play it all the way to the end without getting tired. It must be the nostalgia. I don’t know how else to explain it otherwise.

I don’t think that my machine can handle playing gens VI to current through “alternative means”, so those are completely out of the question for now, but I have been following the franchise close enough that I feel skeptical that even those would entertain me.

So, I guess that’s it. I don’t like Pokémon anymore. It’s just a game but it somehow feels so tragic. lol

And I’m not sure what other GCN game to pick up instead. Any suggestions? Here are the ones that I have played so far:

• 1080° Avalanche
• Animal Crossing
• Burnout
• Fire Emblem: Path of Radiance
• The Legend of Zelda: Twilight Princess
• The Legend of Zelda: The Wind Waker
• Luigi's Mansion
• Mario Party 4
• Metroid Prime
• Metroid Prime 2: Echoes
• Paper Mario: The Thousand-Year Door
• Pikmin
• Resident Evil 4
• Sonic Adventure 2: Battle
• Star Fox Adventures
• Super Mario Sunshine
• Super Smash Bros. Melee

I’m mostly interested in 3D, third-person action adventure games—basically singleplayer games where you take control of a main character. I’m open to try out other genres though.

I didn’t expect to be saying this, but Kpop Demon Hunters surprised me.

Going in, I figured it was going to be a niche kids animated movie trying to cash in on a trend, but put it on in the background.

I’m not into Kpop, and nothing about the marketing really pulled me in. But within ten minutes, it completely won me over.

The animation style is great. Same team that worked on Into the Spider-Verse, and it shows, bringing the same kind of energy and attention to detail when it comes to character design and world building. The way they handled anime-inspired expressions and visual effects in 3D actually worked, and it gave the movie a really unique feel.

What surprised me most was how strong everything else was. The plot isn’t an afterthought, the humor lands, and the songs are ridiculously catchy. I had no reason to expect this to be as well-rounded and satisfying as it is, but here we are.

I’m a 34-year-old man with no interest in Kpop, and this is now a comfort movie for me.

Strange New Worlds Season 3 is out. So far 2 episodes have been released. I have seen the first episode.

I have some thoughts about the underlying themes of Strange New Worlds. This will not have spoilers because most of what I'm talking about appeared in previous seasons and in the trailer for season 3.

The main theme that I see in the show is that the people in the crew are actualized adults. They have empathy and compassion. If they do something heroic, it is in the spirit of self sacrifice for their friends and colleagues and the human race in general. They have some flaws, but when they find out about the flaws they try to work on self-improvement.

This is most completely embodied in Captain Pike. He expends much of his energy getting feedback from his crew. He gets opinions from experts in various fields, and then makes a decision without doubt. He is open to criticism and fights for what he believes in. He is the opposite of an authoritarian leader.

I would contrast this somewhat to the behavior of Captain Kirk from the original series. Kirk would go to his advisors (mostly Spock and McCoy), but usually as a secondary source. Pike makes a much larger effort to check with the crew first, and relies on more different opinions.

It can also be contrasted with the behavior of Captain Picard. Picard is much more authoritarian and has a very rigid moral code which seems largely based on tradition and values like honor and service.

I enjoy Strange New Worlds very much. I am aware that it is extremely "woke", and that I am being given an example how how we should treat each other and solve problems. I don't mind this at all, and it seems completely in line with the morality which has always driven the best Star Trek.

There is one other thing I noticed in S3e1: Captain Pike takes a moment to pray. I don't remember seeing this in Star Trek before (but it probably has happened). I haven't decided yet why the writers included this. It could be to show a little background about Pike's upbringing (he mentions his dad before doing it). It could be a concession to conservatives who watch the show. It could be that Pike will try all possible avenues in case they may help.

Note: This is NOT a sponsored post. I'm just a happy customer.

Background

When the G'AIM'E Kickstarter was announced, I got the itch to play light gun games again. I grew up playing Time Crisis on my PSX, stepping on a controller plugged into port 2 which acted as a makeshift pedal so I could mimic the arcade experience. A local pizza place near me had an Area 51 machine that I could play for a quarter, and over time I memorized the enemy layouts for that game so that I could play further and further on one coin.

There are a variety of modern light gun models available now, though all of them are at the hobbyist/tinkerer level. There isn't one that "just works" smoothly and easily.

The most well known is the Sinden, which achieves calibration on games by setting up a white border around the game on the screen. This allows the gun to establish its position within that border and "know" where it's shooting.

Unfortunately, when I looked into the Sinden, it seemed like reviews were very mixed, with many mentioning that the border can be kind of a mess to get working. Apparently it can require a lot of legwork and messing around with settings and external programs and whatnot.

After searching around for alternatives, I landed upon a different line of modern light gun and decided to, well, pull the trigger.

Gun4IR Intro

Gun4IR on its own isn't a standalone product so much as it is a framework for making a modern light gun. You can buy the individual components and put them all together in a gun casing, making a functional light gun of your choosing. For example, see the User Guide which goes into detail about which boards you'll need, pin guides, etc. People have made them in Nerf cases and 3D printed ones.

Now, if I'm going to ding the Sinden for requiring too much tinkering, surely soldering wires onto PCBs is a step in the wrong direction?

That's absolutely correct! The good news is that you can sidestep all of this. Gun4IR has some official pre-build sellers, meaning you can buy an already made gun -- no soldering needed! Their site sells builds for the UK, while, RPEG Electronics is their official pre-build seller for the US.

From RPEG, I picked up a pre-built Gun4IR setup in a Guncon 2 housing.

Gun4IR Basics

As is implied by the name, Gun4IR uses 4 different IR clusters for calibration. You can buy a pack of LED sensors that plug into the USB port of your TV. You stick these, facing out, to the midpoint of the top, bottom, left, and right of your TV. The LEDs are black and their light can't be seen with the naked eye but can with a camera (you can check to make sure they're working with your phone).

The gun comes with calibration software that gives you lines on your TV to show the mount points for the LEDs, check how the gun is seeing the sensors, line up shots, etc.

I'm happy to report that, once calibrated, my gun is VERY accurate. I was honestly expecting a bit of jank, but it's genuinely spot on. There's a small bit of jitter that's noticeable when you have a crosshair on (some of that also might be coming from my unstable hands), but when you're playing a game without a crosshair, it's not enough to make you miss shots. The shots I've missed have been because I'm, well, bad at videogames.

Games

Because I wasn't wanting to tinker, I found a big download pack that promised me a pre-configured set of ROMs and emulators that were turnkey and compatible with Gun4IR. I spent days downloading all the individual parts from one of those sketchy download sites, getting all the parts of a multi-part RAR file.

And when I started extracting it, wouldn't you know, it was INFESTED with viruses. I uploaded one of the .exes to VirusTotal and I've never seen so much red.

Shame on me, though. I'm not an internet newbie, and I should know better than to trust random executable files, especially on Windows.

So, I went seeking an alternate solution.

Batocera

Batocera is a Linux distribution focused on retro-gaming. You wouldn't use it as your daily driver, but you would use it if you want to just boot into something so you can play games. Additionally, Batocera has built-in light gun support! Perfect!

I did my usual "setup emulation" dance that I've done so many times before: looking up worthwhile games to play, locating ripping ROMs, getting the right extracting BIOSes, etc. I also bought an external hard drive and attached it to my Windows TVPC. I can now boot off the hard drive to go into Batocera directly (because I didn't want to try to figure out dual booting with Windows).

Batocera is like booting into an arcade cabinet, loading right into ES-DE. It doesn't really expose its file system to you by default, but it's got a killer feature that makes setup easy: Batocera automatically sets up a network share for you. This lets you access all of its folders from another device, meaning I could set everything up on my laptop and transfer it over easily to Batocera.

Furthermore, Batocera automatically knows when you've got a light gun attached and will show a gun icon on games that are compatible. In theory, I'm able to navigate the interface just using my light gun, but in practice I also paired a bluetooth controller. (See Caveats section below for more on this.)

You don't HAVE to use Batocera of course, but it ended up being so easy that it became my preferred setup.

Gaming

So, I got the gun calibrated, and I got my games set up in Batocera. It's time to shoot!

I'm happy to report that the gun works fantastically. Like, seriously good.

For most games and emulators, it "just works" which is exactly what I wanted. I tested out several different games on several different platforms, and it worked on stuff ranging from the Atari 2600 to Naomi arcade cabinets.

I played through the first 10 rounds of Duck Hunt on the NES without missing a shot before getting bored and moving to something else. Time Crisis on the PlayStation (my original light gun love) plays wonderfully.

I had a friend over this weekend who also loves light gun games and has nostalgia for TC (though his is for TC2 and TC3). We traded off rounds playing Time Crisis 2 (which ended up being a good way to do it, as I forgot how my arms and eyes need a rest after 15 minutes of light gun gaming). We beat the full campaign in 2 and almost beat 3.

I also tried the gun out in some Windows games off of Steam, just to make sure that my Batocera success wasn't a fluke. Sure enough, it worked just fine!

I now have an accurate, easy-to-use light gun setup that works on my large, modern LCD TV. I have hours of light gun gameplay ahead of me, and I'm thrilled.

Caveats

Wow, kfwyre, this sounds great! I can't wait to get one for myself!

Easy there, cowboy/cowgirl/cowthem! Let me surface some of the rough edges, lest you think that this is too good to be true.

Conclusion

I am quite fond of my Gun4IR so far. It works better than I hoped it would, and it's unlocked a type of gaming that I thought was extinct. (For some reason, light gun games have a different feel to me than VR shooting gallery games. Maybe it's just nostalgia, but I like them a lot more?)

I would recommend it ONLY if you're someone who knows they're going to get their money's worth out of it and are also willing to put up with the mostly minimal tinkering required to get it working. I say mostly minimal because, no matter what gun you're using, you're still going to have to set up emulators and ROMs and whatnot. The configuration that is specific to Gun4IR is really just installing the sensors, using the calibration app, and making sure your gun isn't catching other LEDs.

Compared to the G'AIM'E (which is a bit of a fool's errand at this point because that one's still theoretical while this one's here to kiss you in real life), Gun4IR doesn't offer the "plug and play" promise, but it also is compatible with far more games. If you're in the market for the G'AIM'E, however, it's probably worth waiting out that release to see how it fares (and whether people can get it working with more games besides the included ones).

On the other hand, if you're like me and need some light gun fun NOW then I give the Gun4IR a pretty strong recommendation, with a secondary recommendation for Batocera. The two of them together are really great, and I'm delighted that I have hours upon hours of shooting games ahead of me.

If anyone has any additional questions or wants me to test specific games/systems, let me know. I'm happy to report back and help in whatever way I can.

Haven't seen anyone mention that project in a few years, but now I'm in the unique position to talk about it. I live somewhere where I can't get any proper internet service - mobile broadband is slow, DSL or fibre lines are not brought out to where I live, and the only other option is cable internet access, which I've 1. had bad experiences with in the past and 2. where I live is operated by a company with laughably bad reviews at exorbitant prices for what they offer. We are talking about 60 USD (eq) a month for 100 megabit service.

So I shopped around to see what other options there are, and Starlink made me an offer. Free equipment, which is usually 400 bucks, delivered to my house, and then an unlimited data plan at whatever speeds I can get where I live for 50 a month, with a one month free trial. I said yes, paid with Apple Pay (seriously, did not have to fill out a single form or sign anything) and the dish arrived the next day.

Now, I know, Starlink is run by Musk, who is somewhere around the top 10 of my nightmare blunt rotation and also pretty likely to be an actual neo-Nazi, but I say whatever. It's not like the alternatives are much better, and at least SpaceX has some actual value for humanity, if you ask me. I might put a "I bought this before Elon went crazy" on my router, though.

I got the dish delivered and set it up on my roof. The app - which is excellent - tells you to orient it north if you're on the northern hemisphere, and to roughly point it up. I built my own mounting solution - a wooden board with mounting holes that snaps in place on my roof - and set everything up, not expecting much.

I was absolutely blown away. The app, once more, is stellar and incredibly easy to use, and a joy to play around with. I got a satellite connection in minutes, and did a speed test. I got 200 down and 50 up in the Starlink app, but independent speed tests as well as my own experience routinely hit 400 down and around 80 up. Genuinely impressive. Ping around 30, by the way. Consistent as well.

The next few days were a similar experience, although I did notice a drop in speeds if there was heavy rain. The speeds dropped however to around 150 over 30, which is still more than usable, and latency was not impacted at all as far as I can tell.

Honestly, it's a super compelling package. Setup was so simple my grandma could have done it, the hardware is beautifully made and very robust, and the designers really did think of a lot here. The cables are just weatherproofed Ethernet and you can bring your own (although they don't recommend it), the router is Wifi 6 and looks damn snazzy, the dish can even heat itself up to melt snow in winter.

If you're looking for reliable internet service, I really can't recommend Starlink enough. If where you're planning on running it is within the service area and you're fine with the 50 dollar a month price point (no speed or data caps, by the way) I'd say go for it.

Now, there are people who will say that it's a good option for remote places, but not that great for densely populated areas in buildings that could get for example cable service, and you shouldn't rely on it. But, well, I haven't been completely honest here:

The real sting in the tale is that I live in one a large European city with plenty of access to other internet methods (just unlucky in terms of my specific building, which is getting fibre next year), and mounted the dish on top of my townhouse in one of the most dense districts in town. It works flawlessly, and it's been the fastest internet service I've ever had, period.

Course, it can't compete with a fibre line, sure, but many people don't have those - and then, service or hardware might still add large costs on top of that. And with Starlink, I can just take it with me whenever I move, and don't need to ever worry about ISPs again.

I don't have many sufficiently nerdy friends to talk about this with, so if you're curious or have any questions, I'll do my best to answer them. If you have Starlink too and feel like I missed something, feel free to contribute to the conversation.

So for the past several weeks, I have been running my phone almost exclusively in greyscale. This is a tactic that is normally recommended for reducing phone usage, and can be easily done in iOS and Android through accessibility settings. The primary argument is without the colours to grab your attention, the phone looks less enticing.

My experience has been mostly positive, with a few drawbacks. Overall, it has made me use my phone less, although it is not the only change I have done.

Benefits:

• I do find my phone less distracting. It is less appealing.
• Text based content still works great.
• Images are normally readable, although sometimes I miss subtlety in images.
• If needed I can toggle it off, but I rarely do so.

Drawbacks:

• It took me several days to adjust, and it was a hard adjustment period.
• Some apps use colour for organization. The biggest offender in my use case for this is Three Cheers for Tildes. Overall the app is great, but new comments being denoted by an orange line is not readable for me. However, this just at times leads me to wait until I am at a desktop to look at the thread. I do think both on website and in apps Tildes should look at putting new comments with a dotted line, to not rely only on colour for accessibility reasons.

Surprises:

• The biggest surprise for me is how unappealing my phone is in colour, since the use of colour everywhere is jarring. Most people do not realize how bright and colourful even phone menus are, until they run greyscale for an extended period of time. It has become more obvious to me how much app developers (and even OS developers) are using colour to grab our attention and suck us in.

Epigraph has been a joy, especially when you consider that it's only $3.

I love puzzle games like Portal, The Outer Wilds, Etc., but when I try to explore further in the genre, I often struggle to find many that provide a sufficient challenge.

I found that Epigraph, while short overall, provided a solid 4-6 hours of playtime.

The goal in the game is decipher a series of stones and tablets containing a totally unknown language.

The Zachtronics games are also phenomenal and probably even more difficult overall if you're like me and looking for a challenge.

Haven't seen a whole lot of discussion about this show on tildes. Not in weekly threads nor a main thread - so here is one!

It's a 9/10 for me.

I waited until all of season 2 was out before starting it. Realized I had forgotten almost everything since season 1 though, so rewatched that first. It turned into a binge of both seasons - I just could not stop! It has been probably 3 years since I was so glued to the screen and this engaged in a tv show (Euphoria season 1),

I will skip an analysis or further review but every character was good. Every actor delivered. Just great all around. Season 2 (9.5/10) even better than season 1 (8.5/10).

So anyways, discuss! More than happy to have my feelings about it validated lol, and also see other takes on it.

I wanted to share this, in case there are interested folks who haven't checked it out yet. This is me gushing about a thing I love and hoping other folks are listening because the story is so good.

Worlds Beyond Number is a podcast run and owned by Brennan Lee Mulligan, Aabria Iyengar, Erika Ishii, and Lou Wilson with the goal of being able to tell the stories they want without time/production pressures. Taylor Moore is the producer and composer.

What stories are they telling?
The first and largest story so far is The Wizard, The Witch and The Wild One, set in the world of Umora using D&D, that starts from Level 1 (with a children's level 0 adventure) with the intent of this being the first long term campaign. The characters are in a world that I'd describe as Ghibli inspired - which includes some of the lightest sweetest moments and some of the most devastating moments of war. There's a bit of a running joke about which character is getting a Kiki or Ponyo moment vs a Mononoke moment in an episode. The Witch is a custom class, the Wizard has a custom subclass, and the Wild One has a custom paladin subclass.

But they've also played a few side games, Erika ran a game of Roll for Shoes, a chaotic game featuring a gangster chicken, a goat that may or may not be the devil, and a retired race horse doing a heist of corn from the county fair. A space jam inspired Space Cram two shot Aabria ran using Tournament Arc and a few prequels set in different areas of the world of Umora.

Where can it be found?
Any podcatcher, with the talkback "Fireside Chats," Children's Adventure, and the side adventures behind a $5 a month Patreon. No other tiers, the goal is to just fund the podcast.

What makes it stand out from other shows

The level of sincerity, and the fact these are some of the absolute best storytellers in the field who consider this their favorite story. In most actual play the rails are firmly on (dimension 20 due to # of episodes) or the episodes are essentially unedited (Critical Role), but these characters have fully split the party multiple times, and have come into genuine conflict, so much so that listeners have, para socially, been upset with players on behalf of the other players for how the characters are acting.

The show is also edited so some rolls and table talk are cut from the finished episodes (the narrative play label), but never to a point where you can't track what's happening. And you still get to hear a delighted squeal, a stressed exhale or a "let's go!" at the table.

The aesthetics are also wonderful with music and sound effects, the characters and different factions have themes that will come back and blend into motifs.

What's coming up next
The fourth "chapter" and first "book" is wrapping up here soon with a bit over 50 episodes, characters around level 5, and major character arc conclusions and then the show is going to take a break from Umora to start another longer campaign run by Aabria, probably hopping back and forth in the future as the goal is not for Brennan to run for like 5 years straight.

Anyway I love these folks (in a non-boundary crossing way) and I love their stories and hope some of y'all are already watching or will check it out and want to talk about it too!

(Note idk where to put this, podcast isn't a group, I went with games.tabletop)

I was a fan of GameRevolution’s reviews for a long time. They always seemed to have a criteria to reviews that not only sold me on what to pursue, but what to truly avoid even if I loved the franchise. (MGS: Ground Zeros, I’m looking at you.) They have seemingly reduced to one reviewer…

I love the weekly Tildes thread of “what games are you playing” and it has truly opened my eyes to some games I would never have heard of, or even tried (Balatro).

Anywho the point of this is to ask where everyone else looks for reputable/intelligent reviews currently? I enjoy listening to Luke Stephens talk about the industry, but it’s not as concise as an A-F or star or 1-10 rating system. IGN doesn’t have my attention… I just don’t know where to turn, as there are so many options.

Have had a bicycle for most of my life and was a particularly avid biker as a teen - taking out my Sekine 10 speed and doing 40 miles just for the heck of it was a regular weekend ritual.

And then middle age and family intruded. Still had a bike but it got pretty dusty in the garage.

But last year I saw a classic recumbent in the local ads. I've tried a recumbent trike and absolutely loved it, but where I live, riding a trike with your head only a couple of feet above the road is a sure fire way to get run over by a lifted truck that didnt see you. So I bought the bike, a RANS Stratus XL for a mere $300. With an aluminum frame, its surprisingly light for a long bike.

The only real con is that this bike is a bit unstable at really slow speeds, but once you get rolling its very comfortable and stable. The frame absorbs some of the worst road bumps so its smooth and the long wheelbase is great for my tall frame, I can really stretch out.

But the best part is that Im laying back in a sweet lounge chair, as God intended, instead of bent forward with a kinked neck, sitting on a tiny seat that is certified torture device after an hour of riding.

Its still early in the year and Im still outta shape but riding a recumbent has brought back the joy of biking. And I havent even been run over once.

PLEASE FOR THE LOVE OF GOD USE EXPANDABLE AND WELL LABELED SECTIONS WHEN REPLYING ABOUT ANYTHING THAT COULD BE CONSIDERED A SPOILER IN THIS TOPIC. IF NOT JUST FOR OTHERS READING IT THAN FOR MYSELF AS WELL

As tildes formatting help isn't stellar, here's how to do it from the docs:

<details>
<summary>Click to view the hidden text</summary>

Here's all the hidden text.

It can have **markdown** in it too.
</details>

Actual Content:
This game necessitates discussing in only the vaguest of terms. I cannot recommend it highly enough if you like puzzle games at all. To that point I'll keep the rest of this succinct:

I have gotten to Room 46 of Blue Prince. It is, by far, one of the best puzzle games I've ever played, maybe one of the best things I've experienced. I am in awe of just how much work this must have taken.

The vaaaast majority of the discourse i'm seeing (while avoiding the HELL out of spoilers) is about the RNG. Reviewer after reviewer focusing solely on the RNG.

Some small % of this is because yes, it's a very hard game to discuss, but the rest of it is literally because it seems that everyone hits a bad run or, what they feel is, a bad streak of luck and says "oh lol nice try, but i guess this game sucks".

The straw that broke the camel's back and prompted this brief writeup was a "minimal spoiler review" (i disagree, don't watch if you haven't been to room 46, don't even listen) from Tom Francis. Tom is probably most known for the "defenestration trilogy" of which most recently had Tactical Breach Wizards, a well liked game.

What blows my mind about this review is that at some point he says "I just feel like I wasted my time for those 25 hours", in relation to X not occurring which prevented him from doing Y.

I cannot IMAGINE playing this game, and somehow feeling like that was your only goal at that point. The laundry list of stuff I have had to investigate and try has been basically constant, and I am CERTAIN he did not exhaust all of that before X happened, no matter how late in the game it was. ESPECIALLY not in 25 hours (my room 46 time for reference was just shy of 20 hours).

If you're reading this, and you liked Myst, Riven, Tunic, Outer Wilds, Animal Well, La Mulana, Environmental Station Alpha, or any of the many other great puzzle games, you owe it to yourself to at the bare minimum wishlist this game and pick it up on sale. To me it's absolutely worth the $30.

Major Edit/Caveat:

I wanted to mention the one legit criticism of this game i've seen that's also not remotely spoilery. Once you start a run, your only option is to finish it. You cannot save and quit in the middle of a run. This is not the huge problem it might feel like it is, if for some reason you have to stop and turn off your computer rather than leave it running, but the fact people are just leaving their machines running to not lose a run shows how silly the limitation is.

As such it's worth noting that since runs can be nice and quick, or can sometimes take an hour +, you kinda have to block out your time in such a way that you commit to a longer run without knowing if it will be. I do hope they fix that, because obviously yes we all have real lives and this game really doesn't gain anything from this limitation.

They all released videos at almost the exact same time, so even though I don’t care, I was made to care. Therefore, I’m inflicting that same pain on you. You’re welcome.

Mrwhosetheboss made a good point saying that the target audience for this thing are rich people who want phones that look flashy and can pay for them, but don’t care that they have worse specs than the less flashy ones at a similar price.

MKBHD called it the “S25 Ultra Lite”, which I thought was funny. He also brought up the issue of cooling. He additionally said that no one is asking for thin phones, although it seems that Apple has also bought into the idea that people want this, since it’s rumored that they want to release a thin iPhone this year.

Dave2D said that he tested the heat dissipation capacity of the phone and that it can handle itself well. Apparently it still somehow has a vapor chamber inside of it, as well as a wireless charger. Apparently it also has the smallest battery in the lineup, even though it doesn’t have the silicon carbon tech that is all the rage now. He made a good point though, namely that this could just be Samsung starting the trend so that the technology matures in a few years’ time.

All three of them mentioned that everyone uses cases these days, which immediately kills the whole purpose of buying a thin phone and losing out on better specs.

If you somehow have not gotten enough of tech YouTubers acting confused over Samsung launching a product that no one asked for, there’s also Techaltar and Tech Spurt. I recommend the latter for dirty British humor.

I just got back from the 'Nintendo Switch 2 Experience', so I though I'd share my thoughts on the console for those who didn't/won't get a chance to check it out.

The Console Itself - 8/10

The S2 is a decent amount larger than the original, which really helps with the ergonomics. Pretty much all the controls are bigger, and the rounder shape might alleviate fatigue when holding it (I never got to hold it for long, the demos were mostly on TVs). I think it looks a lot worse than the original, but that's neither here nor there. The pro controller was a huge upgrade from the (already great) original, super comfortable materials and nice buttons. The screen is not OLED, which I think is ridiculous for the price tag. It theoretically has HDR, but I could not tell. Overall, it's bigger and better, but nothing super special.

Nintendo Switch 2 Welcome Tour - 0/10

For the price of $10, Welcome Tour is a complete joke. There's absolutely nothing to say about it, it's basically an ad for hardware you'll already own. Should be free, don't buy it.

Donkey Kong Bananza - 5/10

This is the Mario Odyssey formula applied to Donkey Kong, you run around, collect bananas in some semi-open worlds. All the environments are destructible, which is super fun but adds one huge caveat: the game runs like shit. A nice 60fps when running around, but as soon as you try smashing stuff (the main gimmick of the game) the framerate jumps all over the place, and going to the world map tanks the fps to 20-30. I enjoyed surfing on chunks of the ground I pulled up, but I was constantly pulled out of the fun by performance hiccups. It looked about as good as Mario Odyssey (but at native 4k ~60pfs, of course).

Mario Kart World - 9/10

Okay, now I can start saying nice things! Mario Kart World is–as you might expect–awesome. It's a really fun twist on the formula that was perfected in 8 Deluxe. There's no more kart customisation, which I don't mind, but each kart looks really nice and detailed. I got a slight taste of free-roam mode before each knockout tour I played, and it was... fine? The open world looks great and plays well, but I'm curious to see how it's "gamified". The knockout tour was the main booth on the floor, with 24 people playing at once with the last placing racers getting eliminated at different checkpoints. It was chaos, but that classic Mario Kart chaos that works really well. I managed to come 2nd on my first race. It looks quite a lot better than 8 Deluxe, but that's mostly in the art style and animations.

Drag X Drive - 9/10

This is the gimmicky competitive game for this system (like Arms or Splatoon), showing off the mouse controls in the form of Wheelchair Basketball. I was super surprised by this game, the gimmick clicked with me instantly. I got dunked on like twice, but I also only had 5 minutes to prepare, so cut me some slack!

Metroid Prime 4: Beyond - 7/10

Again, the mouse controls work super well. It all felt pretty simple and intuitive, but that might be because I'm a PC player most of the time anyway. I don't know anything about the Metroid series, so I can't comment on the story or gameplay beyond that. It looked pretty good and ran at (I think) the full 120FPS the whole time.

Cyberpunk 2077 - 4/10

Cyberpunk was... rough. It had that classic "really really upscaled" look, and dipped down to 10fps a lot in combat. I tried both "performance" and "quality" mode, but both looked and played about the same (which might be a bug).

Breath of the Wild: Nintendo Switch 2 Edition - 2/10

I can't believe they're charging for this. It's literally just the original game running at 60fps with slightly better draw distances. You can get this look with CEMU. This is how I felt about all the "Nintendo Switch 2 Edition" games that I tried.

Conclusion

While the games were pretty good and the experience was nice, I don't think the console has justified itself costing as much as it does, and so I'm not going to buy it on launch. I'll probably pick it up used when there's a reliable jailbreak, but the preview event really dissolved any feelings of FOMO that I might have had about it, which I'm glad about because now I can save that $800! I hope there's still people playing Drag x Drive when I get to it in a few years.

Feel free to ask me any questions, and hopefully I can answer them.

After talking about it a few months ago my copy of the game finally arrived. @MimicSquid and I met up in San Francisco today and finally got to play Hide&Seek. It was a good time and it was neat to have a better sense of how the game plays instead of just watching it on Nebula. We're planning on playing again in the not too distant future, so if anyone would like to join in on the next one, please let one of us know (we both thought that it would play better with at least three players).

A month ago news about Dropout was shared here which is how I learned of the service. Having subscribed to it due to it, and since I liked it sufficiently in the three day trial, I'd like to share my thoughts on it.

Overall I mostly appreciate the content, especially due to the unique nature of it. The overall amount of diversity of various comedy formats and skill of the cast at improvisation(or at least the appearance of it) is pretty impressive.

Game changer is pretty amazing at how it manages to intelligently change the game presented (and sometimes format) nearly every episode. Play it by ear spinoff features an improvised musical with very good performances that are delight to watch. Dimension 20 is a tabletop gaming session show with good use of props and music and coherent and engaging storylines. These are mostly ones I watched for one but I'm sure I like some of the others it has to offer too.

But there are also some things that I consider at best suboptimal.

While not catastrophic in either intensity or frequency the crude ass/fart jokes are on average present almost every episode and definitely lower the overall quality in my opinion.

So far as I know specific to Dimension 20 is the woefully lacking content and trigger warnings descriptions. The seasons can vary massively in tone and the indication of it is basically zero until you actually watch it for a while. There are trigger warnings under episodes but only them. Using Burrow's end as example it starts as an intensive and dramatic in events but at the same time very cozy in the family interactions story, then devolves right in the next episode into intensely graphic(for the format) gratuitous gore and body horror with no sufficient indications of that in the first two hours plus long episode.

It mostly lacks the anti user features of modern streaming services but it would have been nice if they left them out entirely. Having to go outside of the site to get basic information on the content, bad series organization(overall seasons sometimes being listed in several different series, making the series tab a mess), unchangeable(as far as I know) play next video anti feature, multitude of trackers on site or the traditional inability to buffer too much of the stream in the browser.

Overall I mostly like it, I just wish they'd have made it possible to like it more.

wattpad.com is a popular website where mostly young people host their fiction so it get votes and visibility.

I was feeling lonely, and my usual online mates are not enthusiastic about reading my stuff, and I am always in search of feedback. So I got in touch with online groups for those who have an interest in writing. Mostly young people who, seemingly in their early 20s, give or take. Someone asked me if I was making something for the "Wattys", which I later learned is Wattpad's literary award. Another gave me a link to read his stuff on Wattpad. I had to make an account to read it on my phone. Annoying, but they kinda asked me nicely, so I installed it and created an account. Way too many hoops just to read some text, but okay! I started reading. There was an ad below, but that's okay. Suddenly, my phone was taken over by a full-screen ad. A full-screen ad. FOR TEXT. That was too much so I started looking for a way to read Wattpad outside of Wattpad. Maybe there is, but I paused my search to make this post.

Displaying text is a solved problem, and it has been for quite some time. It is so fucking trivial, I coud write a novel right here on this text box! I now hate Wattpad with such a passion, I don't think I'm reading that kid's story!

Wattpad feels like someone trying to fuck up reading.

On another note, I find it a little unsettling how these kids seem more concerned with their marketing than their writing. They have full press kits even before they learn the basics of writing proper sentences. There is also no love for short stories, they start writing novels as soon as they start writing. Everything is a novel with twenty chapters. I'm pretty sure Wattpad has a hand in that. But maybe that's just me being old, so feel free to disregard that.

I get the idea of a website that helps readers find authors, but in some sense at least, Wattpad feels like a water popsicle an I hate it.

I don't know how well known this show is. Maybe I'm saying something obvious, like "hey, have you all heard about The Wire?", but in most of my social group this completely slipped under the radar. Since the beginning of the war in Ukraine I started following discussions about geopolitics and international conflicts on our local discussion board, and in there it's the opposite, apparently everyone knows it.

It's a show about deep undercover agents working for DGSE, the french equivalent of CIA.

It has two main layers. Firstly it's apparently quite accurate with regards to how real intelligence agencies work, plus it's obviously strongly inspired by real events. It mostly deals with ISIS, but also with Russia, relations between France and the US and other issues. This is very interesting on its own.

Secondly it's basically a psychological drama/thriller. The lives of undercover agents consist of constantly lying, constantly being on guard and never fully trusting anybody, and there cannot be a tangible division between their professional and their personal lives because they can never fully switch off. And human failures in their profession, whether small or large, cannot be fully avoided.

The premise of this whole show is exploring how those failures happen and what are their consequences. And those consequences are often terrible, so it's sometimes a heavy show to watch.

What I love about The Bureau is how it's all relatively civil, showing things without exaggeration, overly emotional music or other stylization. I want to say it's very un-american in this aspect, and on one hand mean that, I'm incredibly tired of film makers beating me over the head with horrible things like slow motion shots accompanied by emotionally simplistic music, as if I'm too stupid to understand what I'm supposed to feel simply from what's happening in the story.

But at the same time The Wire is also american and it's a good example of a show that does the exact opposite (and I love it for that). The Bureau does not go as far as The Wire, if only because human emotions are a much bigger focus of the show. However it is much closer in style and in quality to The Wire than to some imaginary "hollywood average". Overall it doesn't feel like it's playing tricks on you. People die and suffer horribly, and sometimes it is characters you love, but it doesn't feel like some cheap "ha! I got you, I bet you're devastated now!" and it doesn't happen often, for shock value (edit: actually suffering does happen all the time, but killing off characters does not).

In addition to the style feeling quite fresh in the context of mainstream cinematography, it's full of great and outside of France relatively unknown actors. They make it easy to fall in love with many of the characters. The characters have layers and development and nobody is black and white, it's a delight to watch them.

I'm putting it next to The Wire, Better Call Saul or Breaking Bad as a 10/10 show.

This post will talk about piracy. I won't provide any links or direct instructions. That said, if a mod or admin thinks there is something inappropriate about talking about that stuff, feel free to mention this in the comments and I will remove any inappropriate details as soon as I can.

Like many Latin Americans, I am a long-term pirate. I have pirated stuff with floppy disks, with CD-ROMs, through IRC, FTP, Kazaa, Napster, Soulseek, websites, and torrent. I have also purchased several illegal media from street vendors. The whole idea of traditional piracy is to get the files I want for me to own, which is why I made a Plex server for myself.

Stremio is a challenge to all of this. It is much easier to setup than Plex and basically requires no maintenance. It is a program that allows me to stream video content from a variety of sources, legal or illegal. It took less than 30 minutes to set it up on my computer, and I know that it exists for both of my TVs. I am using it with the Torrentio addon.

Stremio changed my viewing habits much in the same way paid streaming services did. I am more spontaneous in my choices. I have watched Doctor Who from 2005, ER, Tiny Toons Adventures, Animaniacs, The Twighlight Zone (original), The Magicians, Blackadder, and Falling Skies (alien TV show with Noah Wyle!). Playback sometimes takes a little while to start, but went it does it rarely stutters, even on old or less popular shows. A paid debrid service should improve on that. I am now considering removing most of our extremely expensive paid streaming services and replacing them with Stremio. Money is tight and, when added up, they make quite a dent on our budget!

One bad thing about Stremio is that it is basically a leech. It does not seed the torrents. I am considering getting Real Debrid as it seemingly reduces the strain on torrents via caching.

Right now, my only concern with changing everything to Stremio is that my wife will probably dislike choosing between multiple sources for an episode, and some episodes come with bad subtitles. That would require minimal effort to solve, but might still be too much for her.

Anyway, I am very impressed by Stremio. It is so good, in fact, that I am half-jokingly worried about the police knocking on my door.

Just kidding, that doesn't happen around here.