This is an appreciation post for Luke Vibert, Aphex Twin's best friend, classmate, and roommate, aka Wagon Christ, Amen Andrews, Kerrier District... etc.

To put it simply, I'd account a good little chunk of Aphex Twin's style to Luke. I had a chat with Luke at one of his shows, and he claimed that Aphex Twin would have never released his stuff at all if he weren't strongly encouraged. Thanks Luke!

This track is the best evidence I have for my claim. It's from 1990, and is an amalgamation of Breakbeat, Dub, Acid, and Ambient.. kind of unheard of for the time, and the quintessential Aphex sound. Those ambient pads sound familiar? The bells? The breaks? I found it on Luke's discogs page. This was definitely shown to Aphex Twin. I've got a prize for whoever can find an earlier and similarly styled track.

This alone is fairly significant I'd say.. I don't mean to discredit Aphex Twin. Even giants are on the shoulders' of giants.

Luke's individual accomplishments are insane though. It's a shame he doesn't get much credit.

Reading this dude's comments referencing break samples that have rarely been sampled, and detailing old underground raves when people used to trade physical records of independent Jungle tracks.. He lives and bleeds electronic music. He's 50, and grew up through the Electro/Hip Hop late 80s scene, and rode through the Jungle, Hardcore, House scenes and more. I really don't think there's anyone else who was so centered to what electronic music became.

His pseudonyms are all case studies on electronic music..

This is a phenomenal case study on UK Garage, titled UK Garave. A liiittle dry for me, but his code switching is nuts. He gets it lol.

This is a study in Jungle, under the pseudonym Amen Andrews. Time warping, snare rolls.. the hallmarks, and spot on.

This is Disco House... Listen to the versatility in sampling, production techniques, and drum patterns--very distinct.

This is Acid Electro.. a blend that's not easy to pull off. Futuristic and clean.

I could go on--his breadth is ridiculous.

Would love to chat about icons. Someone else do a little write-up on electronic music history and @ me!

Apple Music: https://music.apple.com/us/album/post-human-survival-horror/1535067172
Spotify: https://open.spotify.com/album/0e1WaSNDZnoPixaxDNdWo4
YouTube: https://www.youtube.com/watch?v=V3Pp4IGPebg&list=PLxA687tYuMWjFSs5uzLYbGrdHRm0srHQ0

Metalcore Bring Me the Horizon is back, baby. Awoouu (wolf Howl)

Back in 2013, Bring Me the Horizon was arguably the biggest band in metalcore. Their release that year, Sempiternal, propelled them to international stardom and mainstream success. After this, guitarist Jona Weinhofen left the band and instead of adding another guitarist, the group added a keyboardist instead. The change up in sound was very noticeable, while the band found incredible commercial success and curried the favor of some pop critics, many rock and roll fans felt a little left out in the cold by a typical change in sound by a heavy band following commercial success.

After a pair of albums and an EP in their more electronic, pop centered sound, Bring Me the Horizon have returned to that signature Sempiternal sound with POST HUMAN: SURVIVAL HORROR. The crushing guitars come roaring back on this release and Oli Sykes, one of the best unclean vocalists in the game, finally returns to his growls and guttural pit calls. While there's still a lot of electronica in here, this seems to augment the sound, like in Sempiternal, rather than guide it. The only problem with this release is that it's too short. But luckily, SURVIVAL HORROR is just the first of a planned four EP set, with the other three coming over the course of 2021.

The EP also features a lot of great, well, features. Standouts include BABYMETAL on Kingslayer bringing a late era Poppy vibe to the disk and Amy Lee's haunting appearance on the album closer.

For fans of Bad Omens, Architects and Crossfaith.