welcome back, class!

i'm actually kinda having fun with this project lmao. dive into the comments and let me know what you lot are thinking! this is the second installation in, what i believe will be, a four part series. enjoy!

in the last chapter, we learned a little about how rap in the 90's began to get a bit more introspective, self-reflective, and focus on some generally harsher, more grating topics. while all eras definitely have their hype music (see: "Nuthin' But a G Thang" x Dr. Dre and Snoop Dogg or "Slob on my Knob" x Three 6 Mafia, we slowly began to see songs like "Slippin'" x DMX or "Rock Bottom" x Eminem which slowly began the trend of rappers using their music to really peel back the curtains of their lives, using their music as an escape into catharsis from their daily struggles.

however, emo rap does seem to have something else happening inside of it. it's not just simply sad or emotionally-charged rap music, that's been around for quite a long time! what's that extra layer that gives us the gritty, rough, and often-whiney nature to modern emo rap? for that, we turn to the name of the genre itself.

not only did the 90's prove as a time of great growth and evolution in rap, but it saw the expolsion of a new genre of rock music as well. with roots set in the 80's, emo rock first gained major commercial popularity with bands like Green Day and The Offspring quickly moving albums to the tops of the charts with songs like, respectively, "She" and "Self Esteem". as the genre fell face-first into the zeitgeist, we quickly saw a rise of early emo rock groups like Lifetime, Jimmy Eat World, and one of the most influential early emo groups - Texas is the Reason. throughout the decade, the prophecy foretold by the Rolling Stones in their track "Paint it Black" quickly began to unfold. teenagers were wearing black, goth kids slowly started to emerge from the depths of the underworld, and hot topic was finally starting to make money. the foundations and roots of emo have been set, ready and waiting to lead us into the 21st century.

the year is 2000, and pretty much everything is fucking awesome. we see the launch of the indestructible classic Nokia 3310. we get video games like Tony Hawk's Pro Skater 2, The Legend of Zelda: Majora's Mask, and of course, Pokemon Gold and Silver. the billboard charts are full names that make us go "oh yeah!" like Destiny's Child, Aaliyah, Erykah Badu, Montell Jordan, 3 Doors Down, Backstreet Boys, Creed, Madonna, and the list goes on and on and on.

the 2000s saw an absolute unit of a revival of the newly restructured emo genre, quickly launching off massively influential tracks like "All the Small Things" x Blink 182, and we even see the creation of the first emo-centric record labels across the late-nineties and early naughts. this means that a lot of the emo bands of the time had not only better representation and access to the innerworkings of the industry, but better access to resources which would help them promote and distribute themselves as well - this is what allowed a lot of bands to leap and bound right into the hot topic t-shirt wall.

one of the bigger labels we came to see was Vagrant records, moving to quickly sign groups like The Get Up Kids, Hot Rod Circuit, Dashboard Confessional, and Saves the Day. with the internet in their toolbox, some major corporate sponsorships funding the whole gig, and a huge amount of confidence in the future of emo, Vagrant set out on what's considered to be one of the most influential projects in the (still) early days of emo when they launched a nationwide tour with every band in their label in tow.

shortly thereafter, Jimmy Eat World launches the biggest single of their career "The Middle", Dashboard Confessional break heavy into the mainstream, and Madison Square Garden goes absolutely wild for Saves The Day, Blink-182, Green Day, and Weezer.

emo is starting to get big, and people are starting to realize that there's money to be made here.

this brings us now to the mid-ish 2000s. everyone's on myspace, everyone's got a motorola razr, everyone's getting into skating or bmx, and every chick with jetblack black hair or fishnets is going absolutely fucking crazy over Brendon Urie from Panic! At The Disco. this is the part where the big money steps in and major record labels start signing a lot of emo bands left and right. this massive cash injection into the industry saw the rise of a lot of bands which would go on to not only define the industry, but to define the middle school and high school lives of a great number of their listeners. as the emo singularity entered the phase of it's big bang, we saw the rise of a number of stars like Taking Back Sunday, Simple Plan, My Chemical Romance, Fall Out Boy, and many many many deep breath many others.

fueled by industry investments, teen angst, and a desire to be different, this led to an explosive rise in popularity for the genre, with many songs quickly moving to RIAA gold/platinum status and Billboard chart success like "Misery Business" x Paramore, "Miss Murder" x AFI, or "Check Yes Juliet" x We The Kings. this massive influx of success inspired some of the best parties, most genuine moments, and most cringiest photographs of our many young lives. very frequently this music was used as an escape for those who felt that their problems were going otherwise unrecognized or misunderstood, who felt that they were sad or alone, who hated the seeming lack of control that they had in their own lives - constantly living under the legislature of parents, school systems, or cops that always seemed to hate us edgy confrontational teenagers.

however, like Sam Smith would come to say, "too much of a good thing won't be good for long." what happens when a star shines too bright? what happens after a supernova?

things go dark.

it's now that we begin to enter the part of this whole movement that we've all repressed - and it starts with bracelets.

sigh.

it's 2010-ish.

vuvuzelas are hilarious, "TiK ToK" x Ke$ha is topping charts, and highschools everywhere are full of Silly Bandz and sex bracelets. we've reached a point of absolute pop culture saturation with the emo vogue. while songs of the previous era like "Welcome to the Black Parade" (linked earlier) or "Dirty Little Secret" x The All-American Rejects still hold an anthemic position in the musical zeitgeist, by and large, emo simply was no longer enough. the all-black motif was drab and dark. the music didn't cut deep enough, the lyrics didn't hit hard enough, the vocals weren't powerful enough. we needed something stronger, something more powerful.

this desire for harder hitting music led to an underground rise of hardcore bands like La Dispute and Pianos Become the Teeth. these bands were very much hitting in the right direction, blending the angst and yearning of modern emo music with the strength of metal instrumentals and vocals hit home with a good number of people still looking to hold onto the last bastions of the emo movement.

and, as we've seen before, as this demographic loves to live fast and hard, the remodeled emo genre quickly skyrocketed into popularity with bands like Asking Alexandria, Bring Me The Horizon, and A Day to Remember rushing to the forefront of the movement. the rough, gritty nature of the instrumentals paired with the phenomenally screamed vocals seemed to add several more layers of separation between what we were listening to, and the "traditional" music we had been brought up listening to. this was new, this was edgy, but more importantly, this was ours. this was music that we knew the lyrics to, music that we could sing along with because we'd teach ourselves how to scream-sing when we had the house to ourselves, and music that, most importantly, we were pretty damn sure our parents weren't going to get into. they started using myspace, we left for facebook - abandoning the customized purple, black, and sparkly profile pages of yore.

however, there was something missing here. this was music we could connect to, sure. we were glad to have the songs we did to relate with! even still, we got greedy. connecting to it wasn't enough. we needed music we could fuck to. we needed eyecandy. we needed music that was brutal, strong, and beyond comprehension. we got gluttonous.

now we begin to enter the scene age. flashy colors and attitudes replace the black nature of the previous era. ostentatiously hardocre and brutal instrumentals (or alternatively, very pop-y, electronically inspired instrumentals) back vocals sang by artists who's image was crafted under nature and umbrella of being unconventionally attractive to this new audience. this led to projects such as "You Aint No Family" x iwrestledabearonce, "Sex Ed Rocks!" x SMOSH & ISETMYFRIENDSONFIRE, and (oh god,) "Bree Bree" x Brokencyde.

i know my language here is pretty overtly negative, not to make it seem like i hate every band from this era. i actaully like iwrestledabearonce, and a lot of these bands hold a great amount of nostalgia in my life. tracks like "Knives and Pens" x Black Veil Brides were anthemic of this late-stage emo-rock era, checking a good number of the boxes above, and drawing attention to the struggles of people of this era. for example, it can be said that the way emo-rap heavily goes about drawing attention to drug use/abuse is very analogous to the way that a lot of this late-stage emo rock draws attention to self-expression and self-harm.

this era was loud while it was here, and saw the popularity of a lot of projects like the following before it quickly died out around 2014/2015:

We Butter The Bread With Butter

"Wake Up" x Suicide Silence

Pierce The Veil

Sleeping With Sirens

and, often, scene music held no semblance of it's metal roots at all! you may remember hits of the era like "DON'T TRUST ME" x 3OH3!, "Shake It!" x Metro Station, "Good Girls Go Bad" x Cobra Starship, or "Sexting" x Blood on the Dance Floor.

palette cleanser: "Dirty Diana" x Michael Jackson (The Weeknd Cover)

so here we've arrived. the year is 2014, and the billboard is topped with pharrell, meghan trainor's debut single, "Shake It Off" x Taylor Swift, and the debut tracks from the likes of Lorde and Sam Smith.

...and some guy named Young Thug?

Wait, who's this Bobby Shmurda guy?

2 Chainz?

YG?

something's a-changing... where's the industry headed?

find out next time on the emo rap deep dive - chapter three: dirty sprite.

It looks like it's been over a week and a half since our last coding challenge, so let's get one going. This challenge is a relatively simple one, but it's complex enough that you can take a variety of different approaches to it.

As the title suggests, write a program that accepts an arbitrary number of arrays, in whatever form or manner you see fit (if you want to e.g. parse a potentially massive CSV file, then go nuts!), and returns a single array containing all of the elements of the other arrays in sorted order. That's it!

Bonus points for creative, efficient, or generalized solutions!

I just got my /dev/tty blanks in from Massdrop and I an thinking of dying them to match my current ABS colorway.

I have looked at the guide and I think I am able to do all that, but I am wondering what kind of look I am going to/can get by dying the gray and red caps?

I assume the gray caps would just yield a slightly darker color, but I am curious if I can get an interesting shade of brown by dying the red keycaps with some other color (or just more brown?)

Any hints on dying the colored caps or dying PBT in general are appreciated.

Alright, so I'd like to get some opinions going here and see what others think.

Full disclosure, I have not finished the Death Note series... I have tried and failed on 3 separate occasions because I can't stand the writing. I love the premise, but L's character is just too frustrating for me. He knows way more than he should at any given point with no explanation except he's a genius (at least, up until the point that I stopped watching. Episode 7 I think). It feels lazy to me. And everybody I talk to in person has felt the same.

BUT! I know that there are a lot of avid Death Note fans out there and there seem to be a few here on tildes, so I'd like you guys to weigh in. As a fan of the show, did you also feel this way about the writing? If so, what other redeeming qualities were there for you in this show? What about it do you love? What about it do you not like so much? It's a long series, should I push through until a certain episode? Have I just not gotten there yet?

Hi,

I used to browse reddit with the J/K scroll up down the feed or comments keyboard shortcut. Coupled with X for opening media or link and C to get to comments, it was a much more efficient way of navigating the website. As do all vim-like controls like Vimium etc..

There are a lots of more useful keyboard navigation possibilities but i think these are the more needed ones for now.

Week 12! Here we've got this week's user-voted record: Heart of My Own by Basia Bulat!

Taken from @cfabbro's pitch:

I would like to nominate Heart Of My Own by Basia Bulat, a Polish-Canadian folk singer-songwriter. I absolutely adore her and think she is criminally underrated even here in Canada. Oddly enough, she did get a chance to do an NPR Tiny Desk Concert a number of years ago though, which was amazing.

The Youtube playlist for the album is a bit broken but both Spotify and Soundcloud have the whole thing:
https://open.spotify.com/album/6KCtZck76UV1ym4mthQOWH
https://soundcloud.com/basia_bulat/sets/heart-of-my-own

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with Heart of My Own. Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.

howdy there folks!

there's been a new breed of rap/hip-hop coursing through the industry in recent years. some songs riding the wave up to the crest in the industry, and gaining some popularity, some artists intermingled in major controversy, and most relevantly, a lot of really sad late-millenial-early-gen-z kids getting together to cry in the dark, hug each other, dance until their bodies hurt, and get absolutely fucked up.

this wave, as you can tell by the title of the post and my ceaseless, shitty, un-asked-for poetry, is that of

#emo rap.

(edit: as i was writing this i realized that i started to write for a really long time, so i'm just going to leave this at chapter one for now. if you want me to keep going, or if you saw any big ol' lies in here, feel free to let me know in the comments downstairs!)

chapter one - sprite. the crisp history of emo rap.

the modern evolution of emo rap is a lovechild of two unexpected homes - the montagues and the capulets. (sorry.)

the first origin source is from exactly what the name of the genre suggests - emotional rap. in the 90s, the world of rap was vastly different than it is today. rock music was very much still the cultural zeitgeist, most kids daydreamed of being rockstars, and rap lyrics could be seen bouncing between the usual subjects: struggles of racism/classism, or bragging rights over the monetary, the loud, and the beautiful. the quality of life in the inner cities or housing projects, who had the best shooters, gang representation (east side / west side), or just how damn good weed is.

it goes without saying that, since the birth of the genre, rap has had the capacity to be very introspective and reflective on the lifestyle and living conditions of the artist who'd penned the track. however - it, to my knowledge, was not all that common to see artists focusing on internal struggles, the pressures they faced to succeed financially for the sake of themselves and their families, the pressures they faced to perform well under their labels.

very early examples of these more self-reflective types of songs come from the big dogs themselves.

"Trapped" x Tupac Shakur speaks very much on the idea of being "trapped" inside of his neighborhood. this very politically charged song gets right into the perspective of Pac himself, and more importantly, the raw emotion flowing through his head as he looks around his day to day.

"Suicidal Thoughts" x Notorious B.I.G Biggie himself coming out with one of his most vulnerable tracks he'd ever produced. this relatively short song proves to be very dense and curt, with the man himself talking about how he doesn't believe he's fit to get into heaven, how he believes his mom would have rather aborted him, and contemplating the effects that his death would have on those around him.

tracks like these set the stage for the next wave of introspective rappers to take the stand, and interestingly enough, our three biggest culprits all seemed to be involved in some form or fashion in the music of the others.

jumping from the nineties to the naughts, we see our next field of rappers entering stage right - kanye west, kid cudi, and drake.

one of the first major albums to set the stage for the emo rap that we very well could see carrying the rap torch into the next decade, was none other than kanye west's "808s and Heartbreak". with features from kid cudi, we see kanye exploring a lot of heartbreak, loss, and loneliness on this record. for example, we've got tracks like "Bad News" where it seems like ye recants moments of his finding infidelity in the girl of his dreams, with lyrics like

Didn't you know
I was waiting on you
Waiting on a dream
That'll never come true

...

Oh you just gonna
Keep another love for you
Oh you just gonna
Keep it like you never knew

over the next two years after 808s' release, we see cudi come out with a series of small records under his "man on the moon" project, featuring absolute earworms like "Day N' Night" and some of his deepest work like "Soundtrack 2 My Life". over the course of the project we hear cudi very often speaking on topics like depression, the death of his dad, and lots of drugs that were used as a means of escape from his own head.

and in the next year, drake drops what (i would) consider to be his big-break record "Take Care". after his debut album saw a good deal of commercial success, and got drake a good amount of fame for himself, "Take Care" as an album serves as a bit of cathartic introspection for a young drizzy - often touching on topics like failed relationships, materialism, and loneliness. (mostly though, a lot of heartbreak. i think this is the album that gained drake a lot of negative attention in the rap community for being "soft", and "a bitch". i disagree, but hey, toxic masculinity, what ya gonna do.)

the most notable songs off of take care came to be "Marvin's Room" with lines like

Guess she don't have the time to kick it no more
Flights in the morning
What you doing that's so important?
I've been drinking so much
That I'ma call you anyway and say
Fuck that nigga that you love so bad

and of course, the title song of the album "Take Care" featuring topics of trust, heartbreak, and this yearning for someone's heart, at the expense of your own emotional wellbeing.

'Cause that truth hurts, and those lies heal
And you can't sleep thinking that he lies still
So you cry still, tears all in the pillow case
Big girls all get a little taste
Pushing me away so I give her space
Dealing with a heart that I didn't break

and with these tracks leading us well into 2012, it's officially been made socially acceptable for rap to reach this level of introspection. yes, you will still catch shit for being "soft" (though less-so nowadays i find), but with absolute industry influencers like ye, cudi, and drizzy, it would be hard to argue that there's no place for this kind of music or these kinds of lyrics in the modern rap scene.

the tone has been set, and we look onward to the next six years of rap music. what's to come of it? will there be more heavy r&b influence like we saw in Take Care? will electronic beats like we saw in 808s, or futuristic production styles like we had in Man in the Moon take charge? will these trendsetters who have now allowed rap to get interpersonal, raw, and introspective in a new field be paired with some new, unexpected style and add a brand new face to the game?

join us next time for chapter two: dirt.

bishop.

• The BBC announcement: It's about time...

• Some discussion at Radio Times about the change of day: Doctor Who to move from Saturdays to Sundays for new era

• Programming difficulties at the ABC in Australia: Doctor Who finally gets UK air date, throws ABC programming into spin

I just got Xenoblade Chronicles 2 and am wondering if it makes sense to get the Expension Pass already from the start or rather wait before I finish the game.

What I am concerned about is that it makes the game too easy or that it adds some unneeded items that stick out of the original story/feeling too much.

Is that the case, or is it rather just ironing out some small nit-picks and the DLCs make it better?

Pardon me if I don't know what I'm talking about, but I've never really been into anime, or the culture surrounding it. Personally I'm not into those cutesy anime stories, and I'd rather watch an american cartoon or some form of live-action show. Still, I've heard good things about One Punch Man, and it seems interesting. From those who've seen it, would you recommend it, and what other shows would you put it in the same categories with?

I've very loosely applying the title I used in yesterday's post because quite honestly, I can't even call what they did with the movie a modernization.

Intro

Old stories are always being updated for lots of reasons, ranging from trying to appeal to new audiences to correcting toxic depictions to fitting better to the current social or political climate and more. There's nothing new there. However, one thing I find a bit odd lately, as in the last five years or so, is that a lot of this modernization is actually done pretty poorly in main stream media. We see more forced diversity, queerbaiting, and generally bad storytelling.

There will be spoilers for both.

Batman: The Killing Joke by Alan Moore (1988)

This is probably my least liked batman comic that I still recommend fans read.
It's one of the few Joker origin stories and have impacted the tone of Batman since. It's honestly the story I think of whenever I'm thinking of Batman and the Joker's relationship, and makes Joker the all-time greatest DC villain.

And of course, through the paralysis of Barbara Gordon (Batgirl), we get one of the strongest female heros in DC - Oracle.

The Killing Joke is infamous for adding Batgirl to the list of Women in Refrigerators. The treatment of women, specifically Batgirl, is probably the most easily agreed upon aspect to modernize. She was pulled into this story without much thought on the effects of the character before or after.

Batman: The Killing Joke (2016)

When details about this movie was in the works, it was hinted (and then confirmed) that about half an hour will be added to the beginning of the movie and better flesh out Barbara Gordon. This was exciting. The end result was disappointing almost to the point of offense.

The additional time was devoted to Barbara debating with her "gay best friend" (who is every stereotype that phrase can embody) how her "boss" (Batman) doesn't respect her and that she should just quit. Also comes with a scene where she insists on being heard, is aggressive and then has sex with Batman. Yeah...I can't even truly describe how bad it was... (I'm just glad tickets were sold out at the theater so I didn't have to pay money to see it. I borrowed it from the library for anyone wondering.)

The quitting thing in particular really bothered me. Barbara is one of the few heros in the DC universe that does not have a tragic back story. She chose to be Batgirl for the same reason someone chooses to be a cop in a corrupt city like Gotham. In the animated series and in Adam West's Batman, Barbara became Batgirl independently. She wasn't seeking approval or permission.

Enough of the rant...why it didn't work? Ultimately, it was a lack of respect in general. There was a feeling all around that the team was asked to modernize, but they themselves weren't convinced. The end result was what you would expect a bunch of closed minded straight guys to write. Obviously no research was done to better understand gay men or women. They were ultimately not treated as real people. There was no research on Batgirl herself, and this includes watching Adam West's Batman, or reading any comics with Batgirl or Oracle.

Final thoughts

The sad thing is, they had a chance to really add to the original story. I would have love to see Batgirl in her prime. Show how strong and capable of a hero she was before she was paralysis and emphasize the loss Batman and Gotham will feel from loosing Batgirl. Show Barbara's determination in perhaps a little Oracle origin story. She's very smart, let's see some of that. Show her dealing with her own loss while still carrying a duty.

Edit to add: I would also drop the gay best friend. In the new 52, Barbara's roommate is trans and they build a real friendship before she's comfortable enough to tell Barbara. Steal directly from that!

What are your thoughts? Any other comic adaptations that stood out for you? (There are so many!)

In keeping with Tildes' general philosophy of supporting budding technologies that have the potential to reform large domains of the internet for the better, I think you should look into Flattr (www.flattr.com).
A Flattr subscriber reserves any set amount of money per month which will then get automatically distributed to content creators on the web, in proportion to an algorithmic estimate of how much the user has used that particular site or resource.

First-tier support for Tildes on Flattr would be as simple as registering an account and connecting the tildes.net domain to it. From then on, a percentage of the reserved amount would automatically get transferred to Tildes' account for every Flattr user who uses the site (I myself have generated 64 "Flattrs" on this site as of this moment, which would lead to a significant portion of my reserved $5 to be transfered to Tildes for this month).

For sites that host content creators, like Twitch and YouTube, Flattr offers a deeper support, where Flattrs go toward individual content creators as well as the host site in itself. An intuitive way to connect Tildes to this feature would be to have each upvote of a Tildes post generate a Flattr for the poster. I believe the money would then be divided between the user who was upvoted (if they have a Flattr account) and Tildes' own Flattr account, but I am unsure about the exact fraction that would get routed to the individual poster as opposed to Tildes itself. I'm sure Flattr's tech support can answer this in detail, though. Flattr is currently owned and maintained by the company behind AdBlock.

What do other users think? Is Flattr's model good? Are there other sites or providers that offer a similar service? A notable difference between for example Patreon and Flattr is that Flattr is indirectly based on a "pay what you want" model, which marks a pretty significant shift in economic control from producers to consumers. This will obviously have both advantages and drawbacks. Personally, I think the model has a lot of potential on an arena like the internet, where the sheer number of potential consumers can make microtransaction-based models like Flattr really powerful.

Before elections or just in general, what do you do to get to know people in power?

I personally use Wikipedia as a clear, quick way to learn about politicians from front to back. Also, near elections, I tend to do a quick web search alongside this to try and get a feel of what current events are saying about candidates, now that they're in the limelight.

Previous episode | Index thread | Next episode

Black Mirror Season 3 Episode 2 - Playtest

An American traveler short on cash signs up to test a revolutionary new gaming system, only to discover the thrills are a little too real.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

Please rate the episode here!

Hi there,

It looks like codecademy took down their PHP course, which stinks becuase I love, love, love how that site approaches teaching by doing. Any other free resources out there for a do-not-show approach for learning PHP?

Looking to get my feet wet so I'm a little less dangerous when tinkering with my WordPress templates.

To put this into context: I'm still minor, in Europe, and I was hired into SW company as backend developer. I'm making about 2-3 times as much as my friends in fastfoods.

I'm basically making WS that would be unified wrapper for about 15 another WS - instead of crafting request for each of those, you will just call the API and it will do everything for you.

Everything was fine, until I encountered a nightmare: WSDL/SOAP protocol over HTTPS with need to use client certificate.

Full of false hope, I thought: "It'll be easy, I finished communication with another companies in few hours, this will be quick".

I was very wrong. I spent countless hours on this. I tried 3 programming languages and 4 different frameworks, copy-pasting solutions from stack overflow and wondering why does this still throw errors! I copied it from stack overflow! I used windows alongside linux and installed like 10 wsdl/soap clients from 2008 forums.

I created 8 or so SO questions, most about different language/framework, but the same problem.

Worth of mentoining, at the time, I could obtain wsdl and xsd of the WS with usage of two certificates (crt.pem and key.pem) over PHP. I tried to use PHP SoapClient, which accepted just one certificate file. I used .pem certificate that I received and should get the work done.

Then, I started writing the final question. Including PHP that downloaded wsdl and SoapClient that didn't work. Knowing someone will probably want to see certificates, I used cat key.pem cert.pem > certCombined.pem and diff certCombined.pem cert.pem. cert.pem was the certificate I received and should work. I expected no differences. When I saw two pages of differences, I started to suspect the cert I was given is wrong. So I pointed the PHP SoapClient to certCombined - and it started working!

This would have never happened (at least for several more hours) unless I known someone will want to see diff between working and not-working certificates. Thank you, rubber duck debugging! Next time I'll be solving something, I'll write on paper everything I use and know.

What are your stories?

Old stories are always being updated for lots of reasons, ranging from trying to appeal to new audiences to correcting toxic depictions to fitting better to the current social or political climate and more. There's nothing new there. However, one thing I find a bit odd lately, as in the last five years or so, is that a lot of this modernization is actually done pretty poorly in main stream media. We see more forced diversity, queerbaiting, and generally bad storytelling. Not totally sure how I'll do this yet, but I'm thinking of posting stories that stand out to me for better or for worst, starting with a classic.

There will be spoilers for both movies.

Cinderella (2015)

This is one I honestly didn't think worked at all. To be fair, I believe Disney's goal was just to sell a beautiful movie, and not a good story. This whole movie was gorgeous. It was also really boring, which I honestly believe is the greatest sin in storytelling.

Cinderella herself is "smarter" in this movie than the old classic cartoon. She's well read and has some agency, which honestly makes her more a damsel than the original cartoon for me. In the cartoon, she was an abused child that had no where to go. Her being trapped made sense. In the new one, she's sort of a fighter...who doesn't fight. I didn't get it.

Another issue is that Cinderella was really the only character they modified, which is why the story is still shallow.

Ever After (1998)

This is honestly one of the best modernization of the fairy tale I've ever seen. What worked for me, is that they fleshed out all their characters. Danielle, Henry, the stepmother, stepsisters, everyone! This makes for a much richer story, where characters themselves can be modernized, but still fit the time of the period piece. It's not about dropping a fourth wave feminist into an aged story, but about adding the dimensions that would have still existed then. Danielle is strong, well read, and obedient. Her servitude is not without reason. She's seeking a "mother", and her relationship with her stepmother is more than simply being a slave. The audience is shown the moments of kindness Danielle seeks from her stepmother.

My quick two-cents. I also find it interesting that Ever After came out over 15 years before Cinderella.

So what are you thoughts? Any good fairy tale adaptations you can mention?

There is a conspicuous lack of that sort of thing here so far. I get that Tildes might not want to be a repository of "hey what stock do I buy" or "Oh my god MU is still going down" but strategy-oriented discussions around positions in markets and the way changes in the world will effect your financial future seems like high-quality content to me.

Do you sometimes find yourself typing up a joke reply typical of Reddit but then remember this is Tildes and stop? I do it quite often (less and less the more time I spend on the site, however).

I'm even doing it less and less on Reddit itself. Like, yeah, the puns is one of the things I used to love about Reddit the most when I first joined. But that's sort of the problem.

There's always new people joining and finding the beaten-to-death jokes hilarious and so they upvote them. Which means, after one year or two 90% of Reddit jokes are old to you and have been repeated ad nauseam.

Not only that, but since they're a quick and sure way to gain others' approval (via karma) people often try to force them anywhere. No matter how inappropriate they are at that time, how forced and out of place they look. To the point that they're often the first child comment of serious comments asking serious questions.

Which means that if you're interested in reading the serious answer to that question you have scroll down past the joke, and that's even provided there's an actual answer. And I'm pretty sure many questions are left unanswered because whoever has a relevant serious answer won't feel like wasting their time typing up a reply no one will see because it will be buried under the joke reply.

With that said, what do you think of “silly” or “witty” jokes on Tildes? Do you think they should be encouraged? Discouraged? That nothing should be done about them? What about the ones that get repeated ad nauseam, are they even controllable?

I also just remembered there was talk about introducing a “joke” tag that would allow users to not see them if they don't want to or to see only jokes if they so wish. What do you think of this tag proposal? I think it could be very, very useful.

Disclaimer:

There is a chance that some users will interpret this post as some form of rant or an attempt at policing the site even further. I just want to state that my objective with this post is to spark a general and open discussion about this topic, to gauge the opinions of other users and get a feel for what the general community thinks about them (if there's an overwhelming majority that shares an opinion, or if the community is highly fragmented with regards to the topic and if so, in what proportions... etc), to see if there's anything that we can do about it or if there's anything that should be done at all, for example. I am not trying to spark controversy or drama and I mean my post to be one that's constructive, friendly, in good faith and respectful and not on that's toxic or negative or disrespectful.

Needing a down weekend, the spouse and I settled in to watch TV, and discovered that Starz' series, Counterpart - spoiler warning, is one of the better series we've seen in quite a while, let alone among science fiction stories. Though The Expanse wins for sheer SFX pyrotechnics and breadth of technical scope, it's wonderful to sit in for a deep, thoughtful drama like Counterpart. The series focuses on character, story, world-building, plausible plotting, and avoidance of the usual alternate universe cliches. Counterpart is a genuine Cold War Noir spy thriller which happens to occur in a science-fictional setting, and the writers have managed to avoid or refresh the tropes of both genres in ways that ask interesting philosophical questions. It's quiet, slow, and meticulous in a way that most current television writing seems to have abandoned. There's tense action, but no primary colored-supersuits, no scary aliens, no gaudy laser beams, just... a split of history that leaves two distorted mirrors, reflecting each other.

J.K. Simmons' performances in the roles of Howard (Prime) and Howard (Alpha) are mesmerizing in a way that outmatches Tatiana Mazlany's Orphan Black characters. There's a slow unveiling of the respective parallel worlds' history, with continuing evolution and interplay of characters and relationships, which brings to mind the best of series like The Wire or The Americans.

To the extent that Counterpart borrows from literary canon, the most significant underlying influences are John LeCarre's find-the-mole games in the Smiley series, China Mieville's The City and the City, and Philip K. Dick (particularly, The Adjustment Team).

The really guilty pleasure, and the lightweight pressure relief from the grimdark of Peaky Blinders or Counterpart, was a spit-and-giggles Canadian production called Letterkenny. I didn't have high hopes, but the 22-minute episodes are exactly what my brain needed to get over the daily doses of blah.

The opening credits of each episode refer to the fictional rural Ontario town of Letterkenny as follows:

There are 5,000 people in Letterkenny. These are their problems.

The plots are barely coat-hangers, with most of the comic tension spent on interactions among the Hicks (farm people), Skids (creative-but-disaffected Internet subculture wannabes), hockey players and Christians - a/k/a small-town tribes recognizable anywhere in North America. The portrayals are caricaturized enough to be both humorously offensive and humorously sympathetic simultaneously. [Could be some toxic racial/gender meta, but mostly, the treatment of women and minorities is in keeping with the setting.]

The banter, and the utter Spock-like deadpan of Wayne (the toughest guy in Letterkenny)'s Hick character are the stars of the show. Some people have complained that the rapid-fire use of heavy dialect in the dialogue is impenetrable; that actually helps with comic timing. When your brain catches up to what was actually said, it's like receiving a two-by-four between the eyes of funny. I've got a bit of home-team advantage in the midwestern North American dialects area, and usually get it on the first run, but it's good enough to re-watch happily if the spouse needs a do-over. Transcripts are available, but watch the show before looking.

We now have a new battery of in-jokes and gag lines to add to our secret spousal language - "Hard no.", "That's what I appreciates about ya", "...and he was never the same after that."

There's really nothing quite like Letterkenny, and it's exactly smart/dumb enough to make fantastic comedy. Two seven-episode seasons are currently available on Hulu.

I saw this movie last week, so I thought I'll share some thoughts on it.

First off, spoilers! Be warned.

I start of by saying, I'm not really a romcom fan in general, and wasn't specifically into watching this movie because it was an all Asian cast. I grew up watching Chinese dramas (HK, mainland and from Taiwan), and so many of them are romantic comedies. So, though I love the idea of Hollywood taking on more diverse stories, movies like "Crazy Rich Asians" already exist.

Having said all that, I honestly loved the movie! And I believe one of the major reasons why is the depiction of different Asians, specifically Asian-Americans (or as we're referred to in Chinese, foreign-Chinese or overseas-Chinese).

...unrelated to the movie itself, but a little background if anyone's interested...
I'm a Canadian-born Chinese and grew up when people thought all Chinese people lived in Chinatown. I literally had teachers confirm with my parents that the address I gave was correct and that it was in fact not in Chinatown. I was automatically placed in ESL classes, though English is my first language. So, little bit of an outsider in the country I was born in. When I visit family and friends in Hong Kong though, I'm the white girl. Literally everything I do is a novelty. I can write my own name in Chinese, I recognize famous Chinese songs (like Beatles level famous), or I can order my own breakfast (a bun with coffee).

So back to the movie. In Crazy Rich Asians, in Rachel, I feel they captured this really well. If this movie was less Asian centric, I feel "Asia" would have been overly exotic, instead of gross wealth being exotic. If this movie were made in HK or China, I feel, Rachel would have been portrayed as far more foreign and her "Banana" qualities exaggerated.

I also really appreciated that a lot of jokes, and moments, especially the MaJong scene weren't explained. The jokes were so funny, especially the lucky red colour. I haven't laughed out loud in a theater for a while.

This post is already getting sort of long, so I might do another one on the strong women in the movie, which I believe they were really well done too. Rachel was amazing!

Who else has seen this? What are your thoughts?

Edit: I added a spoiler tag, but guess I really didn't. Still leaving it in, in case comments contain them.

The embargo drops on the 4th. No reason to pre-order because you can get all those items just by playing the game. The game actually looks fun and I'm craving another open world game after God of War. I've been revisiting the fallout games in the meantime. The xbox trolls have ramped it up because they aren't getting the game, the whole "downgrade-gate" thing is stupid.

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Black Mirror Season 3 Episode 1 - Nosedive

A woman desperate to boost her social media score hits the jackpot when she's invited to a swanky wedding. But the trip doesn't go as planned.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

Please rate the episode here!

Album link

So we have had this popcorn machine for ages and just recently it completely stopped working. Being a fan of bigclive on youtube I though why not try fix it and maybe get a sense of how it works.

The guts

The insides honestly are pretty underwhelming - both the impeller and heating elements are quite small considering it only takes a few minutes to make a bowl of popcorn.

Circuit board and Another shot

Considering how few components there it was not too time-consuming to draw up a diagram. Please excuse the crude drawing.

From what I can tell it uses a bridge rectifier with a some caps to convert DC and even out the signal - and what looks like two resistors to further drop the voltage to the motor, maybe two offered better cooling? idk why they didn't use one. It's also kind of interesting how they used two separate coils for the heating with one of them in series with the motor, that will drop the voltage right?

They also have overheating protection here, with a an sefuse and a thermo switch, it actually has the piece of metal and a contact that will bend away when it's hot, I've only seen these in a textbook. Not sure why there are two types of thermo fuses?

The fault

Finding the fault ended up being quite easy, the main heating coil that comes off blue wire had melted. A piece of corn, oil, bits of salt or a mixture had found their way in and somehow melted the wire in multiple places. It cut the circuit so not even the motor was working which was my initial though when it stopped. I wound some solid core wire around the two ends, hopefully it will not unfurl or melt in the heat.

i just started getting into drugs and have found that it's more comfortable to smoke around two bowls a day after lunch and after dinner, i only smoke after i've finished all my tasks for the next few hours, and i don't let it drain my wallet. opinons? also if anybody here is starchy against legalization please give me your reasons i want to understand both sides of the issue.

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Black Mirror Season 2 Special - White Christmas

Three interconnected tales of technology run amok during the Christmas season are told by two men at a remote outpost in a frozen wilderness.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

Please rate the episode here!

Sorry (again) for being a bit late with this thread!

Aphantasia is a condition where a person is unable to visualize images in their minds eye. If I tell you to think of a red apple, several people will visualize this apple and 'see' it. But those (like me) with aphantasia simply can't. Some of us have access to other senses within our mind (hearing, touch, smell, etc), some don't.

Do you have aphantasia? There's a simple test here.

In a similar vein, is anybody able to explain what visualizing looks like? Is it just like the sight I get from my eyes? Different?

The best one that comes to mind for me is the album Brother, Sister by Mewithoutyou. I don't really like any other Post-Hardcore album and I really can't get into most other albums by Mewithoutyou, but I've probably listened to this one close to a hundred times.

#tildes:matrix.org

So there are many, many Matrix clients but the most popular one seems to be Riot which is available on iOS, Android (F-Droid, Play Store), and as a web app which you can join by clicking the link above.

It's similar to Discord in the features it offers, but being open source I thought it might be more in the spirit of Tildes than some of the proprietary alternatives.

That being said I'll be the first to admit Riot is a bit rough around the edges and Matrix seems to be under both heavy load and development. If there's demand for it I should be able to get a dedicated server up since it's an optionally federated service.

Oh, and as a bonus the Matrix chat links with the Tildes IRC channels (#tildes and ##tildes) on freenode, so there's that. (Thanks @tyil)

Don't forget to visit @Kat's wonderful ~tech wiki for links to other options such as Discord and Telegram if them's more your fancy.

Happy wordsing!

Example: I'd like to learn more about wine¹, but it seems very complicated and its hard to tell what's "real" and what's just stuff people have made up to be pretentious.

1. I recognize this isn't a "hobby" per se but I think it fits best in this group

Background

There's been some talk on ~ before, and it seems like there are quite a few people who are either interested in, learning, or working in game development, so I thought this could be a fun programming challenge.

This one is fairly open-ended: make a game in 1 hour. Any game, any engine, don't worry about art or sound or anything.

Doing is the best way to learn. Most people's first project is something overly ambitious, and when they find that it's more difficult than they thought, they can get discouraged, or even give up entirely. This is why the 1 hour limit is important: it forces you to finish something, even if it's small. When you're done, you can come out of it saying you made a game, and you learned from it.

Chances are the game might not be fun, look bad, be buggy, etc. But don't worry about that, everyone's game will have problems, and if you do create something really fun or innovative, congratulations, you have a prototype that you can expand on later!

"Rules"

Like I said before, these "rules" are pretty simple: make a game in (approximately) 1 hour. You can use any tools you want. If you use external assets (art, sound), it's probably best you use something you have the rights to (see resources). If you're completely new to game development/programming, your goal could even be to finish a tutorial.

If you're the kind of person who tends to get carried away with these things, you might want to post a comment saying you're starting, then another one once you've finished your game.

Please share your finished game, I'm sure everyone would love to try them! If your game is web-based, it can be hosted for free on Github Pages or Itch.io. If downloadable, it can be hosted for free on Google Drive, Mega, Dropbox, Itch.io, etc.

Resources

Engines

If you're a beginner, a good engine to start with is LÖVE. It's very simple, and uses Lua, which is very easy to learn.

If you're familiar with another language, you could use a library to make it in that language. Some examples:

C++: SFML, SDL, Allegro

Javascript: kontra, Phaser, pixi.js

Python: pygame

Rust: Piston, ggez, Amethyst

If you want something more complex, consider Godot, Unity, or Unreal.

You can also try something visual like Construct, Clickteam Fusion, or GDevelop

Art

For such a short time constraint, I'd suggest you use your own "programmer art": just use some basic shapes. Your primary focus should be gameplay.

If you think you have time to find something, try looking on OpenGameArt.

Sound

You can make simple sound effects very quickly with sfxr (or in this case, a web port of sfxr called jsfxr).

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Black Mirror Season 2 Episode 3 - The Waldo Moment

A failed comedian who voices a popular cartoon bear named Waldo finds himself mixing in politics when TV executives want Waldo to run for office.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

Please rate the episode here!

Sorry (again) for being a bit late with this thread!

I spend far too much time looking for a reply button before I realise I have to scroll to the bottom.
Also, it'd be a lot less work in big threads, where you might be scrolling for a while to get to the reply box.
Yes, I'm that lazy.
I noticed that sometimes I don't engage if it's a big thread because of this, if the topic being discussed is only of passing interest for example.

Summary

The article is an interview with Behrouz Boochani, a Kurdish refugee who has been detained by the Australian government on Manus Island since 2015. Boochani discusses his experiences of detention and the book he has written about those experiences.

Extract

I don't remember exactly when I started to write the first words but I remember that I thought my writing of this time was like a mission and duty ... to make readers aware of this prison camp. I imagined there would be unknown readers from around the world ... That's why I wrote it in a literary language. Not only for this historical period or those people who are involved in this plight ... I wrote this book so that it extends beyond geographical bounds and generational imaginaries.

This chapter about the way they exiled us to Manus was one of the hardest parts to write … If you remember, years ago, I wrote a letter to you and complained that I was scared of writing, that I hate writing. You answered me, saying: ‘Behrouz I wrote about my relatives who were killed.’ Your grandparents, aunties, uncles, cousins … I knew that I had to do it to survive. I knew that I could expose this system through these words … I could get back my identity through writing this book and not allowing this system to reduce me to a number.

Link

https://www.theage.com.au/national/australia-s-barbaric-policy-confronted-by-boochani-s-prison-memoir-20180821-p4zyt7.html

We've had a what're you listening to?, a what are you doing, etc...
I am interested in what you're drinking this week.
I've discovered a fascination for Whiskey. I've been drinking an odd collection of Whiskey drinks, a couple of Scotch's (Glenfiddich, Monkey Shoulder) and some cheap Bourbon (Evan Williams, Ezra Brooks). I tried Irish (Jameson, Tulamore dew) too, but I can't get into it.
Not all this week, obviously.
This week it's been pretty much just Ezra Brooks. It's pretty good for a cheap Bourbon. Pretty heavy Oak flavor that I quite enjoy, not much complexity, but you know. It was 20 bucks.

Are there any fellow Alcohol hobbyists? What're you into this week?

I've found that the red (X new) indicator next to a thread's comment count on the main page keeps me coming back to the discussion to see the latest messages. This is a good thing, but the UX for actually navigating through those messages leaves something to be desired.

There are two relevant existing features I'd like to discuss:

• All new comments since I last viewed the thread are highlighted with a conspicuous red stripe.
• The sidebar on any given discussion page has a link to jump to the most recent comment.

I use the most recent comment link in threads that I know only have one new comment. The link takes me right to it. But in threads with more than one new comment, it's a lot less foolproof. My only method for seeing them all is to scroll down the page and stop when I see a flash of that red stripe. This is tedious in busy discussions which both update frequently with new comments to read, and take a long time to scroll through every time I check them. It's also easy to miss something this way, and since comments are considered "read" after you load the page, there's no second chance to see whatever I missed.

I'd like to propose a method for iterating through all unread comments on a page, either in chronological order (oldest first) or in order of appearance on the page. Or if @Deimos wants to get really fancy, some kind of hybrid sort that keeps nested comment chains grouped together for contextual continuity when navigating.

This would require two controls: "Jump to next unread comment" and "Jump to previous unread comment." These could be "sticky" clickable icons on the page, or just some sort of keystroke (like , and . for previous and next, respectively) without a UI at all.

An important secondary feature of this would be a count indicating both how many unread comments are on the page and how many within that set you have jumped to with this mechanism so far:

Viewing 2 of 7 unread comments

This could remain visible or only appear briefly when jumping to the next/previous unread, then fade away. It could also be shortened to something more minimal:

2/7

That on-screen feedback would help prevent getting lost in busy threads with high unread counts, particular if the sequence is not determined by order of comment appearance on the page.

Edit: Whoops, fixed my formatting error I didn't notice after posting.

I've finally finished writing something. It's been about four years since I actually finished something nicely.

I'm entering the editing phase, which generally takes longer... But I'm a bit excited.

Hopefully this is an acceptable thing to talk about, and I'm going about things the right way.

So... To spin off into discussion, here's two things:

A part of the story:

The ground rose up and struck Raul in the face.

He blinked, stumbling backwards, seeing his master standing nearby.

The old man was glaring, his hands clutched around a brightly coloured stone.

Raul opened his mouth to question, but the old man was whisked away to a distance hillside, and the boy found himself tumbling head over heals backwards down a hillside.

He scrambled onto his knees, staring as he found himself on the shore of the lighthouse.

His master placed a solid hand on his shoulder, and muttered gibberish.

Raul glanced up, but found himself staring at the light of the lighthouse.

Spinning.

A bright light, round and round.

Lightning struck him, and Raul screamed, stumbling backwards.

The rod lay in front of him.

He tore his gaze away with effort, and saw his master, hands outstretched, the stone of red, gold and silver floating between them.

Almost as astonishing, the stone was clean.

A hammer hit him between the eyes.

Raul found himself stumbling behind his father, watching as the old man struck stone, separated it, revealing the river of solid copper within it.

"Boy!"

I'm hoping I've got the grammar at least semi-right. My illness means I can forget words, or my brain can replace words at random with others that it thinks are related.

Any guidance or critique is welcome. (I'd give a bigger quote... But this is probably more than enough to discuss.)

The build script I'm using:

#!/bin/sh

set -e

if [ -z "$1" ]; then
  echo 'Please provide an output file name.' >&2
  exit 1
fi

tmp=$(mktemp)

echo 'Building...'

cat title.txt > "$tmp"
echo '' >> "$tmp"
cat LICENSE.md >> "$tmp"
echo '' >> "$tmp"
cat Prologue.md >> "$tmp"

for file in 0*.md; do
  echo '' >> "$tmp"
  cat "$file" >> "$tmp"
done

for file in 1*.md; do
  echo '' >> "$tmp"
  cat "$file" >> "$tmp"
done

echo 'Converting...'

pandoc --toc "$tmp" -o "$1" 2>/dev/null

rm "$tmp"

echo 'Done'

title.txt is basically just YAML markup for pandoc. The other files should be fairly obvious.

I'm silencing pandoc's output, because I make use of a self-reference to add comments to the Markdown, that get killed by the parser and never make it to the output:

[//]: # (This is a Markdown comment. Isn't that cool?)

However, as all the references point to themselves, pandoc warns.

I'm using pandoc this time around, because it produces fairly clean files. I've used GitBook and Calibre in the past, and though the ebooks they produce work and look okay, the amount of crazy markup they produce means the books lag on some ereaders.

However, that does make a lot of back and forth. Building, checking output, rebuilding, etc.

I'll go first.

I'm currently rewatching Veronica Mars right now and find myself really admiring many of her traits. She is witty, sarcastic, intelligent, and capable. I think what sets her apart from many other female protagonists is that she is not a martyr. If someone wrongs her, she will stand up for herself and in most cases get even. Her need to "get even" probably isn't actually a great personality trait, but I find it kind of refreshing.

Does anyone else wish they were more like a certain character on tv?

A Short Summary and Introduction Before the Actual Content of This Post:

A site—especially a small one, like Tildes—is going to have growing pains. That's natural. It's also natural, and to some extent, necessary, for users to raise issue with remedies for these growing pains. However, there's a spectrum of correct ways to do this, and a way to not do this. If you aren't interested in—or think you already have a firm grasp on the subject of—this post, you might want to skip it.

Tildes has reached its first major streak of growing pains, as I'm sure everyone active or lurking's noticed. We've also reached our first few incorrect methods of handling these. There are a few obvious things you shouldn't do, and everyone knows that—tantrums, slurs, personal attacks, etcetera—I'm going to be discussing a less realised one, and ways you could handle it instead.

Now, onto the good stuff.

Repeatedly, when handling issues, Tildes has seen a recurring circumstance. User makes post, upset. User namedrops and or subposts a user (the most apt description I could think of for a term lifted off of Twitter—subtweet—for example, "I'm not saying it's Garfield I'm talking about, but there was a suspiciously large orange cat with a mild food addiction with a fondness for lasagne who really pushed my buttons!" and etcetera). User hits "send." The targets of it feel offended, and the poster gets yelled at by the community for hurting people. No one wins.

The trick to fixing this: stop going out of your way to call out users, directly or indirectly. If you have issue with something someone said, either take it to an administrator, or directly message the user in question (politely, of course.) There's no reason to air dirty laundry in public, and there's no reason to bring personal grievances into the public eye for minor things.

If you notice an issue, do the above, and nothing changes, wait a short while before making a post on it. There's a fair chance it will resolve itself. If you end up feeling the need to make a post, do not mention individual conversations. Do not give examples from actual conversations; make an analogous example and put it into quote blocks. Never name a name or names, don't allow hate to be directed at anyone.

We're all (presumably) adults (or close enough,) here. If you have any desire for Tildes to flourish, act like an adult. Passive aggression isn't the behaviour of one. Aim to have better behaviour than the docs recommend; you might slip up sometimes, but you'll never fall too far if you keep that in mind.

Anyway, if you ended up reading this; thank you for taking the time. I appreciate it. I've spent a lot of time handling large forums, and in comparison to most of you, fairly small, incredibly high-volatility subreddits with immeasurably close communities. If you can't get a community to do the above, or something close to it, it's more or less going to be a death warrant for it. We'd all prefer not to have that happen to Tildes, so I—and presumably, most of us—would really appreciate if people made an effort to stop that from occurring.

Hate to copy reddit's slogan, but really:

Remember the Human.

Thanks again,

Eva.