The one-off series 'Good Omens' from 2019 is getting a follow-up!

Here's the trailer for Season 2, which is being released on Amazon Prime later this month.

I only know this as a one-off novel, and a series based on that novel. I didn't expect any form of follow-up.

However, Neil Gaiman, who is listed as an executive producer and the show-runner for this new season, has supposedly said in the past that he and Terry Pratchett discussed a possible sequel to the novel (although Pratchett gave up on the idea when Gaiman moved to the USA). Maybe Gaiman is going to use ideas from that unwritten sequel for this second series.

Spoiler warning for Dawnshard and previous Stormlight Archive books (Way of Kings, Words of Radiance, Edgedancer, & Oathbringer).

I'd seen mentions of the sleepless and Dawnshards when browsing the Arcanum and so was primarily hoping to learn more about these in this book. But in a short period of time I was surprised with how attached I grew to Rysn! In particular at the end of the book when the captain appreciates Rysn's role as Rebsk and allow here to steer the ship (showing their trust) for a few minutes, I let out an audible cheer. (Also when I noticed that she gained perfect pitch and perfect color recognition) Rysn and Vstim's interludes in the previous stormlight books were some of my favourite interludes and I'm so glad that we got to see more of them here.

The other thing I was surprised by was the set up for the two Winderunners swearing their third ideal here. Lopen says quite clearly that the third ideal is saying that you will protect even those you hate. And then a few chapters later we see Huio swear the third ideal in order to protect Lopen. I honestly thought this was just going to be played off as a joke since they have a fair bit of banter early in the book. But I was heart warmed to see that realisation that Lopen has that his jokes and teasing hurt people, and him swearing his own version of the ideal to protect other people from himself. It reminded me of some of the similar (but not same) character development moments we get with Wayne in Mistborn.

I'd love to hear what other people who read this book thought about it as well. Once I can get my hands on Yumi and the Nightmare Painter in paperback form, I hope to discuss that too with all you Cosmerenauts!

Edgedancer (a stormlight archives novella) came out a few years ago, but since there's little Cosmere discussion in Tildes and I just finished reading it a few days ago, I figured it would be worth posting my thoughts on this. The only book of relevance to this which I haven't read is Dawnshard, so please mark any discussion about that with spoilers.

I've seen a lot of complaints about Lift on reddit, and I can see where people are coming from. But I always liked the way Lift think and is written. I feel like Lift's stories would make great bed time stories because of how sweetly they end. In the first interlude where Lift appears, the people of Azir are having trouble picking a "king" because they keep getting assassinated. Lift's involvement solves this problem that we're introduced to at the start of the story. And now in Edgedancer, Nalan is still hunting down budding Radiants because he doesn't believe that the Everstorm has really come back. But at the end of the story Lift swears the third ideal "I will listen to those who have been ignored" and shows Nalan the truth. Which feels like a very fairy tale ending, compared to them getting involved in some epic battle. I honestly expected Szeth to intervene and team up with Lift against Nalan.

The moment at the end where she hugs Nalan to comfort him as he's crying was touching. It got me crying! I didn't expect to feel any sympathy for Nalan, but at the end it feels like a fog is lifting off of him and he's been in a haze this whole time. Which I suppose is true of all the Heralds at this point.

I kept trying to guess who the Radiant in Yeddaw was. Of course it had to be a minor character that we've already seen. So I was thinking it would be that guard we met earlier, since they mentioned trading to get some spheres with stormlight so that she can read. I thought this was a lie, with the real reason being using the stormlight to practice some surgebinding. The other candidate was the old man, but that turned out to be a very interesting misdirect that I'm hoping to learn more about in Dawnshard. (The actual radiant was the woman at the orphanage)

The description of the city of Yeddaw was very interesting and new. I wish there was more art to go along with the descriptions, but I feel like I don't really understand the layout of the city. I feel like it would be dark all the time (except noon) if it was carved into the ground like I imagined. Also I wonder if there's more to the story than it just being created with loaned out shardblades. We know that the total number of shardblades in Roshar is very small. Even assuming something like 5 shardblades that were loaned out, how is it possible to create a whole city with that in a reasonable amount of time. Feels like it would take many decades.

Been reading a lot of Malazan BotF and while I love it, I'm looking for something breezier to read for a bit. Preferably something with under 5 PoV characters, 150-300 pages, a mostly linear plot and that doesn't take 100+ pages just to get my bearings on the world. If it's got humor or a bit of mystery too it, all the better.

Edit: Some context if you're unfamiliar with mistborn: A bend alloy misting (slider) can create a bubble where time moves faster. A cadmium misting (pulser) can create a bubble where time moves slower. These bubbles can't be moved, unless they're on an object of significant mass that is already moving, like a train. The civilisation in The Lost Metal is roughly in the industrial age.

I was reading "The Lost Metal" and the newspaper ad after chapter 2 mentions hiring bend alloy mistings for a fast food restaurant. And I was thinking of more commercially profitable uses. Because fast food, wouldn't (I think) have sufficient margin to support consumption of bend alloy which is supposed to be expensive. So here are some ideas I had:

• One idea I had was a CEO using a bend alloy misting to give them more hours in a day. Time for CEOs is already at a premium so giving them more I think would be economically worth it, but I don't know if they have anyone comparable to that in mistborn era 2.
• I also think this would work for lawyers. I'm not sure how much a lawyer in Elendel gets paid but we do know they exist. In the real world sometimes lawyer bill for more than 24 hours a day (illegally)! But imagine if a lawyer could do that legitimately now. Maybe even 48 hours in a day!
• An idea I had for cadmium mistings was to speed up travel. Maybe for rich people you could use a slider to get up time so that their train journey appears to them to go by really fast. But that might be counteracted by their circadian rhythm getting messed up.

The following links contain some discussion on the usage of bend alloy and cadmium for commercial uses.
https://www.reddit.com/r/Cosmere/comments/ajdsjh/practical_usage_of_powers/

Some ideas mentioned there include using a slider in the waiting room of a hospital, or to preserve food, or to reduce the amount of food needed to support a siege, or to reduce the amount of supplies needed for Interstellar travel.

What are some other ideas you have for how a pulser or slider could be used during that time period in a profitable manner?
If you find other discussion online about these powers, please link them here.

I'm currently reading The Priory of the Orange Tree, and really enjoying it, but I've got to confess I'm a bit disappointed by how predictable the world is. There's an obvious pseudo-medieval European culture, a vaguely Eastern culture of respect and honour, a wise Southern Arabic-flavoured culture, and so on.

It's making me long for some fantasy that feels genuinely different - as far away as possible from this vision of monotheistic courts, swordsman's honour and mysterious wisdom from far away. Something that feels refreshing in trying to portray a world that I have never seen before.

I recently read C.T. Rwizi's Scarlet Odyssey series, and while that definitely involves analogues to a lot of our cultures, it was told from an African perspective, which was very refreshing. So I'd welcome suggestions for fantasy books that approach the typical enemies from a perspective that I don't often see as an English-speaking European reader. But is there much in the way of fantasy that truly tries to explore places and people that are completely out there and away from any of our experiences?

Hey folks! I’m looking for some audiobook ideas (preferably fantasy and science-fiction). I want them to have a TV series or Movie about them though I could watch before listening to them.

All ideas welcome!

Edit: I love the films too, but I'm really looking for examples in the text, even if the adaptation does the scene justice, I'm interested in how Tolkien himself wrote it.

I'm on a bit of a JRR Tolkien kick recently and revisiting some of my favorite bits from the books. One thing I really appreciate about Tolkien's writing is the outright poetry of some of the paragraphs and lines. I think the only "wordsmith" who appeals this much to me is Cormac McCarthy (and to some extent GRR Martin) -- but for very different reasons. Anyways, I'll share my favorite section from the Legendarium.

Théoden's charge at Minas Tirith - The Return of the King

To set the stage, the Rohirrim have navigated to Minas Tirith and are greeted by a dying besieged city steeped in darkess and fire. Upon seeing this, we get this line about Théoden:

But the king sat upon Snowmane, motionless, gazing upon the agony of Minas Tirith, as if stricken suddenly by anguish, or by dread. He seemed to shrink down, cowed by age.

Merry utterly loses hope at seeing the city and the reaction of the king. Then as all hope seems lost, we get one of the best sections in the whole trilogy:

At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before:

Arise, arise, Riders of Théoden!
Fell deeds awake: fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!

With that he seized a great horn from Guthláf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains.

Ride now, ride now! Ride to Gondor!

Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Éomer rode there, the white horsetail on his helm floating in his speed, and the front of the first éored roared like a breaker foaming to the shore, but Théoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Oromë the Great in the battle of the Valar when the world was young. His golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.

This might be my favorite bit in all of LOTR because we see good king Théoden shed all his fears and doubts and actualize into the man he was meant to be. And to be compared to the Valar Oromë to boot! Wow. I am also a total sucker for any moment in the trilogy when a deed or character gets compared to events or characters of the First Age. Anytime that happens, you know it's a big deal since the First Age was so much "larger than life" than the events of the Third Age. Tolkien does a similar thing when Sam faces off Shelob noting that not even Túrin or Beren with any craft of the elves could have injured her -- yet Sam stood his ground, nonetheless.

I am not a Tolkien scholar, but I know Tolkien was incredibly steeped in medieval and ancient literature (I mean, he was a Professor of English literature) so I know his heart was really in old mythologies in Germanic or Norse traditions (for example Túrin Turambar's story is directly inspired by the Finnish tale of Kullervo, or how almost word-for-word bits of The Wanderer poem end up in Rohan's culture and song). Because of his Christian faith though, I suspect he had qualms with the often-brutal mortality of those tales and the cultures which produced them. This section with Théoden charging bravely against hopelessness and despair I think represents the "merger" of all the positive qualities he found in heroes like Beowulf with his more temperate worldview. It's an idealization of the heroic good-pagan Germanic king.

I wish there was a more concise way to phrase that question. I've asked it a couple times and always get some interesting answers.

This is inspired by all the "isekai" stories in anime and manga where a hero is summoned to help fight the demon king, along with the LitRPG genre. They use game-like interfaces to track stats and skills. Not just the typical combat ones like magic or weapons, but mundane skills like cooking, cleaning, walking, resting, drawing, lying, etc. Naturally, higher level skills tend to surpass basic physical limitations found on Earth. You could run faster than a train if your speed is high enough, or sculpt an exact replica of Michaelangelo's David in just a few days with a sculpting skill.

So imagine you got summoned to such a world and went through the whole "defeat the demon king" quest, and could choose one skill to take back to Earth. This includes anything from some specific magic ability like weather control and invisibility, to trained skills like archery and blacksmithing, to even basic stats like strength and stealth. Anything is fair game, but you can pick only one.

So, what skill would you choose and why?

Reddit refugee here, I've been posting my book reviews on /r/Fantasy for years and figured some of you all would be interested in a best of list. My full list of all book reviews can be found here, but most of the links are broken right now because the Fantasy subreddit is still private. Still, perhaps the titles, authors and keywords are helpful.

What I enjoy

A brief list of things I care about in books, to help you jugde whether your taste overlaps:

• a good balance of romance and plot, where there is prominent romance but never feels like the story is just about that
• quality prose and dialogue
• believable relationship development, including romantic tension and explicit payoff for it
• high stakes drama, be it interpersonal, warfare, duels, court politics or heists
• LBGTQ+ main characters and queer romance

Note that these aren't the only qualities of the books listed below, just generally what I look for. I'll also gladly take recommendations for fantasy books that fit these criteria if you have any!

Books

Kushiel's Legacy by Jacqueline Carey

A divinely blessed masochistic courtesan and spy uncovers conspiracies against the crown of fantasy France. This series is probably my absolute favorite for how it combines intrigue, romance, kink and action, all with excellent prose and characterization. It has deliciously horny worldbuilding and ends up telling an epic fantasy story with an incredibly unique protagonist.

Silver Under Nightfall by Rin Chupeco

A recent addition to my absolute favorites. The author described the book as "vampire couple finds himbo in the trash and takes him in". If you're not sold on that, imagine a vibe like Netflix Castlevania and The Witcher - vampire hunter who's highly competent but looked down upon, vampire science, undead threat, dark gothic kind of setting, sprinkled with some "who's the real monster actually?" philosophy.

A Dowry of Blood by S.T. Gibson

A Dowry of Blood is about healing from abusive relationships through murder. It's also walks an excellent line between being sexy and horrible. It tells the story of Dracula's "brides", and the beautifully messed up relationship the four of them have.

Note: this one can't be described as having a "romantic subplot", since that implies some sort of happy ending. You know, because of the murder. (that's not a spoiler, it's revealed on page one)

A Charm of Magpies by KJ Charles

A disgraced nobleman returns to England years after escaping his father and finds himself and his family estate haunted. He hires a magician - who happens to bear his family a grudge. The Magpie series is fast paced, highly entertaining, well written, and plays with some delicious power dynamics between its initially hostile and soon reluctantly mutually attracted main characters.

Folk of the Air by Holly Black

The only YA series on this list, Folk of the Air holds a special place in my heart for its delicious fairy court politicking and for not pulling its punches. The titular Cruel Prince is a wonderfully hateable love interest, and even though I feel a few years too old to properly enjoy this series, the stabby and vicious dynamics between the two leads is just wonderful.

Nightrunner by Lynn Flewelling

A young man gets innocently imprisoned and receives unexpected help from his cellmate: a spy, rogue, thief and nobleman. The latter offers him a way out and an apprenticeship, which leads to well... spying and thievery, but also sinister necromantic plots against the throne. The highlight of this series is the ongoing relationship development between its leads. Book 1-2 are fantastic, book 4-5 are really weird, but the whole series remains a favorite despite some strange choices.

Rook & Rose by M.a. Carrick

A skilled con artist, a masked vigilante that challenges aristocrats to duels, and a dashing crime lord turned nobleman. The Rook & Rose series shines in its rich worldbuilding and prose, but especially in its handling of its main characters' multiple secrets, cons and identities. And especially shines when those schemes start crumbling down and some of the secrets become unveiled.

If the third book in the trilogy sticks the landing later this year, this series will firmly establish itself among my all time favorites.

The Stariel Quartet by AJ Lancaster

Years after leaving her family, a young woman returns home for her father's funeral and soon needs to deal with a magical estate that has a mind of its own, and discover that there may be more magic in the world around her than she's realized. The Stariel series is cozy and home-y in many ways, but doesn't shy away from tension either, and I find myself still in love with the main characters even long after finishing the series. I also really enjoyed the spinoff, A Rake of His Own recently!

Harrow Faire by Kathryn Ann Kingsley

Most of the books on here are fantasy with romance, while this one sits more firmly in the capital R Romance genre. But it is dark romance ("villain gets the girl"), and features an absolutely unhinged love interest, a lot of murder, and an evil circus. The series isn't without flaws (some of the side characters get a bit too much page for
how flat they are, and the pacing is a tiny bit uneven in parts), but I blasted through all five (short) books in a week because I had so much fun with it.

The Last Binding by Freya Marske

This series takes place in an early 20th century England where a secret magical society exists in parallel to the world 'as we know it'. There's even a bit of magical British bureaucracy that reminded me of aspects of the Harry Potter books, though the series have little in common otherwise.
Every book in this trilogy follows the same overarching plot, but features a different pairing of main characters and romantic leads. It's queer, fun and fast-paced, though sometimes a bit on the fluffy and romancey side for my taste.

That's just a brief selection of favorites, I highly recommend heading over to the reddit post (I should back that up at some point with Reddit's future being a bit shaky rn) to find more titles.

Thank you for reading! There's lots more to say on each of theses books of course, but I didn't want this to get way too long.
Let me know if you found this interesting, if you have similar books you'd recommend to me, or just share if you also enjoyed any of these books. This is my first post on Tildes and I'm happy to meet new fellow readers :)

Just finished this book this morning and wanted to do my usual jump to reddit to read what others have said/are saying about it. But as I have decided to leave reddit indefinitely, I have come here!

Have you read this book? What did you think of it? Any Cosmerenauts on Tilde yet that are anxious to discuss the implications of the book?

Personally, I enjoyed the book, but found it very quick and convenient in terms of plot and structure. It bothered me a tiny bit, at first, until I read the postscript and saw that he was going for a "Princess Bride" structure, and suddenly the whole book reframed itself in my mind. It wasn't convenient, it was a bedtime story. Every chapter being 3-5 pages, and being a non-stop string of events, that was its strength now.

From a cosmere perspective, it's interesting that this book is obviously very late future compared to most cosmere books. I'm not wise enough to know exactly where, but the mention of Spaceships landing on planets indicate we're not in Kansas any more.

Few small glimpses into Hoid, which was interesting, if nothing revelatory.

How did you all feel?

Kids or younger reader book. Fantasy genre.

In this book world weather can be controlled by sorcerers, and especially powerful sorcerers can summon dragons. When the sorcerers die the dragons vanish, except in the case of the most powerful sorcerers where their dragon is buried with them. The villain wanted the scales of the blue dragon that belonged to a sorcerer. There were also weather spells that were too destructive and were trapped, including the scarlet snow that made people fall asleep. The villain was holding the main character's parents hostage. The main character can summon a dragon. The main character is going to school to become a meteorologist

Other key words that may or may not be the same story -- Yeti, ball lightning, jar, lab, gardening supply shop

Preface: I usually post my book reviews on /r/Fantasy. With reddit's future being uncertain right now I figured I'd experiment with posting on here, let me know if you're interested in future reviews. I should add that this probably isn't my most interesting book review ever, it just happens to be my latest read.
Please feel free to let me know if you'd like to see more fantasy book reviews in the future, I am new to Tildes.

Recommended if you like: ottoman empire inspired setting, royalty/bodyguard romance, MC with anxiety, queernorm setting, low-magic setting, m/m romance, homoerotically washing each others' hair, royal palace slice of life, fake-dating (sort of), gay yearning

Blurb

Kadou, the shy prince of Arasht, finds himself at odds with one of the most powerful ambassadors at court—the body-father of the queen's new child—in an altercation which results in his humiliation.

To prove his loyalty to the queen, his sister, Kadou takes responsibility for the investigation of a break-in at one of their guilds, with the help of his newly appointed bodyguard, the coldly handsome Evemer, who seems to tolerate him at best. In Arasht, where princes can touch-taste precious metals with their fingers and myth runs side by side with history, counterfeiting is heresy, and the conspiracy they discover could cripple the kingdom’s financial standing and bring about its ruin.

Review

• This book starts out by throwing you in the middle of a handful of political machinations already underway - the inciting incidents have basically already happened off-screen beforehand. That is fine, but don't expect massive developments on these plots or new plot points to really matter. The book basically goes "this is the political background for this story" and then takes its time for the rest of the book to focus on the romance.
• I should find this book too fluffy and romancey for my taste but I couldn't help but loving it. Some of it is really dumb, it's transparently obvious that the narrative only exists to facilitate a lot of gay yearning, but I also found myself very much enjoying all that gay yearning.
• I feel like I logically shouldn't have enjoyed this so much, because the worldbuilding is negligible, the magic (touch-tasting, i.e. sensing the origins or compositions of metals) is an afterthought for most of the time, and the plot constantly takes breaks for everyone to talk about their feelings a lot. But somehow, I was totally here for all that and was sad when it was over.
• There were various aspects I found a bit grating, from some very obviously contrived setups to make the two leads have to get closer (or make drastic choices that bind them together) to some of the side characters sounding rather anachronistically sassy, to just how often the plot takes a break for people to talk about their feelings. I can list a ton of things this book does "wrong", but none of them actually managed to tip the scale away from me being into it, don't ask me why. Maybe I was just in the right mood for it.
• The setting is very queernormative and progressive in other ways, while maintaining a historical veneer in terms of technology and (for the most part) style. The use of neopronouns for some side characters caught me a bit off guard in the audio narration, but it's done with such a complete nonchalance that I assume many queer readers will find refreshing.
• The main character has anxiety and panic attacks (without quite having the language to articulate what he suffers from, and equating it with cowardice), and I thought that topic was treated pretty well. Then again, everyone that matters is super supportive and understanding the whole time, so it doesn't really serve as a source of conflict for longer.
• I've said that action often takes a backseat to the romance, but I found the action that was there pretty good.

Discussion

In conclusion: I really liked this, but I completely understand anyone who didn't. The only previous Rowland book I'd read is A Conspiracy of Truths (link to my review), where I had the opposite experience: I found it well crafted but didn't enjoy it all that much. This one just happened to vibe more with me.

Title, basically. The A Song of Ice and Fire subreddit has seemingly gone indefinitely private, so I was wondering if any other ASOIAF fans migrated here during or after the blackout. I definitely miss all the crazy theories we could read on there (I cannot believe D+D=T, the most legendary ASOIAF theory, may become lost forever if the subreddit never opens again, truly a loss of a masterpiece.)

Since it was still pretty active despite the book series being rather dormant, I wondered if any other fans came over here and wanted to chat about it. Just crazy theories, favourite characters, that sort of thing.

I read "Legends and Lattes" recently and liked the premise of the entire book. Does anyone know any other books that have a laid back and chill adventure story with little to no violence, gore, and stuff like that?

Thanks in advance.

Stories involving dragons tend to be in medieval periods so maybe we can try to extrapolate forward in time a bit. Dragons could be from any mythologies or fictions of your fancy!

For my take, a dragon is a flying fire-breathing giant lizard with the size and toughness of a big building. I believe a critical factor is how tamable dragons are. If not at all, they'd go from something humans fear and run away from, then being hunted for glory and materials, then being protected in conservation areas to prevent going extinct. If they can be fully domesticated (like dogs), they could expedite for warfare, transportation and industrialized metalwork. The most interesting scenario imo is the in-between where they could only be partially trained. Maybe a skilled trainer can get them to behave 80% of the time but there's a low but significant chance that they get agitated and wreck havoc. How do we make use of them while ensuring safety and intervenability?

On the cultural side, we might not have as many myths and legends about dragons anymore. We might find the idea of giant flying fire creatures utterly mundane (phoenixes might be less interesting by relation even if they still don't exist in this universe). What would we mythologize about instead?

I just watched an old movie on television: The Boy With Green Hair. It’s a boring afternoon, with nothing to do, and I thought this old 1948 movie would be a pleasant way to kill an hour or two.

I was wrong.

It moved me to tears.

It stars Dean Stockwell, whose name I recognised from ‘Battlestar Galactica’, as a child actor, which is one reason I decided to watch it. He gives a great performance. Doing a bit of research, it looks like he was dragged into acting by his performer parents. His Wikipedia page quotes him as saying he didn’t enjoy acting. Despite that, he was great in this movie.

It also has ‘Nature Boy’ as its theme song, which I know from ‘Moulin Rouge’.

The movie itself is a powerful anti-war message. The central character is Peter, a war orphan (the aforementioned Stockwell). After being placed with a number of different relatives, he ends up with a kindly old ex-Vaudeville performer he calls “Gramp” (who he’s not actually related to). Gramp’s a sweet old man, played very sympathetically by an actor called Pat O’Brien.

Peter doesn’t know he’s a war orphan. He thinks his parents are still on a trip. (A very long trip!) His school holds a charity drive to collect clothes for war orphans, and one of Peter’s classmates tells him, quite matter-of-factly, that Peter is a war orphan: their teacher said so. Peter rejects this, and they get into a fight. Gramp is there, and he confirms the news.

Later that evening, Gramp is reminiscing to Peter about his old flame Eileen, who loved having “a spot o’ green” around the place (a plant) to remind her of Spring and hope. To cheer Peter up, he promises him a surprise in the morning.

The next morning, after taking a bath, Peter’s hair has turned green. He assumes this is Gramp’s surprise, and it cheers him up. It’s not. Gramp knows nothing about it. In fact, the cause of the green hair is never revealed.

When Peter finds out the green hair is not from Gramp, he hates it and wants to get rid of it. However, they’re unable to figure out a cause, and Peter’s unwilling to “paint” his hair (dye it) or cut it off, so he’s stuck with it.

It’s hard to explain why this movie moved me, without giving away certain important plot points. If you don’t want too many spoilers, watch this trailer and stop reading now, until you’ve watched the movie for yourself.

If, like me, you’re not fussed about spoilers, read on. (Spoiler alert: spoilers make you enjoy stories more)

I have to say there were some plotholes in this movie. It’s far from perfect.

Reading the backstory, it’s based on a short story which doesn’t mention war: it’s originally an allegory for racism, which is reflected in one scene in the movie where Peter’s teacher takes a roll call of students by hair colour. The adaptations to make it an anti-war message were inserted by the director, which makes it a bit clunky and obvious.

And, supposedly, the progressive movie studio executive who signed off on the movie was replaced by a conservative executive during production, who tried to change it into a pro-war movie. The movie is therefore a bit patchy and disconnected at points.

But it has heart. The two central actors, playing Peter and Gramp, carry most of the movie. The actor playing the teacher is also sympathetic and warm.

It's not a great movie, but the central performances are strong and the messages are powerful.

Some sources I found tell of Stockwell talking back to the conservative executive when the executive lectured him in favour of war, so Stockwell supported the message of the movie, even as a 12-year-old boy.

This was just supposed to be an old movie to distract me for an hour and a half on a boring afternoon. Instead, it grabbed my attention for the whole 90 minutes, and moved me deeply. So deeply that I just had to share it with someone. I considered putting this in @kfwyre’s Tildes Pop-Up Movie Event thread, but the 1940s slot is already taken. Not that I’m upset by that. I’m very glad I watched this movie, for its own sake.