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15 votes
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Can Warner Bros. restore its movie glory? Michael De Luca and Pam Abdy want Christopher Nolan back, will prioritize theatrical and take more big swings.
6 votes -
'The Flash' projected to earn $155-165m worldwide, $70m domestic opening weekend
15 votes -
‘Transformers: Rise of the Beasts’ beats ‘Spider-Man’ with $61m box office opening
13 votes -
Disney is staring down the barrel of a no good, very bad year
The Little Mermaid opened this Memorial Day weekend. Pre-sales, being the tickets that people buy in advance, were looking strong. It looked like it would open to over 100 for the 3-day weekend,...
The Little Mermaid opened this Memorial Day weekend. Pre-sales, being the tickets that people buy in advance, were looking strong. It looked like it would open to over 100 for the 3-day weekend, and 130 for the 4-day. Potentially the highest opening weekend for Memorial Day ever.
That didn't happen. While it had a strong opening day, it failed to keep up the pace for the rest of the weekend. Ultimately opening under 100 for the 3-day weekend. The expected casual audience, referred to as "walk-ups" didn't show up in the numbers that were expected (based on past live-action Disney films). Hollywood trades are seemingly ignoring this, most of them calling the opening weekend a success.
While the Domestic opening weekend is certainly not bad, it's worldwide opening weekend is terrible. Internationally the film opened behind Fast X's second weekend. It's acting closer to Dumbo, a big bomb for Disney in 2019, than any of the successful live-action Disney films. Domestically, also, the film is acting closer to Solo, another bomb, than Aladdin (which had amazing legs).
Why this happened is still being debated. Some say that having a black lead turned off a lot of the international audience, others say they were turned off from a lack of a big star in the film (like say Will Smith in Aladdin or Emma Watson in Beauty and the Beast). Whatever the case is for the international audience, it's clear that there was a total market rejection of the film. Domestically, it seems like casual audiences are experiencing a bit of fatigue with these live-action movies (perhaps due to all the bad ones going straight to Disney+).
And maybe, perhaps, Disney betting big on Disney+ in 2022 while the other studios started to refocus on theatrical, was a mistake. Maybe that's diluted the Disney brand in all forms.
But whatever it is, Disney now has two bombs on their hands. Ant-Man failed to make a profit and now Little Mermaid is unlikely to reach that as well (considering the huge 250 million dollar budget on it). And the rest of the year is not looking any better for them.
Disney went to Cannes with Indiana Jones and Elemental. Which we all assumed was a sign of confidence in the films. That ended backfiring as both Indiana and Elemental ended up rotten on RT. Now they have to deal with a negative reception for both films, on top of the fact that there was very little excitement for both to begin with. Pixar, and Disney animation as a whole, is now looking at back to back to back bombs (Lightyear, Strange World, and now Elemental). Indiana Jones had an inflated budget of 300 million and now looks like it won't break even either.
Haunted Mansion might surprise, but it's gonna be a tough ladder to climb considering the really big 150 million dollar budget.
The Marvels will need to be as well received as Guardians in order not to be Ant-Man'd out of existence, which most people are not expecting, especially as you need to watch two TV shows to understand it.
Wish could finally be a win for Disney's animation department, but considering the track record I wouldn't count on it.
It's really not looking good for Disney, what a fall considering the immense success they experienced in 2019. They really might just end up with one success this year (Guardians).
38 votes -
‘Spider-Man: Across the Spider-Verse’ swings to best opening of summer YTD with $120m+ beating ‘Guardians’
24 votes -
Time to break up Hollywood
5 votes -
Writers Guild calls first strike in fifteen years
23 votes -
Yep, it’s slow: How a potential strike and industry pivoting has Hollywood at a standstill
5 votes -
George Takei: Love and justice beyond the stars
3 votes -
Desperate for profits and souring on streaming, Hollywood falls back in love with movie theaters
5 votes -
‘Scream VI’ crosses $100 million, first in franchise to hit box office milestone in twenty-six years
6 votes -
Is ‘Dungeons & Dragons’ a box office hit? Depends on how it holds up against ‘Super Mario Bros.’
10 votes -
‘Shazam 2’ losses estimated at over $150 million
8 votes -
The Oscars’ bold bid to boost US theaters
4 votes -
Hollywood’s Covid protocols get expiration date; vaccine mandate will end
2 votes -
Amazon may buy distressed AMC theater chain in seismic Hollywood streaming shift
10 votes -
Why Hollywood isn’t - and can’t be - just about blockbusters
6 votes -
Box office: ‘John Wick: Chapter 4’ crushes franchise record with $73.5 million opening weekend
13 votes -
Cannes 2023: Thierry Fremaux on the festival’s relationship with Hollywood, Scorsese, Netflix, Oscars and TikTok
1 vote -
Snow White and the Seven Dwarfs was Walt Disney’s biggest box office gamble
2 votes -
Apple to spend $1 billion a year on films to break into cinemas
7 votes -
Shazam 2 and the birth of the lame duck superhero movie
3 votes -
What studio franchises can learn from the rise, fall and rise of the western
2 votes -
Killer dolls, cocaine bears and dinosaur time travel: how the B-movie became big business
4 votes -
‘Ant-Man & The Wasp: Quantumania’ faces the worst second weekend drop for an MCU film
2 votes -
Harvey Weinstein sentenced to sixteen years after rape conviction, putting former movie mogul behind bars for life
12 votes -
Tom Hanks drama ‘A Man Called Otto’ crosses $100 million globally
5 votes -
Alec Baldwin charged with involuntary manslaughter in Rust shooting
7 votes -
Crushed
7 votes -
‘80 For Brady’ changes box office playbook, lowers movie ticket prices
2 votes -
Netflix offloads two completed films, filmmakers shop projects elsewhere
6 votes -
Hollywood cannot survive without movie theaters. Why is this so hard for studios to believe?
5 votes -
Alec Baldwin and ‘Rust’ armorer to face involuntary manslaughter charges in shooting death
12 votes -
Justin Roiland domestic violence charges met with silence from TV partners
4 votes -
‘Avatar: The Way Of Water’ swimming past $1.5B global today to become no. 1 WW release of 2022
11 votes -
Warner Bros. Discovery says it’s done killing shows and movies just for tax write-offs
3 votes -
‘Glass Onion’ manages 82.1 million hours watched in Christmas opening weekend on Netflix
12 votes -
Was 1920s Hollywood really as decadent and debauched as it looks in ‘Babylon’?
4 votes -
Harvey Weinstein convicted on three charges of rape and sexual assault
8 votes -
Kim Masters on Hollywood’s year of wishful thinking
1 vote -
’Avatar 2’ opens to $134M, behind expectations but still sizable
7 votes -
‘The Whale’ lands the year’s best limited debut
6 votes -
Disney shocker: Bob Iger returning as CEO, Bob Chapek exits
9 votes -
Chinese protesters want ‘cinema freedom.’ Hollywood should help them.
3 votes -
Box office bust: ‘Black Adam’ faces theatrical losses
2 votes -
Babylon | Official trailer
4 votes -
Netflix’s ‘Glass Onion’ slays in limited release with estimated $15 million
5 votes -
‘Strange World’ is a historic bomb for Disney on a weak Thanksgiving box office weekend
8 votes -
Amazon plans to invest $1 billion a year in movies for theaters
4 votes