So, as a followup to the music tagging thread from a few days ago, I would like to propose the following for discussion.

1. Should all musical posts be tagged with at least one high-level musical genre?

The consensus from the last post appeared to be a yes on this. Please note:, this doesn't mean that anyone who submits a track is required to go look up / determine the best genre themselves. If they choose not to, one of the tag mods may do so for them while browsing. Further, we seemed to reach a consensus last time that in the future it would be best to automate this step as completely as possible.

2. Which tags do we want to use?

I / @Whom have done some digging and found several different schemes we might use as a basis. For convenience, I've reproduced them in a table for you below:

I think ideally we will be able to come up with (say) a list the size of wikipedia, allmusic or discogs such that determining the right genre isn't much of a burden on tag mods. In the future, we could expand this or even start inheriting the RYM genre hierarchy (e.g., Ska -> 2 Tone, Jamaican Ska, Spouge, Third Wave Ska)

So with that out of the way, I think the best way to proceed is for each of you to either:

A) Build a list of your own with one of these as a basis. We can count up how many people include a genre an count as a vote for it's inclusion.

Or

B) Argue for / against a specific genre's inclusion.

Sound good? Did I miss anything?

I came up with the following dialogue for a scene in a novella that I'm working on, and thought that if I stripped out the extraneous details it might make a decent writing prompt. What can you do with the following dialogue?

"How could you keep this from me?"

"You weren't ready --"

"What gave you the right to decide I wasn't ready to know?"

"You weren't ready to ask until now."

What's the secret? Who's keeping what from whom? Why wasn't the first person ready to ask until now? That's for you to decide if you decide to use this.

I've finally finished writing something. It's been about four years since I actually finished something nicely.

I'm entering the editing phase, which generally takes longer... But I'm a bit excited.

Hopefully this is an acceptable thing to talk about, and I'm going about things the right way.

So... To spin off into discussion, here's two things:

A part of the story:

The ground rose up and struck Raul in the face.

He blinked, stumbling backwards, seeing his master standing nearby.

The old man was glaring, his hands clutched around a brightly coloured stone.

Raul opened his mouth to question, but the old man was whisked away to a distance hillside, and the boy found himself tumbling head over heals backwards down a hillside.

He scrambled onto his knees, staring as he found himself on the shore of the lighthouse.

His master placed a solid hand on his shoulder, and muttered gibberish.

Raul glanced up, but found himself staring at the light of the lighthouse.

Spinning.

A bright light, round and round.

Lightning struck him, and Raul screamed, stumbling backwards.

The rod lay in front of him.

He tore his gaze away with effort, and saw his master, hands outstretched, the stone of red, gold and silver floating between them.

Almost as astonishing, the stone was clean.

A hammer hit him between the eyes.

Raul found himself stumbling behind his father, watching as the old man struck stone, separated it, revealing the river of solid copper within it.

"Boy!"

I'm hoping I've got the grammar at least semi-right. My illness means I can forget words, or my brain can replace words at random with others that it thinks are related.

Any guidance or critique is welcome. (I'd give a bigger quote... But this is probably more than enough to discuss.)

The build script I'm using:

#!/bin/sh

set -e

if [ -z "$1" ]; then
  echo 'Please provide an output file name.' >&2
  exit 1
fi

tmp=$(mktemp)

echo 'Building...'

cat title.txt > "$tmp"
echo '' >> "$tmp"
cat LICENSE.md >> "$tmp"
echo '' >> "$tmp"
cat Prologue.md >> "$tmp"

for file in 0*.md; do
  echo '' >> "$tmp"
  cat "$file" >> "$tmp"
done

for file in 1*.md; do
  echo '' >> "$tmp"
  cat "$file" >> "$tmp"
done

echo 'Converting...'

pandoc --toc "$tmp" -o "$1" 2>/dev/null

rm "$tmp"

echo 'Done'

title.txt is basically just YAML markup for pandoc. The other files should be fairly obvious.

I'm silencing pandoc's output, because I make use of a self-reference to add comments to the Markdown, that get killed by the parser and never make it to the output:

[//]: # (This is a Markdown comment. Isn't that cool?)

However, as all the references point to themselves, pandoc warns.

I'm using pandoc this time around, because it produces fairly clean files. I've used GitBook and Calibre in the past, and though the ebooks they produce work and look okay, the amount of crazy markup they produce means the books lag on some ereaders.

However, that does make a lot of back and forth. Building, checking output, rebuilding, etc.

I've found that the red (X new) indicator next to a thread's comment count on the main page keeps me coming back to the discussion to see the latest messages. This is a good thing, but the UX for actually navigating through those messages leaves something to be desired.

There are two relevant existing features I'd like to discuss:

• All new comments since I last viewed the thread are highlighted with a conspicuous red stripe.
• The sidebar on any given discussion page has a link to jump to the most recent comment.

I use the most recent comment link in threads that I know only have one new comment. The link takes me right to it. But in threads with more than one new comment, it's a lot less foolproof. My only method for seeing them all is to scroll down the page and stop when I see a flash of that red stripe. This is tedious in busy discussions which both update frequently with new comments to read, and take a long time to scroll through every time I check them. It's also easy to miss something this way, and since comments are considered "read" after you load the page, there's no second chance to see whatever I missed.

I'd like to propose a method for iterating through all unread comments on a page, either in chronological order (oldest first) or in order of appearance on the page. Or if @Deimos wants to get really fancy, some kind of hybrid sort that keeps nested comment chains grouped together for contextual continuity when navigating.

This would require two controls: "Jump to next unread comment" and "Jump to previous unread comment." These could be "sticky" clickable icons on the page, or just some sort of keystroke (like , and . for previous and next, respectively) without a UI at all.

An important secondary feature of this would be a count indicating both how many unread comments are on the page and how many within that set you have jumped to with this mechanism so far:

Viewing 2 of 7 unread comments

This could remain visible or only appear briefly when jumping to the next/previous unread, then fade away. It could also be shortened to something more minimal:

2/7

That on-screen feedback would help prevent getting lost in busy threads with high unread counts, particular if the sequence is not determined by order of comment appearance on the page.

Edit: Whoops, fixed my formatting error I didn't notice after posting.

Tildes code of conduct says

Do not post anyone's sensitive personal information (related to either their real world or online identity) with malicious intent.

Can you change that to just say don't post personal info? Even if it's not done with malicious intent it should still be removed to protect people's privacy.

Also while it does say to not post spam on tildes terms of service I think It should say that on the code of conduct.

Edit: I mean posting personal info without consent and not public information.

Telling someone how to contact a company would be fine but not posting someone's address.

I finished The Little Stranger last week. While I found the pacing very compelling, I felt some pretty palpable dissatisfaction in how everything ended. I can't quite put my finger on it...

I'll go first.

I'm currently rewatching Veronica Mars right now and find myself really admiring many of her traits. She is witty, sarcastic, intelligent, and capable. I think what sets her apart from many other female protagonists is that she is not a martyr. If someone wrongs her, she will stand up for herself and in most cases get even. Her need to "get even" probably isn't actually a great personality trait, but I find it kind of refreshing.

Does anyone else wish they were more like a certain character on tv?

Hello all you good people, we made it to week 10! Here we've got this week's user-voted record: ▣世界から解放され▣ by ░▒▓新しいデラックスライフ▓▒░ !

From @Cleb:

Internet Club takes a bizarre set of samples consisting of things from Dragon Ball to some random Japanese radio show and turns them into a glitchy, repetitive vaporwave project that sounds just a little bit unhinged.

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with ▣世界から解放され▣. Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on YouTube or bought on Bandcamp.

The Second Coming

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

• W.B. Yeats, 1919

I've seen the programming challenges on ~comp as well as quite a few users who are interested in getting started with programming. I thought it would be interesting to post some 'mini-challenges' that all could have a go at. I'm certain that many of you might find these pretty straight forward, but I still think there's merit in sharing different approaches to simple problems, including weird-and-wonderful ones.

This is my first post and I'm a maths-guy who dabbles in programming, so I'm not promising anything mind-blowing. If these gain any sort of traction I'll post some more.

Starting of with...

TicTacToeBot

Info

You will be writing code for a programme that will check to see if a player has won a game of tic-tac-toe.

Input

The input will be 9 characters that denote the situation of each square on the grid.

• 'X' represents the X-player has moved on that square.
• 'O' represents the O-player has moved on that square.
• '#' represents that this square is empty.

Example:

|O| |X|
|X|X|O|    The input for this grid will be O#XXXOO##
|O| | |

Output

The expected output is the character representing the winning player, or "#" if the game is not won.

(e.g. The expected output for the example above is '#' since no player has won)

I recall recently seeing an article posted that was related to euthanasia, and I started thinking about the subject. I see both potential pros and potential cons associated with it. For example, there's the concern about family members or authority pressuring an ill person to opt for doctor-assisted suicide to ease financial burdens, for instance. There's also the benefit, on the other hand, of allowing someone who is terminally ill or guaranteed to live the rest of their life in excruciating pain the option to go out on their own terms. With proper oversight and ethical considerations, it generally seems to be an all-around ideal to provide an "opt-out" for those who would only continue to suffer and would rather not prolong it, as a merciful alternative to forcing them to live it out.

But then there are some trickier questions.

As a disclaimer, I spent nearly a couple of decades struggling through depression and have been surrounded (and still am surrounded) by people who struggle with their own mental illnesses. Because of this, I'm perfectly aware of the stigma and subpar treatment of mental illness in general. With that in mind, I completely recognize that there are certain conditions which are, at this time, completely untreatable and result in peoples' quality of life deteriorating to the point that they become perpetually miserable, particularly with certain neurodegenerative diseases.

Thus, the question occurred to me: wouldn't such a condition be the mental health equivalent of a terminal illness? Would it not be unethical to force someone to continue living under conditions in which their quality of life will only diminish? Shouldn't someone who has such a condition, and is either of sound enough mind or with a written statement of their wishes from a time when they were of sound enough mind, be able to make the same decision about whether or not to opt to go out on their own terms?

And yet, as reasonable as it sounds, for some reason the thought of it feels wrong.

Is there something fundamentally more wrong about euthanasia for mental health vs. euthanasia for physical health? Is it just a culturally-learned ideal?

More importantly, what makes euthanasia acceptable in some cases and not others? Which cases do you think exemplify the divide? Is there something more fundamental that we can latch onto? Is there a clear line we can draw? Is psychology itself just too young a field for us to be drawing that ethical line?

I'm genuinely not sure how to feel about this subject. I would be interested in hearing some other thoughts on the subject. The questions above don't necessarily have to be answered, but I thought they could be good priming points.

Summary

A study of the effect of Shinrin-Yoku or "forest bathing" (immersing oneself in nature by mindfully using all five senses) on human physiological and psychological systems.

Extract

In general, from a physiological perspective, significant empirical research findings point to a reduction in human heart rate and blood pressure and an increase in relaxation for participants exposed to natural GS. Even research involving the use of nature videos of the forest or the ocean have the same physiological effects. From a qualitative and psychological perspective, Danish participants reported a sense of safety, calm and overall general wellbeing following exposure or engagement with nature. South Korean participants with a known alcohol addiction and high pre-test scores of depression benefited more from the Forest Therapy Camp than participants with lower pre-test scores of depression and alcohol abuse. Differences in culture, gender, education, marital or economic status were not associated confounding factors in many of the empirical studies. Overall, our review of the literature, as illustrated in Table 1, points to positive health benefits associated with SY and NT while confounding factors were clearly identified by the researchers.

Link

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5580555/

Summary

The article describes the investigation of a 5,600-year-old mummy from Egypt, how it predates known mummification by 1,500 years, but uses ingredients still used thousands of years later.

Extract

Dating to some 5,600 years ago, the prehistoric mummy at first seemed to have been created by chance, roasted to a decay-resistant crisp in the desert. But new evidence suggests that the Turin mummy was no accident—and now researchers have assembled a detailed recipe for its embalmment.

The ingredient list represents the earliest known Egyptian embalming salve, predating the peak mummification in the region by some 2,500 years. But this early recipe is remarkably similar to the later embalming salves used in extensive rituals to help nobles like King Tut pass into the afterlife.

Link

https://www.nationalgeographic.com/science/2018/08/news-egyptian-prehistoric-mummy-embalming-recipe/