This thread is posted weekly on Thursday - please try to post relevant content in here, such as news, updates, opinion articles, etc. Especially significant updates may warrant a separate topic, but most should be posted here.

If you'd like to help support Ukraine, please visit the official site at https://help.gov.ua/ - an official portal for those who want to provide humanitarian or financial assistance to people of Ukraine, businesses or the government at the times of resistance against the Russian aggression.

First It was mentioned that, there are 12 of them. If one dies there memory is uploaded and another gets activated, I thought it was somewhat like cylo in star wars. later, we see all of them operating together, so they sync continously or at certain period? I'm wondering how do they actually work, in data sharing/sync scenario?

PS. My heart weeps for firefly.

In the next few months, I'm going to be on the rental market again for the first time in a couple of years. The last time I rented, I lucked into a very nice condo that was being rented out by the owner, and it was fantastic. We developed a great rapport. I looked after the place and paid the rent on time. She was kind and responsive whenever I had a problem. It felt like we were both getting exactly what we needed out of the arrangement.

She wanted to raise the rent when my lease renewed, but it was a very reasonable ask to cover an increase in her HOA fees. It was significantly less any increase than I had been subjected to on any prior lease renewal, which I appreciated.

After experiencing this, I decided I was done with corporate landlords who use algorithms (i.e., price fixing) to make sure they're extracting as much cash as possible and churning through tenants as they progressively price out more and more people without any regard for them and with no connection to the communities they're hollowing out on the way to more profit.

I ended up leaving that condo for a reason unrelated to the rent increase, and I'm trying to find a similar setup again… but I'm not sure where to look honestly. Pretty sure I found that place on Craigslist which seems to have since devolved into a playground for scammy "landlords" whose dear old mothers have all come up sick in some far away corner of the country so they can't show me the furnished apartment they're renting for 20% below market rate, but if I'll kindly send the deposit, they'll gladly mail me the keys.

Does anyone have any hot tips for how to find rentals like this in major metropolitan areas in the US?

It's empty in here, so I figured I'd break the ice. Hi. I'm "Albinanigans" bumbling around (and a recent deflector from Reddit... but you probably guessed that). I am a transgender non-binary Black person who likes to ramble on the Internet.

I have a question for the floor: what do you do for gender affirmation? What gives you gender euphoria?

My answer: I recently received a hysterectomy, and it was pretty affirming! It is one less thing to cause dysphoria. I also like mixing and matching femme and masc clothing in my outfit.

So, yeah, happy to be here! Hope to talk more soon.

I love microtonal music. Ever since discovering the concept about 6 years ago, I’ve become deeply fascinated by alternate tuning systems and have sought out and listened to microtonal music wherever I can. Most people I’ve talked to are not familiar with microtonal music, or have had a bad experience with it, so I wanted to make a post that explains what it is, and how one might appreciate and eventually acquire a taste for it, along with providing a variety of examples to choose from. All discussion related to microtonal music welcome!

What is microtonal music?

In short, microtonal music is any music that contains notes or intervals not found in the standard Western tuning system. Of course, this invites the question: what is the standard Western tuning system? If you are a musician, you are probably intimately familiar with it: the division of the octave into 12 equally-spaced steps, to which we typically give letter names like C or E flat (etc.). Most people come to unconsciously use these notes as the baseline for determining whether a note or interval is in tune or out of tune.

However, there is nothing intrinsically ‘correct’ about the Western tuning system. In fact, by some standards, it can be quite out of tune. If you listen carefully, you may even notice that our major thirds are ‘wobbly’ - the notes come close to a 5:4 ratio of frequencies, but the interval is about 14 cents too wide, which causes a subtle wobbly sound. We find these slightly ‘off’ intervals acceptable in part due to sheer familiarity. But it turns out, you can familiarize yourself with almost any interval!

There are a great many ways to design a tuning system that produces notes and intervals which are different from what we’re used to. Some of these might be more ‘in tune’, others less so. And there are even those that are in tune with respect to ratios that don’t even exist in the Western tuning system. As a result of these unfamiliar features, microtonal music may give the uninitiated listener the general impression of being ‘out of tune’. But if you give it a chance, it may surprise you - the only way to develop the familiarity that governs taste, after all, is to keep listening.

I think it also helps to know a bit about different tuning systems, to ‘see what’s going on under the hood’, so to speak. This conceptual familiarity may eventually support a degree of aesthetic familiarity.

Tuning Systems

Equal Division Tunings

Where the Western tuning system chose 12 steps, we can also divide the octave into some other number of equally spaced steps. These tunings are often referred to ‘EDOs’ (Equal Division of the Octave) - e.g., the Western tuning system could also be called 12-EDO.

Globally, perhaps the most common EDO (other than our very familiar 12-EDO) is 24-EDO, which is used by many musical traditions in the Arab world, such as Turkish, North African, Persian, or Arab itself. Conceptually, 24-EDO is interesting because it ‘contains’ all the notes of 12-EDO, plus 12 new notes exactly in between the other 12. As a result, it can be used to play all the intervals we are familiar with, and music which strongly relies on this feature is definitely on the more accessible end.

I tend to refer to 24-EDO music as simply being ‘quarter-tonal’ (the 12 semitones of 12-EDO being divisible into 24 quarter-tones). This distinction is useful since in many cultures, quarter-tonal tunings are not precisely 24-EDO, but some slightly sharp or flat variation of the general 24 notes per octave structure. It can be hard to distinguish the two, so ‘quarter-tonal’ is probably most accurate.

You could divide the octave equally into any number of notes, though - I’ve seen as low as 5 and as high as 500. Each has a unique sound depending on what intervals the division produces. Some EDOs, such as 19-EDO, 31-EDO, and 53-EDO produce very similar intervals to what we have in 12-EDO. Played with some restraint, they can be difficult to distinguish from 12-EDO, though they also have the option to play unfamiliar notes as well.

Other EDOs, such as 17-EDO, 22-EDO, and 27-EDO sound quite different from 12-EDO, producing lots of unfamiliar intervals while ‘missing’ ones you’d expect to hear in 12-EDO. And finally, there are of course EDOs such as 10-EDO, 13-EDO, 23-EDO (and many more) that produce few truly ‘good’ sounding intervals. Nevertheless, this doesn’t stop people from trying to extract something decent-sounding from them!

Just Intonation

In short, just intonation is the practice of tuning different intervals to exact ratios of frequencies. Instead of trying to accommodate or work around ‘out of tune’ notes you might find in EDOs, why not just make every note perfectly in tune, after all? The result of this is notes that harmonize perfectly with each other, even if these harmonies are at first unfamiliar to the untrained ear. Often, just intonation produces intervals or whole chords that have a very clear, resonant quality.

The downside of this, though, is that since the notes do not equally divide an octave, you cannot simply transpose scales and chords to a new key. You may have made everything in tune with respect to, say, B flat, but it may turn out that with respect to D, the ratios are far more complicated and their sound commensurately dissonant. To compensate for this shortcoming, a lot of just intonation music tends to play in only one key, or perhaps a few related keys. Certain genres of music, such as drone music, or modal examples of rock and folk, better lend themselves to this technique.

There are many possible tunings within the broad category of just intonation. Usually a musician selects, say, 9 different notes that form specific frequency ratios with each other, and limit themselves to that. So describing specific just intonation tunings often comes down to a list of ratios, which can be hard to interpret without experience in microtonal music.

Free Intonation

Enough of ratios and equal divisions - maybe you just have a particular sound in mind, and you’ll know it when you hear it. This practice of tuning notes semi-arbitrarily, is known as free intonation. The notes chosen may simply sound good to the musician playing them, and at times they may even come close to the just intonation ratios. At other times, they may be chosen because they are out of tune. Maybe the ‘beating’ quality of out of tune notes provides a desirable texture, or maybe a certain ugliness itself is desired.

Free intonation per se is somewhat less common than the other two categories of microtonality. However, some musical traditions are actually more similar to free intonation than anything else, the difference being that instead of the ‘ad hoc’ quality of free intonation, the specific tunings are passed down from generation to generation.

Examples of cultures that use non-just, non-EDO tuning (for lack of a better name) include Indonesian gamelan music, Georgian liturgical music, and lots of different types of African and Asian music, just to name a few. If you needed proof of the notion that microtones are, in principle, capable of becoming familiar, even ‘normal’, these long-lasting traditions of unsystematically tonal music should suffice.

Examples

After listening to a lot of microtonal music, some good, some bad, some very bad, I have amassed quite a collection. Below I have listed what I feel to be prime introductory examples of microtonal music in a variety of genres. A lot of it is very approachable to people unfamiliar with microtones, and I hope you can find something you enjoy among the albums listed.

Of course ‘microtonal music’ is such a broad category I can’t hope to be even close to exhaustive. In many cases I am summing up a huge subcategory (such as Turkish psych rock or Arab dance music) with one or two representative examples.

For any other fans of microtonal music out there, please post your favorite albums or tracks! I’m sure there is some great stuff I’ve missed, and I would love to expand my collection further.

Rock

Altın Gün - On
YouTube / Bandcamp
Altın Gün - Aşk
YouTube / Bandcamp
A lot of Turkish folk music uses a tuning similar to the quarter-tonal tuning used in the rest of the Arab world, and a lot of modern Turkish rock music (especially starting in the 70’s and 80’s) features these same tunings. I think Altın Gün is probably the best example of the ‘Turkish Psychedelic Folk’ style from the past decade or so. Some songs on these albums, in part or in whole, focus more on the normal Western tunings. But pay attention to the vocal parts and the baglama (similar to a guitar) and you’ll hear lots of quarter-tonal inflections. These two albums are a very accessible introduction to quarter-tonal tunings, in my opinion.

Balungan - Kudu Bisa Kudu
YouTube / Bandcamp
This album is a juxtaposition of Javanese gamelan music (explained in detail at the very bottom of this list) with RIO-style avant-rock (featuring the drummer of French band Etron Fou Leloublon) that uses the more typical 12-EDO. Bombastic and strange without being too inaccessible.

Brendan Byrnes - Neutral Paradise
YouTube playlist / Bandcamp
Brendan Byrnes - 2227
YouTube / Bandcamp
Brendan Byrnes has some excellent microtonal rock music which generally uses a lot of electronic elements as well (synthesizers, digital effects, and occasionally drum machines). Sometimes this recalls synthwave, but genre-wise it’s very much its own thing. He uses a variety of tunings, particularly 22-EDO, but also 27-EDO and just intonation, among others. His guitar work fuses these exotic tunings with fluent, articulate playing that is a joy to hear.

Compro Oro - Simurg
YouTube / Bandcamp
Another great modern example of Turkish psychedelic folk, from a psych / funk / fusion band whose other albums do not use microtones (most of them exploring a more ‘Ethio jazz’-influenced style). As with a lot of music in this style, the microtones often play a more ornamental role, which makes them more accessible to the uninitiated listener.

Feeding Fingers - Do Owe Harm
YouTube playlist / Bandcamp
Some very fresh-sounding post-punk / darkwave that uses quite a diverse selection of exotic tunings (listed on their Bandcamp page). This album has that dour, ‘Joy Divison’ sound, and the use of microtonality alternately lightens the sentimentality or darkens the menace that music in this genre evokes.

Horse Lords - Interventions
YouTube / Bandcamp
Horse Lords - Comradely Objects
YouTube playlist / Bandcamp
Horse Lords are one of the most exciting, interesting microtonal rock bands out there, in my opinion. They primarily use just intonation tuning, and a lot of their tracks even use other compositional elements to point out the mathematical features of this tuning (for instance, using a 3 on 5 on 7 polymeter, with instruments that play the 3rd, 5th, and 7th harmonics of a note). Polymeters and polyrhythms are a regular feature in their music, and along with other cool techniques such as hocketing, change ringing, and repetitive riff structures reminiscent of North African music, they serve as a fascinating, unique vehicle for exploring just intonation. These two albums are probably the best examples, but pretty much everything this band has put out is excellent.

King Gizzard & The Lizard Wizard - Flying Microtonal Banana
YouTube playlist / Bandcamp
King Gizzard & The Lizard Wizard - K.G.
YouTube playlist / Bandcamp
King Gizzard & The Lizard Wizard - L.W.
YouTube / Bandcamp
King Gizzard is probably one of the biggest-name artists on this list, and while only 3 of their albums (out of like 20-something) are exclusively microtonal, they are a great example of heavy psych rock or garage rock that draws a lot from Turkish psychedelic rock. This is some high energy rock music for dropping acid and kicking ass. Flying Microtonal Banana, which marked the point at which I personally got very into microtonal music, is almost entirely based on the microtonal ‘Huseyni’ scale most common to Turkish folk music. The other two albums on this list have more variety, but still employ the characteristic quarter-tone tunings.

The Mercury Tree - Spidermilk
YouTube playlist / Bandcamp
Some very aggressive prog rock using the curious 17-EDO tuning. The sound of this tuning is very different from the standard 12-EDO, which gives this album a dark, otherworldly sense of harmony that fits its angular melody and unconventional rhythms. And yet, the vocal parts are very smooth and natural sounding, which is an interesting contrast. The Mercury Tree have several other albums using this tuning, but I think Spidermilk is their best work.

Secret Chiefs - Book M
YouTube / Bandcamp
Extremely eclectic music (featuring members of the bands Mr. Bungle and Estradasphere) that employs Arabic-style quarter-tones. The band wanders between folk traditionalism, speedy electronica, swanky funk rock, and industrial metal with each subsequent track, but somehow the aesthetic is all of a piece. Some really great musicianship here as well, especially the violin parts (in my opinion). A few of the band’s other albums feature microtones but I think this one is the most cohesive and approachable.

Ventifacts - Ventifacts
Bandcamp
A duo consisting of the frontmen of The Mercury Tree and Jack o’ the Clock, who play rock music which heavily features the hammer dulcimer (of all things). Stylistically, you could call it progressive rock, leaning towards acoustic but still quite intense in places. Some of the songs use quarter-tones, but others use such tunings as 10-EDO or the 17-EDO favored by The Mercury Tree.

Yossi Fine & Ben Aylon - Blue Desert
YouTube / Bandcamp
Israeli hard rock / world rock which uses the standard Arabic quarter-tone tunings. Heavy desert vibes, with simple, approachable riffs and microtonality that is way out in the open, but still very accessible.

Metal

[syzygy] - [escape]
YouTube / Bandcamp
10-EDO is a pretty wild-sounding tuning, and [syzygy] works it beautifully into some stoner doom metal. This EP unrepentantly embraces the out-of-tune feel that this tuning has, but it was surprisingly easy for me to acquire a taste for. It helps that the singer belts out a very strong performance, exactly nailing those hard-to-grasp notes. Not necessarily for beginners, but rewarding if you can get into it.

Agonanist - The Cynicism of Solitude
YouTube / Bandcamp
Atmospheric black metal with extra creepy microtones (I’m pretty sure it’s 17-EDO but I couldn’t find any information about it). The microtonality is a good fit for the genre, where the extra-dissonant parts find themselves buried among blast beats and guttural roars. Yet at times, the tuning provides a melancholic feeling that is softer than you might expect. Really interesting stuff, especially if you’re already into black metal.

Cryptic Ruse - Unfertile
Bandcamp
An impressively heavy sludge metal album featuring the super dissonant 23-EDO tuning. Cryptic Ruse has albums with other tunings, but this one is especially impressive with how well such a strange tuning works. Of course, by any reasonable standard, it’s still extremely bizarre, so tread with caution.

Jute Gyte - Perdurance
YouTube / Bandcamp
Jute Gyte - Mitrealität
YouTube playlist / Bandcamp
If there was such a thing as using quarter-tones for evil, Jute Gyte is it. Absolutely crushingly heavy avant-black metal with hyperspeed blast beats, harsher-than-harsh vocals, and the most dizzying, angular approach to quarter-tones possible. These two albums are a good place to start if you like the sound of pure madness. The liner notes on the Bandcamp page for Perdurance explain a bit of the (really crazy) compositional approach.

Kostnatění - Úpal
YouTube / Bandcamp
Blackened death metal that incorporates microtonality through the usage of fretless guitar. A lot of the microtonal sections seem to roughly follow quarter-tones, but there appears to be some free intonation stuff as well. It’s a surprisingly accessible album, at times seeming to draw a bit from (Slovakian?) folk music. A really catchy release, overall.

Last Sacrament - Enantiodroma
YouTube / Bandcamp
Death metal using the 16-EDO tuning. Interestingly, this tuning preserves the tritones and minor thirds present in 12-EDO, so it’s a good fit for a genre that heavily relies on these intervals in its riff structures. At times it almost just sounds like regular death metal, though there are plenty of places (such as guitar solos) where the microtonality shines through.

Scarcity - Aveilut
YouTube playlist / Bandcamp
Atmospheric black metal using 72-EDO. With high-numbered EDOs like this one, you get so many intervals you can approximate almost anything you want, which allows this album’s droning guitars to be quite consonant - when they want to be. Long song structures allow for very gradual development of harmony, and it’s all underpinned by blast beats and screams like you might expect from the genre.

Victory Over the Sun - Nowherer
YouTube / Bandcamp
Blackened sludge metal using 17-EDO. Really dissonant, not only due to the standard screams and guitar distortion, but also along with sections that are kind of minimalist and not overwhelmingly distorted - rather, just written to be intentionally kooky and compositionally abrasive.

Electronic

Aphex Twin - London 03.06.17 [field day]
YouTube / SoundCloud
Aphex Twin is a pretty big name in electronic music in general, producing stuff in the IDM / drum & bass / acid genres, but a lot of his music is also microtonal. The London 03.06.17 EP is one where pretty much the entire thing uses microtones (I’m not sure of the tuning; it might be free intonation), but you can also find a healthy dose of microtonality on several of his other works, including Syro and Analord.

FASTFAST - New Color Bomb
YouTube playlist / Bandcamp
Bright-sounding funky synthwave which uses a wide variety of tunings. Very accessible, with some really refined-sounding, psychedelic vocals which gives even the most electronic tracks a slightly more organic quality. A lot of the chords are nearly the same as you’d hear in 12-EDO, but the changes between them occur over microtonal intervals. Neat stuff.

Lynyn - Lexicon
YouTube playlist / Bandcamp
Hyperactive drum & bass / IDM music that occasionally incorporates microtones (sometimes quarter-tones, other times more of a free-intonation thing). These harmonic qualities really fit the wonky, glitchy sound of the music, at times playing almost more of a textural role - as a result, it’s a very accessible album if you like the genre.

Omar Souleyman - To Syria, With Love
YouTube playlist / Bandcamp
The music of Omar Souleyman is like something you’d hear at a Syrian wedding party. Quarter-tones are common to most forms of pan-Arabic pop music (a huge category that would of course be hard to effectively summarize), but I’ve found that I keep coming back to this album, among others that Omar has recorded. Incredibly fun dance music (‘dabke’) with a sort of cheesy 90’s techno vibe.

Sevish - Harmony Hacker
YouTube playlist / Bandcamp
Sevish - Morphable
YouTube / Bandcamp
Sevish is a big name among electronic microtonal hobbyists, and for good reason. Bright, uber-synthetic timbres are used on these albums to deploy a wide variety of equal temperament and just intonation tunings. Alien sounding for sure, but the fun, pop drum & bass approach keeps the overall experience pretty approachable. Sevish is probably many an internet-dweller’s introduction to microtones.

Trauma Triad - A North Facing Window
Bandcamp
I feel awkward promoting my own music here, but I do honestly think my album of quarter-tonal IDM / fusion is actually pretty decent and worth a mention. Primarily using electric piano and 808 style bass synthesizer, I tried to explore quarter-tones from a more harmonic and less modal perspective. A more detailed explanation of the harmony is included with the (free!) Bandcamp download of the album, for any deeply interested parties.

Jazz

Amir ElSaffar - Rivers of Sound: The Other Shore
YouTube / Bandcamp
This album explores a combination of contemplative spiritual jazz and quarter-tonal Iraqi folk music. The large ensemble provides a huge diversity of instrumental texture, and long song structures provide a chance to let the microtonal harmonies sink in before proceeding through the sprawling yet gentle improvisation. A must for any jazz lover.

Firas Zreik - Salute
YouTube playlist / Bandcamp
The first half of this album leans towards quarter-tonal Palestinian folk music, while the latter half develops more into actual jazz. The star here is the kanun, an instrument similar to a dulcimer, which Firas absolutely shreds. The mastery of this instrument on both a rhythmic and harmonic level is really impressive. Overall quite accessible and entertaining.

Giorgi Mikadze - Georgian Microjamz
YouTube
The full album doesn’t seem to be available on YouTube or Bandcamp, but one track should at least give you a taste of the truly unusual Georgian folk harmonies. Neither equal temperament nor just intonation (nor even an approximation of either), this is some extremely strange sounding stuff, especially combined with some spacey instrumental timbres. Yet it’s ultimately buffered by a more familiar jazz fusion stylistic approach, complete with virtuosic solos and skittery rhythms.

Land of Kush - Sand Enigma
YouTube / Bandcamp
This album features Arabic quarter-tone styles worked into large ensemble avant-jazz. The addition of multiple vocalists is also rather unique. At times, the music swings like you’d expect, but a lot of the music here is more textural and experimental. There are sections of fiery free jazz, creepy noise-sculptures, and much more.

Mike Battaglia - Sweet Lorraine
YouTube
While I try to focus more on albums than individual songs, this cover song from YouTuber microtonalist Mike Battaglia is particularly fascinating. Using a stride piano style that gradually works in more and more quirks of the 31-EDO tuning, it perfectly toes the line between detuned honky-tonk piano and truly intentional microtonality. Mike has a bunch of other neat microtonal covers on his channel if this provokes your interest.

Ambient / Electroacoustic / Folk / Classical / Etc.

75 Dollar Bill - I Was Real
YouTube / Bandcamp
Incorporating the quarter-tonal aesthetic of North African music, 75 Dollar Bill deeply plumbs the idea of desert folk for this really excellent, wide-ranging album. Many of the tracks are in a sort of meditative near-ambient style that highlights the subtly-amplified guitar. In others, hand percussion and occasionally other instruments (e.g. viola, saxophone) push lightly in the direction of rock. Overall an extremely relaxing album.

Basiani Ensemble - Georgian Polyphony Singing
YouTube
I bet you didn’t think you’d be listening to microtonal Georgian church choir music today, but here you are. As I explained for ‘Georgian Mikrojamz’ above, Georgian folk tunings are quite otherworldly, but here as a solemn purely vocal performance they acquire a strange profundity that is hard to describe. Some of the tracks use typical 12-EDO harmonies, but about half of them have these odd, resonant microtones that probably sound even better in a huge space like a church (I imagine). Start with tracks 2 and 5 if you want just a taste.

Duane Pitre - Omniscient Voices
YouTube / Bandcamp
Ambient electroacoustic music primarily featuring piano. The very slow pace and gentle, quiet sound are very conducive to hearing the details of just intonation tuning, whose exactly tuned ratios produce intense and evocative ringing sounds. A great album for relaxation or meditation, in my opinion.

Guillaume Costeley - Seigneur Dieu ta pitie
YouTube
Guillaume Costeley was a 16th century French composer, and one of the first Western examples of experimentation with microtones - particularly, he used the 19-EDO tuning, which is good at approximating similar intervals to 12-EDO, but gives new options for key changes. This video is a brief composition of his, played on microtonal organ, along with sheet music and a more detailed explanation of how this tuning works. Fascinating stuff.

Julia Reidy - World In World
Bandcamp
On this album, just intonation tunings are played using only almost exclusively clean electric guitar, using heavy reverb, delay, and looping to create some expressive, mystical soundscapes. The almost tactile textures produced are sometimes rather dark, though never sinister. At other times they are bright and expansive, though no less quiet and intimate. Another great relaxation album.

Methods Body - Methods Body
Bandcamp
Electroacoustic avant-rock that uses free intonation to create harmony that is bizarre yet curiously organic-sounding. You can hear the warbling texture of the intentionally out-of-tune intervals in a lot of these tracks, which fits the earthiness of the acoustic instrumentation. A lot of the tracks also have a danceable groove to them reminiscent of some free intonation African music. Methods Body also recently released an album called Plural Not Possessive that is an even more low-key, ambient example of some of these features.

Sound Tracker - Gamelan
YouTube
Indonesian folk music, also called ‘gamelan’ music, uses some very unusual tunings - neither equal temperament nor just intonation, but some idiosyncratic set of intervals cooked up long, long ago. In addition, gamelan ensembles pair up instruments that are tuned slightly differently, so when they play in unison you get a beautiful, ‘shimmering’ texture. Unfortunately, there are not a lot of high quality recordings of purely traditional gamelan music. This is probably the best one I’ve seen, and it also lets you see some of the musicianship involved in actually performing the stuff.

I’m creating a special video for my parents’ anniversary and want to share it privately. I don’t want anyone to see ads before, during or right after it. I’m not monetizing it and don’t care about viewer metrics.

Right now I’m trying to decide between subscribing to Vimeo or just placing the file in my Google Drive and sharing out the link.

The file won’t exceed 5GB.

Would paying for a service like Vimeo really be worth it when I could just share out the file for free?

Would appreciate any suggestions or recommendations from content creators.

I recently had an SSD fail on me, less than a year old. Nothing important was on it and I'll be getting a warranty replacement, but this got me thinking - I still don't have a proper backup strategy. If my boot drive failed with most of my documents on it, that'd be lost or be expensive to recover.

What do you do to back up your data? What do you recommend others do? We have things like cloud backups, disks that act as a full backup and a whole lot more. Personally, I want to be able to set something up and not worry about it going wrong.

I am putting a new surface on my Deck. I am using Trex and 2.5" composite specific screws. These are small head screws with a T20 torx bit.

[img]https://i.ibb.co/MchtXPx/20230628-175119.jpg[/img]

I am 7.5 boards in out of 25 boards and I have destroyed 5 bits, 3 of them brand name impact rated bits. I am making sure to stay cammed in, and weight on top of the screw. I am lining the drill up with the angle of the screw. I am also predrilling every hole.

I feel like I have to be doing something wrong. I just don't know what else to do.

Edit - these are the exact screws I am using - https://www.homedepot.com/p/Grip-Rite-9-x-2-1-2-in-Brown-Star-Drive-Pan-Head-Coarse-Composite-Deck-Screw-10-lbs-Pack-N212CSB10BK/207193648

I'm ashamed to admit that I've been on there way too much the last couple of weeks. I had always planned to use Reddit in my google searches because google sucks without it now, but I've been spending time talking there.

My niche interest in question is visual novels. There are very few places on the internet where you can discuss them. There was recently a final translation patch released for the Tsukihime Remake. I beat it and wanted to talk about it! Reddit has a Tsukihime subreddit. I don't know if there is any other English community on the internet that wants to talk about Tsukihime. It's niche enough that I know of no one in person who has that interest either. Without Reddit, where do you even look for an alternative?

I feel like I'm going continue being drawn back for similar things even if they are less niche than visual novels. For example, I wanted to talk about Final Fantasy XVI. I could have made a post about my thoughts here and maybe I would have gotten good discussion about it. Slipped my mind honestly. But I was drawn back to Reddit where there are thousands of people wanting to talk about it right this second. An alternative could have been Gamefaqs, but its a bit more toxic and I hate the style of forum (unthreaded, every post in chronological order, only way to follow conversations is with quoted text. Is there a term for that kind of forum?)

Does anyone else feel themselves feeling a similar pull?

My wife is thinking about purchasing a soda stream or similar variant for Amazon prime day. I would like to hear the pros and cons of owning one. Are there any costs of ownership that were not apparent? I don't want to buy another kitchen appliance only to stop using it because we couldn't keep up with the maintenance or other required issues. We do buy regularly la croix like drinks from Costco so if there is truly a cost savings that would be great. Thanks for everyone's time and opinion.

Edit: Wow thanks everyone for the responses and insight. I will have to sit down later and work through the posts. I know I will have more questions.

Thinking about the recent incident where the devs for Skullgirls (current devs, not original devs) went and changed a bunch of artwork and other content for the fighting game, which released in 2012 after being Kickstarted. Aside from removing the sexualized imagery of an underage character, probably a good call, what about the other things they've decided are in 'poor taste' in 2023?

Should we be going back and editing games, or even movies, tv shows, and books to reflect more modern sensibilities? Is a game like Skullgirls even worth preserving its original content?

My opinion is no, unless it's something that is now illegal, I don't really enjoy the precedent that's been set lately where we go back and correct past mistakes in media. However, I also see the argument about removing media that may encourage racist or sexist thinking or put down minorities, but is it useful to see the media as it was and see how far we've come? Is that useful enough? Should only the original creators make that decision?

Just thought this was interesting. Tag as desired.

I'm starting grad school in neuroscience/biomedical engineering soon, and one of my most dreaded parts of it is inevitably having to develop Matlab code. I understand why people use it -- it's arguably best in class at a lot of engineering tasks, and the matrix-first approach of the language makes it very fast to prototype things if you think like a mathematician/engineer.

However, the language also seems to actively discourage good software practices, and many frequently used scientific projects have atrocious code. Think python dependency management is bad? How about NO DEPENDENCY MANAGEMENT? Yes, that's right, the way you share code in matlab is by importing collections of loose files from github/matlab file exchange. The Matlab neuroimaging code that I have worked has also frequently abused the workspace to share state implicitly between scripts, which makes the code virtually incomprehensible. Instead of using packages to create namespaces, common practice is give function names a prefix and import them into the global namespace.

I know there's multiple large companies that rely on Matlab for their products, so it must be doable; I just haven't seen it for myself yet.

Do you guys have any experience developing in Matlab, and if so, are there any good resources to learn how to build robust software in it? What are some open source projects that have good Matlab code?

So, quite a few people don't like/watch video content, and don't like seeing the homepage filled with videos. Let's try something new, see if it sticks.

What are the best videos you have watched this past week/fortnight?

I was pretty shocked when my partner and my best friend both told me that apparently the cheese and tuna omelettes my family has been eating for years aren't normal! I also know a guy at work who likes to eat spaghetti with either mayonnaise or gravy. What strange concoctions have you been eating?

A few years ago, I came across a light, romantic Korean show called Oh, My Ghost. It had good writing, acting and plot, and even a slightly darker undertone. I was hooked and I've been watching Kdramas ever since.

My favorites are those that don't involve the powerful, rich elites in Korea. Stories like Weight Lifting Fairy Kim Bok Joo, and Just Between Lovers are more to my taste. Other, truly fine shows include Goblin, Extraordinary Attorney Woo, Hotel Del Luna and It's OK to not be OK. Those last three have strong female characters, which I find a little surprising for Korean shows.

There are a lot of Korean shows available these days on Netflix. Squid Games and The Glory made an impact worldwide. Squid Games pushed me to the limit, but I managed to make it through that series. Season 2 is coming, so that will be interesting too.

This year hasn't been a great one for my tastes in Kdramas, so I'm still looking for an outstanding series to watch. The Glory lost me at some point. Revenge isn't a compelling plot line for me. Right now, I'm watching Delightfully Deceitful, and it's different enough to keep me watching. I'm on episode 4, so there's a long way to go yet.

Any favorites I've missed?

Edit: Oops, did I get one of those titles wrong! I've corrected it to Weight Lifting Fairy Kim Bok Joo.

I'm not sure how big the astrophotography community, if any, is on ~tildes but I'd figure I'd open a topic up and see! Astrophotography is one of my hobbies, and it was brought to my attention (see link for two quasars near the M3 globular cluster) that it's actually pretty easy to photograph quasars. The same are visible in my attempt at photographing M3. Anyway, my question here is does anybody know of any particular interesting or distant quasars to photograph? I assume most will just be "dots" but it still sounds like fun since they're among the most distant objects you can see. I assume most quasars would be broad spectrum, so no filters are really needed, but I'm also curious if there's any bright yet redshifted objects you'd need infrared to capture.

My setup is an Astro-Tech AT80EDT 80mm Refractor f/6. I just got the f/0.8 reducer which I'm excited to take for a spin. It's a chonky piece of glass. My camera is a ZWO ASI585MC which does decent enough for deep sky.

Edit: To add, using something like http://simbad.u-strasbg.fr/simbad/ is great for finding interesting objects once I've already taken a photo, but it's less helpful to plan my shots.

I have two that I will highly recommend:

Vimium has completely changed the way that I use my browsers. They have extensions for firefox and safari as well, but the link I provided is for chrome. If you are used to vim keybindings, it makes websites almost completely navigable using only your keyboard! Here's a video demonstration of it in case you're interested.

My other is SponsorBlock for youtube. This one makes using youtube a little more bearable by automatically skipping the baked-in sponsorships and advertisements. It has literally cut down my viewing times of some channels by like 20%.

Are there any other extensions that you absolutely love?

Yeah that's the question. I was thinking of the possibility of posting deals here. But it might just eat up the other tech content here. That's not my goal, but I'd like to start a PC building\support\tech deals tilde.

The theses I would like to discuss goes as follows (and I'm paraphrasing): during the last 15 years, low interest rates made billions of dollars easily available to startups. Unfortunately, this huge influx of venture capital has led to no perceivable innovation.

Put cynically, the innovation startups have brought us across the last 15 years can be summarized as (paraphrasing again):

• An illegal hotel chain destroying our cities
• An illegal taxi company exploiting the poor
• Fake money for criminals
• A plagiarism machine/fancy auto-complete

Everything else is either derivative or has failed.

I personally think spaceX has made phenomenal progress and would have probably failed somewhere along the way without cheap loans. There's also some biotech startups (like the mRNA vaccines that won the race to market during covid) doing great things, but often that's just the fruits of 20 years of research coming to fruition.

Every other recent innovation I can think of came from a big player that would have invested in the tech regardless, and almost all of it is "just" incremental improvements on several decades old ideas (I know, that's what progress looks like most of the time).

What do you think? Do you have any counterexamples? Can you think of any big tech disruptions after quantitative easing made money almost free in 2008?

And if you, like me, feel like we're stuck on a plateau - why do you think that is?

Do you guys think they're using rate increases to kill off all the overleveraged homeowners in an effort to create a sell-off and thereby lower housing costs?

Could someone smarter than I please explain what is going on... or is our inflation that bad? Seems like some of the inflation might be what I've read as greedflation. I didn't realize we jumped almost 3.75% in less than a year last year...

I've had the same secured credit card through my bank for years; I only use it for car rentals and when my debit card gets declined on international online purchases. It's very easy to maintain as there are no fees and I always pay off the balance within the week; however, there are also no rewards. I know that a lot of credit cards out there have cashback rewards, and it seems like kind of a waste not to take advantage of that. But there are so many different ones that it's horribly overwhelming for me to try to research which one(s) might be a good choice. Costco has one which would have probably been an easy choice if I were able to spend more money there, but as of currently I have very little space and only hold a membership for gas.

So, do any of you lovely folks have recommendations to give me a starting point for what to look into? What cards have you used and been happy with?

ETA: I am in the US!

As a not quite "old man" I was wondering how many former BBS sysops are here?

In the early-mid 90s, I used to run a single line PCBoard powered hobby BBS and dabble in making PPEs (PCBoards programming language for plug ins/mods). I also help friends set up SpitFire, Searchlight, Synchronet, WWIV and Aftershock (total PITAs from what I remember)--basically anything free, crackable or unlimited trial.

Since I was the only sysop that ran PCBoard I was invited to become an officer in our local User Group to run their whopping 3 line BBS and give classes (that was quite the technological achievement back then). That is something I truly do miss. I was, by far, the youngest member of the User Group (your average member probably had grandkids my age) but it was a meritocracy.

People seemed eager to learn and share information as they found it. Before computers, 3d cards and the internet was ubiquitous, you were automatically accepted into a knowing crowd if you put in the effort/time to join a BBS, forum or (early) MMO. Exclusion brought inclusion, if that makes sense. If you torched your reputation by acting like a jackass it was difficult to move on like a locust to another area.

So many stories. So many high jinks that would be deemed illegal today, lol.

Everything that is old, is new again.

I'm getting a lot of BBS vibes in the aftermath of Rexxit. The slower pace of Tildes reminds me so much of the BBS forums (while I know Tildes isn't new, it is growing in popularity in the aftermath.) Even the Fediverse harkens back to the days of early BBS synch nets.

Now if only I could find a modern remake of Tradwars 2002.

Like the title had said is there any books that you had picked up multiple of times but simply set down?

Mine would be Dune by Frank Herbert. I simply can not get through the first chapter, let alone the whole book. I think I had picked up the book like 5 times already from my library and failed to get through it. I get that is a classic sci-fi space opera, part of the reason I keep punishing myself with trying to read it. And because I keep hearing good things about it.
Edit: forgot a period

I've only experienced VR at an escape room and a few hours on PS4VR, both in 2019.

The escape room was an amazing experience with a dedicated facility but held back by some cumbersome hardware. On the other hand, PSVR was interesting but lacking in flexibility and a little pointless with new hardware on the horizon.

Nearly bought a setup in lockdown but ran into decision paralysis. PSVR issues above; Index/HTC are a lot more expensive and would need a PC upgrade while Oculus is that sweetspot with price and portability but demands you interact with the Zuckerverse ecosystem.

And in the years since, from the outside it seems like a lot of the hype is just gone. There was a brief time where the Metaverse monopolized the discussion, soured everyone's appitite and promptly died. I've seen VRChat community have a tough time with some anti-player decisions. PS5 VR was hit with a big delay and considerable price tag on top of the console price. And lately with the summer games showcases, I only really recall Assassins Creed and Powerwash Sim VR as notable big budget experiences.

So I'm curious what the space is like for people who are committed to the experience. How often do you play? How locked in are you to an ecosystem? What are you playing and looking forward to? How is the hardware holding up? But most importantly, would you recommend people buying in now?

Not a native speaker, so I hope I phrased it correctly. Let me explain. It happened to me at least twice.

Some years ago, I picked up the "Metro 2033" book by Dmitry Glukhovsky. I read part of it until I read about the Stalker, who was a badass wearing a black coat. It was so cliche, I was unable to continue. I wrote off the book as trash.

Then, some time later I played the video game under the same title, which is an adaptation of the novel and I liked it a lot. It had that eerie atmosphere and a unique Eastern European feel to it, unlike games like Fallout. I decided to give the book another go, but this time I knew the lore and I had images from the game in my mind and everything changed. I really liked that book, it was a good mix of horror, action and sociopolitical commentary disguised as a postapo novel. It may not be great, but it's a very pleasant read. By now, I've read all three books and played all three video games (btw if you plan to play Metro Exodus I'd advise you to read "Metro 2035" first, as the game is a direct continuation of that story and both were written by the author) and I consider myself a fan of the series.

Another, more recent example is "Harry Potter and the Philosopher's Stone". I am not a Potterhead, I never read any HP books, I even despised them for the most part. By the time J.K. Rowling's stories were published in my country I was already 20 or so. I was familiar with Jordan, Tolkien, Sapkowski, Williams and many more authors writing fantasy. I was into the tolkienesque depiction of wizards, so something like Hogwart with robed men and children riding brooms and waving wands is both weird and strongly off-putting to me. Also, I considered myself already too old for what I saw as children's books.

I'm 42 now and those words of C.S. Lewis resonate with me ever so more:

When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.

So I decided to give Harry Potter a chance. I first tried watching the first movie. I didn't like it much and dropped it somewhere in the middle. Then a couple moths ago I loaded a free sample of the first book from Kobo Store and it was... alright. I dropped it as well. I thought it was well written, but was definitely a kids book for which I was too old.

I started playing Hogwart's Legacy a week ago or so. I'm now positively hooked on that game, it's beautiful, it has characters I like, it has a good combat system and it's been my doorway to Hogwarts. So when I couldn't play, I was thinking about it and picked up that book which I dropped earlier. But this time I had a better understanding of the lore, had images of certain places in my mind and it clicked! I am still an old fart and it is still a kids book, but I have found new appreciation for it. I think it's well written on the literary level, it has a lot of situational and verbal humor (I think it has a distinct British flavor to it, like a very toned down version of Pratchett) -- I actually often chuckle when reading it. I bought the whole set (books 1-7) and maybe I'll even read them. Here's hoping that they mature with the readers, that's what I've been told. I'm sure that if I were 12 when reading them for the first time, I'd love them.

As you can see, in my case it's usually that good video games drive me to give another chance to some books that I initially didn't like and because of the great experience with video game adaptations, I start liking the source material. Do you have similar experiences?

(btw this is my first post on Tildes)

I would like you to think of two things that you associate with your favourite colour. For example, if your favourite colour were black you might choose "the night sky" and "New Zealand rugby." Try not to put too much thought into it, and don't expand the spoiler sections below until you have your two things.

I am co-admin of a small Discord group (currently 5 members; we like to keep it up around 7-9) that is dedicated to enthusiastic, interactive accountability, support, task management, habit tracking, yada ... all that good stuff. Atomic Habits is one of our popular guiding stars.

And, yeah, we've lost a couple of members recently, and we're looking to invite a few new people to the group.

This is an active group. We expect people to contribute (at least) daily, both regarding their own efforts, and in helping/supporting others in their efforts. One of the things we try to emphasize is providing active support and feedback to others, rather than just posting our own goals and efforts ... this is one of the areas where we feel that "traditional" accountability buddies/groups fail.

Drop me a DM if you're interested, and we can discuss details.

Edit: Thanks for the replies. I think we have enough "new blood" for now. If you're still interested, just keep an eye out for another invite post in a few months, when membership starts to flag.

Pretty much, the title.

I have been coding professionally for over 2 decades, been using Git for almost as long ... and to this day, it still feels alien and uncomfortable to use. I keep feeling like I am relearning it all over again. I would really like to find some kind of different resource that helps me to make Git "stick" in my brain, and become more intuitive. Maybe that's just not possible, but I keep hoping.

Meanwhile, my roommate is just starting her journey into programming, and her class just started teaching Git ... and I'm eavesdropping a bit, and they're teaching it okay, but I'm sure there are better tutorials out there for a newcomer.

I am aware of -- and currently reading my way through -- both this recent tildes post and the various tutorials mentioned in it. But I am looking for other recommendations, as well ... and I bet I'm not the only one.

Thanx in advance.

In general, I found a lot of real gems this year! The indie scene is thriving like never before, and smaller teams are being enabled by the likes of Unreal Engine to create really beautiful games on a budget. So I had a lot of free time today and yesterday, and decided to go through my discovery queue and check out a few demos. That quickly ballooned into sitting down and playing right through over a dozen demos, two of which (The Lies of P and Wizard with a Gun) I didn't get far enough into to give any coherent thoughts on. How many demos did you check out? Are there any games you're looking forward to on that basis?

The Cosmic Wheel Sisterhood: 5/5
From Deconstructeam, a Valencian studio with a strong emphasis on narrative, choice, and empowering the player to create their own art, this demo was one of the big winners for me. Gameplay revolves around conversations, VN style, but those conversations often happen in the context of you performing, essentially, tarot readings where the cards are all designed by you. I had a lovely, relaxing time making my own cards, and the challenge of interpreting them to the people around me in a way that felt… true, I guess, was memorable. There is an impressive level of responsiveness to your choices on display here, both on a micro level and, it seems, on a macro level, so I have to think that the game will be pretty replayable. My one gripe was that the dialogue felt a bit stiff and unnatural at times. The game isn’t voice-acted, and the lack of rhythm or cadence in a lot of conversations kept them from flowing well. But that said, even if individual lines of dialogue fell a bit short, placed in context, the conversations felt meaningful, engrossing, and interesting. I will be buying this on release.

Death Must Die: 4/5
I’m a sucker for the “Survivors” genre. My first experience with it preceded Vampire Survivors, the little $3 game that swept the world last year and popularized the new gameplay style; I started with the mobile game that inspired VS: Magic Survival. I had tens of hours in that game. And each subsequent entry into the genre; VS, HoloCure, 20 Minutes Til Dawn, etc., etc. have only worn me out more. These games are all the same: more enemies fill the screen; you get more autofire weapons to deal with them and dodge around to avoid contact damage. Fun for half an hour, but don’t really leave you wanting more. Death Must Die is different. Isometric rather than top-down, the combat here is all manual. You click to fire off an attack that needs to be well aimed; enemies don’t deal contact damage but instead have telegraphed attacks that you have to dodge. It feels very ARPG, actually; a bit Diablo. And the level-up system, which sees you selecting boons from different gods, is clearly inspired by Hades and offers considerably more interesting choices (so far, at least) than the usual Survivors game. Feels a lot more skill based, and a bit more build-craft-y, than usual. And I even caught a whiff of a story, though how well it’ll be executed remains to be seen. I look forward to the full release. Just wish there were more defensive options – maybe a parry?

El Paso, Elsewhere: 4/5
This is cute. A Max Payne-style third person shooter that’s well written in a surreal, noir sort of way; corny enough to be delightful; dark enough to maintain the tension. Visually, it’s a low res, low poly callback to the PS1 era. The gameplay is pretty tough; I didn’t finish the demo, but I imagine it would be a lot of fun to master. I’m keeping my eye on this one, even if it’s not my usual type of game. A special callout: there are biblically accurate angel enemies in this game, which makes me a very happy woman.

Escape from Mystwood Mansion: 3/5
I like escape rooms, and this demo is just a well-constructed escape room – actually, it skews very closely to the types of puzzles and mechanics I’ve come to expect from physical escape rooms. I’m not sure if that’s a good thing or a bad thing; I do wish the game used its medium to get a little more wild with it. But the puzzles were generally pretty well constructed and offered a few fun “aha!” moments when I solved them, and I didn’t need to look at a walkthrough or lean on hints to get through. That said, the hints that I did use were pretty lackluster, and in one case, actually wrong, so that system needs some revision. Some of the sound design got a bit grating, too. I don’t know. Were this a co-op experience I’d probably like it a bit more. The appeal of an escape room is the excitement of solving it with a friend, and there are certainly enough self-contained puzzle sequences here to support that. But no; Mystwood Mansion is a solo experience, and I’m not sure if it’ll be that fun to solve multiple predictable escape rooms alone, staring at a computer screen.

The Invincible: 3/5
I am of two minds about The Invincible. This game is an atompunk sci-fi walking sim adapted from a novel (my roommate tells me) by Stanislaw Lem, and so, suitably, what we have in this demo is a slice of high-concept sci-fi steeped in personal stakes. I have a hard time thinking of anything bad to say about this game. It looks good, runs well, has an interesting story that left me wanting more. And yet, one day after playing it, I just do not want to pick the game up again. I suppose part of it was the pace. Some of the best walking sims – What Remains of Edith Finch – tell incredible stories in the space of two hours. Meanwhile this demo was 40 minutes long and felt like only a small piece of some grand, sprawling story. Environments are huge and your walking speed is pretty slow, so there’s a lot of time between set pieces where your character is just having headaches or struggling to breathe, which really wore me down. I can’t imagine playing this game for 10 hours; 5 might be pushing it. It’s not super tempting when I could just read the book.

Loodlenaut: 2/5
Oh boy, Loodlenaut. Where to begin. Okay, so, I actually like this game. It’s pretty, and relaxing; an ocean exploration game where your job is to clean up trash, rescue wildlife, and climb the tech tree. I have played through the entire demo, done everything there is to do, which took about an hour. And I will absolutely not be playing the full game. If you’ve played Powerwash Simulator, you know how satisfying it can be to get rid of muck and watch a meter climb up to 100% clean, and Loodlenaut scratches a similar itch. The problem here is that the game feels so clunky and limited that the frustration often outweighs the satisfaction. For example, you have a cleaning gun that picks up trash, destroys goop, and breaks boxes. But you don’t aim the gun, the game does, and it’s not really based on where you're facing or what you're closest to so much as it is on the game’s capricious moods. Say you’re trying to pick up a glass bottle, but there’s a crate nearby that you can’t break yet because you don’t have the right upgrade. Well, Loodlenaut will snap the gun to the crate and repeatedly try to break it, until you wiggle around enough to get it to change its mind and pick up the bottle. Wielding the gun is a constant frustration, as is sluggishly moving through the ocean. Your swim speed is slow, and your boost recharges slowly, so going back and forth between central base and the area you’re cleaning – something you have to do pretty frequently – takes what feels like an eternity until you sink lots of resources into infrastructure. None of this is a bad idea – incentivising players to craft boost rings to improve traversal is a good idea; auto-targeting is more comfortable than aiming on a controller – it’s just these systems are poorly implemented, which leads to frustration.

Luna Abyss: 5/5
Luna Abyss is a fucking wild demo. I downloaded it because the game’s description used they/them pronouns for its protagonist. I had no idea what I was getting into. So, okay, the best comparison I have for this game is to Returnal. Like that game, Luna Abyss is a high-production value 3D shooter where hitting your shots is easy, and the difficulty comes from avoiding the attacks of bullet-hell style enemies. And like Returnal, it has a strange, unsettling atmosphere, tight movement, and punchy, satisfying guns. Of course, Luna Abyss isn’t a roguelike, and it appears much more straightforward with its story beats so far. I don’t know, I’m having a hard time capturing what makes this game so great. Let’s start with the world, which is bleak and dark and oppressive. You run through cavernous metal structures, all black and grey, lit in harsh red. Enormous metal pipes twist and curl and embrace each other like enormous, mechanical intestines, and you run across them to get to your next objective. This place was not designed for you, and you feel that so clearly as you traverse it. You jump off the pipes and enter into combat, where a generous aim assist ensures that all your shots will hit. But there are a couple of enemy types to prioritize. You fire your shieldbreaker at a flying enemy, killing it, and time slows to a crawl, increasing the impact of the shot and giving you a tiny moment of respite to see what bullets you’ll have to dodge and decide what enemy you should prioritize next. A miniboss spawns in, grinning facelessly, and releases a flower of projectiles. You sprint and jump and dodge and you keep firing until she’s dead. The room is clear, and the demo is over, and your screen is awash with the bright, striking red of the UI. “Thanks for playing,” it says. I felt like I should be thanking it, instead.
It’s impossible to say, at this juncture, whether the game will be good. The crumbs of story were certainly engrossing; the combat fun; the world, striking. At the very least, Luna Abyss looks like it will be one of the most interesting and unique games of the year, whenever it comes out. I can’t wait.

Sea of Stars: 3/5
This one is alright. The world is beautiful, the music peppy, the character designs good. I just honestly have not played enough turn-based isometric RPGs to compare it to anything. I did have two big disappointments: I thought the writing was a little… on-the-nose, I guess? Characters just stated their objectives and everything was pretty surface-level. Dialogue wasn’t attacking or defending, only conveying information. And while the combat was fun and had a challenging timing element, it ended with a boss who I spent like ten minutes fighting for a single attempt, used all my items, did everything I could, and still lost to in dramatic fashion with no indication I had done any real damage. My suspicion is that the boss is simply meant to be an organic end to the demo, a scripted loss, but I don’t know; if not, it probably indicates that this type of game isn’t for me, since I found it to be quite a slog.

Stray Gods: 2/5
I really wanted to like Stray Gods: The Roleplaying Musical. It is, essentially, a choice-based VN in the style of a broadway musical about ancient Greek gods struggling to live in modern society. A tantalizing premise, if a bit theatre-kid-y. But my degree is literally in theatre criticism, so I have a lot of tolerance for the genre’s usual excesses. I can’t think of another musical video game, but Stray Gods’ demo did not convince me that the idea could work. The performances aren’t the problem here; Laura Bailey is a charismatic lead with pipes good enough to carry the show, and the supporting cast of big names (Troy Baker, Felicia Day, Khary Paton) are no slouches either. But so much about this game is just not working for me. Let’s start with the sound design. This is one of those games where it feels like all the actors are recording in totally separate rooms. There’s a lot of dead air, not a lot of dynamism or one person bouncing off the other during conversation. It robs scenes of a lot of momentum and impact. And when I say “dead air,” I mean dead air. Bafflingly, the game seemingly has no room noise, no background audio, so when people aren’t talking, or music isn’t playing, everything is completely, uncannily silent. It’s genuinely weird.
The musical numbers alleviate this weirdness by filling the soundscape but do little else to pull me in. We get to see four songs in the demo; two from the opening act, two picked from later in the game. All of these songs are very similar – fugues or duets, where one character has one perspective and another character (or chorus) has another perspective, and their conflict is expressed and then resolved through song. Which is a fine structure for a song in a musical, don’t get me wrong, but it is not a fine structure for every song. Even our main character Grace’s “I Want” song, the song that establishes her, her desires, and internal landscape and should absolutely be a solo, is a duet with a woman she’s just met. It does not work. And when the game has you making dialog choices during songs, it robs them of a natural arc; there’s no organic progression from the characters’ starting points to their ending points. Some part of me hopes that this game will be good, but I’m not optimistic. Stray Gods is no Hadestown.

Vampire Hunters: 3/5
In the Death Must Die blurb, I praised that game for refining the “Survivors” genre by making tweaks that allow for more skill and expression. But fuck that. Vampire Hunters is a braver game than Death Must Die will ever be, because it dares to ask, “What if Vampire Survivors was a boomer shooter where all your guns were on screen at the same time?” The result is absolutely wild; by the end of a run, more screen space is devoted to your guns than the entire rest of the game. It feels pretty weird to play, too; all of your guns have different ammo counts and may or may not be automatic, but all fire with the same button, so it can be tough to manage all of their separate ammo pools. And XP drops have a tiny pickup radius, so you really have to move to get them all. The neatest trick the game pulls is that it increases enemy spawn rate when you sprint, so moving at a high speed carries a lot of risk. But apart from that, this game is maybe too audacious to be enjoyable.

Viewfinder: 4/5
I am not a frequent puzzle game player, but I, like most every PC gamer, have a soft spot for the kind of reality-warping sci-fi-y puzzle genre originated by Portal and carried forward by the likes of Superliminal and, now, Viewfinder. First: this game is a technical marvel. You are able to, in essence, carry around entire environments, often with a wildly different art style from the rest of the game, and place them seamlessly and instantaneously in the world. I played this at 1440p, >100 FPS with nary a stutter on my midrange system. The ability to place photos and enter them is genuinely incredible on all levels other than technical, too; it feels magical, like stepping into a painting that you yourself made. My only question, one that the demo did not answer, is whether Viewfinder will be able to construct interesting puzzles out of this mechanic. This was something that I think Superliminal often failed to do, too; when the central mechanic of your puzzles is so unique and novel and powerful, how can you limit it in such a way that players actually have to think and put in effort to solve problems? For me, at least, every puzzle in Viewfinder was solved pretty much instantly, with no “aha!” moments, and that does worry me a bit.

I have to preface this question with a disclaimer that I am an eager learner of Linux and servers in general, but I'm still a beginner and often run into roadblocks.

Current setup:

• Raspberry Pi 3 with Adguard Home acting as primary DNS
• unRAID server with Adguard Home acting as secondary DNS
• About a dozen other containers running on same server
• DHCP is handled by my router

Goal:

• provide local DNS names for the containers running in unRAID so I don't have to enter IP:Port (e.g, calibre.local) which also has the side benefit saving the various username/password combos into Bitwarden with an actual domain attached to it instead of 14 occurrences of 192.168.x.x

Additional info:

I had PiHole running on the Pi before as the primary and only DNS previously. And I seem to recall you could put IP:Port as a custom DNS and have it resolve. AGH does have a feature for DNS Rewrites but it does not allow for port numbers, IPs only. I switched to AGH because it seems to be more effective at blocking ads, which is likely more a function of the provided DNS blocklists out of the box as opposed to what I was doing in Pihole. I would prefer to stick with AGH for adblocking/DNS if possible.

I looked into just modifying host files on the main computers I touch these apps from, but again, can't include port. What is a good solution for this? Preferably something approachable for a newb like me.

I've always had a fairly structured routine life (clock in/out of work) and am able to stick to deadlines/routine in this format. There are only a few times in my life when I have more unstructured time and have to self-employ deadlines and things tend to fall apart during those instances (staying up late wasting time -> wake up late -> vicious cycle). I find when I'm held accountable to others (eg showing up for an appointment or a start time for work), things go fine, but when I'm only accountable to myself things tend to fall apart fairly quickly.

I'm sure many of you have jobs / hobbies where you work remotely and have to come up with your own schedules and am wondering what tips and tricks you've accumulated from your experiences that you would be willing to share that have been helpful for you to accomplish your goals?

I have a few months of free time coming up, and am hoping to make the most of it to improve my personal / professional life and make progress on my own personal projects/hobbies.

Some tips / tricks that I will be employing that have been somewhat helpful in the past:

• Creating a schedule for myself at least a day ahead
• Using time-blocking websites to block or temporize access to certain websites (I like coldturkey for PC)
• Minimizing distractions (putting phone on do not disturb / airplane mode), working in a quiet environment

Interested in what tactics you have all successfully employed in your own lives!

Search for food banks in your area. There are three in my town and one gets really good product from some of the nicer stores in town. They give us two grocery bags to fill, then usually have two more bags filled with pasta or soup mixes. And that doesn't account for the fresh produce they provide. I've filled my, my sister's, and my mom's pantries from a single visit to the food bank. I never felt like I was taking too much, but I always end up with more than one man can eat on his own. So, my sister gets to feed her kids and my mom can feed the ladies that help her at home. Their hours may conflict with your work schedule, but a single trip can benefit you immensely. Maybe get a friend to go if it doesn't work out timing wise for you.

For a long time now, I have been using KeePassXC for desktops and KeePassDX for Android. I keep everything synchronized neatly with Syncthing, which can be configured to operate over your WiFi or the internet through their gateways. This allows me to share a single KeePass file with another individual, provided I tell them the password.

I have a co-worker who is loving 1Password and while it looks great, something irks me about paying monthly for a password manager. I looked into Bitwarden for a "local cloud" and have seen very mixed results as well as not being sure if I could trust my own security configurations to do so.

I am primarily wondering what everyone else is using in search of something a bit more convenient (I'm not opposed to using the cloud) that has an app like KeePass that I can use for desktop apps, and not just in the browser (though I don't use that function often, truthfully).

Edit: Passkey support was mentioned in this comment and made me realize how important such support will be in the coming years. For those of you with password management solutions supporting it, how has it been?

There are some very groovy mixes out there. Which ones are your favorite?

Mine is Alice by Pogo, whimsical and slightly spooky, just like the movie it's sampled from.

So apparently Pogo has held some problematic opinions in the past, I'll go with my second most favorite being this Breaking Bad remix.

Non-SFOite here. I’ve heard twice over the weekend how “bad and unlivable” San Francisco (proper) has become. Someone referred to it as a “failed city”, and “worse than LA”.

I’ve been to both cities and I’ve seen the tent cities in LA fashion district.

I’m curious to know if it truly had gotten that bad or if it’s just people being hyperbolic (like entire city level collapse).

I'm looking to buy a new device and have started to look at chromebooks to see if it would be a suitable option. My use cases are pretty mundane:

• Online banking and other similar services
• Emailing
• As a tool for GMing RPG campaigns (probably managed through some online service)
• Stream video while traveling (eg Netflix, YouTube)
• Note taking & drawing (possibly with a stylus)
• Occasionally ssh to remote machines

Arguably the heaviest of these would be streaming, but I guess most devices can handle that decently. Since I won't be doing any gaming or heavy dev work (on the actual machine) I figured I don't really have very high hardware requirements. As such perhaps a chromebook would be a good option. There are some downsides, mainly for me that it is heavily tied to the Google ecosystem. Can chromebooks be easily jailbroken and run a lightweight window manager on Linux? If so does the device retain its battery life okish? Could I still use a stylus with the device? Would I be better off buying a cheap laptop and install linux on that?

Finally I've read that Google cancled their Pixelbook 2 last year. Has there been any updates or rumors of it coming back (I tend to like Google's hardware)?

Premise - TL;DW -

A young chef from the fine dining world comes home to Chicago to run his family sandwich shop after a heartbreaking death in his family. A world away from what he's used to, Carmy must balance the soul-crushing realities of small business ownership, his strong-willed and recalcitrant kitchen staff and his strained familial relationships.

With season 2 being released this past weekend I wanted to see if anyone on Tildes was watching it. Right now, I think it might be my favorite show. There is no hamfisted comedy. The dialog seems shockingly/surprisingly human. It has stakes, but its not overwhelming or action-packed cheese.

The whole context of the show is surprisingly fresh, a lot of the characters have flaws but good even realistic redemption or growth. I think one of the most surprising things (for me at-least) is the lack of a love interest, I can't recall the last time a show didn't have one. I could go on and gush about this show some more, but I wanted to see if anyone here watched it.

If not, give it a chance. I think you might like it.

I'm starting a new campaign soon and I plan to create a homebrew setting and story like I've done in the past. I've used a combination of Google Docs, Evernote, and other general purpose tools for other settings and campaigns. Does anyone use something like World Anvil or Legend Keeper? Something else?

I'm still in the brainstorming stage of world building, and I'd like a place to collect my thoughts and plans. Ideally I'd be able to easily convert that into something searchable and updateable when it's time to actually play in the setting.

Do you use a single tool for creating maps, NPCs, plot points, history, and adventures? Or do you have a suite of tools you find works well to cover all those aspects?

I am curious to see what other peoples experience has been with all of their apps?

I made the decision to switch to proton for mail, drive, calendar and vpn 7 months ago. I wanted to get away from having all my stuff tied to apple/google/microsoft. While it has been pretty solid for the most part, especially with android. The same cannot be said for their iOS/iPadOS apps at all. This will be my personal observation from my experience with iOS/iPadOS apps.

Mail - Pretty solid all around experience, timely notifications on incoming mail. I have 4 email addresses setup based on the type of account I used for them. I only get bothered by the emails that I would need to see and the rest get checked around once a day. Recently the whole app on both iPad and iPhone has just slowed down so much. Opening the app is frustratingly slow, while everything loads in. I will get a new email and click on the notification and the app will sometimes load the last email I viewed and not the one from the notification. I have cleared the cache and signed out and then back in and it still has this behavior.

Drive - This one is the biggest pain point for me. On iPhone the app crashes when you try to watch a video in landscape mode. This is a pretty basic feature in 2023 if you ask me. I did report the bug, to which they said they are aware and have no timeline for when it will be fixed. The next biggest issue with drive on iOS/iPadOS is that you can only upload 1 file at a time. If you do multiple files if not all, almost all of them will fail to upload. You have to do it 1 file at a time. Reported this and was told the same thing I was about the landscape mode. Seems odd to not want to fix a core function of a cloud storage app as soon as possible.

VPN - I really enjoy this vpn and have paid for just the vpn in past. Now it constantly disconnects or gets stuck in connecting. I can’t use quick connect unless I manually pick a country connect then disconnect. After that I can use quick connect with out any issues. This happens without having secure core toggle on. This is happening on both my iPad and iPhone. Waiting on them to actually help trouble shoot this after sending them a bug report.

Calendar - Is the most useless app they have every put out. I was so excited to finally dial this calendar app in when I got my iPad. Only to find out that they don’t have an iPad version of their calendar. Which makes no sense because that is an app that can really shine on an iPad when do well. This whole app just feels like an after thought and they only have it just to say we have a calendar app too.

I feel that compared to when I started using all of their apps back in December. The quality and stability of the apps has really taken a hit. I understand that they probably have a focus on building their brand with an app suite based on privacy. I feel like the quality is really taking a hit especially with iOS/iPadOS versions of the apps. The obvious answer is to just switch back to android and save myself the headache of apple. The reason for apple is a whole post in its own and I want to keep this one on topic.

For clarification, I have been using the iOS versions since December. I was switching between pixel 7 pro and 14 pro max every few weeks. Having an eco system of apps not based on either platform was also why I chose proton everything.

Dungeon Crawl Classics

I think this game is great and I was surprised to see nobody recommended it in their non-D&D game lists. At the system level, Dungeon Crawl Classics (DCC) is a rules-light version of 3.5. You never need more than one sourcebook and there are quick-start rules to play for free on the website.

At its core, though, DCC is an old school sword and sorcery setting heavily inspired by the authors of Appendix N. For those not familiar, in the first edition of D&D, Gary Gygax published a list of authors that inspired D&D in an appendix in the back of the Dungeon Master's Guide. It has some obvious ones that I think most RPGs pull from (Tolkien and Jack Vance {of the Vancian magic system}, for instance), but there are also some deeper cuts that I don't think are really leveraged in many tabletop RPGs (Robert Howard of Conan the Barbarian and Solomon Kane, and H.P. Lovecraft). Those last two in particular, pulp-y fantasy writers who defined a genre, heavily influence DCC in my experience.

Aside from this, though, there are a few very unique and fun mechanics that got me totally hooked on this game.

The 0-level funnel and death as a narrative device

Traditionally in D&D, you end up spending the majority of your first session designing and building a character. In my experience, it usually takes around 2-4 hours depending on complexity. This results in mechanically unique characters, but it also ups the stakes for the DM. When was the last time you played a game of D&D and the survival of your character was ever truly in question? Nobody wants to spend 4 hours on their character only to have it killed off in the first play session -- that's not fun. But, in the end, it's also not challenging.

In DCC, it takes about 5-10 minutes to create a character (and there are online tools like The Purple Sorcerer that will generate them by the dozen). Every character starts with a profession (and by extension, a tool of their trade), a random piece of gear, and a block of random stats (3d6 rolled in order, none of these "points" or "4d6 drop the lowest" business). In the first session, you roll 4 of them and you play all 4 in what is termed the 0-level funnel. Over the course of this adventure, 2-3 of your characters will die -- after all, adventuring is a treacherous business fraught with peril -- and your surviving character(s) become level 1. At this point, they get a class and a couple additional abilities.

The core interesting thing to me about this is the emergent gameplay that results. Oftentimes, the character that rolled the best stats aren't the ones that actually survive. A single unlucky roll or an undiscovered trap results in unceremoniously striking down another one of the PCs, whereby they pick up the gear leftover from them and continue on their grim quest. I've seen the character with the lowest luck somehow being the one that survived and it forging a bond with the person playing it unlike anything I've seen in D&D. What did they do to earn that? What is in store for the doomed character that somehow managed to outlast 3 of his fellow villagers? It gives you a ton of tools as a DM and as a player to craft interesting narratives. And it also reminds the players that this character probably won't last forever. That opens the door for dramatic moments involving death that you don't really get to explore with D&D. Magic that restores life is exceedingly rare and would require a quest of comparable bravery to discover.

Magic as a dangerous and unpredictable tool

I've heard some complaints about Vancian magic in other topics and DCC also does away with this, but it does it with two chaotic and, at times, hilarious mechanics: the mercurial magic table and the spell table.

The Mercurial Magic Table

Magic is, by nature, a chaotic tool for the desperate. No two casters cast the same spell in the same way and the mercurial magic table is a representation of that. The first time a character casts a spell, they have to roll on the table to determine how they invoke that spell. There's a big chunk of the table that's just 'as normal,' but there are also things like 'every time you cast this, a digit on your hand or foot disintegrates. Take a -1 to dex for every two digits that disappear.'

How badly do you need to cast that magic missile? Is it worth invoking the unpredictable elemental energies required to do so? Is it worth....your thumb?

The Spell Table

Once you invoke the spell, you roll your spellcasting check and consult the spell table. The quality of your roll (of which there are a couple mechanics to affect this) determines what the spell actually does -- and they can be wildly different! That magic missile might fire a single missile that does 1 damage or it might summon 1d4 that do 1d4 damage each. Your darkness spell might allow you to create a 20' sphere of darkness at a point of your choosing or it might center a 5' magical darkness sphere on you.

Magic is chaotic and difficult to control. But as a result, it is almost always very powerful. Your spell might not do exactly what you expected, but it makes for much more interesting combat and on-the-fly thinking.

Should I play it?

Emphatically, yes! The rules-light nature of the game allows you to focus more on story-telling and mood-setting than being buried in the books all the time (except for looking up spell effects, everyone at the table seems to get excited when we have to do that). The deadly nature of the game has resulted in both better and heavier storytelling than anything I've done before -- stakes without it getting personal, as it were. And the adventure content is awesome -- there are some great resources on Sample Adventure Paths, but even the starting 0-level adventure in the back of the sourcebook is strong. I swear I'm not a shill, I just want more DCC in the universe.

Is it just me or does it feel like there is no big new song of the summer this year? Nothing is standing out to me. Like a Watermelon Sugar type of anthem, etc. What big hit are you all listening to a lot so far?

I've been idly browsing for a home weather station for a while, hoping to contribute to the local sensor network for a region that's got lots of microclimate variation. I saw this one from Seeed Studio today, and was hoping for some reviews and advice. Seeed Studio devices are known for open source software, and I wouldn't mind playing with writing a tie-in for sprinkler system automation so we're not irrigating when it's about to rain. It wouldn't be situated so far from the house that we'd need to use the LoRaWAN feature, though.

Concurrently, we just had an inch of rain dropped on our house in the space of 15 minutes, with winds that were taking down tree branches. The weather report says "light rain", weather stations a mile away continue to indicate that everything is bone dry with quiet air. This rainstorm breaks a nearly month-long drought. I'm finding it nerve-wracking that climate change makes it impossible to use past local weather as a predictor of what to expect for gardening, home maintenance, and outdoor activities, and local weather reports are so inaccurate. So that's (hopefully) where the weather station might come into play.

That being said, any chat about your local conditions and reporting from your station is welcome.

Over the last year, I've found myself listening to quite a few audio dramas. I've never been one for traditional podcasts so it was pretty surprising to me that I loved them so much the moment they went from nonfiction to fiction. It's pretty similar to watching TV, except you can still use your eyes for other tasks! Audio books are nice too, but they don't quite scratch the same itch. So with all that, here's an unordered list of some of my favourite audio dramas (along with a small synopsis and some personal opinions), and I invite you to post your own in the comments!

All of these can be found on basically any podcast app (I use AntennaPod on Android), so if any piqued your interest, do give them a shot!

The recent PKM thread had me thinking about what folks are using as journaling app/portal. I do use Obsidian for my second brain right now and genuinely love it. But I find the mobile app on Android to be a bit clunky, if I'm honest. Seems slow to open even with very few plugins. For jounaling I've used DayOne for years. I started back when it was iOS/MacOS only, but then switched phone to Android and haven't been back. But now they have an app and web app for that. What I don't like is the somewhat goofy format it saves in and it's on their servers. They used to allow you to at least leverage your own Dropbox, but no longer.

For the past several months I've tried several FOSS options. Main criteria is that I could host it myself, supports offline entries stored in an open file format (preferably MarkDown), and had either multi platform app or a decent web app. That lead me to try these:

Memos
Pros:

• Great persistent web app
• Slick UI that is light and snappy
• markdown support
  Cons:
• Stuffs the .md inside a database file so can be a bit cumbersome to export data
• No offline support. There is a 3rd party app that hopes to implement it

Flatnotes
Pros:

• Incredibly simple
• Another easily deployed app
• Flat Markdown files
  Cons:
• Web app on mobile is almost unusable as in it doesn't scale well to smaller screens
• Very early development, but very likely to stay as minimalistic as it is now.
• No offline and very unlikely to ever have it

Joplin
Pros:

• Multi platform apps that perform well
• End-to-end encryption supported
• Could replace both DayOne and my To-do solution (Google Keep)
• Offline support
  Cons:
• More database stuff instead of flat markdown files

One solution I've been testing lately is using IAWriter to write to a 'Journal' folder within my Obsidian vault on Google drive Obsidian Vault > Journal > 2023.... for example. This works surprisingly well. Of course IAWriter is a bit spendy at $29 for Android and then more $ for other platforms as they're sold separately.

So I'm curious what other people are using for just simple daily journaling, random thoughts, etc. If there's an approach I've missed I'd love to hear it. Joplin is so dang close but not having the structure of plaintext files is a no go for me as I don't want to be trapped by any one product should something happen to the development down the road. Doesn't have to be free, but I want control of the entries either on my own server or cloud storage.

So, I have a casual interest, but I find them intriguing. I recently took a trip to Lassen National Park, and saw this boiling mud pool. https://imgur.com/n6dV92U. I am planning a trip next year to Pompeii and Herculaneum. Someday, I am interested in seeing volcanoes in Hawaii and Iceland and maybe more. I casually enjoyed HarryTurtledove's survival novels about Yellowstone erupting, although they are not great literature by any means.

What about you? Any cool experiences with volcanoes or bucket list plans that you would like to share? Do you know fun facts? Do we have any geologists in the room? Take this prompt in any direction you would like.

This is the Discussion topic for all those who participated in Tildes Pop-up Book Club: Roadside Picnic, or for anyone who has previously read the book and wishes to join in.

I don't have a particular format in mind for this discussion, but I will post some prompts and questions as comments to get things started. You're not obligated to respond to them or vote on them though. So feel free to make your own top-level comment for whatever you wish to discuss, questions you have of others, or even just to post a review of the book you have written yourself.

For all the latecomers, don't worry if you didn't read the book in time for this Discussion topic. You can always join in once you finish it. Tildes Activity sort, and "Collapse old comments" feature should keep the topic going for as long as people are still replying.

And for anyone uninterested in this topic please use the Ignore Topic feature on this so it doesn't keep popping up in your Activity sort, since it's likely to keep doing that while I set this discussion up, and once people start joining in.

Personally I'm none too keen on this new action focus that SquareEnix has taken the series but many people like it.

What really has me second guessing myself are the graphics. They seem not necessarily bad but dated and/or lower budget than I expect from a main series release. Their character models still suffer from lack of mocap especially facial details. The backgrounds are lackluster and the textures basic. Even during one of their much touted Epic Eikon battles they use a completely gray background?! I feel like my PS5 hardware is taking a nap while playing this game.

Edit: turns out that after adjusting settings on both the game and my TV everything looks much better. For some reason my usual game profile on my TV made everything look super washed out. Between that and the beginning of the game being pretty monotone for the first bit with the game look super washed out and without detail.

One of the main driving factors of the series have always been the progression tree. Historically unique awesome visual representations of the skills you can gain with varying paths to choose from. FF16 has a basic interface that essentially amounts to equippable skills with (so far) no exploratory elements whatsoever.

Lastly the main protagonist seems almost like a clone of final fantasy FFXV character. The clothes are similar, his backstory is similar, and his skills are similar.

I understand that I'm probably aging out of their target demographic and I'm especially curious on younger people's thoughts on it.

Edit: After about 30 hours and almost at the end of the game it has grown on me a bit. The combat while still super easy at least it is more fun with added Eikons. The side missions get a bit better towards the last third of the game and some of the hunts are pretty challenging. I'm still disappointed in the lack of RPG elements such as, skill trees, elemenal and status mechanics, and equipment variety but I've enjoyed the game and can at least appreciate the accessibility to a wider audience.

I thought I'd share my own patterns as a writing prompt to hear yours.

• Tildes -- This keyboard-to-keyboard connection we have here is why I loved Reddit years ago. It's slow-brain (vs. fast-brain), considerate, insightful, enjoyable, and yet doesn't waste my time.
• Lemmy -- This has my hopes up that it could be a way to find niche communities (one of the strengths of Reddit) in the federated lemmyverse, but instances large and small seem overwhelmed by users who, like me, are still figuring it out. I joined https://lemmy.one/ but I have a feeling that https://lemmy.ml/ is slightly more my style. I might jump or not, but no big difference since the federated communities that I like are available in both places. This may just be me being nitpicky over instance quirks (such as an instance that does not have downvotes or currently allow community creation).
• Mastadon -- Too Twitter for me. I never got (understood) Twitter or its appeal, and I don't understand the appeal of Mastadon, either. I deleted one account that I created and may leave it altogether. If you like/liked Twitter, you'll likely like Mastadon.
• Reddit -- niche interests and citywide subreddits are still valuable to me, but even these were and are dropping in quality due to terse Reddit mobile users and meme-culture and my interest in them is dropping in correlation. I nearly exclusively only read /r/loseit (I'm maintaining -125 pounds lost for 8 years so far) and a multireddit of local subreddits in my local area. Since the Rexxit, I don't look at much else on Reddit.
• Facebook -- like the local and niche subreddits, I read Facebook on and off (mostly off) for these as well. The Facebook Marketplace is the way I find second-hand items locally.

I'm beginning to understand why I'm not practicing my music (Barbershop Harmony) as much as I should recently!