Can you even call it microtransactions anymore?

Here's the link to the store page.

I have never bought a cosmetic in any game, ever, but this is absolutely insane to me, especially for World of Warcraft which usually had somewhat measured pricing on their real-money cosmetics (everything has always been below €25 to my knowledge) - that it's fully cosmetic is debatable though, seeing as you now have an auction house and mailbox wherever you are. Not all that game changing to be sure, but it's definitely a small advantage over those that are not rich in money or in-game currency.

There is an argument to be made that it's a way to influence the economy in the game - another gold-sink to reduce the huge wealth gap between players (it will cost nearly two million gold to reach the Battle.net balance required). However, two million gold is not that much.

I'm not quite dusting off my pitchfork over it, mind you, but still. And I just wanted to share to maybe foster some quality discussion on tildes about microtransactions maybe?

Thanks for the tags @mycketforvirrad, didn't really know what to put.

Monster Boy and the Cursed Kingdom was one of the best metroidvanias with a retro flavour and an excellent hand-drawn art style and fantastic music of the current console generation, an entry in the Wonder Boy series of games. While completing the game gives you a sequel teaser, it had since been reported a long time ago that the development team at French studio Game Atelier had decided not to go forward with plans for a sequel, citing the overcrowdedness of the market for (2d?) metroidvanias.

I remembered this recently and decided to look up what the studio is working on now. To my surprise, a new game by them has already been announced, and a demo is live on Steam. The game is called Otherskin and is... a Metroid Prime-like? My jaw dropped to the floor when I heard that - these game devs sure know their ambition!

Otherskin is a 3D action platformer metroidvania. You play as a woman who is stranded on an alien world filled with ruins of a bygone alien civilization and are tasked on eliminating the Corruption™ (yes, that's really what it's called). You progress through the game world by absorbing and copying abilities of enemies you defeat - I'm thinking Kirby or Castlevania: Order of Ecclesia. Or, well, any other kind of metroidvania game. The major difference between this game and Metroid Prime is the 3rd person perspective.

Grappling hook, wave beam, bombs, your favourites return. It's not all copy-cat though. The very first ability you acquire is a super-jump that makes you fly very high into the air. The movement in the game is great and the environments range from dark, corrupted and gloomy to bright and wonderful. The combat feels dynamic - while you're using your super-jump ability, you can briefly slow down time to shoot at enemies while falling. You can also insta-switch between different weapons with the mouse wheel.

I'm curious to see how the final game will turn out. The demo has you lose your copy abilities after returning to the hub, for you to have to collect them again from the same enemy in the next level - although this likely doesn't apply to weapon upgrades, only copy abilities like the super-jump and grappling beam. I'm also perplexed that it is a metroidvania game without a map system. Maybe we will see one in the full game? It certainly has me intrigued and looking forward to more.

In some games like Terraria or Horizon Forbidden West, you can have a "fake" set of armor on top of your "real" set of armor. The "fake" set defines how your character looks, while the "real" set determines your stats. This isn't a common thing in a lot of games, but in basically any game with different outfits with stats, I hear this being a requested feature. Whenever someone mentions this feature in a comment, people will chime in that it's cool and they wish [insert game here] would add it. The Horizon devs being one example of a studio who heard about this from the community of their first game, Zero Dawn, and added it to the sequel.

I really don't like this, even having it available as an option for single player games. Let me explain...

I think it really ruins the whole point of stat changing equipment in games. A big part of video games with customizable equipment and builds is designing a build and a character appearance that you like. Do you want to be slow with powerful attacks? Do you want to be fast with weak attacks? Do you want balance?

I'd argue that making a set that looks good while balancing the stats is another one of these things that adds to meaningful character creation decisions. Do you take the insane armor, or the really decent armor with worse stats that looks cool? Find a cool hat the character you're roleplaying as totally would wear? Oh, it has worse stats than the helmet you were using... But it weighs less! Maybe you can use a heavier chest plate to compensate for the stats you lost?

This also makes armor that both looks cool and has great stats into very valuable items that players want to get.

Of course for PvP games, having the type of armor that a player has on instantly give away their power level is important. On a Minecraft server, if you see two hostile players, one has leather armor, and the other has full netherite, you know the netherite guy is going to have better gear.

You might think this only matters for PvP games, but not allowing this mechanic in mostly single player games also adds a lot to the game, since you'll likely either see friends play the game or watch videos of other people playing the game. Each armor being intrinsically linked to certain stats creates a link between what you know that armor does and what kind of player would use that armor. In Elden Ring (which also has PvP, but bear with me), if you see someone wearing Bull Goat (the heaviest armor with the best stats), or wearing nothing but a jar on their head (to get worse defense but faster dodge rolls and some buffs to consumable throwing items), that tells you a lot about their play style just looking at their character's appearance. If both of these people could wear whatever armor they wanted and make the functional armor invisible, I would have no idea what build they had.

Using armor that looks good but has bad stats can be a fun flex to show you're good at the game, and choosing to have terrible fashion in exchange for stats is hilarious, as per this ProZD skit. That concept is a fun part of gaming culture I wouldn't want to see destroyed.

I'm currently building a basic MUD as a (very productive so far) learning exercise.

Obviously MUDs have the same mix of appeals as other RPGs do: exploration, progression, combat, PvP, online community etc.. But what in your experience is the key mechanic the game needs to nail to keep you coming back? When a MUD clicks with you, what itch is it scratching?

All examples welcome, even those that are not MUDs but may be applicable to MUDs.

Based on the previous topic, it looks like there are a few of us currently playing through this. I felt like we could use a dedicated topic on Tildes given that FIFTY different games yields quite the discussion surface area.

Use this topic to talk about any and all things UFO 50!

Gonna put up a collection of links to the trailers that came out today. Monster Hunter and Ghost of... can carry their own threads, but hopefully this will people a place to discuss the less popular things.

Astro Bot - Speedrun and Special Bots Add-On Trailer
The Midnight Walk - Reveal Trailer
Hell is Us - Gameplay Reveal Trailer
Metro Awakening - Release Date Trailer
ArcheAge Chronicles - First Announce Trailer
Palworld - Launch Trailer
Lunar Remastered Collection - Announce Trailer
Teenage Mutant Ninja Turtles: Shredder’s Revenge - Radical Reptiles DLC Announce/Launch This was leaked yesterday on official channels
Fantasian Neo Dimension - Release Date Announcement Trailer
Dragon Age: The Veilguard - Blighted Dragon Gameplay Trailer
Alan Wake 2 - Lake House Expansion
Hitman World of Assassination - Announcement Trailer
Legacy of Kain Soul Reaver 1-2 Remastered - First Reveal
Fear the Spotlight - Release Date Reveal
Towers of Aghasba - Gameplay Trailer
Dynasty Warriors Origins - Overview Trailer
Monster Hunter Wilds - Release Date Reveal Trailer
LEGO Horizon Adventures - Pre-Order Trailer
Horizon Zero Dawn Remastered - Announce Trailer This is funny to me
Stellar Blade - NieR: Automata DLC & Updates This is funny for a very different reason.
Chroma Collection
PlayStation 5 Pro Console - Game Lineup Sizzle
Ghost of Yōtei - Announce Trailer

Overall, my stance is that this sure was a collection of games. Porting old stuff that may have been locked to old hardware is cool. Remaking stuff that was already playable on existing hardware is a little weird. Showing more news on upcoming games is expected. The only real fireworks in this show is Ghost of Yotei, but those are some pretty good fireworks.

Gonna try and get a handle on everything shown off at TGS this year. It will probably be less structured compared to the Sony State of Play thread I posted, as language barriers, time zones, and finding official trailer sources I gonna be a lot more time consuming than just going to the Playstation youtube channel.

DAY 1

Gamirror Games Now TGS 2024 Speical

XBOX Broadcast
METAL GEAR SOLID Δ: SNAKE EATER - Official Trailer #2
Overwatch 2 x My Hero Academia | Collaboration Trailer
Age of Mythology: Retold - Immortal Pillars Teaser
Indiana Jones and the Great Circle - Trailer | TGS 2024
TANUKI: Pon's Summer Announcement Trailer
Threads of Time - First Look Game Announcement
We Love Katamari REROLL+ Royal Reverie - Xbox Game Pass Trailer
Fragpunk - Trailer | TGS 2024
Metaphor: ReFantazio | Xbox Tokyo Game Show 2024 Broadcast Trailer
A Deep Dive into the Magical World of Atelier Yumia
ASURAJANG Xbox Announcement Trailer
BLEACH Rebirth of Souls – Announcement Trailer
SYNDUALITY Echo of Ada – Release Date Trailer
All You Need is Help Launch Trailer
Slitterhead: Learn More from Gaming Legend Keiichiro Toyama
Starbites - Xbox & Windows Announcement Trailer
DRAGON QUEST III HD-2D Remake: TGS Demo Playthrough
Trials of Mana | Xbox Announce
Legend of Mana | Xbox Announce
Final Fantasy I-VI Pixel Remaster | TGS Xbox Announcement

SNK Special Program
FATAL FURY: CotW × STREET FIGHTER｜Teaser Trailer

Koei Tecmo Broadcast
“DYNASTY WARRIORS: ORIGINS” TGS Official Program

Level 5
HOLY HORROR MANSION – Teaser Trailer Saw some discourse online about this game using AI art
INAZUMA ELEVEN RE – Teaser Trailer
INAZUMA ELEVEN: Victory Road – PV7
DECAPOLICE - Theme Song Trailer
Professor Layton and the New World of Steam – Trailer
FANTASY LIFE i: The Girl Who Steals Time - 2nd Trailer
MEGATON MUSASHI W: WIRED – New Content Announcement Trailer

Capcom
A Beginner's Guide to Monster Hunter Wilds
Monster Hunter Wilds: 4th Trailer | Release Date Reveal (Extended Kut)

Day 2

Most of these devs don't seem to have anything up on YouTube (or in some cases don't have an easily identifiable channel). So It's mostly just the live stream broadcast here.

Aniplex
The Hundred Line -Last Defense Academy- SPECIAL PROGRAM

Sega
SEGA/ATLUS Special Program in TGS2024

Square Enix
"EIKO KANO'S CRITIKANO HIT" TGS2024 SP

Infold Games
Infinity Nikki Special Program at TGS 2024

Dungeon Stalkers TGS2024 Special Program

A bit of background before I get to the main body of the post.

I've been following Warcraft's story since Warcraft III came out. It was a wonderful experience of my childhood, and I was interested in the story's progression since then. Even though I haven't played WoW personally until last few years, I read the comics and books, and I read about the lore. Chatted with friends who played the game.

Near the very end of Legion I started the game (2018), and Battle for Azeroth was my first real experience of the game. I played a demon hunter night elf, and I didn't have a problem with the story at the time. I thought the burning of Teldrassil set up the conflict well, and I found the world fascinating. Of course, it was heavily colored by me finally being able to play the game after almost 2 decades. I was also a night elf fan since my childhood, so I looked at things mainly from the perspective of Alliance. Story-wise, my major problems were that N'zoth and Azshara were defeated too quickly, and Tyrande's ritual transformation should've had resulted in much more of an impact.

I now know that the experience for Horde players was much different. But roleplaying as a demon hunter night elf suited the BfA story very well. I had just come out of a long battle against demons to find my people burned to death, their land destroyed. Vengeance, once again, fueled me.

Come Shadowlands, and like most people, I found that the story to took a steep dive in quality. I don't think I need to elaborate, but I will touch upon the main points. The afterlife was extremely unimaginative and made death lose its impact, the conclusion of Sylvanas's story was extremely unsatisfactory, Jailer was all kinds of bad writing, and Tyrande's arc was a major letdown.

Coming to the main issue. With the release of Dragonflight two years ago, and seeing how much people praised it, after a month or two passed I bought the expac and joined the adventure. However, despite all the letdowns of Shadowlands, I found the Dragonflight story to be the most unengaging one I've experienced. I just didn't care about the dragons and their personal arcs. Every word that came out of the major characters was such a cheesy and cliche line. In the cinematics, every one of them, especially Alexstrasza, talked so slowly and artifically that it threw me off every time. I just couldn't take it seriously.

There is only one memorable moment I remember from Dragonflight, and it's that one dragon in dwarven form that tells you his story while you sit down and listen for a few minutes. It was a really touching and tragic story, but it was just a very minor interaction.

I have no problems with personal stories or more touching subjects being told in video games. In fact, I think they can be wonderful. So, that wasn't the part that bothered me. What bothered me was that dragon aspects felt extremely one-dimensional and same-y, and their story was like a poorly written Disney story about the importance of family. Because it was handled badly, it especially felt jarring and out of place in the world of Warcraft, where violence and war crimes are rampant.

Yet, many players seem to have enjoyed the story because it was more "down to earth". I have trouble with this, because I have trouble understanding how people found this story to be engaging at all. For example, when Amirdrassil arc concluded, I didn't feel anything. In fact, it just made the burning of Teldrassil feel hollow for me, because I felt like that dramatic turn of events didn't matter at all. Night elves had a world tree and a home again, as if nothing happened. This retroactively made the story worse for me. At that moment, I realized I had stopped caring about WoW's story and was forcing myself to care. I decided to stop playing, at least for a while, because story and lore were the main reasons I played.

This, however, led me to a question. I've been following r/wow for some years, and the general opinion there is that Dragonflight's story was well done. My experience is the opposite, as it was the most unengaging story experience for me.

I have considered several possible explanations for why people reacted so positively to the story of Dragonflight.

• The one-upping of threat levels and villains in Shadowlands left a really sour taste, especially because it was handled so badly and retroactively undermined a lot of stories. So a relatively tame threat and villains were welcomed.
• Since the "gameplay" part of the expac was received well, this put people in a positive mood and led them to interpret the story charitably. This might go the opposite way too. For example, both BfA and SL were also criticized heavily for gameplay reasons.
• The expectations for WoW's story are really low, and that's why longtime players that are still playing don't mid the stuff that bothered me. In other words, they adjust their expectations. People who didn't adjust left.
• People don't actually pay much attention to story, they are mainly interested in raids and other combat-centric parts of the game, or even cosmetics. So, when discussing the story, they mostly go with the prevailing vibes and opinions of the community.

I think all of these play some part in the explanation, but I came up with these explanations based on my own experience. I also can't assess their relative importance. For the reasons, I thought I could benefit from a wider array of opinions, especially from people that have or had been involved in the game and community for longer than me.

So, my questions are;

• Why do you think Dragonflight's story was received so positively?
• Why don't people seem to care about the aspects I mentioned?

I picked this thing up in a Steam sale at 75% off after having avoided it like contagious illness since launch, reasoning to myself that for a cost of about £7.99 it'd still pay for itself through sheer amount of content.

And content is what I got, all right. Nebulous, homogenous, thoroughly unexceptional content. My experience has been, more or less:

• Find the three unmarked items in this room and craft them into a parcel, then deliver that to another settlement.
• Pick up and listen to countless audio tapes made by people long-dead and never particularly captivating when they were still alive.
• Boil some water.
• Read through reams of discarded notes about the daily minutiae of life in Shitsville.
• Grill some steak to go with that water.
• Slowly feel your initial interest fade as it dawns on you that this isn't a story, this is what somebody thought constituted lore.
• Realise that some people paid up to £59.99 to do this on launch day, while the fanfiction on AO3 is free.
• Struggle to see the landscape, and enemies, through the film of clown vomit that is the Gamebryo engine's gasping attempts to render lighting effects and shadows that aren't pixellated.
• Shoot at enemies who move in fits and starts, or not at all, in response to your presence.
• Shoot at them again because the lag means you can't be sure if the first shot connected.
• Question what you're doing with your life.
• Christ, shoot him again, he's still dancing. - Re-level your wobbly desk leg.
• Stare in wonderment at a game which is somehow uglier, and runs worse, than Fallout 4.
• Appreciate a passing three-headed opossum.
• Check out the pop-up for the overpriced store, which is the first thing you see every time you log in.

I thought I'd at least enjoy exploring the wilderness of a new location full of fresh landmarks, enemies and particularly cryptids (none of them yet), but I think I might've already checked out in a matter of days. I just...don't care. This is the least compelling Fallout game I think I've ever played. I can't imagine how bad this must have been on launch.

And the Camp UI is an absolutely headache-inducing abomination.

Anyway, do you think I can still get my money's worth? Can this be saved?

Are there...mods???

This thread is for organizing a group to play Scythe online. Everyone mentioned has either been in my specific thread about Scythe months ago or mentioned it elsewhere. I FINALLY got around to getting the Steam version in addition to the Invaders from Afar dlc since it was a bundle.
I'd love to get a Discord group started so we can all finally play together and ultimately shoot the shit and have some fun.
Also I couldn't figure out how private messaging works which is embarrassing but this is way easier, anyway.
If this gets enough traction in the next couple of days I'll make us a discord group and we can go from there as far as scheduling goes. I'd also be open to other games if the group wants to do so. 🤘
@0d_billie
@guissmo
@Beowulf
@Notcoffeetable
@TreeFiddyFiddy
@ocdbear
@AugustusFerdinand
@TownshipTeleporter
@clerical_terrors
@KapteinB
@Spongey

I'm currently researching the 4x Alpha Centauri, and I'm wondering what, in your mind, sets it apart from other 4x, or what makes it better.
Thanks for providing some rationale and not just dumping on other 4x

Given the fact that Yuzu (a Nintendo Switch emulator) and Citra (a Nintendo 3DS emulator) were recently taken down by Nintendo's legal team, is there a reason why Dolphin (an emulator for Gamecube and Nintendo Wii) is still going strong? Did Dolphin take any extra steps to protect themselves from lawsuits, or it's just a case of Nintendo taking their time?

GMs: do you have any gaps in the worldbuilding of your setting that you're looking for help filling? Post them here!

In case it wasn't already clear, I need help as well. My setting is a near-future hybrid of Shadowrun and Cyberpunk, in 5e. There are two major gaps. First, in my setting North America has fractured into a handful of nations - but the middle part split into a radioactive wasteland and a loose coalition of city states. What locations might be concealed in the wasteland? (A fallout vault-like society living in the NORAD mountains of Colorado?) Which city states would have survived and what would their character be?

I also need ideas for more megacorporate factions.

Here is the work in progress for the setting, if you're interested.

Help me and I promise I'll help you!

So a recurring thing that's come up when discussing ideas for games with friends, or just thinking about ideas: what are the most absolutely essential graphical assets for building a world?

Obviously, the answer will vary heavily for each game, but for some types of settings, the basic "starter set" is pretty universal. For example, nearly all house interiors will have a bed, at least one type of table (almost always dining), and at least one type of chair that goes with the table. After those crucial basics usually they'll also have some sort of shelf, a dresser, and kitchen counters and a fridge. Outdoor tilesets in 2D pixel art games typically need grass or other ground tiles, path tiles, water tiles, at least one type of tree, and at least one type of rock. From that point, you can expand to include things like fences, buildings, benches, lampposts, etc.

Trying to figure out a full list of assets needed for any game can be daunting, so I figure I'd ask for input on what you consider the most vital for various types of settings. Starting with the absolute barest necessities for building a basic map (so you can at least plot basic layouts and try to get a sense of the art direction), followed by the most commonly featured items. Could be for individual rooms, specific buildings (like gas stations or restaurants), or specific types of areas (jungles, farms, beaches, etc.).

Side-note: yes, I know you can use placeholder assets. But it's also helpful to just have a general list of what basic items are needed for reference.

Gaming has been a mostly stale experience for me over the last few years, even with friends. But this game is the one that stands out; it's addictive in the best ways.
The soundtrack?
Slaps.
The storyline(s)?
Slaps.
The fact that creativity is rewarded?
Slaps.
The weird micro style of storytelling?
Slaps.
Iguazu being a whiny bitch the whole time?
Hilarious.
Anyways let's talk about it.

So, I have my group of IRL friends, and we have a Discord, as I'm sure many people do. I spend a lot of time there, and we've all played games online together since we were in middle school.

Well, now that we're all in our mid to late 20s, real life has caught up with most of us. Scheduling is hard, having free time is hard, having energy is hard, and now we've all found our genres we like, which all adds up to none of us ever playing much together anymore. I'm sure many of you can relate.

I ventured out into LFG groups trying to find a community. I'm not into competitive games, I prefer more cooperative and casual experiences (Satisfactory, NMS, and Snowrunner are my big 3 at the moment). That makes finding a group difficult as is. Finding a group that is primarily my age is harder. But nonetheless I persevered.

I've tried a number at this point, and it's always one of a handful of issues.

1. The group is hundreds, or sometimes thousands, of members big. Everyone gets swept in the masses and there's little individuality. These usually also have problems 2 and 3 due to their size.

2. There's just blatant -obias in the chats. Incels, toxic masculinity, racism disguised as "humor."

3. Supposedly I'm in a group of people who are 21+, but the maturity level might as well be a 14+ server.

At this point I feel like I'm losing my mind, that I'm being gaslit by the online Discord community. There is no way I should be feeling "too old" for this kind of thing, I'm only 26!

Artificer school is rough. You have to learn so many ways to manipulate magic forces and try to shove it all into small items. Sometimes it doesn't work as well as hoped. Even if every student gives it their best effort, someone has to be the worst passing student in the class.

In my campaigns, I try to explore this concept by adding niche items or items of student project quality. Often times these items end up adding quite a bit of fun to the lower levels before access to "real" magic items is available.

I would love to throw this idea out to the world and maybe get a bigger collection of these items for all of the Tildes DMs to use in their campaigns if they fit in the setting.

I just got my Spider-Man 2 Platinum trophy and was looking through my trophy list, I wonder how many people will also obsessively chase the 100% or Platinum trophy and under what conditions.

My personal favorite 100% achievements recently and why:
Slay the Spire - I dumped almost 500 hours in this game and finally got Eternal One last year, it was an incredible journey and I definitely feel myself getting better as I play
God of War Ragnorak - I'm a lifelong God of War fan since the originals and getting through this game was definitely a journey. Finishing the final final boss was incredibly satisfying
Resident Evil 4 Remake - Another one of my personal favorite games of all time, I grinded a week for 50 hours to grab this over about 4 or 5 playthroughs
Spider-Man 2 - My fastest platinum, not too difficult but very satisfying (I do love Spider-man though lol)

Let me start by saying I really enjoyed playing the Mass Effect games. They are awesome.

I found the plot, though, incoherent. Especially in ME3. I don't mind small conveniences like "good thing this random teleporter beam designed to suck up corpses has easy entrée to the reaper's command center," because it's a game.

But how on earth did Cerberus amass seemingly billions of elite special operations forces with nobody noticing? What do you mean the secret weapon against the reapers has been improved each cycle by people who didn't know what it was supposed to do? How could that possibly result in a functional device?

It's clear, I think, that this wasn't necessarily the direction the first game was going. Cerberus was the subject of a side quest, but nothing more. The authors of the lore seemed to be taking great pains to ensure everything was logical, based on the in-universe rules they had established.

...and then ME2 kicks off and the series is almost as much about Cerberus, from this point on, as it is about the reapers.

What did you think about how the plot unrolled?

(You may also wish to read this series of essays. It's about 18 billion words long, though - fair warning. https://www.shamusyoung.com/twentysidedtale/?p=27792)

The new Forza Motorsport has released to the masses as of today, and has been available to those who paid extra for premium upgrades and the like for about a week. I got it via Xbox Gamepass and played about an hour of it this morning, and so far it feels like a nice return to form for the series, which hasn't seen a new non-Horizon edition since Forza Motorsport 7 in 2017.

That game had some baggage with the card system/gambling mechanics, and I'm glad to see none of that thus far in the new Forza Motorsport - which, you may have noticed, has dropped the number. There's a feeling that Microsoft/Turn 10 may be aiming to make this something of a long-term platform play rather than just another game in the series.

I'm enjoying it so far, and after playing Forza Horizon 4 and 5 a lot since FM7 came out, I'm glad to have the return to more traditional circuit racing, and absolutely do not miss the supremely annoying voiced characters from those games.

The thing I most immediately noticed upon playing the game (besides the graphics, which are a real showcase for the Xbox Series X or a sufficiently beefy PC) is the new upgrade/tuning system, which requires you to actually spend time driving a specific car in order to unlock the various upgrade parts for it. You earn car points for doing things like clean racing and fast lap times, which you can then spend on upgrade parts between races. The game keeps calling those CP, which makes me think that nobody at Turn 10 has spent any time on the internet. An unfortunate acronym...

I'm curious to know what everyone's opinion on this game is. I know a lot of the audience is turned off by the more sim-like/boring nature of the Forza Motorsport games versus the arcade fantasy for the Horizon games, but I'm very much on the FM side of that divide.

There's a popular trend on Reddit at the moment that they're struggling to engage with. The idea is that someone will post the question

"Ask me anything about my world"

And this does two things. It gives them an opportunity to show off their setting, and more importantly it gives them a prompt. Someone may ask a question you don't have an answer to, so you're supposed to come up with one. Doing this enough will help you flesh out your world in ways you may not have considered on your own.

I think the reason this is failing on Reddit is because there are a dozen people jumping on the bandwagon and filling the RPG subs with spam, which is causing other members to lash out at them out of fatigue.

I think we here on Tildes could probably handle it a little better, and it would be better served as a single thread. Top level comments are for asking questions, and then anyone is welcome to reply to those with their answers. By sharing the same pool of questions this will allow us to compare and contrast our worlds with our friends here and maybe help spur on the creative juices.

Now the topic may be inflammatory, so let me walk it back and say "in some cases" - let me explain;

Just got me this gamepad and I absolutely adore it - for folks not wanting to click on a link, think of it as a fancy SNES pad.

I got it as a fightpad and for that it is marvelous - and while I have no intentions of playing a 3d action game with it, I booted up some 2d indies and platformers to take it for a spin ... and realized that apparently, 6 buttons + dpad just aren't enough anymore.

Since when do you need to have a light and hard attack as separate buttons? And need an analogue stick on top of the dpad to navigate through inventory? The amount of "simple" games needing to use all the buttons on the modern controller - without a viable alternative - is ridiculous.

Yes, there are some workarounds but just wanted to vent.

I'm installing some random titles from my backlog (I have 800+ on my backlog through bundle deals, giveaways, etc.) and it's a crapshoot, not in my favor.

Thanks for coming to my TedTalk.

Edit: Yes I realize the modern controller is standardized to the "two sticks + pad + 4 face buttons + 4 shoulder buttons" design; what I'm saying is that while for some game that design is essential, a lot of other games use up all the buttons without a baked-in viable alternative, or worse yet, use buttons for the sake of using buttons!

Minor Starfield lore spoiler's ahead

Originally written for /r/games, but the last discussion thread of Starfield in that place saw many user who said they personally like the game downvoted and replied to by mentally-questionable individuals that said not-so-nice things.

As I pass 170 hours in Bethesda newest, hottest, controversial game. I am happy because it is just as fun as I had hoped it to be.
Yet as I explore the cities it has to offer there is always a small detail that I keep failing to ignore (whenever I'm not busy thinking of new ship designs that is).

200,000 units are ready with a million more on the way

So say the slender being that has been tasked with creating an army to defend a galactic spanning government of countless worlds. At this point Montgomery, Zhukov, MacArthur, Jodl, or any-other-WW2-command-figure-of-your-choosing are rolling on the ground clapping each other's backs laughing their socks off. Because 1.2 million is an absolutely puny and pathetic number of troops for a galactic war.
I'm no Star Wars deep lore fan, I understand that fans and later authors has since tried to 'fix it' by making the Clone War more that just the clones. And yet those 1.2M clones was all there was when episode 2 released to theatres.
Most Sci-fi writings has similar a problem with scaling to their subject. It is not news. It even has a tv tropes page (the page is more about distances, but it's in the same ballpark).

Quest for the Peoplefield

So where does Starfield go wrong in this? The ships are puny. The wars and the numbers stated are puny.
Certainty more ways than one, but the one that I wish to focus on is this: where the hell are all the people?
A brief summary of the lore. Humanity has invented FTL and has seemingly solved all energy problems. They had to evacuate Earth, but this was successful and so the starfield should be absolutely teeming with tens of billions of human souls spreading to all corners of the galaxy and its many already habitable worlds.
And yet, Starfield feels so barren. I see no grand interstellar civilizations. Only dirt huts on a hill surrounded by walls that support barely a thousand people. Yet this dirt hill is supposed to be a capital or an interstellar superpower. Heck, they are even scared shitless of their own fauna.
The opposites capital is no dirt hill, yet still smaller than a modern earth country town.
And it's not like the main population centers are just outside player-accessible areas. All the NPCs ever talk about are Akila, New Atlantis, and Neon. These tiny puny cities.
It doesn't feel like the evacuation of Earth was a success. It feels like it was a catastrophe, and all that remains are scattered remnants playing civilization.

And yet... The Starfield is actually lively, just not where it should be. There is a scale imbalance, because spread across nearly every world in the settled systems are countless research stations, outposts, deserted or populated, you name it.
Yes, those procedually-generated buildings that spawn nearly everywhere you land in the settled systems.
Where did these come from? Surely the UC couldn't have built them. Manning just the ones that I have come across in my playthrough would empty New Atlantis 10 times over!

Bethesda built their open-world game style upon Fallout and Elder Scrolls. For both it makes sense that the worlds are sparely populated. One being post-apocalyptic wasteland, and the other a medieval society.
But now they have built something in a completely different realm. But they way in which Bethesda built the scale at which the game is presented remains the same.
So why did they go with this approach? I don't know. Maybe they just like making "small" worlds and didn't want to fit the new universe. Maybe the idea of 'climbing any mountain you can see' is a very hard rule and they didn't want to limit player movement in metropolises, that would undoubtedly be unfeasible to make fully traversable.

But lets pretend they actually tried. And perhaps it can be done without really changing how the game is designed or played.

So you can do it better huh?

A Microsoft executive plays the game as it's nearing launch. He feels there is something missing with the scale of the Starfield universe.
So he does the only rational thing he can think of and storms into the street and picks the first rando he can find, puts the Bethesda crown upon his head, and orders him to fix Starfield's problem of scale.
The exec is later found to be mentally ill and fired, but it does not matter for I am now king of Bethesda and my words are design directives.

Tell, don't show

The simple solution that requires no real work but some change in lore. New Atlantis is no longer a capital, just a administrative and diplomatic outpost. Akila is now just a small border city. The real population centers are now on entirely different worlds. Inaccessible to the player.
Why can't players go there? Well it shouldn't take much suspension of disbelief to acknowledge that governments might not want any random idiot, in a flying hunk of metal capable of tearing space-time at it seams, to go anywhere near their main population centers without considerable control.
NPCs should no longer talk of sprawling New Atlantis, Neon, or Akila, but rather these other places that you can see on the map but are not allowed to go to.

Show enough

The population planets are now accessible, but restricted in where you can land freely. On the map it should show big cities. And just like how you cannot land in water, you can neither land anywhere in cities or its surroundings.
Just like with New Atlantis and Akila, you can land at a designated spot. The difference is when you look into the horizon, because rather than a procedurally generated landscape you will instead see a sprawling metropolis that tells you "Yes here! Here are all the people!".
The other change would be that, unlike the landscape, if you try to go beyond the player-area of the city you will hit a wall. But that is a sacrifice I am willing to make.
New Atlantis and Akila can stay, but like the other solution they would change status.

All in all the scale issue is no big problem and the game is fine as it is. This was just something that has been on mind for some time and I wanted to put it to writing. So do you agree that Starfield has a scale problem? If yes, how would you fix it? Or maybe I missed some crucial info-dump and the entire premise of this writing is wrong?

So, by now everyone knows about the big outcry over Unity's big runtime fee. Even if they backtrack, I foresee MANY developers leaving Unity because the trust has been damaged. So there are two options to look at now: Unreal and Godot. I have no experience with Godot personally, but I know there are people on here who do.

So, to those with experience with it, here's the chance to share your expertise and knowledge! What do you want new users to know about it? What do you consider its strengths and weaknesses? What resources would you recommend for new users? Any particular tips and tricks? And also, what are some games you know made with it you'd recommend, either to give people ideas of its capabilities or just because they're good games?

I just finished playing through the Fata Deum demo and you can really feel the B&W roots, even if it's minus your pet.

While there's lots to be excited about off the back of Fata Deum, it does kill me that this IP was left for dead considering how innovative the gameplay was at the time and how much potential it had.

Does anyone have fond memories of other hits from now defunct studios?

There have been a lot of complaints from DMs over the years about Critical Role and the "Matt Mercer Effect" causing new players to have unrealistic expectations of tabletop RPGs. Baldur's Gate 3 has the opportunity to introduce many new players to the d20 system/5e DnD specifically. Though it's a bit different in that the game is obviously scripted and you can't do literally anything, the game provides a ton of options and fleshed out paths, including full support of niche spells like speak with animals/speak with dead. Do you think this might have a similar influence on expectations from some new players moving forward or do you think since BG3 is a video game it will have less of an impact than CR and other tabletop shows have?

Happy Baldur's Gate 3 Day! Just wanted to open up this thread to see what everyone will be rolling as. I haven't played any of early access, so maybe be careful on the spoilers.

I'll be playing as a stereotypical criminal human rogue, mostly because I like sneaking around and dual wielding, who is aligned maybe lawful evil (planning, scheming to get what he wants) but I want to eventually bring back to good because he realizes how much his previous life has hurt other people.

I'm interested to see what you all will be playing, and what you're most excited about!

I've been playing through Remnant 2 and having a great time with it. I think they've hit on a great mix of combat and challenge. Plus I was pleasantly surprised to find that the writing, especially for the lore, was quite engaging (the intro doesn't set a high bar tbh). Still in progress for the game, so no spoilers please, but what do you think?

I know that a lot of people can only get into gaming as adults, and I have no idea how they do it. I grew up playing all sorts of games, so I'll try/enjoy anything from Harvest Moon to Baldur's Gate 3. But something that's been frustrating for a while is whenever I can't "get" something. An individual game is tolerable; I couldn't get into Stardew Valley the way I could Rune Factory, but oh well.

But shooters and (grand) strategy games feel incomprehensible to me. I enjoy Deep Rock despite being not any good at it, but it's my sole exception and probably because of the focus on PvE. Anything focused on PvP in general feels really unapproachable since I'll probably spend forever staring at a respawn or loss screen (I was just lucky growing up with SSB). I enjoy throwing myself at Dark Souls bosses way too early until I've finally gotten good, but in a team-based game I'd hate to force others into dealing with that. Strategy games are also kind of mind-boggling, but I also have trouble getting in the "conqueror" mindset that they seem to all require.

My friends really like those two kinds of games, so I'd really like to at minimum not zone out whenever they start talking to each other about them. Best case scenario, I could even try some of them myself.

Roguelikes have a special place in my heart. When you know that your character is mortal, the stakes feel so much more real, and your progress feel so much more earned. You can’t second-guess the level design, because random, and sometimes things are simply not unfair, like when you get transformed into a cute mushroom, while your otherwise generic foe get transformed into a god. I consider unfairness, uncertaincy and chaos to be core gameplay components.

Here’s some roguelikes I liked, in no particular order:

Inscryption
Sort of like Slay the Spire with retro aestetics combined with the gritty feel of the SAW franchise. The most atmospheric and foreboding deckbuilder I've ever played. It is sort of a meta-game where you play a retro computer game in which you play a tabletop roleplaying game with a deranged dungeonmaster.

Noita
Looks like a rather generic pixelart side-view dungeoncrawl, but beneath the humble surface lurks Finnish folklore, a revolutionary physics engine and an insanely versatile magic system, likely the best in any game. The game is vast, both in sense of game world but also the numbers of monsters, spells, perks and secrets. I consider this the best roguelike, full stop.

Don't Starve
Craft to survive in an unforgiving wilderness, battling wildlife, hunger cold and insanity. Having to constantly collect resources makes this game a bit on the grindy side, but the hand-drawn artwork and a rich world to explore and unlock makes this stay fresh.

Jupiter Hell
This, the successor to DRL (Doom Roguelike), is the only classic roguelike I could ever get into. The top-notch visuals makes me literally forget that I'm playing a grid-based turn-based rogue-clone. Still, the game is rather lacking in variation, and there's no lore or story choices. While I think this is by design, the DOOM roots and whatnot, I'm missing the sense of exploration and wonder found in other roguelikes. But even with that, the game is cool and ever so dark, and there's quite a lot of depth despite the simple controls.

FTL
Simplistic and neat pixelart space exploration game. The meat of the game is space combat in real time with pause, between which you plan your route on a node-based overworld and make various choices. The game, while cozy, is quite intense. You're trying to escape a vastly superior fleet while fighting off incoming attacks and trying to not run out of fuel while hopefully improving your ship to survive as the stakes rises. Every choice you make feels like a life or death decision. The fights offers a lot of different tactics. There's various ships to unlock by completing various missions. The one downside is that you have seen all the different encounters way before you have everything unlocked, but the mod FTL Multiverse adds a lot of new content.

Into the Breach
Simple tactical turnbased on 8x8 fields, by the folks behind FTL. The main gimmick is that you can see how the enemies are going to attack in their turn, and try to counter it. This works surprisingly well and offers a lot of depth.

Depth of Extinction
Underwater turnbased tactical. The game feels like watching a cheap action movie from the eighties. Sometimes the missions can feel a bit samey, and the underwater setting could be more in forefront but this doesn't stop the game from being quite a lot of fun. I'm hardly an expert here, but I've heard people who prides themselves of their expertice at turn-based tactical gaming giving this one a lot of praise.

Retromancer
Arena-shooter with a very stylish retro aestetics which doesn't confuse you in the fast-paced chaos. This, combined with a RPG fantasy theme really make this stand out from the other twin-stick offerings. This is a game I consider a spiritual successor to the original twin stick shooter, Robotron 2084. Of course, you need to play the Hunter, the other characters doesn't have the Robotron-trademark mashine gun fire. There's a dash function which is quite handy when you're about to be cornered. There is not really any character building, although by scoring enough points you can unlock various pickups. I guess it is designed for local multiplayer (there's four characters to choose from) but I haven't tried this. Plays excellent with controller.

The Wrath's Den
This is basically Dungeonkeeper, but simplified into a turnbased pixelart game with keyboard controls. You use space to switch between minions, arrow keys to move them, X to do various actions. Besides the random room choices, everything follow simple strict mechanics, which sometimes requires a bit of observation to grasp. The one major downside is that you cannot save your game. Much suck! But other than that, this humble little game is quite easy to fall in love with.

For Honor is having a free week(end on August 3rd) and have also released a new hero, the Ocelotl.

The Ocelotl comes equipped with a Macuahuitl club and Tepoztopilli spear, using these to have infinite chained attacks, and a few bash attacks. He is a hybrid, described as a ganker and disabled. His feats makes it so at tier 1 when he dies, he can move in spirit form and respawn wherever after 10 seconds, but with very little health. The longer you wait to respawn, the more health you have. The tier 2 is a complement to this, so the enemy that killed you is marked, and tier 3 increases attack speed and damage done, after you kill someone. Tier 4 is a spear attack, which drags an enemy towards you and inflict bleed.

I have tried the new hero out and overall, finds him relatively balanced. While his feats adds a new form of stress, his actual moveset is okay. It isn't stupidly OP, nor is it weak. It's pretty smackdabb in the middle, imo. Also, his feats are an inderect buff to heavy heroes, as boosting a zone is important, so the Ocelotl doesn't respawn in you back zones. This makes it so heavies can more easily build up renown (they gain extra renown from boosting), while also adding surprise attacks. All in all, I like playing against the Ocelotl (as I main Warlord, and like boosting) and I also like playing a Ocelotl.

It seems that this thread has sparked a lot of interest from the gamers of Tildes, but the forum just isn't a great place to actually get things going. To remedy this, I've created the Tildes Game Nights discord server where people who like the format of Discord can get together and play games :). I hope to foster the same sort of civility we have here, so the rules are pretty much identical to Tildes' (with a bunch of the rules being taken directly from the code of conduct). I already have some channels set up for the games that got a lot of votes in the linked thread, but I can add more if there's popular demand.

Here is the invite link :)

This is a calling for all my fellow TESV modders; hello! How are you? What mods are you running? Know of any hidden gems? When will I be satisfied with my modlist and actually play the game? Any and all modding conversations are welcome here, because I don’t want to fill ~games with identical topics lmao.

Curious to hear what the people of tildes think.

As we close in on 3 years of use with these newer consoles, what are every one’s thoughts? Has “next gen” been what you thought it’d really be or are you kinda just feeling whelmed?

I have a PS5 and I use it every now and then for pretty much the first party games. PC is my main platform but as I think back, I’ve been pretty happy with my PS5 and the games to come so far. I also really enjoy the UI (although custom backgrounds would be great).

I don’t know how the Xbox side is so I’d love to hear your thoughts to!

Thanks for taking the time to read.

I played the original PS3 version of the Last of Us, but I have never tried Factions. Over the years, I’ve heard a lot of good things about it, but at this point, I’m going to wait to try out the new multiplayer when it releases.

I’ve seen a few details floating around online: it’ll be set in San Francisco, have a new cast of characters, and have it’s own story.

I want to know, what kind of mechanics and story elements do you want to see make it into the multiplayer? If you played Factions, are there any stand out features that you want to see return? Do you care if it’s live service? Do you want it to have “seasons” that build on the story over time?

Three devs just made one of the best selling games this year. A throwback to when games were more about actual gameplay than story or graphics. I think it's pretty cool.

What do you think so far? What are your favorite classes/loadouts? Any sneaky/funny shenanigans you feel like sharing?

Did you know the PP19 quick mag is horribly bugged and so the gun has the lowest recoil in the game? It isn't the best weapon, but it is pretty much a laser.

Welcome back to the third weekly game jam thread.

Whats a game jam you may ask. Well imagine if you locked a group of game developers in a box for box for some quantity of time ranging from a few days to a few weeks and told them to compete with each other by building something around a theme and then judging whatever each other came up with, that's a game jam.

Longtime viewers AKA the 5 people to who looked at the 2 previous threads will have no doubt noticed I missed last week. During an unusually normie weekend I was busy awkwardly standing in a corner at not 1 but 2 different parties and was super tired when I got back I did not want to write this up. I hope you can forgive me. To ensure that this does not happen again I am moving this thread to Sundays which should give me more time flexibility and something to look forward to instead of sitting around dreading the upcoming work week.

Also as a bit of compensation for your troubles today I am linking 2 top quality longer games that you can really sink your teeth into this week. I am 100% cool with someone discussing games from any week in future threads so don’t sweat the time commitment and don’t feel you have to finish the whole game before returning to discuss it. Quality video games shouldn’t have an expiration date.

With that said lets get into the this weeks games

Infinimall: Dream Job!

Platforms: Windows, macOS, Linux, Android
Authors: Pandora
Genres: Visual Novel

Coming to you with love from the the folks in the the proverbial vaporwave-dreamworld-liminal-mall-urbex complex, Infinimall: Dream Job! Is a dating sim visual novel set inside a surreal mall and originally written for the NaNoRenNo 2023 Jam. Featuring the Doomer Girl like bisexual disaster Mia(I wonder if its the same Mia as Heart Beat) as she navigates a dead end job and tries to get her dead end life back on track.

According to my calculations the game has about 100 book pages worth of dialogue over all its branches which should be a breeze for the text-only titans that walk the halls of this site.

Hypnagogia

Platforms Windows
Authors: sodaraptor
Genres: Adventure

Our second game is also taking us to the dreamworld but this time its inspired by late 90s PSX aesthetics, in particular, the cult classic game LSD: Dream Emulator which is fitting given it comes from LSD Jam 2020. It centers on a gameplay loop of exploring diverse dream worlds inspired by dreams from the developers own dream diary. I think the game is best thought as a sort of drug trip or spiritual experience in the same way as something like Superliminal. Go in with an open mind and I think most people can get something from the experience. This goes double for the games sequel Hypnagogia 無限の夢 Boundless Dreams which is available without DRM on itch.io or with DRM on Steam if you are into that sort of thing.

However long it takes after you awaken from your strange dream let me know what you are thinking. Its okay I won’t die if you don’t like the same games I do though I will be sad. Its lonely walking the path of niche games but you can’t make friends if you never share.

PREVIOUS WEEK

My friend and I embarked upon a journey over the past few months to create a tabletop board game. The interesting part is that we were motivated by the emergence of generative AI and the capabilities it had in rapid prototyping concepts. On a whim we said, let's see how far we can push making a board game. We pushed Midjourney, ChatGPT, and a variety of creative tools to help build the foundation for our game. We both have design chops and are into diy, creative design, and 3d printing, and technology to help get this thing past the finish line.

We are now at the point were after many iterative sessions, we have a functional and fun to play game! Our intention is to give it away as a free downloadable that folks can 3d print and paper print all the parts so they can play too! Huzzah! We are balancing the rules and creating the instructions which is not something we are relying on AI aside sticking to the theme. We are in search of inspirato on what makes gameplay fun for folks today.

Question What are the most fun, exciting, or challenging aspects of any tabletop or board games you play? What keeps you engaged?

EDIT
I didn't give many specifics on the game itself, and figured it might help. Remember we used AI to come up with this storyline. The prompt was to write a story for a "Sci-fi Christmas Horror" board game...

The basic premise is that you are attending a party at the North pole celebrating the research of Dr. Frost on ancient Christmas magic. Predictably things go bad, and you have to find your way out before it's too late and you are killed by a troop of Christmas themed monsters.

The games objective is to work together to escape the facility by collecting sleigh parts, fighting monsters, navigating a maze in dark hallways, and visiting special rooms to solve puzzles. It's all kinds of ridiculous but fun it its own way.

I used to absolutely love DayZ when it was still a mod. Even over a decade later I've yet to find a game with the sheer level of adrenaline that it could induce. I fell off the genre when it started moving towards crafting and base building since the systems just ended up feeling like busywork and detracted from the intensity of the core gameplay.

Is there anything newer that captures that experience from early DayZ, or is the Rust/Ark style gameplay loop completely ubiquitous now? I'd love something with good gunplay, a focused set of systems, and a punishing difficulty curve.

I was playing Motorstorm: Arctic Edge emulated on my Vita and realized I have literally never seen it brought up or discussed online.

Motorstorm is a dead franchise, but the console games I occasionally see talk of but never the psp version. I think it did a great job of capturing the feel of the game on the go and has a banger soundtrack too. I played it a ton back in high school on my psp and still boot it up from time to time for a quick hit of adrenaline fueled racing.

I'm sure others have similar games, maybe it's a "bad" game that you love or just an oldie lost to time.

Is anyone here playing/finished with the System Shock remake? I’d love to hear your thoughts whether you’re brand new to the series, played the original, or played System Shock 2.

• What are your thoughts on the game? What’s good and bad about it?
• How well did they pull off the remake?
• Does the game still appeal to modern sensibilities?
• Did you lose faith the game would even come out between now and when it was crowdfunded seven years ago?
• What other thoughts do you have?

Please mark any spoilers, either by warning in advance or by putting them inside of a details dropdown:

Edit: I originally miscalled it a remaster. It’s a definitely a remake.

This is a follow up to this discussion from the other day where I was getting ready to DM my first session of 5e. tl;dr from that is that I was chosen to be the DM by my group and we're playing through the Essentials Kit campaign, albeit with certain elements tweaked to give it more flavor.

Our first game was last night and I think I crushed it. Typical of our group we got a later start than intended, so we only made it through most of a single quest. But man it was so much fun. I was expecting the group to go routes I hadn't expected, but I really didn't account for them splitting the group...whoops.

Basically the first quest was to retrieve an elderly woman from a windmill. When they arrive, the windmill is under attack by a manticore. In my head the solutions were A) fight it there, B) distract it and save the woman, or C) go hunt with it for food.

The group ultimately chose all 3. One character started telling the Manticore riddles while another snuck around behind the windmill to try to get the woman out of the house. But conveniently the window was too small. It culminated in the Manticore going hunting with a Harengon alone, the rest of the group realizing what a bad idea that was and then shadowing them. And then ultimately the group jumped the Manticore and we had our first encounter. Thankfully I had nerfed the Manticore's health about 40%, so it was a pretty easy fight.

The weakest part was definitely the combat. I was never any good at that as a player, so me running it was a little rocky. But nobody died, everyone got to participate, and they defeated the Manticore at about the right speed to keep it interesting. The best was just the roleplaying. I got to play as 3 distinct characters (the starting zone guide character, the Manticore, and the old lady) and had a blast. The old lady's voice slowly slipped into a Terry Jones inspired cockney woman's voice, which is just so much fun to do.

Long story short, everything went really, really well. I know what did and didn't work, so I'll be adjusting accordingly for next session. Although very little didn't work. I was really pleased. And since we didn't even entirely finish the first quest (the turn-in part at least), I still have a quest/dungeon written up that I can use for next week.

I'm currently reading over and learning Warhammer Fantasy Roleplay 4e I'm moving more and more away from D&D and Pathfinder games towards others due to different mechanics, fantastic design, etc.

I've seen much conversation about WFRP 4e online and how it's not as good as 2e, or too complex, or other arguments. I'm not looking to start edition warring, but how many of these arguments still hold true in 2023 with the newer rules from Up in Arms and Winds of Magic?

If there are complexities/gaps in 4e, what variant rules, house rules, or homebrew are you using to fix those things or fill them out?

I'm not especially creative, but I love having props at the table for games. Some games seem like a better fit for props than others - for example, Call of Cthulhu's focus on investigation makes having prop newspaper clippings, diaries and journals, maps and other ephemera feel natural and rewarding. It's made that much easier when the publisher provides them with a scenario, which is what Chaosium does for Cthulhu - the starter set handouts are freely available at their site.

Recently, I've added a mix of etsy and more premium products to various games:

• a fun set of inn menus, maps and store price list handouts for Lost Mine of Phandelver (link)
• I'm waiting for the Silver edition of Waterdeep: Dragon Heist to release from Beadle and Grimm (link)
• For the introductory Cthulhu adventure 'The Haunting', I found some really nice non-combat maps on DTRPG (link) and added the handouts from the HPLHS Classic Game Prop Set (link)

I'm curious to know how other people use props at the table, if you make your own, or have found something on etsy or elsewhere that you'd recommend.

I've seen how some people love when games like Hi-Fi Rush just shadow drop instead of being revealed at some kind of gaming presentation (like a Nintendo Direct or The Game Awards) with a proper trailer and a release date set for some point in the future. I personally prefer the latter, since it lets games give me the first impression they want to, while with shadow drops, the first impression can be a big spoiler or some meme or really anything. It also helps me mentally prepare for the game to release, in a sense. So many games release every year, it's useful to know when they're coming out for budget and schedule reasons for many people.

What do you guys think? Do you have a preference?

I've been out of the game for years. I left midway through Legion, early into BfA, and then finally SLs burnt out any lingering love I had for the world and its lore. Apparently DF is better, but it's not a world that interests me anymore. Alternatively, Classic was neat, but it's a solved game and mostly a time capsule.

So I'm surprised how much I look forward to playing classic hardcore when my daughter goes to sleep and I have a bit of time to myself. I'm never bored; even boring walks might have stealthed panthers or stuff, so I have to pay my full attention. Whenever a bag drops, or I get an upgrade, it's the best feeling in the world. Leaving a kobold cave alive is such a rush. Watching your hearthstone finish casting in the middle of an enemy camp and letting out that breath that you're holding is incredible.

It absolutely sucks when you die, but then it also makes me more likely to try out classes and races that I usually steered away from, because why not?

Is anyone else on the same boat, or looking forward to the official servers?

I have been making a game with Rpg maker MZ in my free time. It is a slow process, but it is coming along. With no background or experience with coding, I had attempted to jump into Unity a while ago, but quickly became overwhelmed and gave up. Rpg Maker has felt like a great onboarding for learning game design. The simplicity of making events, adding in sprites, sound effects, dialog and anything else you want is amazing. I've gone from googling how to do the simplest of things, and now have a full town with npcs, a dungeon with puzzles and a few quests, and usually able to figure out any problems on my own. It feels like my own little world. I even have a small discord that I post updates to and get suggestions/comments from friends and family.

I think when I am done with this demo, I may give Unity another shot. I feel like I have a much better understanding of how to think when designing a game. I know Unity is a much bigger step, but I feel like I can at least see the staircase now.

So I guess my question for you is, what other programs have been instrumental to your game design journey? Have you used Rpg Maker and what are your thoughts on it?