Spoilers for Ahsoka Season 1, Episodes 1-4; but also Star Wars Rebels & Clone Wars, or really any Star Wars (including Mando/Book of Boba) is fair game.

I kept the title vague but I really want to discuss the World Between Worlds.

For those unfamiliar that is where Ahsoka found herself at the end of episode 4. For those familiar (again, Rebels spoilers) it is a special Force place that can view and, in at least one instance, interact with the past. By all accounts it also has some echos of the future.

It's not technically "time travel" but it will potentially be viewed as such and have a similarly long lasting affect on the Star Wars universe.

Do you think the World Between Worlds is a good idea? What story do you want to see told? What story do you think will be told?

Hi everyone,
So having been a massive fan of the Matrix trilogy, I was very excited about the Matrix 4, but obviously with a very hesitant heart of not being too excited, for fears of it failing to meet our expectations. But unfortunately, that's what happened, at least from every person that I've asked about it.

I know it was just the one Wachowski sister that was involved with this version, so it makes sense that it might have a slightly different flavour. And yes, I've watched it about 3 times. I really wanted to see if there was anything I needed to see or think about that would make it enjoyable, as I really wanted to have it up there with the original trilogy. (After all, I did enjoy some of the Wachowski's films after the trilogy.)

Is there anyone here that:

1. Did enjoy it.
2. Would be able to play devil's advocate on why they think it was good, or what we missed?

I am very keen to get into the nitty gritty of it. :-D

Im a soundtrack collector, I have a ton of vinyl and tapes of various quality and I regularly listen to a mixtape or something of film music while doing my work. I lean towards more ambient styles like Prisoners and Arrival by Johann Johannson (rip) as well as Bladerunner the best soundtrack of all time. Also, im not entirely against pop soundtracks where the studio has just got a load of songs and not written their own but often the album release misses out songs due to rights reasons, so its incomplete.

today’s top 5: Vangelis’ Bladerunner, JJ’s Arrival, Prisoners, Jerry Goldsmith’s Chinatown and Tangerine Dream’s Sorcerer.

What are people into? Nothing better than decent headphones and a coffee with a soundtrack.

I only have a vague familiarity with the franchise, does the film stand well on its own, or should I skip it?

I have an AMC membership and hate to let tickets go unused if there is something worthwhile playing, I wouldn't ordinarily consider it if I didn't have the extra tickets.

Hey all. I’m sure there’s a lot of new users making their way to Tildes this week. Let’s share some Letterboxd profiles to get the community going. I guess I’ll be first! Follow me if you have similar taste and I’ll do the same: https://letterboxd.com/plo/

I recently acquired the criterion release of Stalker (1979), a film I have not seen since I was a teenager. I remember liking it back then, but I didn't appreciate how much it would simultaneously wash over me as well as work it's way into the back of my mind, like an eel of a tone poem.

For those who have not seen Stalker, it is a journey of three men into a mysterious and beautiful "Zone" in search of their deepest desires.
I full throatedly recommend. Gorgeous film.

While the symbolism has been thoroughly discussed elsewhere on the internet, a less talked about aspect (of this and other films) is how it makes the viewer feel.

For me personally, the three moments that most affected me on a visceral level all involve people lying down.
Why, I'm not sure.
But they are: The scene where The Stalker lays in the tall grass, I felt such a calm bliss as he soaked in the lush green nature of The Zone;
The scene where The Stalker sleeps on a tiny dry piece of ground in a large flooded canal, I felt a sense of sublime misery. The only thing I could compare it to is when you get suddenly awoken when you haven't had enough sleep, and have to go out into the cold early morning still nodding off, and nothing feels real;
and third is the lingering shot of the dog sitting guard over the entwined bodies near The Room.
I felt a profound longing sadness. I imagined that the entwined lovers died together in some relation to their deepest desire.

I really love films that wash over the viewer in this way like a tide, and I hope that some of you do as well.

Another film that has a similar aspect is Upstream Color (2013), and while the creative mind behind that film is....perhaps a mentally unwell abuser, I can't dismiss the art he has created. I guess my relationship with his work is complicated.

How do you Feel about stalker?

Are there any films that had a similar effect on you as this one did to me?

Always looking for recommendations!