When I was a kid, I remember the soundtrack to the world being oldies. Stuff from the 1970s and earlier. Boomers were always being pandered to by nostalgia. Decades later that pandering shifted to the 1980s, something I'm sure the Gen Xers must have appreciated. A year or two ago I realized that the nostalgia train has been in the late 1990s and early 2000s.

It occurs to me that there has been nostalgic pandering going for a long time and I just hadn't realized it. I assume it's because a lot of the most notable ones have been pretty bad, particularly in the case of movies like the Space Jam sequel or the Jurassic World series. But music has had it's share too. I remember hearing a lot of references to 90s hip hop, and old bands like Backstreet Boys and My Chemical Romance have got back together. I've also been seeing a lot of references to old TV shows like Gilmore Girls and Buffy the Vampire Slayer (though, to be fair, people never really stopped talking about Buffy).

Personally speaking, I'm not a fan of this. Yeah, the movies have been bad, but that's basically just the state of hollywood right now. But more than anything, I'm kind of disappointing by it. I'm more interested in new art, generally speaking, and more importantly, seeing all of these throwbacks is starting to make me feel old.

Its 2am and I should be asleep so I'm sorry if this is maybe just a weird midnight rant.

Today I saw a news article on the other site about aggressive monkeys with covid and herpes escaping a crashed semi truck.

My first reaction was "is this headline a joke" and I couldn't tell. Then I looked at the source (action news 5 or channel 5 action news, or... something) and even opened the page to have a look for clues of it being fake and without digging deeper I just couldn't tell if it was a legitimate news site or not. So I read the (short) article and looked for clues and it sounded probably legitimate. There was a photo of the scene with a monkey at the rear of a trailer but af this point I can't instantly spot AI images and who knows if it isn't just an old photo. Then I go to the reddit comment and they're parroting additional "facts" but nothing that felt substantial.

I felt very struck by the feeling that I don't know if I can trust any information online unless it's REALLY from a trusted source, and I'm not really sure what sources I can trust anymore.

Is this just me? Have you felt a significant change in the last few months? AI is playing a big part in my distrust, but Im also seeing echo chambers somehow get even worse.

Also, it found out later that the monkeys weren't knfected with a bunch of viruses, it was some sort of miss-communication.

I have a 4 year old and I'm looking for some video suggestions (ideally a series) that showcases cultures around the world. I have lots of options handy for seeing all sorts of animals from any corner of the globe that are all very kid-friendly if not kid-oriented, but not a lot comes to mind when I want to introduce her to human life around the world. Particularly in urban places. Her exposure to these other cultures is usually just as porters helping some white guys walk around a jungle looking for animals. I can also find lots of travel series, which go to different places, but they are all oriented to adults-- either talking about how to travel to these places as a tourist, or have more adult jokes or are too focused on the presenter.

Are there any well made series about life in other places? I'd like her to see life in Tokyo, Cairo, Mexico City, favelas of Brazil, Amsterdam, Mumbai, etc.

Sydney Sweeney has been the subject of a lot of controversies as of late. But what I want to focus on is how media outlets have been covering the release of her two new films, Americana and Eden.

Some background:

Americana is a genre film. It was shot and screened in 2023 to relatively positive reviews. The company that financed it, Bron, went bankrupt shortly after the film's screening. Due to this bankruptcy Lionsgate was able to acquire the rights to the film for cheap. While the film was made on a nine million dollar budget, Lionsgate purchased it for three million, with two million of that coming from international rights sales. Meaning that Lionsgate only spent one million acquiring the domestic distribution rights. In order to get more VOD sales and streaming deals, Lionsgate gave the film a small theatrical release with next to nothing in marketing.

Eden premiered at TIFF in 2024. Directed by Ron Howard the film also stars Jude Law, Vanessa Kirby, Ana De Armas, and Daniel Bruhl along with Sweeney. The film was financed at a net cost of 35 million dollars. It received mixed to negative reviews and only Netflix was willing to purchase it. Ron Howard opted to go with a smaller distributor, Vertical (who are mostly known for straight-to-video trash but have been slowly building themselves as a more legitimate art-house distributor), due to wanting a theatrical release which no one wanted to give the film. Vertical made a deal for less than 20 million dollars for the film.

Now, each distributor had their reasons for acquiring each film. Lionsgate saw a cheap film with a rising star which was well-received. It was an easy profit for them and helps build up their library as they are looking to be sold off. Vertical, having released last year's acclaimed The Order, is trying to build a filmmaker friendly reputation. Buying a non-commercial film with a high profile cast and a high profile director gives them more exposure and allows them to be more in the conversation for prestige filmmaking.

The film's financiers, however, are the money losers in both situations. Whether or not the distributors lost money doesn't really matter. Money losers are money losers and these films should be described as such.

And this is where it gets weird.

In the wake of Americana's opening we got two different articles about the film's box office. One from Deadline and one from IndieWire. Covering for the film, arguing that they weren't money losers for the reasons I myself just gave earlier. This weekend, as Eden just released, Deadline releases yet another article defending the film's performance.

This is too much coverage for these films that no one saw. Comparable films never get articles like this. So what's going on?

Here's my conspiracy theory. Sydney Sweeney is friends with Jeff Bezos. She attended his wedding and a few months ago there were heavily circulated rumors about her being the new Bond girl a franchise that Bezos unfortunately owns.

The media outlets that cover the entertainment industry: Variety, Deadline, Hollywood Reporter, and IndieWire are all owned by the same person: Jay Penske. Penske and Bezos run in the same circles, rich guy circles, and have attended philanthropic events at the same time. What I believe is happening is that Bezos is using his influence and connections for these outlets to write out positive headlines for Sweeney, due to her controversies, to create a more flattering image of her and her career.

It's odd, to say the least.

As of July 1st, all articles are behind a paywall. This includes all historical articles (going back decades, apparently), including any and all InternetArchive copies -- so RIP every Wikipedia link that has ever referenced them as a source. A free-registration option gets you access to 3 articles per month. A proper subscription is $230/year.

A freelance journalist who has been published with them in the past had this to say about it, which I thought was enlightening and, well, thoughtful.

On SpaceNews going paywalled, and the broader disregard for archiving in journalism.

I reviewed his stuff a bit, and I like his writing, so I added his RSS link to my feed (while simultaneously deleting my SpaceNews link), and on a whim--because he has his email right there on his "About" page, I emailed him to tell him that I liked his article and I just replaced SpaceNews with him.

Like, an hour later, I received a response from him, reminding me that he focuses primarily on the Moon, and that he loves RSS and is happy to hear people still use it.

And it was so refreshing to connect--almost directly--with an actual human being writing news.

Just thought I'd share.

Oh, I also want to comment on that price ... $230/year is--IMHO--wildly overpriced. But almost immediately, it also occurred to me that they probably lost more readership going from $0/year to $1/year, than going from $1 to $230 so, you know, business-wise, I suppose it's not exactly a horrible decision.

But I'd like to hear other people's opinions on that price, too.

They aren't a startup anymore, but it seems the current CEO, Tony Stubblebine, got it right, according to his latest (long) blogpost.

Although Medium is in a healthy path now, they burnt goodwill so many times in the past that my trust on the business is absent. I wonder how other people perceive them…

Looking at the submission rules for Clarkesworld Magazine, I found the following:

Statement on the Use of “AI” writing tools such as ChatGPT

We will not consider any submissions translated, written, developed, or assisted by these tools. Attempting to submit these works may result in being banned from submitting works in the future.

EDIT: I assume that Clarkesworld means a popular, non-technical understanding of AI meaning post-chatGPT LLMs specifically and not a broader definition of AI that is more academic or pertinent the computer science field.

I imagine that other magazines and website have similar rules. As someone who does not write directly in English, that is concerning. I have never translated without assistance in my life. In the past I used both Google Translate and Google Translator Toolkit (which no longer exist).

Of course, no machine translation is perfect, that was only a first pass that I would change, adapt and fix extensively and intensely. In the past I have used the built-in translation feature from Google Docs. However, now that Gemini is integrated in Google Docs, I suspected that it uses AI instead for translation. So I asked Gemini, and it said that it does. I am not sure if Gemini is correct, but, if it doesn't use AI now it probably will in the future.

That poses a problem for me, since, in the event that I wish to submit a story to English speaking magazines or websites, I will have to find a tool that is guaranteed to be dumb. I am sure they exist, but for how long? Will I be forced to translate my stories like a cave men? Is anyone concerned with keeping non-AI translation tools available, relevant, and updated? How can I even be sure that a translation tool does not use AI?

I've been wanting to tell the Tildes community about a favorite podcast of mine, The Film Reroll, an improv. comedy show which plays through your favorite movies as TTRPGs and totally ruins them (their words, I love the show and think the cast is amazing), and would love to hear about any podcasts y'all listen to that you might want to recommend to others!

Apologies if I've chosen the wrong topic for this one. My request is broad, so I'm not sure where it should go. Could have fit into an "education" topic, but that doesn't exist so… 🤷‍♂️

I stumbled onto the Manga Guide to Databases, and I'm having a lot of fun reading through it. It's reminded me of other media that is explicitly designed to teach a topic in a fun way. A few examples that stand out:

• The Little Schemer (book)- Teaches recursion in a really intuitive way through a narrative.
• Go! Go! Nippon! ~My First Trip to Japan~ (game)- Teaches you about Japan and Japanese culture through a visual novel.
• How Heavy Are the Dumbbells You Lift? (anime/manga)- Does more storytelling than teaching, but there's still a fair bit of teaching in here about how to get started working out

I really enjoy this kind of media, and I'd like to find more of it. What other media have you found that fits this description? Topic and medium doesn't matter as long as the delivery is effective. I don't even care if the media seems designed explicitly to teach the topic or if learning is just a pleasant side-effect of engaging with it.